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The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder."]]]],["element",{"elementId":"49"},["name","Subject"],["description","The topic of the resource"],["elementTextContainer",["elementText",{"elementTextId":"4099"},["text","Cyberpoetry"]],["elementText",{"elementTextId":"4100"},["text","Exquisite corpse"]],["elementText",{"elementTextId":"4101"},["text","Generative"]]]]]]],["tagContainer",["tag",{"tagId":"214"},["name","Cyberpoetry"]],["tag",{"tagId":"223"},["name","Exquisite corpse"]],["tag",{"tagId":"56"},["name","Generative"]],["tag",{"tagId":"215"},["name","Komninos Zervos"]]]],["item",{"itemId":"252","public":"1","featured":"1"},["fileContainer",["file",{"fileId":"671"},["src","https://adelta.westernsydney.edu.au/files/original/75f078eadd2832310786b77fe992ddfd.png"],["authentication","9acf2893ce10de73c145c9857732c8d0"]],["file",{"fileId":"672"},["src","https://adelta.westernsydney.edu.au/files/original/6804dcdaa8b95ed11636304833662e7e.png"],["authentication","553bb2e18ebd1b3379e3aa476ebe28e1"]],["file",{"fileId":"673"},["src","https://adelta.westernsydney.edu.au/files/original/2b3484705440cccfc45ac61ab552899e.png"],["authentication","58dab890a6707e4fae5e29a6e7280b29"]]],["itemType",{"itemTypeId":"18"},["name","ADELTA Item"],["description","Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA)."],["elementContainer",["element",{"elementId":"95"},["name","Platform"],["description","Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime"],["elementTextContainer",["elementText",{"elementTextId":"2870"},["text","gif animation"]]]],["element",{"elementId":"101"},["name","Work URL"],["description","The URL of the original work, included as an HTML link."],["elementTextContainer",["elementText",{"elementTextId":"2871"},["text","<a href=\"http://www.studiocleo.com/cauldron/volume2/confluence/kominoszervos/index.html#\">http://www.studiocleo.com/cauldron/volume2/confluence/kominoszervos/index.html#</a>"]]]],["element",{"elementId":"100"},["name","Source of Description"],["description","The source of information included in the Description, included as an HTML link to the relevant URL where possible."],["elementTextContainer",["elementText",{"elementTextId":"2873"},["text","<a href=\"http://iloveepoetry.com/?p=192\">Excerpt of Leonardo Flores' description, I love E-Poetry</a>"]]]],["element",{"elementId":"96"},["name","Genre"],["description"],["elementTextContainer",["elementText",{"elementTextId":"2915"},["text","Web based digital poetry"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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In Zervos' experienced hands (see his 'Dimocopo' suite), this simple technology can be very expressive indeed, as can be seen in 'Divorce' a kinetic concrete poem that uses moving typography to highlight some of the finer points in a divorce process.<br /><a href=\"http://iloveepoetry.com/?p=192\">Excerpt of Leonardo Flores' description, I love E-Poetry</a>"]]]],["element",{"elementId":"44"},["name","Language"],["description","A language of the resource"],["elementTextContainer",["elementText",{"elementTextId":"2874"},["text","English"]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"3688"},["text","Copyright Komninos Zervos. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder."]]]],["element",{"elementId":"49"},["name","Subject"],["description","The topic of the resource"],["elementTextContainer",["elementText",{"elementTextId":"4096"},["text","Animated gif"]],["elementText",{"elementTextId":"4097"},["text","Cyberpoetry"]],["elementText",{"elementTextId":"4098"},["text","HTML"]]]]]]],["tagContainer",["tag",{"tagId":"221"},["name","Animated gif"]],["tag",{"tagId":"214"},["name","Cyberpoetry"]],["tag",{"tagId":"220"},["name","HTML"]],["tag",{"tagId":"215"},["name","Komninos Zervos"]]]],["item",{"itemId":"253","public":"1","featured":"1"},["fileContainer",["file",{"fileId":"674"},["src","https://adelta.westernsydney.edu.au/files/original/13d1a5aceabb93074d54e90338135267.png"],["authentication","b8da532e9265fd8dcdedd5c7a82be0b6"]]],["itemType",{"itemTypeId":"18"},["name","ADELTA Item"],["description","Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA)."],["elementContainer",["element",{"elementId":"95"},["name","Platform"],["description","Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime"],["elementTextContainer",["elementText",{"elementTextId":"2880"},["text","HTML/Java"]]]],["element",{"elementId":"101"},["name","Work URL"],["description","The URL of the original work, included as an HTML link."],["elementTextContainer",["elementText",{"elementTextId":"2881"},["text","<a href=\"http://komninos.com.au/cyberpoetry/cyberpoetry1995-1997/javainf1.html\">http://komninos.com.au/cyberpoetry/cyberpoetry1995-1997/javainf1.html</a>"]]]],["element",{"elementId":"96"},["name","Genre"],["description"],["elementTextContainer",["elementText",{"elementTextId":"2913"},["text","Web based digital poetry"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"43"},["name","Identifier"],["description","An unambiguous reference to the resource within a given context"],["elementTextContainer",["elementText",{"elementTextId":"2876"},["text","Zervos_javaPoems"]]]],["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"2877"},["text","Java Poems"]]]],["element",{"elementId":"39"},["name","Creator"],["description","An entity primarily responsible for making the resource"],["elementTextContainer",["elementText",{"elementTextId":"2878"},["text","Zervos, Komninos"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"2882"},["text","This trio of early e-poems were written in HTML and use Java applets to shape their linguistic texts with a careful touch. 'Infinity' and 'Internet Junkie' both change the colour of the text over a schedule to shape readings and to imbue them with a nervous energy. In 'Infinity' (displayed above) the rarely used tag reinforces the instability of textual meaning as the phrases can be read with and without the three blinking words, 'reality,' 'literary,' and 'Why?' In 'Internet Junkie' the increased rate of colour change from one stanza to the next mimics the increasing urgency of the addict's need. The final poem in the piece uses the 'NervousText' applet by Daniel Wyszynski to animate its words, 'KOMNINOS is a poet,' which can be soothed into static stability with a mouse click.<br /><a href=\"http://iloveepoetry.com/?p=403\">Excerpt of Leonardo Flores' description, I love E-Poetry</a>"]]]],["element",{"elementId":"44"},["name","Language"],["description","A language of the resource"],["elementTextContainer",["elementText",{"elementTextId":"2884"},["text","English"]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"3689"},["text","Copyright Komninos Zervos. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder."]]]],["element",{"elementId":"49"},["name","Subject"],["description","The topic of the resource"],["elementTextContainer",["elementText",{"elementTextId":"4091"},["text","Cyberpoetry"]],["elementText",{"elementTextId":"4092"},["text","HTML"]],["elementText",{"elementTextId":"4093"},["text","Java"]],["elementText",{"elementTextId":"4094"},["text","Kinetic"]],["elementText",{"elementTextId":"4095"},["text","Responsive"]]]]]]],["tagContainer",["tag",{"tagId":"214"},["name","Cyberpoetry"]],["tag",{"tagId":"220"},["name","HTML"]],["tag",{"tagId":"224"},["name","Java"]],["tag",{"tagId":"216"},["name","Kinetic"]],["tag",{"tagId":"215"},["name","Komninos Zervos"]],["tag",{"tagId":"217"},["name","Responsive"]]]],["item",{"itemId":"254","public":"1","featured":"1"},["fileContainer",["file",{"fileId":"676"},["src","https://adelta.westernsydney.edu.au/files/original/365404e504a742ffb6dd14fee6845678.png"],["authentication","e8d3979c7754946136d6de8760a38145"]],["file",{"fileId":"677"},["src","https://adelta.westernsydney.edu.au/files/original/f56aadb99dfba73234278ee4c802edca.png"],["authentication","92891b707f53805fd107bac94047ef2c"]],["file",{"fileId":"678"},["src","https://adelta.westernsydney.edu.au/files/original/05be68d98f873629cd0e6fa2da381886.png"],["authentication","1ef23211b8f4f82ac718840252f5ca12"]]],["itemType",{"itemTypeId":"18"},["name","ADELTA Item"],["description","Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA)."],["elementContainer",["element",{"elementId":"101"},["name","Work URL"],["description","The URL of the original work, included as an HTML link."],["elementTextContainer",["elementText",{"elementTextId":"2892"},["text","<a href=\"http://komninos.com.au/cyberpoetry/cyberpoetry1995-1997/iwb/intro.html\">http://komninos.com.au/cyberpoetry/cyberpoetry1995-1997/iwb/intro.html</a>"]]]],["element",{"elementId":"107"},["name","Related Website 1"],["description","The URL of a related web page such as a YouTube clip or Vimeo, included as an HTML link."],["elementTextContainer",["elementText",{"elementTextId":"2893"},["text","<a href=\"http://iloveepoetry.com/?p=402\">http://iloveepoetry.com/?p=402<br /><br /></a>"]]]],["element",{"elementId":"93"},["name","Artist Statement"],["description","A statement about the work, as provided by the artist(s)."],["elementTextContainer",["elementText",{"elementTextId":"2896"},["text","This piece is a narrative cyberpoem which i first began working on in 1995 for my cyberpoetry CD-ROMs. That version, called \"reality is a construct\" was created in logo-motion in 3D and ran for seven minutes. This version, because of different connection speeds, different browsers, different hosts, etc., has to be restricted to animated gifs and whatever comes packaged with Netscape 3. <a href=\"http://komninos.com.au/cyberpoetry/cyberpoetry1995-1997/iwb/intro.html\"> Statement from author's website</a>"]]]],["element",{"elementId":"95"},["name","Platform"],["description","Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime"],["elementTextContainer",["elementText",{"elementTextId":"2912"},["text","gif animation"]]]],["element",{"elementId":"96"},["name","Genre"],["description"],["elementTextContainer",["elementText",{"elementTextId":"2917"},["text","Web based digital poetry"]]]],["element",{"elementId":"100"},["name","Source of Description"],["description","The source of information included in the Description, included as an HTML link to the relevant URL where possible."],["elementTextContainer",["elementText",{"elementTextId":"3127"},["text","<a href=\"http://iloveepoetry.com/?p=402\">Excerpt of Leonardo Flores' description, I love E-Poetry</a>"]]]],["element",{"elementId":"98"},["name","Source of Artist Statement"],["description","The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible."],["elementTextContainer",["elementText",{"elementTextId":"3128"},["text","<a href=\"http://komninos.com.au/cyberpoetry/cyberpoetry1995-1997/iwb/intro.html\">Statement from author's website</a>"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"43"},["name","Identifier"],["description","An unambiguous reference to the resource within a given context"],["elementTextContainer",["elementText",{"elementTextId":"2886"},["text","Zervos_adventures"]]]],["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"2887"},["text","The Adventures of i"]]]],["element",{"elementId":"39"},["name","Creator"],["description","An entity primarily responsible for making the resource"],["elementTextContainer",["elementText",{"elementTextId":"2888"},["text","Zervos, Komninos"]]]],["element",{"elementId":"40"},["name","Date"],["description","A point or period of time associated with an event in the lifecycle of the resource"],["elementTextContainer",["elementText",{"elementTextId":"2890"},["text","1995"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"2894"},["text","This narrative 'cyberpoem' started in 1995 with the goal of developing into a lengthy 'soapie' about the life of i. The project obviously didn't go on for a long time, though the 18 webisodes plus two alternate guest webisodes collected here are a testament to an ingenious exploration of the narrative potential of animated Concrete Poetry. Each piece is an ingenious animated GIF that illustrates and comments upon a moment in the early life of a character named i. The personification of the typographical character i and the transformation of other words into objects that i explores and interacts with truly exemplifies the Noigandres group's description of Concrete Poetry as 'tension of things-words in space-time.'<br /><a href=\"http://iloveepoetry.com/?p=402\">Excerpt of Leonardo Flores' description, I love E-Poetry</a>"]],["elementText",{"elementTextId":"3480"},["text","<strong>Artist Statement</strong><br />This piece is a narrative cyberpoem which i first began working on in 1995 for my cyberpoetry CD-ROMs. That version, called \"reality is a construct\" was created in logo-motion in 3D and ran for seven minutes. This version, because of different connection speeds, different browsers, different hosts, etc., has to be restricted to animated gifs and whatever comes packaged with Netscape 3.<br /><a href=\"http://komninos.com.au/cyberpoetry/cyberpoetry1995-1997/iwb/intro.html\">Source of Artist Statement</a>"]]]],["element",{"elementId":"44"},["name","Language"],["description","A language of the resource"],["elementTextContainer",["elementText",{"elementTextId":"2898"},["text","English"]]]],["element",{"elementId":"49"},["name","Subject"],["description","The topic of the resource"],["elementTextContainer",["elementText",{"elementTextId":"3481"},["text","Animated gif"]],["elementText",{"elementTextId":"3482"},["text","Concrete poetry"]],["elementText",{"elementTextId":"3483"},["text","Cyberpoetry"]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"3690"},["text","Copyright Komninos Zervos. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder."]]]]]]],["tagContainer",["tag",{"tagId":"221"},["name","Animated gif"]],["tag",{"tagId":"225"},["name","Concrete poetry"]],["tag",{"tagId":"214"},["name","Cyberpoetry"]],["tag",{"tagId":"215"},["name","Komninos Zervos"]]]],["item",{"itemId":"256","public":"1","featured":"0"},["fileContainer",["file",{"fileId":"692"},["src","https://adelta.westernsydney.edu.au/files/original/86470fe6574d701ec38fff0b9861bd42.png"],["authentication","9554b1a8a784849db3a8d0f39e64042f"]],["file",{"fileId":"693"},["src","https://adelta.westernsydney.edu.au/files/original/816232aaa167cd30efb3ec4566abcbf8.png"],["authentication","b4501b03d242d4d6706f525ab1fca0cf"]]],["itemType",{"itemTypeId":"18"},["name","ADELTA Item"],["description","Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA)."],["elementContainer",["element",{"elementId":"100"},["name","Source of Description"],["description","The source of information included in the Description, included as an HTML link to the relevant URL where possible."],["elementTextContainer",["elementText",{"elementTextId":"3257"},["text","<a href=\"http://www.cybertribe.culture2.org/jennyfraser/artist_bio.htm\">http://www.cybertribe.culture2.org/jennyfraser/artist_bio.htm</a>"]]]],["element",{"elementId":"96"},["name","Genre"],["description"],["elementTextContainer",["elementText",{"elementTextId":"3258"},["text","Multimedia installation"]]]],["element",{"elementId":"95"},["name","Platform"],["description","Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime"],["elementTextContainer",["elementText",{"elementTextId":"3259"},["text","Triptych prints/Installation"]]]],["element",{"elementId":"101"},["name","Work URL"],["description","The URL of the original work, included as an HTML link."],["elementTextContainer",["elementText",{"elementTextId":"3260"},["text","<a href=\"http://www.cybertribe.culture2.org/jennyfraser/artist.htm\">http://www.cybertribe.culture2.org/jennyfraser/artist.htm</a>"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"3254"},["text","I Saw the Signs"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"3255"},["text","Jenny Fraser works within a fluid screen-based practice of bold and confronting art that utilises popular cultural references as a bridge to challenge viewer’s frames of reference. Her practice has also been partly defined through a strong commitment to collaboration with others and she is motivated to redefine the art of curating as an act of sovereignty and emancipation, founding cyberTribe online gallery over a decade ago.<br /><a href=\"http://www.cybertribe.culture2.org/jennyfraser/artist_bio.htm\">Source of Description</a>"]]]],["element",{"elementId":"39"},["name","Creator"],["description","An entity primarily responsible for making the resource"],["elementTextContainer",["elementText",{"elementTextId":"3256"},["text","Fraser, Jenny"]]]],["element",{"elementId":"49"},["name","Subject"],["description","The topic of the resource"],["elementTextContainer",["elementText",{"elementTextId":"4090"},["text","Multimedia installation"]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"4147"},["text","The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. 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The project highlights an era of 1800's colonial australia and explores the prickly issues of Native Policing, dispossession, displacement, massacres and survival [… ]other[wize] is an interactive work where stories are imparted through the use of family photographs, video, audio, and text - including Yugambeh language and relevant  historical documents.  The 'objects' are representative of important people or events and they transport the viewer to a story about someone from the past […] Events evolve in a non-linear way, grasping at the unknown, not sure of what will be found or how it relates to other information, until perhaps another time, leaving the viewer without a Narrator.  This concept reflects how many Aboriginal people experience family histories.  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Text and visual metaphors - like the windscreen wiper’s attempt to “wipe away” political problems - have long informed Raskipoulos’ work. <a href=\"http://eugeniaraskopoulos.com/wp-content/uploads/2015/08/voodoo-objects.pdf\">Extract from essay Voodoo Objects: “Under My Skin” by Anne Finegan</a>"]]]],["element",{"elementId":"39"},["name","Creator"],["description","An entity primarily responsible for making the resource"],["elementTextContainer",["elementText",{"elementTextId":"3298"},["text","Raskopoulos, Eugenia"]]]],["element",{"elementId":"40"},["name","Date"],["description","A point or period of time associated with an event in the lifecycle of the resource"],["elementTextContainer",["elementText",{"elementTextId":"3299"},["text","2014"]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"4141"},["text","The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. 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For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"3308"},["text","Footnotes"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"3309"},["text","Art happens slowly in Eugenia Raskopoulos’ installation: Footnotes. Certain letters appear and then fade away. Words are formed with stuttering gestures. Nothing is spoken. A language emerges from the spitting onto and the caressing of a surface. We assume that the limbs which are the focus of this articulation are those of the artist. She performs language. She creates words with her toe as it rubs a fluid onto the floor. The words are in English and Greek. Her gestures make visible familiar words that suggest a complicity between the elements and desire. Nature, sexuality and language are brought into light and then they all evaporate.<br /><a href=\"http://eugeniaraskopoulos.com/wp-content/uploads/2012/09/Raskopoulos_brochure.pdf\">Extract from essay \"Ghost Words\" by Nikos Papasteriguadis &amp; Victoria Lynn</a>"]]]],["element",{"elementId":"40"},["name","Date"],["description","A point or period of time associated with an event in the lifecycle of the resource"],["elementTextContainer",["elementText",{"elementTextId":"3310"},["text","2011"]]]],["element",{"elementId":"39"},["name","Creator"],["description","An entity primarily responsible for making the resource"],["elementTextContainer",["elementText",{"elementTextId":"3313"},["text","Raskopoulos, Eugenia"]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"4139"},["text","The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder."]]]]]]]]]