Artist Statement
One possible reading is as 3-dimensional concrete poetry sculpture generator. The cube interface allows the reader to move the interface in 3-dimesional space, with the all elements placed on the cube transforming in proportion to the cube's movement, perspective and warping is reasonably maintained as the cube is moved. Furthermore, each of the rows and columns can be moved to further recreate the placement and graphical nature of the poem.
Each of the sides of the poem are colour coded to give the reader a reference point for the initial configuration of the interface, so changes become more apparent. A learning tool designed by myself and programmer Rory Hering. The Cube allows users/poets to enter a 16 line poem, with those lines automatically placed within the multi-layered sections. Use the buttons to move in and out, recombining the poems by turning the Cube upwards, downwards and inwards. Built to act as a bridge between the print and digital worlds.
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Keyboard driven video/sound poem generator. Create your own pop spell combinations. Includes 80s commercials, bombs, star trek.
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Keyboard driven video/sound poem generator. Create your own pop spell combinations. Includes 80s commercials, bombs, star trek.
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Keyboard driven video/sound poem generator. Create your own pop spell combinations. Includes 80s commercials, bombs, star trek.
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Algorithmic driven mascots. Hypnotizing stuffed and evil creatures. Both humorous threat, and creepy absurdity.
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Net Behaviour is an open email list community for sharing ideas, posting events & opportunities in the area or networked distributed creativity. Also facilitating collaborations.
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Using speech to text software trained to my scratchy and yet (in the afternoon) velvety voice, I process the worlds of media (movies, radio, music, crowds, the ocean). The software, as all technology, is an imperfect and jealous lover that misunderstands explosions, or ambient noise as text, and retranslates the sounds and dialogues, finds hidden words beneath what we (and it) hears. Think of the process as an interpretive dance, a jittery technological oracle for our electronic boxes that shine out uncertain media prophets. These poems are the first in a series of noise to poetics experiments.
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Recombination, hand correction and the layering of meaning are built into his exploration of design and poetry.
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While net-art becomes increasingly more complex, more database and programming centered, this project shoots for simplicity. Utilizing the basic mouse-follower, Uncontrollable Semantics pulls together over fifty dramatically different sound, image and interactive environments, all through the simple mouse follower. While a simple innovation, this technique allows the user/player/reader to create their own experience, to feel the work come from the screen. Each environment offers four directions to four terms, four semantics, four named creatures. Explore and play and confuse yourself.
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An anthology of interactive poems. Originally was three different works. Fitted together in "selected works" mode.
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Redesigned the interface, playing off 3D feel on version one, placing it within the two dimensions. Added a few extra bits, and readjusted the medical reports.
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Inspired by lost diaries and those strange diseases that arise in one percent of one percent of the one percent of us.
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Inspired by the artic sound experiments of Glen Gould. Isolating small talk at crowded parties, this engine allows the user/reader to create their own vocal mess.
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A collection of related digital poems, all attached to objects, exploring our fascination and near religious reliance on household machines.
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Fiddle with the intersections between ficto-biography, found text and obscure science. Packaged in the dust bowl landscapes of the Oklahoma panhandle.
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Allegiance between common objects and overblown titles, brand names. Toothbrushes and carpet beg us to find joy in our status as dry and flooring shined buyers.
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Exploring depth, plays with texts inside texts inside texts. Artwork arrived after watching loose poem pages blow from my car.
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Simple interacter, forces the reader/user to play. More abstract painting than strict poem, but glorious fun all the same.
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Combines mysticism science with math poetics caressed into game interface. A modified card game cycles randomly through 52 options.
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Cloned sheep with teeth outside their skulls, recreate the cloning gone bad process with a hyperpoetic context. Includes an embarrassingly bad "matrix" interface.
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A growing area of cultural and technology theory and practice that centres on how technology recreates/reforms our relationship with the land/builtscape. LNM is not depended on any particular tech, not are new tech innovations needed. Rather it is how the technology is used in the context of human spatial relationships research.
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Within every human there is a singular gene, unique only to that individual. And with that gene comes a singular ability, a rare, mostly never realized capacity for interacting with the world. The Bomar Gene explores this mythical gene, through a series of ficto-biographies, with each story being retranslated and spatialized through interactive interfaces and embodied animations. Each section opens up to such questions as: How are we defined by our genetic code? What does it mean to be an individual, to be unique? What are the implications of a society obsessed with rare abilities and super-powers?
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