Artist Statement
The work expands Seaman's set of exhibitions related to the Thoughtbody Environment and Neosentience [ongoing collaboration with Otto Rossler] and extends Yeong-woong Cheong's work in terms of computer graphics/video generative systems. A large-scale generative visual poem is presented on a number of large format screens in the lobby and outside of the SK building, Seoul. The poem addresses the notion of "communication" from many perspectives. Seaman shot video in Seoul and across the Korean countryside. A combinatoric poem Seaman explores many notions of the space of communication and the poetic communication of space.
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ConFIGURING the CAVE is a computer based interactive video installation that assumes a set of technical and pictorial procedures to identify various paradigmatic conjunctions of body and space. The work utilises the CAVE technology stereographic virtual reality environment with contiguous projections on three walls and the floor. The user interface is a near life-size wooden puppet that is formed like the prosaic artists' mannequin; this figure can be handled by the viewers to control real time transformations of the computer generated imagery and the sound composition.
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Inspired by the artic sound experiments of Glen Gould. Isolating small talk at crowded parties, this engine allows the user/reader to create their own vocal mess.
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]]> ]]> Heather McHugh's description from I love E-Poetry]]> Anne Phillips, blog Visual Arts Hub]]> Artist Statement
We live in an age of big data, when much of what we say and do is captured and stored in vast, searchable databases. What is the future of the novel that most personal and intimate of artforms as private lives are increasingly turned into public data? DataFiction v0.1 is part of a major new collaboration between myself and artist Andrew Burrell that aims to create a real-time, data-driven novel. These excerpts of generative, network-sourced prose were presented as early work-in-progress, with the aim of inciting audience interest and critical feedback.
Source of Artist Statement]]> Excerpt of Leonardo Flores' description, I love E-Poetry]]> Description from Media Art Net]]> Artist Statement
Don't Leave Me, Baby is a digital poem created out of live social media data. Messages of emotional anguish and insecurity are sourced in real time from Twitter and matched with expressions of consolation and reassurance. Tears are wiped away as soon as they are shed; hearts are mended as soon as they are broken. In the data stream, our emotional evolution takes a great leap forward; the human psyche becomes a flawlessly resilient, self-correcting system.
The work is part of a wider exploration of the emergent personality of the Internet and the possibilities of data-driven text by hybrid media artist Andrew Burrell and writer Chris Rodley.
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Inspired by lost diaries and those strange diseases that arise in one percent of one percent of the one percent of us.
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Redesigned the interface, playing off 3D feel on version one, placing it within the two dimensions. Added a few extra bits, and readjusted the medical reports.
Source of Artist Statement]]> Gillian Fuller.]]> Artist Statement
Empyrean is a soft space constructed on the internet in Virtual Reality Modeling Language, a parallel universe to the hard spaces we inhabit each day. It contains seven intertwined e-scapes, - order, truth, beauty, strangeness, charm, chaos, and void. These zones are realms of the spirit, arenas beyond space and time which are simultaneously contained within the screen, just as the medieval empyrean of Christianity was the containing sphere or outer limit of the universe, the arena where god and the angels where thought to live.
The work is an investigation of the colonization of the virtual - confronting the re-creation of urban spaces and the pioneering metaphor that has infested the web as users try to remake online virtual space as a poor imitation of the real. It is a space with no attachments to offline reality, a place of emptiness - of hungry voids, of gaps and environment, which has no horizon line to anchor oneself against, and no attachment to offline hard space. Empyrean deliberately does not provide pathways to follow so that the viewer must transverse the otherworldly yet oddly familiar domains thru their senses, by feeling one's way thru this immersive environment with its in-tensions and strange attractions.
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Series of short ficto-doomsday stones using with real-time countdowns to the end of times.
Source of Artist Statement]]> Gillian Fuller]]> Source of Description]]> Description from the blog ISEA2013, RealTime ]]> Artist Statement
It's a real-time question and answer session which gives audiences the chance to query the Internet collective consciousness on any subject and receive real-time, generative responses. To make it work from a technical point of view, we've needed to define a series of complex (and sometimes simple) algorithms that query online data streams in order to return relevant answers without any intervention from us. Currently we're focused on testing the app that drives the artwork by priming it with questions (if you tweet a question now with the hashtag #enquire Sydney or #enquire Darwin it will be added to the list). We've been finding that the answers given by the digital hive mind offer some glimpses into its emergent personality.
Source of Artist Statement]]> Teri Hoskin, Ensemble Logic + Choragraphy
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Keyboard driven video/sound poem generator. Create your own pop spell combinations. Includes 80s commercials, bombs, star trek.
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Keyboard driven video/sound poem generator. Create your own pop spell combinations. Includes 80s commercials, bombs, star trek.
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Keyboard driven video/sound poem generator. Create your own pop spell combinations. Includes 80s commercials, bombs, star trek.
Source of Artist Statement]]> Extract from the article Mind, play, empathy & machines, Real-time magazine
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_Error_in_Time_ give us a compelling insight into geek space from the perspective of a female hacker. [It] uses sound, literature, performance and live code manipulations to explore the intimate workings of computer/human interfaces, surveillance and social media. _ Error_in_Time_ is a performance in which the character enters into her daily computer routine. The coded content of her screen is projected upstage. Networked presences, dancing, file searching and parsing are the main scenes of action. She weaves her story via performative algorithms and types in a surreal first person narrative touching on subjects from dark matter to rogue bots.
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