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For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"43"},["name","Identifier"],["description","An unambiguous reference to the resource within a given context"],["elementTextContainer",["elementText",{"elementTextId":"2807"},["text","Zervos_cyberpoetry"]]]],["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"2808"},["text","Cyberpoetry Underground"]]]],["element",{"elementId":"39"},["name","Creator"],["description","An entity primarily responsible for making the resource"],["elementTextContainer",["elementText",{"elementTextId":"2809"},["text","Zervos, Komninos"]]]],["element",{"elementId":"40"},["name","Date"],["description","A point or period of time associated with an event in the lifecycle of the resource"],["elementTextContainer",["elementText",{"elementTextId":"2811"},["text","2003"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"2815"},["text","A perceptual joy-ride, full of visual attractions and sonic energies, cyberpoetry underground is notable for its sheer momentum and solid graphic punsmanship. Animated text, three-dimensional letter-forms and 360-degree views turn electronic space into an extra-literary passage, certain areas of which the viewer can negotiate. At the end of some tunnels are the objects of cybertext poems, graffitissimi ultimately serving to remind us that getting there can be more than half the fun. For romping humor, cinematic verve and swerve, cyberpoetry underground earned its place among the top three.<br /><a href=\"http://iloveepoetry.com/?p=400\">Heather McHugh's description from I love E-Poetry</a>"]]]],["element",{"elementId":"45"},["name","Publisher"],["description","An entity responsible for making the resource available"],["elementTextContainer",["elementText",{"elementTextId":"2817"},["text","State of the Arts anthology CD Electronic Literature Organisation/The Other Voices Poetry Project"]]]],["element",{"elementId":"44"},["name","Language"],["description","A language of the resource"],["elementTextContainer",["elementText",{"elementTextId":"2818"},["text","English"]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"3683"},["text","Copyright Komninos Zervos. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder."]]]],["element",{"elementId":"49"},["name","Subject"],["description","The topic of the resource"],["elementTextContainer",["elementText",{"elementTextId":"4114"},["text","Cyberpoetry\r\n"]],["elementText",{"elementTextId":"4115"},["text","Interactive sound poetry"]],["elementText",{"elementTextId":"4116"},["text","Multimedia"]]]]]]],["tagContainer",["tag",{"tagId":"214"},["name","Cyberpoetry"]],["tag",{"tagId":"213"},["name","Interactive sound poetry"]],["tag",{"tagId":"215"},["name","Komninos Zervos"]],["tag",{"tagId":"79"},["name","Multimedia"]]]],["item",{"itemId":"248","public":"1","featured":"1"},["fileContainer",["file",{"fileId":"658"},["src","https://adelta.westernsydney.edu.au/files/original/f528518be1ac06f8cfac772a173775e0.png"],["authentication","3f270ffbdf14f0ebfe331d158120363a"]],["file",{"fileId":"659"},["src","https://adelta.westernsydney.edu.au/files/original/cd079f5695335868173599ca03533248.png"],["authentication","6b44631113f316b8aa45532c62fe0ede"]],["file",{"fileId":"660"},["src","https://adelta.westernsydney.edu.au/files/original/bc875300b7367eb95f8ce7a3a414374e.png"],["authentication","0336d5d1551e491dde5ec216a6a12240"]]],["itemType",{"itemTypeId":"18"},["name","ADELTA Item"],["description","Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA)."],["elementContainer",["element",{"elementId":"95"},["name","Platform"],["description","Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime"],["elementTextContainer",["elementText",{"elementTextId":"2825"},["text","Flash"]]]],["element",{"elementId":"101"},["name","Work URL"],["description","The URL of the original work, included as an HTML link."],["elementTextContainer",["elementText",{"elementTextId":"2826"},["text","<a href=\"http://komninos.com.au/cyberpoetry/\">http://komninos.com.au/cyberpoetry/</a>"]]]],["element",{"elementId":"100"},["name","Source of Description"],["description","The source of information included in the Description, included as an HTML link to the relevant URL where possible."],["elementTextContainer",["elementText",{"elementTextId":"2828"},["text","<a href=\"http://iloveepoetry.com/?p=401\">Excerpt of Leonardo Flores' description, I love E-Poetry</a>"]]]],["element",{"elementId":"96"},["name","Genre"],["description"],["elementTextContainer",["elementText",{"elementTextId":"2920"},["text","Web based digital poetry"]]]],["element",{"elementId":"113"},["name","Publication Type"],["description","The publication type is the means and channels by which a work is made public."],["elementTextContainer",["elementText",{"elementTextId":"2921"},["text","Online/CD ROM"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"43"},["name","Identifier"],["description","An unambiguous reference to the resource within a given context"],["elementTextContainer",["elementText",{"elementTextId":"2820"},["text","Zervos_flashPoems"]]]],["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"2821"},["text","Flash Poems"]]]],["element",{"elementId":"39"},["name","Creator"],["description","An entity primarily responsible for making the resource"],["elementTextContainer",["elementText",{"elementTextId":"2822"},["text","Zervos, Komninos"]]]],["element",{"elementId":"40"},["name","Date"],["description","A point or period of time associated with an event in the lifecycle of the resource"],["elementTextContainer",["elementText",{"elementTextId":"2824"},["text","2003/2005"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"2827"},["text","The first two of this list of poems stand out because of their use of Flash. Komninos' approach to Flash in his poem 'Beer' is similar to the work he published in animated GIFs: a sequence of words, morphing from one to the next producing surprising and amusing juxtapositions. It is with 'Love' (image above) that he took advantage of Flash's strengths: responsiveness to user input and audio synchronization. 'Love' creates a simple interface that triggers some not-lovely sounds when moused over or clicked on. The words readable within its circles are replaced by their opposites, portraying love as a kind of minefield full of triggers that can turn trust into jealousy, heartache into separation, or simply cause pain.<br /><a href=\"http://iloveepoetry.com/?p=401\">Excerpt of Leonardo Flores' description, I love E-Poetry</a>"]]]],["element",{"elementId":"44"},["name","Language"],["description","A language of the resource"],["elementTextContainer",["elementText",{"elementTextId":"2829"},["text","English"]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"3684"},["text","Copyright Komninos Zervos. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder."]]]],["element",{"elementId":"49"},["name","Subject"],["description","The topic of the resource"],["elementTextContainer",["elementText",{"elementTextId":"4111"},["text","Cyberpoetry\r\n"]],["elementText",{"elementTextId":"4112"},["text","Kinetic"]],["elementText",{"elementTextId":"4113"},["text","Responsive"]]]]]]],["tagContainer",["tag",{"tagId":"214"},["name","Cyberpoetry"]],["tag",{"tagId":"216"},["name","Kinetic"]],["tag",{"tagId":"215"},["name","Komninos Zervos"]],["tag",{"tagId":"217"},["name","Responsive"]]]],["item",{"itemId":"249","public":"1","featured":"1"},["fileContainer",["file",{"fileId":"661"},["src","https://adelta.westernsydney.edu.au/files/original/afb38d6cf80141c4603137260fdf8668.png"],["authentication","26042a9e533a7c0d211c3385081e19bf"]],["file",{"fileId":"662"},["src","https://adelta.westernsydney.edu.au/files/original/b9df103696bcae47b2a831e0fe9355a7.png"],["authentication","bf545bc5614dc8fd9266ae27ddc15680"]],["file",{"fileId":"663"},["src","https://adelta.westernsydney.edu.au/files/original/7a30f56455cbeb8d2c2f850086980b6c.png"],["authentication","e3f10ee8bf001a4bce457932a2ba9d66"]]],["itemType",{"itemTypeId":"18"},["name","ADELTA Item"],["description","Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA)."],["elementContainer",["element",{"elementId":"95"},["name","Platform"],["description","Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime"],["elementTextContainer",["elementText",{"elementTextId":"2836"},["text","Flash"]]]],["element",{"elementId":"101"},["name","Work URL"],["description","The URL of the original work, included as an HTML link."],["elementTextContainer",["elementText",{"elementTextId":"2837"},["text","<a href=\"http://www.wordcircuits.com/gallery/childhood/index.html\">http://www.wordcircuits.com/gallery/childhood/index.html</a>"]]]],["element",{"elementId":"96"},["name","Genre"],["description"],["elementTextContainer",["elementText",{"elementTextId":"2906"},["text","Visual biography"]]]],["element",{"elementId":"100"},["name","Source of Description"],["description","The source of information included in the Description, included as an HTML link to the relevant URL where possible."],["elementTextContainer",["elementText",{"elementTextId":"3129"},["text","<a href=\"http://directory.eliterature.org/node/370\">Tammy Suzor</a>"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"2832"},["text","Childhood in Richmond"]]]],["element",{"elementId":"39"},["name","Creator"],["description","An entity primarily responsible for making the resource"],["elementTextContainer",["elementText",{"elementTextId":"2833"},["text","Zervos, Komninos"]]]],["element",{"elementId":"40"},["name","Date"],["description","A point or period of time associated with an event in the lifecycle of the resource"],["elementTextContainer",["elementText",{"elementTextId":"2835"},["text","2001"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"2838"},["text","In Childhood in Richmond, Komninos Zervos uses a collage of photos to tell a story about his life in 1950s Richmond, Victoria. The piece begins, 'I remember my childhood in the backstreets of Richmond/And the visions that leave a lasting impression/ Where I lived in a fish shop with my mother and father.' Black and white photographs appear on the screen as negatives. The opening page contains rollovers that trigger visual changes and audio clips. As the reader advances through the poem, the photos change colours and are more distinct. Black flies and fish float over the collage of photos. By clicking on a specific black fish or black fly, the poem will advance to another collage of photos. The names of fish appear superimposed over the photos, referencing a segment of the poem, 'And flake and couta and bream and schnapper/ To the window, to attract the eyes of the buyers.' These function as links to a line of the poem, which may link back to the same page. This interactive Flash piece provides a poetic experience, as Zervos narrates his poem with spoken words. The dynamic presentation is supported by instrumental drums and cymbals, accentuating the narrative. The poem ends with Komninos remembering his mother, 'And her legs would swell up from all of that walking/ And I often saw her in some corner crying/ In a fish shop, in Richmond, from where I came\".<br /><a href=\"http://directory.eliterature.org/node/370\">Tammy Suzor</a>"]]]],["element",{"elementId":"45"},["name","Publisher"],["description","An entity responsible for making the resource available"],["elementTextContainer",["elementText",{"elementTextId":"2840"},["text","Word Circuits"]]]],["element",{"elementId":"44"},["name","Language"],["description","A language of the resource"],["elementTextContainer",["elementText",{"elementTextId":"2841"},["text","English"]]]],["element",{"elementId":"43"},["name","Identifier"],["description","An unambiguous reference to the resource within a given context"],["elementTextContainer",["elementText",{"elementTextId":"2914"},["text","Zervos_childhood"]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"3685"},["text","Copyright Komninos Zervos. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder."]]]],["element",{"elementId":"49"},["name","Subject"],["description","The topic of the resource"],["elementTextContainer",["elementText",{"elementTextId":"4107"},["text","Cyberpoetry\r\n"]],["elementText",{"elementTextId":"4108"},["text","Hypertext"]],["elementText",{"elementTextId":"4109"},["text","Interactive poetry"]],["elementText",{"elementTextId":"4110"},["text","Speech work"]]]]]]],["tagContainer",["tag",{"tagId":"214"},["name","Cyberpoetry"]],["tag",{"tagId":"67"},["name","Hypertext"]],["tag",{"tagId":"218"},["name","Interactive poetry"]],["tag",{"tagId":"215"},["name","Komninos Zervos"]],["tag",{"tagId":"219"},["name","Speech work"]]]],["item",{"itemId":"250","public":"1","featured":"1"},["fileContainer",["file",{"fileId":"664"},["src","https://adelta.westernsydney.edu.au/files/original/ad6ddaf4da36b8067082d59f5026f5af.png"],["authentication","a7711bc5da92b62ec662f50e15733b93"]],["file",{"fileId":"665"},["src","https://adelta.westernsydney.edu.au/files/original/1169a30d8f343263cfcb15b60986ac54.png"],["authentication","ee2c0fec22bbecf0a64f9c4669f9a458"]],["file",{"fileId":"666"},["src","https://adelta.westernsydney.edu.au/files/original/92adfb651aec1325da906954fb4e573b.png"],["authentication","c57566c8e0b8cd06b40e2098bf92bde6"]]],["itemType",{"itemTypeId":"18"},["name","ADELTA Item"],["description","Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA)."],["elementContainer",["element",{"elementId":"95"},["name","Platform"],["description","Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime"],["elementTextContainer",["elementText",{"elementTextId":"2848"},["text","gif animation"]]]],["element",{"elementId":"101"},["name","Work URL"],["description","The URL of the original work, included as an HTML link."],["elementTextContainer",["elementText",{"elementTextId":"2849"},["text","<a href=\"http://komninos.com.au/cyberpoetry/cyberpoetry1995-1997/animgif.html\">http://komninos.com.au/cyberpoetry/cyberpoetry1995-1997/animgif.html</a>"]]]],["element",{"elementId":"100"},["name","Source of Description"],["description","The source of information included in the Description, included as an HTML link to the relevant URL where possible."],["elementTextContainer",["elementText",{"elementTextId":"2851"},["text","<a href=\"http://iloveepoetry.com/?p=404\">Excerpt of Leonardo Flores' description, I love E-Poetry</a>"]]]],["element",{"elementId":"96"},["name","Genre"],["description"],["elementTextContainer",["elementText",{"elementTextId":"2919"},["text","Web based digital poetry"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"43"},["name","Identifier"],["description","An unambiguous reference to the resource within a given context"],["elementTextContainer",["elementText",{"elementTextId":"2843"},["text","Zervos_dimocopo"]]]],["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"2844"},["text","Dimocopo - digital moving concrete poetry"]]]],["element",{"elementId":"39"},["name","Creator"],["description","An entity primarily responsible for making the resource"],["elementTextContainer",["elementText",{"elementTextId":"2845"},["text","Zervos, Komninos"]]]],["element",{"elementId":"40"},["name","Date"],["description","A point or period of time associated with an event in the lifecycle of the resource"],["elementTextContainer",["elementText",{"elementTextId":"2847"},["text","1995-1997"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"2850"},["text","This suite of 28 early animated poems from 1995-1997 were created as animated GIFs but are really powered by a vibrant enthusiasm over the ability of computers to write kinetic language. In this suite, we see words morph into other words and into objects, words whose movements evoke their meanings, words used to build landscapes full of objects (a decade before WordWorld), and phrases reconfiguring and reshaping themselves into new ones - as is the case with 'she left' (above). This poem is very economical with its language resources, yet so effective in describing the psychological process of a breakup in a relationship.<br /><a href=\"iloveepoetry.com/?p=404\">Excerpt of Leonardo Flores' description, I love E-Poetry</a>"]]]],["element",{"elementId":"44"},["name","Language"],["description","A language of the resource"],["elementTextContainer",["elementText",{"elementTextId":"2852"},["text","English"]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"3686"},["text","Copyright Komninos Zervos. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. 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