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Carrier draws blood from immunology and immunosemiotics, integrating the dynamic of interrelating pure codes, whether they be within the immune system or the computer operating system.<br />Carrier project originated from my research in gender, net art practice and chronic viral illness, with intent to reposition viral infection as positive biological merging with the flesh - a love story with an intelligent being, rather than the defensive medical response to invasion which sites the body as a detached battleground.<br />Provided by Artist."]]]],["element",{"elementId":"44"},["name","Language"],["description","A language of the resource"],["elementTextContainer",["elementText",{"elementTextId":"1838"},["text","English"]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"3633"},["text","Copyright Melinda Rackham. 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Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder."]]]]]]],["tagContainer",["tag",{"tagId":"132"},["name","Digital poetry"]],["tag",{"tagId":"149"},["name","Melinda Rackham"]]]],["item",{"itemId":"57","public":"1","featured":"1"},["fileContainer",["file",{"fileId":"136"},["src","https://adelta.westernsydney.edu.au/files/original/779512b7f8915826016a3fd38b809a2a.png"],["authentication","008e2ec08942eef8174e03304fdc4d4b"]],["file",{"fileId":"137"},["src","https://adelta.westernsydney.edu.au/files/original/81ea9c33fe69948e9174cb2b0387289c.png"],["authentication","c78999606c2aef5d13c69a1a1f2fbc8d"]],["file",{"fileId":"138"},["src","https://adelta.westernsydney.edu.au/files/original/4ca3fe4b22f69180ed79e60b6b5b940b.png"],["authentication","e0212febe0c746877750e40f03af1270"]]],["itemType",{"itemTypeId":"18"},["name","ADELTA Item"],["description","Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA)."],["elementContainer",["element",{"elementId":"101"},["name","Work URL"],["description","The URL of the original work, included as an HTML link."],["elementTextContainer",["elementText",{"elementTextId":"634"},["text","<a href=\"http://www.sounddesign.unimelb.edu.au/web/biogs/P000306b.htm\">http://www.sounddesign.unimelb.edu.au/web/biogs/P000306b.htm</a>"]]]],["element",{"elementId":"100"},["name","Source of Description"],["description","The source of information included in the Description, included as an HTML link to the relevant URL where possible."],["elementTextContainer",["elementText",{"elementTextId":"636"},["text","<a href=\"http://www.sounddesign.unimelb.edu.au/web/biogs/P000306b.htm\">Excerpt from the online database Australian Sound Design Project</a>"]]]],["element",{"elementId":"96"},["name","Genre"],["description"],["elementTextContainer",["elementText",{"elementTextId":"3206"},["text","Interactive installation"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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This piece was made in collaboration with Anna Gibbs, Brad Clinch and Helen Britton. An additional sound track of a rusty car disintegrated was conceived of and produced by Ros Bandt. The rear vision mirror has a miniature TV inside. The video is about memory and the processes of forgetting and remembering. Rear vision or an endlessly receding past. This piece is silent. The boot or trunk section is lit red to engage with the idea of the car as a body - a prosthetic. This section has a sound track and a TV in the floor of the boot - the road seems to continually pass beneath the car. Anna Gibbs wrote and produced the sound track in the dashboard. The sound of a car crash comes from the fender. Timed to occur unexpectedly but activated by people walking in front of it.<br /><a href=\"http://www.sounddesign.unimelb.edu.au/web/biogs/P000306b.htm\">Excerpt from Australian Sound Design Project</a>"]]]],["element",{"elementId":"44"},["name","Language"],["description","A language of the resource"],["elementTextContainer",["elementText",{"elementTextId":"637"},["text","English "]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"3565"},["text","Copyright Nola Farman, Anna Gibbs, Helene Britto, Brad Clinch and Roz Bandt. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder."]]]],["element",{"elementId":"49"},["name","Subject"],["description","The topic of the resource"],["elementTextContainer",["elementText",{"elementTextId":"3930"},["text","Interactive installation"]]]]]]],["tagContainer",["tag",{"tagId":"75"},["name","Anna Gibbs"]],["tag",{"tagId":"74"},["name","Interactive installation"]],["tag",{"tagId":"73"},["name","Nola Farman"]]]],["item",{"itemId":"249","public":"1","featured":"1"},["fileContainer",["file",{"fileId":"661"},["src","https://adelta.westernsydney.edu.au/files/original/afb38d6cf80141c4603137260fdf8668.png"],["authentication","26042a9e533a7c0d211c3385081e19bf"]],["file",{"fileId":"662"},["src","https://adelta.westernsydney.edu.au/files/original/b9df103696bcae47b2a831e0fe9355a7.png"],["authentication","bf545bc5614dc8fd9266ae27ddc15680"]],["file",{"fileId":"663"},["src","https://adelta.westernsydney.edu.au/files/original/7a30f56455cbeb8d2c2f850086980b6c.png"],["authentication","e3f10ee8bf001a4bce457932a2ba9d66"]]],["itemType",{"itemTypeId":"18"},["name","ADELTA Item"],["description","Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA)."],["elementContainer",["element",{"elementId":"95"},["name","Platform"],["description","Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime"],["elementTextContainer",["elementText",{"elementTextId":"2836"},["text","Flash"]]]],["element",{"elementId":"101"},["name","Work URL"],["description","The URL of the original work, included as an HTML link."],["elementTextContainer",["elementText",{"elementTextId":"2837"},["text","<a href=\"http://www.wordcircuits.com/gallery/childhood/index.html\">http://www.wordcircuits.com/gallery/childhood/index.html</a>"]]]],["element",{"elementId":"96"},["name","Genre"],["description"],["elementTextContainer",["elementText",{"elementTextId":"2906"},["text","Visual biography"]]]],["element",{"elementId":"100"},["name","Source of Description"],["description","The source of information included in the Description, included as an HTML link to the relevant URL where possible."],["elementTextContainer",["elementText",{"elementTextId":"3129"},["text","<a href=\"http://directory.eliterature.org/node/370\">Tammy Suzor</a>"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"2832"},["text","Childhood in Richmond"]]]],["element",{"elementId":"39"},["name","Creator"],["description","An entity primarily responsible for making the resource"],["elementTextContainer",["elementText",{"elementTextId":"2833"},["text","Zervos, Komninos"]]]],["element",{"elementId":"40"},["name","Date"],["description","A point or period of time associated with an event in the lifecycle of the resource"],["elementTextContainer",["elementText",{"elementTextId":"2835"},["text","2001"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"2838"},["text","In Childhood in Richmond, Komninos Zervos uses a collage of photos to tell a story about his life in 1950s Richmond, Victoria. The piece begins, 'I remember my childhood in the backstreets of Richmond/And the visions that leave a lasting impression/ Where I lived in a fish shop with my mother and father.' Black and white photographs appear on the screen as negatives. The opening page contains rollovers that trigger visual changes and audio clips. As the reader advances through the poem, the photos change colours and are more distinct. Black flies and fish float over the collage of photos. By clicking on a specific black fish or black fly, the poem will advance to another collage of photos. The names of fish appear superimposed over the photos, referencing a segment of the poem, 'And flake and couta and bream and schnapper/ To the window, to attract the eyes of the buyers.' These function as links to a line of the poem, which may link back to the same page. This interactive Flash piece provides a poetic experience, as Zervos narrates his poem with spoken words. The dynamic presentation is supported by instrumental drums and cymbals, accentuating the narrative. 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The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder."]]]],["element",{"elementId":"49"},["name","Subject"],["description","The topic of the resource"],["elementTextContainer",["elementText",{"elementTextId":"4107"},["text","Cyberpoetry\r\n"]],["elementText",{"elementTextId":"4108"},["text","Hypertext"]],["elementText",{"elementTextId":"4109"},["text","Interactive poetry"]],["elementText",{"elementTextId":"4110"},["text","Speech work"]]]]]]],["tagContainer",["tag",{"tagId":"214"},["name","Cyberpoetry"]],["tag",{"tagId":"67"},["name","Hypertext"]],["tag",{"tagId":"218"},["name","Interactive poetry"]],["tag",{"tagId":"215"},["name","Komninos Zervos"]],["tag",{"tagId":"219"},["name","Speech work"]]]],["item",{"itemId":"43","public":"1","featured":"1"},["fileContainer",["file",{"fileId":"799"},["src","https://adelta.westernsydney.edu.au/files/original/77072f1afc7b735ceed43cd2ab6820e8.png"],["authentication","0ec931659971d07607cae1e742de4ea1"]],["file",{"fileId":"800"},["src","https://adelta.westernsydney.edu.au/files/original/3e94cc91bc02cd815f84831012fe5bcd.png"],["authentication","209d1220194fdd4e4d94e38809e4a4fe"]],["file",{"fileId":"801"},["src","https://adelta.westernsydney.edu.au/files/original/2b22511c8366e61b65912ebcc11cdb71.png"],["authentication","42a5ca40bb8f924d8b9daa1d4cb0e277"]]],["itemType",{"itemTypeId":"18"},["name","ADELTA Item"],["description","Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA)."],["elementContainer",["element",{"elementId":"96"},["name","Genre"],["description"],["elementTextContainer",["elementText",{"elementTextId":"479"},["text","Hypertext"]]]],["element",{"elementId":"101"},["name","Work URL"],["description","The URL of the original work, included as an HTML link."],["elementTextContainer",["elementText",{"elementTextId":"480"},["text","<a href=\"http://ensemble.va.com.au/cipher/index.html\">http://ensemble.va.com.au/cipher/index.html</a>"]]]],["element",{"elementId":"100"},["name","Source of Description"],["description","The source of information included in the Description, included as an HTML link to the relevant URL where possible."],["elementTextContainer",["elementText",{"elementTextId":"482"},["text","<a href=\"http://www.realtimearts.net/article/32/5049\">Teri Hoskin, An other writing. RealTime issue #32 Aug-Sept 1999 pg. 12</a>"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"43"},["name","Identifier"],["description","An unambiguous reference to the resource within a given context"],["elementTextContainer",["elementText",{"elementTextId":"472"},["text","Carroli_Wilson_cipher"]]]],["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"473"},["text","Cipher"]]]],["element",{"elementId":"39"},["name","Creator"],["description","An entity primarily responsible for making the resource"],["elementTextContainer",["elementText",{"elementTextId":"474"},["text","Carroli, Linda"]],["elementText",{"elementTextId":"475"},["text","Wilson, Josephine"]]]],["element",{"elementId":"40"},["name","Date"],["description","A point or period of time associated with an event in the lifecycle of the resource"],["elementTextContainer",["elementText",{"elementTextId":"477"},["text","1999"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"481"},["text","Cipher is a work in progress by 'collaborators' Josephine Wilson and Linda Carroli. Email conversations are the anchor for this engagement with a rhetoric that queries the value and the a/effects (now and/or eventual) of desire in the realm of electronic communication(s). There's a bit of detective work going on. Reading here is a process of constant folding, unfurling of the text. The writing manages to be both playful and deadly serious. Read the story of M (cipher/letterM.html) for a musing on the violent beginnings of alphabetic rule in the classroom.<br /><a href=\"http://www.realtimearts.net/article/32/5049\">Teri Hoskin, An other writing. RealTime <br /></a>"]]]],["element",{"elementId":"44"},["name","Language"],["description","A language of the resource"],["elementTextContainer",["elementText",{"elementTextId":"483"},["text","English"]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"3554"},["text","Copyright Linda Carroli and Josephine Wilson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder."]]]],["element",{"elementId":"49"},["name","Subject"],["description","The topic of the resource"],["elementTextContainer",["elementText",{"elementTextId":"3949"},["text","Collaborative work"]],["elementText",{"elementTextId":"3950"},["text","Hypertext"]]]]]]],["tagContainer",["tag",{"tagId":"69"},["name","Collaborative work"]],["tag",{"tagId":"67"},["name","Hypertext"]],["tag",{"tagId":"66"},["name","Josephine Wilson"]],["tag",{"tagId":"19"},["name","Linda Carroli"]]]],["item",{"itemId":"215","public":"1","featured":"1"},["fileContainer",["file",{"fileId":"582"},["src","https://adelta.westernsydney.edu.au/files/original/2a899eeafe142a26aaf7defcccf57cc3.png"],["authentication","12d4809a60c5bba2ce416677835f3125"]],["file",{"fileId":"583"},["src","https://adelta.westernsydney.edu.au/files/original/fda4a219f18b3ca08c7b2c663276d3d1.png"],["authentication","cb501b38cbaadae259e5e82e74ed8e40"]],["file",{"fileId":"584"},["src","https://adelta.westernsydney.edu.au/files/original/80f4ef838f004a69e2d4810a469900f7.png"],["authentication","95d75be963fad9b3468ab51bb0949eda"]]],["itemType",{"itemTypeId":"18"},["name","ADELTA Item"],["description","Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA)."],["elementContainer",["element",{"elementId":"95"},["name","Platform"],["description","Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime"],["elementTextContainer",["elementText",{"elementTextId":"2462"},["text","QuickTime"]]]],["element",{"elementId":"101"},["name","Work URL"],["description","The URL of the original work, included as an HTML link."],["elementTextContainer",["elementText",{"elementTextId":"2465"},["text","<a href=\"http://scan.net.au/scan/gallery/works/smith_april10/smith.php\">http://scan.net.au/scan/gallery/works/smith_april10/smith.php</a>"]]]],["element",{"elementId":"93"},["name","Artist Statement"],["description","A statement about the work, as provided by the artist(s)."],["elementTextContainer",["elementText",{"elementTextId":"2466"},["text","Clay conversations arose out of collaborative conversations I had with British ceramicist Joanna Still. After several meetings and exchanges, Joanna created some ceramics which evoked various forms of communication, for example a clay book, a calendar, and an abacus, but which also had an abstracted connection with the objects to which they refer. I wrote several short poems in response to Joanna's ceramics, conversations we had, and textual material she sent me (such as a newspaper cutting about Haitians eating clay plates because they could not afford food).  My poetry also drew on experiences I had independently, which seemed to connect with the project, such as a visit I made to the Asian Art Museum in San Francisco."]]]],["element",{"elementId":"98"},["name","Source of Artist Statement"],["description","The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible."],["elementTextContainer",["elementText",{"elementTextId":"2467"},["text","<a href=\"http://scan.net.au/scan/gallery/works/smith_april10/smith.php\">Statement from author's website</a>"]]]],["element",{"elementId":"96"},["name","Genre"],["description"],["elementTextContainer",["elementText",{"elementTextId":"2968"},["text","Video with audio performance"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"43"},["name","Identifier"],["description","An unambiguous reference to the resource within a given context"],["elementTextContainer",["elementText",{"elementTextId":"2457"},["text","Smith_Clay"]]]],["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"2458"},["text","Clay Conversations"]]]],["element",{"elementId":"39"},["name","Creator"],["description","An entity primarily responsible for making the resource"],["elementTextContainer",["elementText",{"elementTextId":"2459"},["text","Smith, Hazel"]],["elementText",{"elementTextId":"2976"},["text","Still, Joanna"]],["elementText",{"elementTextId":"2977"},["text","Dean, Roger"]]]],["element",{"elementId":"40"},["name","Date"],["description","A point or period of time associated with an event in the lifecycle of the resource"],["elementTextContainer",["elementText",{"elementTextId":"2461"},["text","2010"]]]],["element",{"elementId":"44"},["name","Language"],["description","A language of the resource"],["elementTextContainer",["elementText",{"elementTextId":"2468"},["text","English"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"3500"},["text","<strong>Artist Statement</strong><br />Clay conversations arose out of collaborative conversations I had with British ceramicist Joanna Still. After several meetings and exchanges, Joanna created some ceramics which evoked various forms of communication, for example a clay book, a calendar, and an abacus, but which also had an abstracted connection with the objects to which they refer. I wrote several short poems in response to Joanna's ceramics, conversations we had, and textual material she sent me (such as a newspaper cutting about Haitians eating clay plates because they could not afford food). My poetry also drew on experiences I had independently, which seemed to connect with the project, such as a visit I made to the Asian Art Museum in San Francisco.<br /><a href=\"http://scan.net.au/scan/gallery/works/smith_april10/smith.php\">Source of Artist Statement</a>"]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"3664"},["text","Copyright Hazel Smith, Joanna Still and Roger Dean. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder."]]]]]]],["tagContainer",["tag",{"tagId":"185"},["name","Hazel Smith"]],["tag",{"tagId":"231"},["name","Joanna Still"]],["tag",{"tagId":"27"},["name","Roger Dean"]],["tag",{"tagId":"54"},["name","Video"]]]],["item",{"itemId":"75","public":"1","featured":"1"},["fileContainer",["file",{"fileId":"179"},["src","https://adelta.westernsydney.edu.au/files/original/8fcc1650f238f20b1fc10eb9e03e3b1b.png"],["authentication","d2e4c2f95e0507fc68ed31c2f0e6f300"]],["file",{"fileId":"180"},["src","https://adelta.westernsydney.edu.au/files/original/1e1041673e8a437ae4fa7c131acd804a.png"],["authentication","7ea344a6bc6886aeeb786957ab1a6e9b"]],["file",{"fileId":"181"},["src","https://adelta.westernsydney.edu.au/files/original/46af938a36cce6d5dd67f4639cd05128.png"],["authentication","c7d16017ac4371c0047e566bd54ba6b5"]]],["itemType",{"itemTypeId":"18"},["name","ADELTA Item"],["description","Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA)."],["elementContainer",["element",{"elementId":"101"},["name","Work URL"],["description","The URL of the original work, included as an HTML link."],["elementTextContainer",["elementText",{"elementTextId":"830"},["text","<a href=\"http://vimeo.com/25392777\">http://vimeo.com/25392777</a>"]]]],["element",{"elementId":"93"},["name","Artist Statement"],["description","A statement about the work, as provided by the artist(s)."],["elementTextContainer",["elementText",{"elementTextId":"831"},["text","Colony is part artificial lifeform, part icon of a digital media landscape. The weathered totems use light and sound to communicate with one another in response to human presence. Affect the colour and sound patterns of the artwork by walking through the environment or playing the totems with your iPhone."]]]],["element",{"elementId":"98"},["name","Source of Artist Statement"],["description","The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible."],["elementTextContainer",["elementText",{"elementTextId":"832"},["text","<a href=\"http://vimeo.com/25392777\">Description from Vimeo</a>"]]]],["element",{"elementId":"96"},["name","Genre"],["description"],["elementTextContainer",["elementText",{"elementTextId":"3198"},["text","Interactive installation / iPhone App / Urban art environment"]]]],["element",{"elementId":"95"},["name","Platform"],["description","Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime"],["elementTextContainer",["elementText",{"elementTextId":"3199"},["text","iPhone App / Vimeo"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"43"},["name","Identifier"],["description","An unambiguous reference to the resource within a given context"],["elementTextContainer",["elementText",{"elementTextId":"825"},["text","Innocent_Colony"]]]],["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"826"},["text","Colony"]]]],["element",{"elementId":"39"},["name","Creator"],["description","An entity primarily responsible for making the resource"],["elementTextContainer",["elementText",{"elementTextId":"827"},["text","Innocent, Troy"]]]],["element",{"elementId":"40"},["name","Date"],["description","A point or period of time associated with an event in the lifecycle of the resource"],["elementTextContainer",["elementText",{"elementTextId":"829"},["text","2008"]]]],["element",{"elementId":"44"},["name","Language"],["description","A language of the resource"],["elementTextContainer",["elementText",{"elementTextId":"833"},["text","English"]]]],["element",{"elementId":"49"},["name","Subject"],["description","The topic of the resource"],["elementTextContainer",["elementText",{"elementTextId":"3884"},["text","Interactive installation\r\n"]],["elementText",{"elementTextId":"3885"},["text","iPhone App\r\n"]],["elementText",{"elementTextId":"3886"},["text","Multimedia installation  "]],["elementText",{"elementTextId":"3887"},["text","Urban art environment"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"3888"},["text","<strong>Artist Statement</strong><br />Colony is part artificial lifeform, part icon of a digital media landscape. The weathered totems use light and sound to communicate with one another in response to human presence. Affect the colour and sound patterns of the artwork by walking through the environment or playing the totems with your iPhone.<br /><a href=\"http://vimeo.com/25392777\">Description from Vimeo</a>"]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"4203"},["text","The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder."]]]]]]],["tagContainer",["tag",{"tagId":"74"},["name","Interactive installation"]],["tag",{"tagId":"89"},["name","iPhone App"]],["tag",{"tagId":"91"},["name","Multimedia installation"]],["tag",{"tagId":"84"},["name","Troy Innocent"]],["tag",{"tagId":"90"},["name","Urban art environment"]]]]]