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Nature, sexuality and language are brought into light and then they all evaporate.<br /><a href=\"http://eugeniaraskopoulos.com/wp-content/uploads/2012/09/Raskopoulos_brochure.pdf\">Extract from essay \"Ghost Words\" by Nikos Papasteriguadis &amp; Victoria Lynn</a>"]]]],["element",{"elementId":"40"},["name","Date"],["description","A point or period of time associated with an event in the lifecycle of the resource"],["elementTextContainer",["elementText",{"elementTextId":"3310"},["text","2011"]]]],["element",{"elementId":"39"},["name","Creator"],["description","An entity primarily responsible for making the resource"],["elementTextContainer",["elementText",{"elementTextId":"3313"},["text","Raskopoulos, Eugenia"]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"4139"},["text","The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. 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For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"3296"},["text","Under my Skin"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"3297"},["text","Eugenia Raskopoulos’ latest installation straddles dark domestic and political territory. The messages range from blunt to subtle. A video camera looks through a car windscreen across which the word “refugees” is written against a clear blue sky, bordered by gum trees and full of hope. No matter how frenetic the pace of the windscreen wipers, the sullied text remains discernable withing the smear as a symbol of Australia’s unresolved refugee issues. Elsewhere crisp and formally framed large photographs dominate with a very odd set of objects, abject reminders which carry bodily memories of intense “inpain” is not a typo but a deliberate misspelling as if the state of being in “in pain” were an abstract noun describing a political condition. In an earlier body of work, Raskopoulos had subjected the word “democracy” to various political tests and pressures, undermining the cheapness of its currency as a buzzword for political gain. Text and visual metaphors - like the windscreen wiper’s attempt to “wipe away” political problems - have long informed Raskipoulos’ work. <a href=\"http://eugeniaraskopoulos.com/wp-content/uploads/2015/08/voodoo-objects.pdf\">Extract from essay Voodoo Objects: “Under My Skin” by Anne Finegan</a>"]]]],["element",{"elementId":"39"},["name","Creator"],["description","An entity primarily responsible for making the resource"],["elementTextContainer",["elementText",{"elementTextId":"3298"},["text","Raskopoulos, Eugenia"]]]],["element",{"elementId":"40"},["name","Date"],["description","A point or period of time associated with an event in the lifecycle of the resource"],["elementTextContainer",["elementText",{"elementTextId":"3299"},["text","2014"]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"4141"},["text","The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. 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The viewer has the opportunity to experience a similar 'fragmentation' of history and they might think about their own relationship to place and times."]]]],["element",{"elementId":"96"},["name","Genre"],["description"],["elementTextContainer",["elementText",{"elementTextId":"3267"},["text","Multimedia installation"]]]],["element",{"elementId":"95"},["name","Platform"],["description","Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime"],["elementTextContainer",["elementText",{"elementTextId":"3268"},["text","CD ROM / interactive installation / Linker social software"]]]],["element",{"elementId":"101"},["name","Work URL"],["description","The URL of the original work, included as an HTML link."],["elementTextContainer",["elementText",{"elementTextId":"3269"},["text","<a href=\"http://www.wooloo.org/exhibition/entry/81087\">http://www.wooloo.org/exhibition/entry/81087</a>"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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Memory is pivotal and, as Salman Rushdie writes in Imaginary Homelands, ‘the struggle of man against power ... is the struggle of memory against forgetting’. <a href=\"https://www.academia.edu/2223656/other_wiz\">Excerpt from Other[wize] essay, Linda Carroli</a>"]],["elementText",{"elementTextId":"3478"},["text","<strong>Artist Statement</strong><br />other[wize] is a new media arts project that celebrates the lives of Yugambeh family members that were moved from their traditional homelands in SE \"Queensland\", to work on properties in the Gulf of Carpentaria. The project highlights an era of 1800's colonial australia and explores the prickly issues of Native Policing, dispossession, displacement, massacres and survival [… ]other[wize] is an interactive work where stories are imparted through the use of family photographs, video, audio, and text - including Yugambeh language and relevant historical documents. The 'objects' are representative of important people or events and they transport the viewer to a story about someone from the past […] Events evolve in a non-linear way, grasping at the unknown, not sure of what will be found or how it relates to other information, until perhaps another time, leaving the viewer without a Narrator. This concept reflects how many Aboriginal people experience family histories. The viewer has the opportunity to experience a similar 'fragmentation' of history and they might think about their own relationship to place and times."]]]],["element",{"elementId":"39"},["name","Creator"],["description","An entity primarily responsible for making the resource"],["elementTextContainer",["elementText",{"elementTextId":"3263"},["text","Fraser, Jenny"]]]],["element",{"elementId":"40"},["name","Date"],["description","A point or period of time associated with an event in the lifecycle of the resource"],["elementTextContainer",["elementText",{"elementTextId":"3264"},["text","2005"]]]],["element",{"elementId":"56"},["name","Date Created"],["description","Date of creation of the resource."],["elementTextContainer",["elementText",{"elementTextId":"3265"},["text","2005"]]]],["element",{"elementId":"49"},["name","Subject"],["description","The topic of the resource"],["elementTextContainer",["elementText",{"elementTextId":"4089"},["text","Multimedia installation"]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"4146"},["text","The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder."]]]]]]],["tagContainer",["tag",{"tagId":"91"},["name","Multimedia installation"]]]],["item",{"itemId":"256","public":"1","featured":"0"},["fileContainer",["file",{"fileId":"692"},["src","https://adelta.westernsydney.edu.au/files/original/86470fe6574d701ec38fff0b9861bd42.png"],["authentication","9554b1a8a784849db3a8d0f39e64042f"]],["file",{"fileId":"693"},["src","https://adelta.westernsydney.edu.au/files/original/816232aaa167cd30efb3ec4566abcbf8.png"],["authentication","b4501b03d242d4d6706f525ab1fca0cf"]]],["itemType",{"itemTypeId":"18"},["name","ADELTA Item"],["description","Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA)."],["elementContainer",["element",{"elementId":"100"},["name","Source of Description"],["description","The source of information included in the Description, included as an HTML link to the relevant URL where possible."],["elementTextContainer",["elementText",{"elementTextId":"3257"},["text","<a href=\"http://www.cybertribe.culture2.org/jennyfraser/artist_bio.htm\">http://www.cybertribe.culture2.org/jennyfraser/artist_bio.htm</a>"]]]],["element",{"elementId":"96"},["name","Genre"],["description"],["elementTextContainer",["elementText",{"elementTextId":"3258"},["text","Multimedia installation"]]]],["element",{"elementId":"95"},["name","Platform"],["description","Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime"],["elementTextContainer",["elementText",{"elementTextId":"3259"},["text","Triptych prints/Installation"]]]],["element",{"elementId":"101"},["name","Work URL"],["description","The URL of the original work, included as an HTML link."],["elementTextContainer",["elementText",{"elementTextId":"3260"},["text","<a href=\"http://www.cybertribe.culture2.org/jennyfraser/artist.htm\">http://www.cybertribe.culture2.org/jennyfraser/artist.htm</a>"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"3254"},["text","I Saw the Signs"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"3255"},["text","Jenny Fraser works within a fluid screen-based practice of bold and confronting art that utilises popular cultural references as a bridge to challenge viewer’s frames of reference. Her practice has also been partly defined through a strong commitment to collaboration with others and she is motivated to redefine the art of curating as an act of sovereignty and emancipation, founding cyberTribe online gallery over a decade ago.<br /><a href=\"http://www.cybertribe.culture2.org/jennyfraser/artist_bio.htm\">Source of Description</a>"]]]],["element",{"elementId":"39"},["name","Creator"],["description","An entity primarily responsible for making the resource"],["elementTextContainer",["elementText",{"elementTextId":"3256"},["text","Fraser, Jenny"]]]],["element",{"elementId":"49"},["name","Subject"],["description","The topic of the resource"],["elementTextContainer",["elementText",{"elementTextId":"4090"},["text","Multimedia installation"]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"4147"},["text","The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder."]]]]]]],["tagContainer",["tag",{"tagId":"91"},["name","Multimedia installation"]]]],["item",{"itemId":"254","public":"1","featured":"1"},["fileContainer",["file",{"fileId":"676"},["src","https://adelta.westernsydney.edu.au/files/original/365404e504a742ffb6dd14fee6845678.png"],["authentication","e8d3979c7754946136d6de8760a38145"]],["file",{"fileId":"677"},["src","https://adelta.westernsydney.edu.au/files/original/f56aadb99dfba73234278ee4c802edca.png"],["authentication","92891b707f53805fd107bac94047ef2c"]],["file",{"fileId":"678"},["src","https://adelta.westernsydney.edu.au/files/original/05be68d98f873629cd0e6fa2da381886.png"],["authentication","1ef23211b8f4f82ac718840252f5ca12"]]],["itemType",{"itemTypeId":"18"},["name","ADELTA Item"],["description","Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA)."],["elementContainer",["element",{"elementId":"101"},["name","Work URL"],["description","The URL of the original work, included as an HTML link."],["elementTextContainer",["elementText",{"elementTextId":"2892"},["text","<a href=\"http://komninos.com.au/cyberpoetry/cyberpoetry1995-1997/iwb/intro.html\">http://komninos.com.au/cyberpoetry/cyberpoetry1995-1997/iwb/intro.html</a>"]]]],["element",{"elementId":"107"},["name","Related Website 1"],["description","The URL of a related web page such as a YouTube clip or Vimeo, included as an HTML link."],["elementTextContainer",["elementText",{"elementTextId":"2893"},["text","<a href=\"http://iloveepoetry.com/?p=402\">http://iloveepoetry.com/?p=402<br /><br /></a>"]]]],["element",{"elementId":"93"},["name","Artist Statement"],["description","A statement about the work, as provided by the artist(s)."],["elementTextContainer",["elementText",{"elementTextId":"2896"},["text","This piece is a narrative cyberpoem which i first began working on in 1995 for my cyberpoetry CD-ROMs. That version, called \"reality is a construct\" was created in logo-motion in 3D and ran for seven minutes. This version, because of different connection speeds, different browsers, different hosts, etc., has to be restricted to animated gifs and whatever comes packaged with Netscape 3. <a href=\"http://komninos.com.au/cyberpoetry/cyberpoetry1995-1997/iwb/intro.html\"> Statement from author's website</a>"]]]],["element",{"elementId":"95"},["name","Platform"],["description","Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime"],["elementTextContainer",["elementText",{"elementTextId":"2912"},["text","gif animation"]]]],["element",{"elementId":"96"},["name","Genre"],["description"],["elementTextContainer",["elementText",{"elementTextId":"2917"},["text","Web based digital poetry"]]]],["element",{"elementId":"100"},["name","Source of Description"],["description","The source of information included in the Description, included as an HTML link to the relevant URL where possible."],["elementTextContainer",["elementText",{"elementTextId":"3127"},["text","<a href=\"http://iloveepoetry.com/?p=402\">Excerpt of Leonardo Flores' description, I love E-Poetry</a>"]]]],["element",{"elementId":"98"},["name","Source of Artist Statement"],["description","The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible."],["elementTextContainer",["elementText",{"elementTextId":"3128"},["text","<a href=\"http://komninos.com.au/cyberpoetry/cyberpoetry1995-1997/iwb/intro.html\">Statement from author's website</a>"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"43"},["name","Identifier"],["description","An unambiguous reference to the resource within a given context"],["elementTextContainer",["elementText",{"elementTextId":"2886"},["text","Zervos_adventures"]]]],["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"2887"},["text","The Adventures of i"]]]],["element",{"elementId":"39"},["name","Creator"],["description","An entity primarily responsible for making the resource"],["elementTextContainer",["elementText",{"elementTextId":"2888"},["text","Zervos, Komninos"]]]],["element",{"elementId":"40"},["name","Date"],["description","A point or period of time associated with an event in the lifecycle of the resource"],["elementTextContainer",["elementText",{"elementTextId":"2890"},["text","1995"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"2894"},["text","This narrative 'cyberpoem' started in 1995 with the goal of developing into a lengthy 'soapie' about the life of i. The project obviously didn't go on for a long time, though the 18 webisodes plus two alternate guest webisodes collected here are a testament to an ingenious exploration of the narrative potential of animated Concrete Poetry. Each piece is an ingenious animated GIF that illustrates and comments upon a moment in the early life of a character named i. The personification of the typographical character i and the transformation of other words into objects that i explores and interacts with truly exemplifies the Noigandres group's description of Concrete Poetry as 'tension of things-words in space-time.'<br /><a href=\"http://iloveepoetry.com/?p=402\">Excerpt of Leonardo Flores' description, I love E-Poetry</a>"]],["elementText",{"elementTextId":"3480"},["text","<strong>Artist Statement</strong><br />This piece is a narrative cyberpoem which i first began working on in 1995 for my cyberpoetry CD-ROMs. That version, called \"reality is a construct\" was created in logo-motion in 3D and ran for seven minutes. This version, because of different connection speeds, different browsers, different hosts, etc., has to be restricted to animated gifs and whatever comes packaged with Netscape 3.<br /><a href=\"http://komninos.com.au/cyberpoetry/cyberpoetry1995-1997/iwb/intro.html\">Source of Artist Statement</a>"]]]],["element",{"elementId":"44"},["name","Language"],["description","A language of the resource"],["elementTextContainer",["elementText",{"elementTextId":"2898"},["text","English"]]]],["element",{"elementId":"49"},["name","Subject"],["description","The topic of the resource"],["elementTextContainer",["elementText",{"elementTextId":"3481"},["text","Animated gif"]],["elementText",{"elementTextId":"3482"},["text","Concrete poetry"]],["elementText",{"elementTextId":"3483"},["text","Cyberpoetry"]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"3690"},["text","Copyright Komninos Zervos. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder."]]]]]]],["tagContainer",["tag",{"tagId":"221"},["name","Animated gif"]],["tag",{"tagId":"225"},["name","Concrete poetry"]],["tag",{"tagId":"214"},["name","Cyberpoetry"]],["tag",{"tagId":"215"},["name","Komninos Zervos"]]]],["item",{"itemId":"253","public":"1","featured":"1"},["fileContainer",["file",{"fileId":"674"},["src","https://adelta.westernsydney.edu.au/files/original/13d1a5aceabb93074d54e90338135267.png"],["authentication","b8da532e9265fd8dcdedd5c7a82be0b6"]]],["itemType",{"itemTypeId":"18"},["name","ADELTA Item"],["description","Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA)."],["elementContainer",["element",{"elementId":"95"},["name","Platform"],["description","Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime"],["elementTextContainer",["elementText",{"elementTextId":"2880"},["text","HTML/Java"]]]],["element",{"elementId":"101"},["name","Work URL"],["description","The URL of the original work, included as an HTML link."],["elementTextContainer",["elementText",{"elementTextId":"2881"},["text","<a href=\"http://komninos.com.au/cyberpoetry/cyberpoetry1995-1997/javainf1.html\">http://komninos.com.au/cyberpoetry/cyberpoetry1995-1997/javainf1.html</a>"]]]],["element",{"elementId":"96"},["name","Genre"],["description"],["elementTextContainer",["elementText",{"elementTextId":"2913"},["text","Web based digital poetry"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"43"},["name","Identifier"],["description","An unambiguous reference to the resource within a given context"],["elementTextContainer",["elementText",{"elementTextId":"2876"},["text","Zervos_javaPoems"]]]],["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"2877"},["text","Java Poems"]]]],["element",{"elementId":"39"},["name","Creator"],["description","An entity primarily responsible for making the resource"],["elementTextContainer",["elementText",{"elementTextId":"2878"},["text","Zervos, Komninos"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"2882"},["text","This trio of early e-poems were written in HTML and use Java applets to shape their linguistic texts with a careful touch. 'Infinity' and 'Internet Junkie' both change the colour of the text over a schedule to shape readings and to imbue them with a nervous energy. In 'Infinity' (displayed above) the rarely used tag reinforces the instability of textual meaning as the phrases can be read with and without the three blinking words, 'reality,' 'literary,' and 'Why?' In 'Internet Junkie' the increased rate of colour change from one stanza to the next mimics the increasing urgency of the addict's need. The final poem in the piece uses the 'NervousText' applet by Daniel Wyszynski to animate its words, 'KOMNINOS is a poet,' which can be soothed into static stability with a mouse click.<br /><a href=\"http://iloveepoetry.com/?p=403\">Excerpt of Leonardo Flores' description, I love E-Poetry</a>"]]]],["element",{"elementId":"44"},["name","Language"],["description","A language of the resource"],["elementTextContainer",["elementText",{"elementTextId":"2884"},["text","English"]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"3689"},["text","Copyright Komninos Zervos. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder."]]]],["element",{"elementId":"49"},["name","Subject"],["description","The topic of the resource"],["elementTextContainer",["elementText",{"elementTextId":"4091"},["text","Cyberpoetry"]],["elementText",{"elementTextId":"4092"},["text","HTML"]],["elementText",{"elementTextId":"4093"},["text","Java"]],["elementText",{"elementTextId":"4094"},["text","Kinetic"]],["elementText",{"elementTextId":"4095"},["text","Responsive"]]]]]]],["tagContainer",["tag",{"tagId":"214"},["name","Cyberpoetry"]],["tag",{"tagId":"220"},["name","HTML"]],["tag",{"tagId":"224"},["name","Java"]],["tag",{"tagId":"216"},["name","Kinetic"]],["tag",{"tagId":"215"},["name","Komninos Zervos"]],["tag",{"tagId":"217"},["name","Responsive"]]]],["item",{"itemId":"252","public":"1","featured":"1"},["fileContainer",["file",{"fileId":"671"},["src","https://adelta.westernsydney.edu.au/files/original/75f078eadd2832310786b77fe992ddfd.png"],["authentication","9acf2893ce10de73c145c9857732c8d0"]],["file",{"fileId":"672"},["src","https://adelta.westernsydney.edu.au/files/original/6804dcdaa8b95ed11636304833662e7e.png"],["authentication","553bb2e18ebd1b3379e3aa476ebe28e1"]],["file",{"fileId":"673"},["src","https://adelta.westernsydney.edu.au/files/original/2b3484705440cccfc45ac61ab552899e.png"],["authentication","58dab890a6707e4fae5e29a6e7280b29"]]],["itemType",{"itemTypeId":"18"},["name","ADELTA Item"],["description","Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA)."],["elementContainer",["element",{"elementId":"95"},["name","Platform"],["description","Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime"],["elementTextContainer",["elementText",{"elementTextId":"2870"},["text","gif animation"]]]],["element",{"elementId":"101"},["name","Work URL"],["description","The URL of the original work, included as an HTML link."],["elementTextContainer",["elementText",{"elementTextId":"2871"},["text","<a href=\"http://www.studiocleo.com/cauldron/volume2/confluence/kominoszervos/index.html#\">http://www.studiocleo.com/cauldron/volume2/confluence/kominoszervos/index.html#</a>"]]]],["element",{"elementId":"100"},["name","Source of Description"],["description","The source of information included in the Description, included as an HTML link to the relevant URL where possible."],["elementTextContainer",["elementText",{"elementTextId":"2873"},["text","<a href=\"http://iloveepoetry.com/?p=192\">Excerpt of Leonardo Flores' description, I love E-Poetry</a>"]]]],["element",{"elementId":"96"},["name","Genre"],["description"],["elementTextContainer",["elementText",{"elementTextId":"2915"},["text","Web based digital poetry"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"43"},["name","Identifier"],["description","An unambiguous reference to the resource within a given context"],["elementTextContainer",["elementText",{"elementTextId":"2865"},["text","Zervos_gifPoems"]]]],["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"2866"},["text","Gif Poems "]]]],["element",{"elementId":"39"},["name","Creator"],["description","An entity primarily responsible for making the resource"],["elementTextContainer",["elementText",{"elementTextId":"2867"},["text","Zervos, Komninos"]]]],["element",{"elementId":"40"},["name","Date"],["description","A point or period of time associated with an event in the lifecycle of the resource"],["elementTextContainer",["elementText",{"elementTextId":"2869"},["text","2000"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"2872"},["text","This selection of six poems built with a type of composite image known as animated GIFs used to create the earliest animations in the Web. In Zervos' experienced hands (see his 'Dimocopo' suite), this simple technology can be very expressive indeed, as can be seen in 'Divorce' a kinetic concrete poem that uses moving typography to highlight some of the finer points in a divorce process.<br /><a href=\"http://iloveepoetry.com/?p=192\">Excerpt of Leonardo Flores' description, I love E-Poetry</a>"]]]],["element",{"elementId":"44"},["name","Language"],["description","A language of the resource"],["elementTextContainer",["elementText",{"elementTextId":"2874"},["text","English"]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"3688"},["text","Copyright Komninos Zervos. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder."]]]],["element",{"elementId":"49"},["name","Subject"],["description","The topic of the resource"],["elementTextContainer",["elementText",{"elementTextId":"4096"},["text","Animated gif"]],["elementText",{"elementTextId":"4097"},["text","Cyberpoetry"]],["elementText",{"elementTextId":"4098"},["text","HTML"]]]]]]],["tagContainer",["tag",{"tagId":"221"},["name","Animated gif"]],["tag",{"tagId":"214"},["name","Cyberpoetry"]],["tag",{"tagId":"220"},["name","HTML"]],["tag",{"tagId":"215"},["name","Komninos Zervos"]]]],["item",{"itemId":"251","public":"1","featured":"1"},["fileContainer",["file",{"fileId":"669"},["src","https://adelta.westernsydney.edu.au/files/original/a0373ee783ca267475bb7bf795083cf2.png"],["authentication","9cfe38ebdfc58cbe64d066358e06bf2b"]],["file",{"fileId":"670"},["src","https://adelta.westernsydney.edu.au/files/original/dab632c477f4de68c6536accfbb54cb7.png"],["authentication","42cb06a5a7a323d19c8d8a0e6dc15089"]]],["itemType",{"itemTypeId":"18"},["name","ADELTA Item"],["description","Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA)."],["elementContainer",["element",{"elementId":"95"},["name","Platform"],["description","Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime"],["elementTextContainer",["elementText",{"elementTextId":"2859"},["text","gif animation"]]]],["element",{"elementId":"101"},["name","Work URL"],["description","The URL of the original work, included as an HTML link."],["elementTextContainer",["elementText",{"elementTextId":"2860"},["text","<a href=\"http://komninos.com.au/cyberpoetry/cyberpoetry1995-1997/excorp.html\">http://komninos.com.au/cyberpoetry/cyberpoetry1995-1997/excorp.html</a>"]]]],["element",{"elementId":"100"},["name","Source of Description"],["description","The source of information included in the Description, included as an HTML link to the relevant URL where possible."],["elementTextContainer",["elementText",{"elementTextId":"2862"},["text","<a href=\"http://elmcip.net/creative-work/exquisite-corpse-poems\">ELMCIP: Electronic Literature as a Model of Creativity and Innovation in Practice</a>"]]]],["element",{"elementId":"96"},["name","Genre"],["description"],["elementTextContainer",["elementText",{"elementTextId":"2918"},["text","Web based digital poetry"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder."]]]],["element",{"elementId":"49"},["name","Subject"],["description","The topic of the resource"],["elementTextContainer",["elementText",{"elementTextId":"4099"},["text","Cyberpoetry"]],["elementText",{"elementTextId":"4100"},["text","Exquisite corpse"]],["elementText",{"elementTextId":"4101"},["text","Generative"]]]]]]],["tagContainer",["tag",{"tagId":"214"},["name","Cyberpoetry"]],["tag",{"tagId":"223"},["name","Exquisite corpse"]],["tag",{"tagId":"56"},["name","Generative"]],["tag",{"tagId":"215"},["name","Komninos Zervos"]]]],["item",{"itemId":"250","public":"1","featured":"1"},["fileContainer",["file",{"fileId":"664"},["src","https://adelta.westernsydney.edu.au/files/original/ad6ddaf4da36b8067082d59f5026f5af.png"],["authentication","a7711bc5da92b62ec662f50e15733b93"]],["file",{"fileId":"665"},["src","https://adelta.westernsydney.edu.au/files/original/1169a30d8f343263cfcb15b60986ac54.png"],["authentication","ee2c0fec22bbecf0a64f9c4669f9a458"]],["file",{"fileId":"666"},["src","https://adelta.westernsydney.edu.au/files/original/92adfb651aec1325da906954fb4e573b.png"],["authentication","c57566c8e0b8cd06b40e2098bf92bde6"]]],["itemType",{"itemTypeId":"18"},["name","ADELTA Item"],["description","Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA)."],["elementContainer",["element",{"elementId":"95"},["name","Platform"],["description","Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime"],["elementTextContainer",["elementText",{"elementTextId":"2848"},["text","gif animation"]]]],["element",{"elementId":"101"},["name","Work URL"],["description","The URL of the original work, included as an HTML link."],["elementTextContainer",["elementText",{"elementTextId":"2849"},["text","<a href=\"http://komninos.com.au/cyberpoetry/cyberpoetry1995-1997/animgif.html\">http://komninos.com.au/cyberpoetry/cyberpoetry1995-1997/animgif.html</a>"]]]],["element",{"elementId":"100"},["name","Source of Description"],["description","The source of information included in the Description, included as an HTML link to the relevant URL where possible."],["elementTextContainer",["elementText",{"elementTextId":"2851"},["text","<a href=\"http://iloveepoetry.com/?p=404\">Excerpt of Leonardo Flores' description, I love E-Poetry</a>"]]]],["element",{"elementId":"96"},["name","Genre"],["description"],["elementTextContainer",["elementText",{"elementTextId":"2919"},["text","Web based digital poetry"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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In this suite, we see words morph into other words and into objects, words whose movements evoke their meanings, words used to build landscapes full of objects (a decade before WordWorld), and phrases reconfiguring and reshaping themselves into new ones - as is the case with 'she left' (above). This poem is very economical with its language resources, yet so effective in describing the psychological process of a breakup in a relationship.<br /><a href=\"iloveepoetry.com/?p=404\">Excerpt of Leonardo Flores' description, I love E-Poetry</a>"]]]],["element",{"elementId":"44"},["name","Language"],["description","A language of the resource"],["elementTextContainer",["elementText",{"elementTextId":"2852"},["text","English"]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"3686"},["text","Copyright Komninos Zervos. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder."]]]],["element",{"elementId":"49"},["name","Subject"],["description","The topic of the resource"],["elementTextContainer",["elementText",{"elementTextId":"4102"},["text","Animated gif"]],["elementText",{"elementTextId":"4103"},["text","Cyberpoetry"]],["elementText",{"elementTextId":"4104"},["text","Digital moving concrete poetry"]],["elementText",{"elementTextId":"4105"},["text","HTML"]],["elementText",{"elementTextId":"4106"},["text","Kinetic"]]]]]]],["tagContainer",["tag",{"tagId":"221"},["name","Animated gif"]],["tag",{"tagId":"214"},["name","Cyberpoetry"]],["tag",{"tagId":"222"},["name","Digital moving concrete poetry"]],["tag",{"tagId":"220"},["name","HTML"]],["tag",{"tagId":"216"},["name","Kinetic"]],["tag",{"tagId":"215"},["name","Komninos Zervos"]]]],["item",{"itemId":"249","public":"1","featured":"1"},["fileContainer",["file",{"fileId":"661"},["src","https://adelta.westernsydney.edu.au/files/original/afb38d6cf80141c4603137260fdf8668.png"],["authentication","26042a9e533a7c0d211c3385081e19bf"]],["file",{"fileId":"662"},["src","https://adelta.westernsydney.edu.au/files/original/b9df103696bcae47b2a831e0fe9355a7.png"],["authentication","bf545bc5614dc8fd9266ae27ddc15680"]],["file",{"fileId":"663"},["src","https://adelta.westernsydney.edu.au/files/original/7a30f56455cbeb8d2c2f850086980b6c.png"],["authentication","e3f10ee8bf001a4bce457932a2ba9d66"]]],["itemType",{"itemTypeId":"18"},["name","ADELTA Item"],["description","Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA)."],["elementContainer",["element",{"elementId":"95"},["name","Platform"],["description","Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime"],["elementTextContainer",["elementText",{"elementTextId":"2836"},["text","Flash"]]]],["element",{"elementId":"101"},["name","Work URL"],["description","The URL of the original work, included as an HTML link."],["elementTextContainer",["elementText",{"elementTextId":"2837"},["text","<a href=\"http://www.wordcircuits.com/gallery/childhood/index.html\">http://www.wordcircuits.com/gallery/childhood/index.html</a>"]]]],["element",{"elementId":"96"},["name","Genre"],["description"],["elementTextContainer",["elementText",{"elementTextId":"2906"},["text","Visual biography"]]]],["element",{"elementId":"100"},["name","Source of Description"],["description","The source of information included in the Description, included as an HTML link to the relevant URL where possible."],["elementTextContainer",["elementText",{"elementTextId":"3129"},["text","<a href=\"http://directory.eliterature.org/node/370\">Tammy Suzor</a>"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"2832"},["text","Childhood in Richmond"]]]],["element",{"elementId":"39"},["name","Creator"],["description","An entity primarily responsible for making the resource"],["elementTextContainer",["elementText",{"elementTextId":"2833"},["text","Zervos, Komninos"]]]],["element",{"elementId":"40"},["name","Date"],["description","A point or period of time associated with an event in the lifecycle of the resource"],["elementTextContainer",["elementText",{"elementTextId":"2835"},["text","2001"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"2838"},["text","In Childhood in Richmond, Komninos Zervos uses a collage of photos to tell a story about his life in 1950s Richmond, Victoria. The piece begins, 'I remember my childhood in the backstreets of Richmond/And the visions that leave a lasting impression/ Where I lived in a fish shop with my mother and father.' Black and white photographs appear on the screen as negatives. The opening page contains rollovers that trigger visual changes and audio clips. As the reader advances through the poem, the photos change colours and are more distinct. Black flies and fish float over the collage of photos. By clicking on a specific black fish or black fly, the poem will advance to another collage of photos. The names of fish appear superimposed over the photos, referencing a segment of the poem, 'And flake and couta and bream and schnapper/ To the window, to attract the eyes of the buyers.' These function as links to a line of the poem, which may link back to the same page. This interactive Flash piece provides a poetic experience, as Zervos narrates his poem with spoken words. The dynamic presentation is supported by instrumental drums and cymbals, accentuating the narrative. The poem ends with Komninos remembering his mother, 'And her legs would swell up from all of that walking/ And I often saw her in some corner crying/ In a fish shop, in Richmond, from where I came\".<br /><a href=\"http://directory.eliterature.org/node/370\">Tammy Suzor</a>"]]]],["element",{"elementId":"45"},["name","Publisher"],["description","An entity responsible for making the resource available"],["elementTextContainer",["elementText",{"elementTextId":"2840"},["text","Word Circuits"]]]],["element",{"elementId":"44"},["name","Language"],["description","A language of the resource"],["elementTextContainer",["elementText",{"elementTextId":"2841"},["text","English"]]]],["element",{"elementId":"43"},["name","Identifier"],["description","An unambiguous reference to the resource within a given context"],["elementTextContainer",["elementText",{"elementTextId":"2914"},["text","Zervos_childhood"]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"3685"},["text","Copyright Komninos Zervos. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder."]]]],["element",{"elementId":"49"},["name","Subject"],["description","The topic of the resource"],["elementTextContainer",["elementText",{"elementTextId":"4107"},["text","Cyberpoetry\r\n"]],["elementText",{"elementTextId":"4108"},["text","Hypertext"]],["elementText",{"elementTextId":"4109"},["text","Interactive poetry"]],["elementText",{"elementTextId":"4110"},["text","Speech work"]]]]]]],["tagContainer",["tag",{"tagId":"214"},["name","Cyberpoetry"]],["tag",{"tagId":"67"},["name","Hypertext"]],["tag",{"tagId":"218"},["name","Interactive poetry"]],["tag",{"tagId":"215"},["name","Komninos Zervos"]],["tag",{"tagId":"219"},["name","Speech work"]]]],["item",{"itemId":"248","public":"1","featured":"1"},["fileContainer",["file",{"fileId":"658"},["src","https://adelta.westernsydney.edu.au/files/original/f528518be1ac06f8cfac772a173775e0.png"],["authentication","3f270ffbdf14f0ebfe331d158120363a"]],["file",{"fileId":"659"},["src","https://adelta.westernsydney.edu.au/files/original/cd079f5695335868173599ca03533248.png"],["authentication","6b44631113f316b8aa45532c62fe0ede"]],["file",{"fileId":"660"},["src","https://adelta.westernsydney.edu.au/files/original/bc875300b7367eb95f8ce7a3a414374e.png"],["authentication","0336d5d1551e491dde5ec216a6a12240"]]],["itemType",{"itemTypeId":"18"},["name","ADELTA Item"],["description","Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA)."],["elementContainer",["element",{"elementId":"95"},["name","Platform"],["description","Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime"],["elementTextContainer",["elementText",{"elementTextId":"2825"},["text","Flash"]]]],["element",{"elementId":"101"},["name","Work URL"],["description","The URL of the original work, included as an HTML link."],["elementTextContainer",["elementText",{"elementTextId":"2826"},["text","<a href=\"http://komninos.com.au/cyberpoetry/\">http://komninos.com.au/cyberpoetry/</a>"]]]],["element",{"elementId":"100"},["name","Source of Description"],["description","The source of information included in the Description, included as an HTML link to the relevant URL where possible."],["elementTextContainer",["elementText",{"elementTextId":"2828"},["text","<a href=\"http://iloveepoetry.com/?p=401\">Excerpt of Leonardo Flores' description, I love E-Poetry</a>"]]]],["element",{"elementId":"96"},["name","Genre"],["description"],["elementTextContainer",["elementText",{"elementTextId":"2920"},["text","Web based digital poetry"]]]],["element",{"elementId":"113"},["name","Publication Type"],["description","The publication type is the means and channels by which a work is made public."],["elementTextContainer",["elementText",{"elementTextId":"2921"},["text","Online/CD ROM"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"43"},["name","Identifier"],["description","An unambiguous reference to the resource within a given context"],["elementTextContainer",["elementText",{"elementTextId":"2820"},["text","Zervos_flashPoems"]]]],["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"2821"},["text","Flash Poems"]]]],["element",{"elementId":"39"},["name","Creator"],["description","An entity primarily responsible for making the resource"],["elementTextContainer",["elementText",{"elementTextId":"2822"},["text","Zervos, Komninos"]]]],["element",{"elementId":"40"},["name","Date"],["description","A point or period of time associated with an event in the lifecycle of the resource"],["elementTextContainer",["elementText",{"elementTextId":"2824"},["text","2003/2005"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"2827"},["text","The first two of this list of poems stand out because of their use of Flash. Komninos' approach to Flash in his poem 'Beer' is similar to the work he published in animated GIFs: a sequence of words, morphing from one to the next producing surprising and amusing juxtapositions. It is with 'Love' (image above) that he took advantage of Flash's strengths: responsiveness to user input and audio synchronization. 'Love' creates a simple interface that triggers some not-lovely sounds when moused over or clicked on. The words readable within its circles are replaced by their opposites, portraying love as a kind of minefield full of triggers that can turn trust into jealousy, heartache into separation, or simply cause pain.<br /><a href=\"http://iloveepoetry.com/?p=401\">Excerpt of Leonardo Flores' description, I love E-Poetry</a>"]]]],["element",{"elementId":"44"},["name","Language"],["description","A language of the resource"],["elementTextContainer",["elementText",{"elementTextId":"2829"},["text","English"]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"3684"},["text","Copyright Komninos Zervos. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder."]]]],["element",{"elementId":"49"},["name","Subject"],["description","The topic of the resource"],["elementTextContainer",["elementText",{"elementTextId":"4111"},["text","Cyberpoetry\r\n"]],["elementText",{"elementTextId":"4112"},["text","Kinetic"]],["elementText",{"elementTextId":"4113"},["text","Responsive"]]]]]]],["tagContainer",["tag",{"tagId":"214"},["name","Cyberpoetry"]],["tag",{"tagId":"216"},["name","Kinetic"]],["tag",{"tagId":"215"},["name","Komninos Zervos"]],["tag",{"tagId":"217"},["name","Responsive"]]]],["item",{"itemId":"247","public":"1","featured":"1"},["fileContainer",["file",{"fileId":"654"},["src","https://adelta.westernsydney.edu.au/files/original/8c120a029a55ebc692968818b7657156.png"],["authentication","61ff34af5ad410f2a14b557f79d2f003"]],["file",{"fileId":"655"},["src","https://adelta.westernsydney.edu.au/files/original/52d7af0bcecd42fc02f4948a0fd9569a.png"],["authentication","fd59e90ecfe0c7a0a9a63199534ab9bd"]],["file",{"fileId":"657"},["src","https://adelta.westernsydney.edu.au/files/original/2ccf43f4fc1fe4f487cc0f2453256abf.png"],["authentication","b45ad7ba6a028242c220f1d0be20837b"]]],["itemType",{"itemTypeId":"18"},["name","ADELTA Item"],["description","Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA)."],["elementContainer",["element",{"elementId":"95"},["name","Platform"],["description","Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime"],["elementTextContainer",["elementText",{"elementTextId":"2812"},["text","Flash"]]]],["element",{"elementId":"101"},["name","Work URL"],["description","The URL of the original work, included as an HTML link."],["elementTextContainer",["elementText",{"elementTextId":"2813"},["text","<a href=\"http://komninos.com.au/underground/entry.html\">http://komninos.com.au/underground/entry.html</a>"]]]],["element",{"elementId":"107"},["name","Related Website 1"],["description","The URL of a related web page such as a YouTube clip or Vimeo, included as an HTML link."],["elementTextContainer",["elementText",{"elementTextId":"2814"},["text","<a href=\"http://iloveepoetry.com/?p=400\">http://iloveepoetry.com/?p=400</a>"]]]],["element",{"elementId":"100"},["name","Source of Description"],["description","The source of information included in the Description, included as an HTML link to the relevant URL where possible."],["elementTextContainer",["elementText",{"elementTextId":"2816"},["text","<a href=\"http://iloveepoetry.com/?p=400\">Heather McHugh's description from I love E-Poetry<br /></a>"]]]],["element",{"elementId":"96"},["name","Genre"],["description"],["elementTextContainer",["elementText",{"elementTextId":"2922"},["text","Web based digital poetry"]]]],["element",{"elementId":"113"},["name","Publication Type"],["description","The publication type is the means and channels by which a work is made public."],["elementTextContainer",["elementText",{"elementTextId":"2923"},["text","Online//CD ROM/DVD"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"43"},["name","Identifier"],["description","An unambiguous reference to the resource within a given context"],["elementTextContainer",["elementText",{"elementTextId":"2807"},["text","Zervos_cyberpoetry"]]]],["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"2808"},["text","Cyberpoetry Underground"]]]],["element",{"elementId":"39"},["name","Creator"],["description","An entity primarily responsible for making the resource"],["elementTextContainer",["elementText",{"elementTextId":"2809"},["text","Zervos, Komninos"]]]],["element",{"elementId":"40"},["name","Date"],["description","A point or period of time associated with an event in the lifecycle of the resource"],["elementTextContainer",["elementText",{"elementTextId":"2811"},["text","2003"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"2815"},["text","A perceptual joy-ride, full of visual attractions and sonic energies, cyberpoetry underground is notable for its sheer momentum and solid graphic punsmanship. Animated text, three-dimensional letter-forms and 360-degree views turn electronic space into an extra-literary passage, certain areas of which the viewer can negotiate. At the end of some tunnels are the objects of cybertext poems, graffitissimi ultimately serving to remind us that getting there can be more than half the fun. 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