Artist Statement
Top-down zombie shooter where the artwork is generated by playing. [W]inning and losing has video rewards.
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Hidden secrets and interactive layers are packaged by our obsessions with objects and their terrible dark between. Between Treacherous Objects explores the space between various contemporary items/ideas. For example, between the Refrigerator and the Death Bed is a heavy lines and gradual space, where eating can fill your world, ending it as well. There are twelve levels, each playing with the depth of the screen, allowing the user to move in and out and around the floating space.
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Real-time weather rss feeds drive a series of visualizations. Artistically translates numbers into strange creatures.
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This work uses interactive spaces to explore our obsessions with microscopic species killers.
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A slot machine for predicting death. Stripped down code of a slot game inserted with 15 five-line death fictions, poeticals.
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One possible reading is as 3-dimensional concrete poetry sculpture generator. The cube interface allows the reader to move the interface in 3-dimesional space, with the all elements placed on the cube transforming in proportion to the cube's movement, perspective and warping is reasonably maintained as the cube is moved. Furthermore, each of the rows and columns can be moved to further recreate the placement and graphical nature of the poem.
Each of the sides of the poem are colour coded to give the reader a reference point for the initial configuration of the interface, so changes become more apparent. A learning tool designed by myself and programmer Rory Hering. The Cube allows users/poets to enter a 16 line poem, with those lines automatically placed within the multi-layered sections. Use the buttons to move in and out, recombining the poems by turning the Cube upwards, downwards and inwards. Built to act as a bridge between the print and digital worlds.
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Keyboard driven video/sound poem generator. Create your own pop spell combinations. Includes 80s commercials, bombs, star trek.
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Keyboard driven video/sound poem generator. Create your own pop spell combinations. Includes 80s commercials, bombs, star trek.
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Keyboard driven video/sound poem generator. Create your own pop spell combinations. Includes 80s commercials, bombs, star trek.
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Algorithmic driven mascots. Hypnotizing stuffed and evil creatures. Both humorous threat, and creepy absurdity.
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Net Behaviour is an open email list community for sharing ideas, posting events & opportunities in the area or networked distributed creativity. Also facilitating collaborations.
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Using speech to text software trained to my scratchy and yet (in the afternoon) velvety voice, I process the worlds of media (movies, radio, music, crowds, the ocean). The software, as all technology, is an imperfect and jealous lover that misunderstands explosions, or ambient noise as text, and retranslates the sounds and dialogues, finds hidden words beneath what we (and it) hears. Think of the process as an interpretive dance, a jittery technological oracle for our electronic boxes that shine out uncertain media prophets. These poems are the first in a series of noise to poetics experiments.
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Recombination, hand correction and the layering of meaning are built into his exploration of design and poetry.
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While net-art becomes increasingly more complex, more database and programming centered, this project shoots for simplicity. Utilizing the basic mouse-follower, Uncontrollable Semantics pulls together over fifty dramatically different sound, image and interactive environments, all through the simple mouse follower. While a simple innovation, this technique allows the user/player/reader to create their own experience, to feel the work come from the screen. Each environment offers four directions to four terms, four semantics, four named creatures. Explore and play and confuse yourself.
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An anthology of interactive poems. Originally was three different works. Fitted together in "selected works" mode.
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Redesigned the interface, playing off 3D feel on version one, placing it within the two dimensions. Added a few extra bits, and readjusted the medical reports.
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Inspired by lost diaries and those strange diseases that arise in one percent of one percent of the one percent of us.
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Inspired by the artic sound experiments of Glen Gould. Isolating small talk at crowded parties, this engine allows the user/reader to create their own vocal mess.
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A collection of related digital poems, all attached to objects, exploring our fascination and near religious reliance on household machines.
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Fiddle with the intersections between ficto-biography, found text and obscure science. Packaged in the dust bowl landscapes of the Oklahoma panhandle.
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Allegiance between common objects and overblown titles, brand names. Toothbrushes and carpet beg us to find joy in our status as dry and flooring shined buyers.
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Exploring depth, plays with texts inside texts inside texts. Artwork arrived after watching loose poem pages blow from my car.
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Simple interacter, forces the reader/user to play. More abstract painting than strict poem, but glorious fun all the same.
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Combines mysticism science with math poetics caressed into game interface. A modified card game cycles randomly through 52 options.
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Cloned sheep with teeth outside their skulls, recreate the cloning gone bad process with a hyperpoetic context. Includes an embarrassingly bad "matrix" interface.
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