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In this space they are composed into shimmering pixilated displays where image and text are inseparable and anyone can participate.<br /><a href=\"http://www.duckdigital.net/FOD/FOD0259.html#Types\">Excerpt from author's article: Duck Song: Text and Image in on-line narrative.</a>"]]]]]]],["tagContainer",["tag",{"tagId":"81"},["name","Critical work"]],["tag",{"tagId":"67"},["name","Hypertext"]],["tag",{"tagId":"142"},["name","Participatory online documentary"]],["tag",{"tagId":"143"},["name","Simon Pockley"]]]],["item",{"itemId":"157","public":"1","featured":"1"},["fileContainer",["file",{"fileId":"423"},["src","https://adelta.westernsydney.edu.au/files/original/a55d39e9f8986c0b47a27acc64e3607a.png"],["authentication","a0835deb82d32b87ccf868c8ffdaa574"]],["file",{"fileId":"424"},["src","https://adelta.westernsydney.edu.au/files/original/e7616d2536a870c9c090bdba9b0218ec.png"],["authentication","6b03c9dd12b7c6702d906ec94c04b11e"]]],["itemType",{"itemTypeId":"18"},["name","ADELTA Item"],["description","Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA)."],["elementContainer",["element",{"elementId":"95"},["name","Platform"],["description","Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime"],["elementTextContainer",["elementText",{"elementTextId":"1746"},["text","Installation"]]]],["element",{"elementId":"101"},["name","Work URL"],["description","The URL of the original work, included as an HTML link."],["elementTextContainer",["elementText",{"elementTextId":"1749"},["text","<a href=\"http://www.out-of-sync.com/searching/\">http://www.out-of-sync.com/searching/</a>"]]]],["element",{"elementId":"100"},["name","Source of Description"],["description","The source of information included in the Description, included as an HTML link to the relevant URL where possible."],["elementTextContainer",["elementText",{"elementTextId":"1751"},["text","Gillian Fuller"]]]],["element",{"elementId":"93"},["name","Artist Statement"],["description","A statement about the work, as provided by the artist(s)."],["elementTextContainer",["elementText",{"elementTextId":"1752"},["text","Searching for rue Simon-Crubellier is a video/sound installation, which is part of a cross media project that also includes the Internet site The 4th Floor. 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Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder."]]]]]]],["tagContainer",["tag",{"tagId":"16"},["name","Installation"]],["tag",{"tagId":"140"},["name","Out-of-sync"]]]],["item",{"itemId":"156","public":"1","featured":"1"},["fileContainer",["file",{"fileId":"420"},["src","https://adelta.westernsydney.edu.au/files/original/073d089bdf53958b62cded5235bd2980.png"],["authentication","ce2b201047c03438b1044ce4f0fc0e34"]],["file",{"fileId":"421"},["src","https://adelta.westernsydney.edu.au/files/original/3d2d08591d11e812cb96744ba39d76b6.png"],["authentication","7220aba5d7def7bec2958acab3ecf727"]]],["itemType",{"itemTypeId":"18"},["name","ADELTA Item"],["description","Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA)."],["elementContainer",["element",{"elementId":"95"},["name","Platform"],["description","Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime"],["elementTextContainer",["elementText",{"elementTextId":"1733"},["text","Flash"]]]],["element",{"elementId":"101"},["name","Work URL"],["description","The URL of the original work, included as an HTML link."],["elementTextContainer",["elementText",{"elementTextId":"1736"},["text","<a href=\"http://scan.net.au/scan/gallery/works/miranda/4thFloor/index.html\">http://scan.net.au/scan/gallery/works/miranda/4thFloor/index.html</a>"]]]],["element",{"elementId":"100"},["name","Source of Description"],["description","The source of information included in the Description, included as an HTML link to the relevant URL where possible."],["elementTextContainer",["elementText",{"elementTextId":"1738"},["text","<a href=\"http://rhizome.org/artbase/artwork/47607/\">Excerpt from Rhizome.org, a website on Contemporary Art and Technology</a>"]]]],["element",{"elementId":"96"},["name","Genre"],["description"],["elementTextContainer",["elementText",{"elementTextId":"3103"},["text","Interactive research log/Hypermedia/Vlog"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"43"},["name","Identifier"],["description","An unambiguous reference to the resource within a given context"],["elementTextContainer",["elementText",{"elementTextId":"1728"},["text","Miranda_Neumark_fourthFloor"]]]],["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1729"},["text","Searching for rue Simon-Crubellier: The Fourth Floor: le quatrieme etage"]]]],["element",{"elementId":"39"},["name","Creator"],["description","An entity primarily responsible for making the resource"],["elementTextContainer",["elementText",{"elementTextId":"1730"},["text","Out-of-sync"]],["elementText",{"elementTextId":"3101"},["text","Neumark, Norie"]],["elementText",{"elementTextId":"3102"},["text","Miranda, Maria"]]]],["element",{"elementId":"40"},["name","Date"],["description","A point or period of time associated with an event in the lifecycle of the resource"],["elementTextContainer",["elementText",{"elementTextId":"1732"},["text","2008"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"1737"},["text","The Fourth Floor: le quatrieme etage is a bi-lingual Internet work and is the first part of a larger project entitled The Search for rue Simon-Crubellier. The work explores real and imagined relations to place and poses the question: is it possible to bring something that does not exist into existence by searching for it? In this fictive work a resident of the City.<br /><a href=\"http://rhizome.org/artbase/artwork/47607/\">Excerpt from Rhizome.org, a website on Contemporary Art and Technology</a>"]]]],["element",{"elementId":"44"},["name","Language"],["description","A language of the resource"],["elementTextContainer",["elementText",{"elementTextId":"1739"},["text","English"]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"3625"},["text","Copyright Norie Neumark and Maria Miranda. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder."]]]]]]],["tagContainer",["tag",{"tagId":"140"},["name","Out-of-sync"]],["tag",{"tagId":"141"},["name","Vlog"]]]],["item",{"itemId":"155","public":"1","featured":"1"},["fileContainer",["file",{"fileId":"417"},["src","https://adelta.westernsydney.edu.au/files/original/90bba343f58425858b7326442681da77.png"],["authentication","35dea1901230fb305e534639fe3fb73e"]],["file",{"fileId":"418"},["src","https://adelta.westernsydney.edu.au/files/original/860cfa7296001d8d60df71ff85eb556b.png"],["authentication","42f0d0929b7a16ba2f1d569e89d6b351"]],["file",{"fileId":"419"},["src","https://adelta.westernsydney.edu.au/files/original/153c63975aac9a587d0e55a9341d04b9.png"],["authentication","f8dc6efdff0299513a7f6beda8a936a1"]]],["itemType",{"itemTypeId":"18"},["name","ADELTA Item"],["description","Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA)."],["elementContainer",["element",{"elementId":"94"},["name","Media"],["description"],["elementTextContainer",["elementText",{"elementTextId":"1716"},["text","Video installation "]]]],["element",{"elementId":"95"},["name","Platform"],["description","Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime"],["elementTextContainer",["elementText",{"elementTextId":"1718"},["text","installation"]]]],["element",{"elementId":"101"},["name","Work URL"],["description","The URL of the original work, included as an HTML link."],["elementTextContainer",["elementText",{"elementTextId":"1721"},["text","<a href=\"http://www.out-of-sync.com/InsearchSea/Insearch1.html\">http://www.out-of-sync.com/InsearchSea/Insearch1.html</a>"]]]],["element",{"elementId":"100"},["name","Source of Description"],["description","The source of information included in the Description, included as an HTML link to the relevant URL where possible."],["elementTextContainer",["elementText",{"elementTextId":"1723"},["text","Gillian Fuller"]]]],["element",{"elementId":"93"},["name","Artist Statement"],["description","A statement about the work, as provided by the artist(s)."],["elementTextContainer",["elementText",{"elementTextId":"1724"},["text","In 1829-30 the explorer Charles Sturt and his party hauled a whaling boat over the mountains to sail downstream along the Murrumbidgee River to the Murray in search of an imaginary inland sea. Beginning in Sydney, the artists made a (miniature - paper) whaling boat to take along Sturt's trail, the boat acting as a transportation/transformation device for their journey into memory and imagination. Making paper boats with found material along the way, and then with videos and soundtracks, they updated Sturt's journey as a performative media event for the 21st century. Three soundtracks, three scenes and a pile of paper boats.<a href=\"http://www.out-of-sync.com/InsearchSea/Insearch1.html\"><br /></a>"]]]],["element",{"elementId":"98"},["name","Source of Artist Statement"],["description","The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible."],["elementTextContainer",["elementText",{"elementTextId":"1725"},["text","<a href=\"http://www.out-of-sync.com/InsearchSea/Insearch1.html\">Description from artists' website</a>"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"43"},["name","Identifier"],["description","An unambiguous reference to the resource within a given context"],["elementTextContainer",["elementText",{"elementTextId":"1713"},["text","Miranda_Neumark_inlandsea"]]]],["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1714"},["text","In Search of the Inland Sea"]]]],["element",{"elementId":"39"},["name","Creator"],["description","An entity primarily responsible for making the resource"],["elementTextContainer",["elementText",{"elementTextId":"1715"},["text","Out-of-sync"]]]],["element",{"elementId":"40"},["name","Date"],["description","A point or period of time associated with an event in the lifecycle of the resource"],["elementTextContainer",["elementText",{"elementTextId":"1717"},["text","2009"]]]],["element",{"elementId":"37"},["name","Contributor"],["description","An entity responsible for making contributions to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1719"},["text","Neumark, Norie"]],["elementText",{"elementTextId":"1720"},["text","Miranda, Maria"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"1722"},["text","In Search of the Inland Sea is a three part video/sound work, installation and performance event that remixes a journey of early Australian explorer, Charles Sturt, in which he hauled a whaleboat overland in search of an inland sea. As the artists record their journey into inland Australia, they carry paper boats with them. These boats intervene or feature in each of the narratives that are laid over physical places visited on the journey. In voiceover actors narrate scenes taken from genre movies.<br />Gillian Fuller"]],["elementText",{"elementTextId":"3704"},["text","<strong>Artist Statement</strong><br />In 1829-30 the explorer Charles Sturt and his party hauled a whaling boat over the mountains to sail downstream along the Murrumbidgee River to the Murray in search of an imaginary inland sea. Beginning in Sydney, the artists made a (miniature - paper) whaling boat to take along Sturt's trail, the boat acting as a transportation/transformation device for their journey into memory and imagination. Making paper boats with found material along the way, and then with videos and soundtracks, they updated Sturt's journey as a performative media event for the 21st century. Three soundtracks, three scenes and a pile of paper boats.<br /><a href=\"http://www.out-of-sync.com/InsearchSea/Insearch1.html\">Source of Artist Statement</a>"]]]],["element",{"elementId":"44"},["name","Language"],["description","A language of the resource"],["elementTextContainer",["elementText",{"elementTextId":"1726"},["text","English"]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"3624"},["text","Copyright Norie Neumark and Maria Miranda. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder."]]]]]]],["tagContainer",["tag",{"tagId":"16"},["name","Installation"]],["tag",{"tagId":"140"},["name","Out-of-sync"]]]],["item",{"itemId":"154","public":"1","featured":"1"},["fileContainer",["file",{"fileId":"414"},["src","https://adelta.westernsydney.edu.au/files/original/e0bf280c868e756e4f771dc3098f6411.png"],["authentication","0045d2331ef749273c5a0c282dab2197"]],["file",{"fileId":"415"},["src","https://adelta.westernsydney.edu.au/files/original/21b89a48d2095f0b921142784e836c86.png"],["authentication","ff860fe77cbb07f7008a2c115ebfebc4"]],["file",{"fileId":"416"},["src","https://adelta.westernsydney.edu.au/files/original/7f352fa5583102892e435fa997f8bb25.png"],["authentication","16470d82d7f999a708ef02c8c3bc7a3c"]]],["itemType",{"itemTypeId":"18"},["name","ADELTA Item"],["description","Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA)."],["elementContainer",["element",{"elementId":"95"},["name","Platform"],["description","Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime"],["elementTextContainer",["elementText",{"elementTextId":"1703"},["text","Video/Performance"]]]],["element",{"elementId":"101"},["name","Work URL"],["description","The URL of the original work, included as an HTML link."],["elementTextContainer",["elementText",{"elementTextId":"1706"},["text","<a href=\"http://www.remixthebook.com/the-art-of-walking\">http://www.remixthebook.com/the-art-of-walking</a>"]]]],["element",{"elementId":"100"},["name","Source of Description"],["description","The source of information included in the Description, included as an HTML link to the relevant URL where possible."],["elementTextContainer",["elementText",{"elementTextId":"1708"},["text","Gillian Fuller"]]]],["element",{"elementId":"93"},["name","Artist Statement"],["description","A statement about the work, as provided by the artist(s)."],["elementTextContainer",["elementText",{"elementTextId":"1709"},["text","The Art of Walking where we remix Agnes Varda's Vagabond, our own online project Museum of Rumour and Mark Amerika's Sentences on Remixology 1.0  with a dash of Hamish Fulton the walking artist. The work came about through serendipity. Mark's deadline for his Remix project was looming and we had just read his Sentences on Remixology 1.0 a wonderful piece of writing that detourned Sol Lewitt's own Sentences on Conceptual Art. Mark had completely rethought what it is to be a media/ postproduction artist today. His thinking ranged widely across the arts and philosophy and there was a lot to think about."]]]],["element",{"elementId":"98"},["name","Source of Artist Statement"],["description","The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible."],["elementTextContainer",["elementText",{"elementTextId":"1710"},["text","<a href=\"http://www.remixthebook.com/the-art-of-walking\">Artists' statement from remixthebook.com</a>"]]]],["element",{"elementId":"96"},["name","Genre"],["description"],["elementTextContainer",["elementText",{"elementTextId":"3106"},["text","Video/Web/Performative"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"43"},["name","Identifier"],["description","An unambiguous reference to the resource within a given context"],["elementTextContainer",["elementText",{"elementTextId":"1698"},["text","Miranda_Neumark_artofWalking"]]]],["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1699"},["text","The Art of Walking"]]]],["element",{"elementId":"39"},["name","Creator"],["description","An entity primarily responsible for making the resource"],["elementTextContainer",["elementText",{"elementTextId":"1700"},["text","Out-of-sync"]],["elementText",{"elementTextId":"3104"},["text","Neumark, Norie"]],["elementText",{"elementTextId":"3105"},["text","Miranda, Maria"]]]],["element",{"elementId":"40"},["name","Date"],["description","A point or period of time associated with an event in the lifecycle of the resource"],["elementTextContainer",["elementText",{"elementTextId":"1702"},["text","2011"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"1707"},["text","The Art of Walking is a small, deft and moving contemplation on walking as both art and remix. The Art of Walking was created specifically for the website of Mark Amerika's 'Remix the Book' Project, which itself was a remix of Amerika's 'theoretical performances' that foregrounded samples of ideas and concepts he had gleaned and used from other writers, philosophers artists, poets, musician etc. As part of this whole 'remix' project, Out-of-Sync were invited artists to create work musing on remixing.<br />Gillian Fuller"]],["elementText",{"elementTextId":"3705"},["text","<strong>Artist Statement<br /></strong>The Art of Walking where we remix Agnes Varda's Vagabond, our own online project Museum of Rumour and Mark Amerika's Sentences on Remixology 1.0 with a dash of Hamish Fulton the walking artist. The work came about through serendipity. Mark's deadline for his Remix project was looming and we had just read his Sentences on Remixology 1.0 a wonderful piece of writing that detourned Sol Lewitt's own Sentences on Conceptual Art. Mark had completely rethought what it is to be a media/ postproduction artist today. His thinking ranged widely across the arts and philosophy and there was a lot to think about.<br /><a href=\"http://www.remixthebook.com/the-art-of-walking\">Artists' statement from remixthebook.com</a>"]]]],["element",{"elementId":"44"},["name","Language"],["description","A language of the resource"],["elementTextContainer",["elementText",{"elementTextId":"1711"},["text","English"]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"3623"},["text","Copyright Norie Neumark and Maria Miranda. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder."]]]]]]],["tagContainer",["tag",{"tagId":"140"},["name","Out-of-sync"]]]],["item",{"itemId":"153","public":"1","featured":"1"},["fileContainer",["file",{"fileId":"411"},["src","https://adelta.westernsydney.edu.au/files/original/5847aae723b75da411cea8c27b01c53a.png"],["authentication","45b75c792eeeec33188ca7d921cd6f08"]],["file",{"fileId":"412"},["src","https://adelta.westernsydney.edu.au/files/original/ce0b9ea2afdde9ca8b1ce1b7750872f8.png"],["authentication","f38f52bcaf90ceae2c0411ac14f11df7"]],["file",{"fileId":"413"},["src","https://adelta.westernsydney.edu.au/files/original/ab4fcd2a6a5d0d7d68fc2a48d7e01b6b.png"],["authentication","8e0011974d881924172d2b9a456b0e49"]]],["itemType",{"itemTypeId":"18"},["name","ADELTA Item"],["description","Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA)."],["elementContainer",["element",{"elementId":"94"},["name","Media"],["description"],["elementTextContainer",["elementText",{"elementTextId":"1684"},["text","Video/Sound installation"]]]],["element",{"elementId":"95"},["name","Platform"],["description","Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime"],["elementTextContainer",["elementText",{"elementTextId":"1686"},["text","Video installation"]]]],["element",{"elementId":"101"},["name","Work URL"],["description","The URL of the original work, included as an HTML link."],["elementTextContainer",["elementText",{"elementTextId":"1689"},["text","<a href=\"http://vimeo.com/48430885\">http://vimeo.com/48430885</a>"]]]],["element",{"elementId":"100"},["name","Source of Description"],["description","The source of information included in the Description, included as an HTML link to the relevant URL where possible."],["elementTextContainer",["elementText",{"elementTextId":"1693"},["text","Gillian Fuller"]]]],["element",{"elementId":"93"},["name","Artist Statement"],["description","A statement about the work, as provided by the artist(s)."],["elementTextContainer",["elementText",{"elementTextId":"1694"},["text","In 2006 we took a roadtrip to Woomera in South Australia, wanting to see the fabled rocket-testing, weapons testing site  we were surprised at what we found. Woomera the traditional country of the Kokatha people is now owned by the Defence Department. It's essentially a company town, rather than a country town. Woomera is a place that occupies a singular and contradictory position in the Australian cultural landscape. It is a place of actual and imaginary space junk, an ageing Rocket Park and a town with a shrinking population. It was once the centre of Australia's defence program - testing rockets and sending Australia's first satellite into orbit. 4000-7000 people lived there. Today there is about 200 people living in a purpose-built town surrounded by the Woomera Prohibited Area. In many ways it exemplifies modernity's contradictions and paradoxes."]]]],["element",{"elementId":"98"},["name","Source of Artist Statement"],["description","The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible."],["elementTextContainer",["elementText",{"elementTextId":"1695"},["text","<a href=\"http://vimeo.com/48430885\">Artists' description on Vimeo. </a>"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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The work dwells textually, aurally and visually on the paradoxes and odd juxtapositions of modernity. In particular, the conceptual and aesthetic residues of the jet age and space race in the ancient landscape of colonised and colonising Australia.\r\nWell-worn Australian cinematic type images of desolate roads against furnace red skies with road trains thundering down them juxtapose silent shots of scrubby desert wildflowers as a voice narrates the story of the artists' road trip and their spare poetic observations. Scenes of various tourist sites in Woomera: a park containing old rockets sculpturally displayed; public buildings; close-ups of bowling pins being knocked down in the town's bowling alley display the aesthetic residues of the Space age: the surprising junk left over and what becomes of it.\r\nThe soundscape features rhythmic ambiguous metallic sounds, sounding sometimes like the clatter of a typewriter, at other times the scraping sound of metal against a metal interspersed with the crunch of footsteps walking over salty earth, at other times quiet with spare voice over.\r\nGillian Fuller"]],["elementText",{"elementTextId":"1691"},["text","<strong>Artist Statement<br /></strong>In 2006 we took a roadtrip to Woomera in South Australia, wanting to see the fabled rocket-testing, weapons testing site we were surprised at what we found. Woomera the traditional country of the Kokatha people is now owned by the Defence Department. It's essentially a company town, rather than a country town. Woomera is a place that occupies a singular and contradictory position in the Australian cultural landscape. It is a place of actual and imaginary space junk, an ageing Rocket Park and a town with a shrinking population. It was once the centre of Australia's defence program - testing rockets and sending Australia's first satellite into orbit. 4000-7000 people lived there. Today there is about 200 people living in a purpose-built town surrounded by the Woomera Prohibited Area. In many ways it exemplifies modernity's contradictions and paradoxes.<br /><a href=\"http://vimeo.com/48430885\">Artists' description on Vimeo.</a>"]]]],["element",{"elementId":"44"},["name","Language"],["description","A language of the resource"],["elementTextContainer",["elementText",{"elementTextId":"1696"},["text","English"]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"3622"},["text","Copyright Norie Neumark and Maria Miranda. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder."]]]]]]],["tagContainer",["tag",{"tagId":"16"},["name","Installation"]],["tag",{"tagId":"140"},["name","Out-of-sync"]]]],["item",{"itemId":"152","public":"1","featured":"1"},["fileContainer",["file",{"fileId":"408"},["src","https://adelta.westernsydney.edu.au/files/original/77c1a8c97d5b0d75e0117ae6decb3dc6.png"],["authentication","d7aa302d2fc3420c47432b210d7a376d"]],["file",{"fileId":"409"},["src","https://adelta.westernsydney.edu.au/files/original/f458c77d536bbb6513d41f4c0f734d59.png"],["authentication","edb30081164ae8a04122aefe67939169"]],["file",{"fileId":"410"},["src","https://adelta.westernsydney.edu.au/files/original/9af6f55ad4f45f5e0fd410965702782c.png"],["authentication","fc1ba6b22817bb2bfb9af3044cbbc61d"]]],["itemType",{"itemTypeId":"18"},["name","ADELTA Item"],["description","Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA)."],["elementContainer",["element",{"elementId":"95"},["name","Platform"],["description","Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime"],["elementTextContainer",["elementText",{"elementTextId":"1671"},["text","Second Life/Video installation/Blog"]]]],["element",{"elementId":"101"},["name","Work URL"],["description","The URL of the original work, included as an HTML link."],["elementTextContainer",["elementText",{"elementTextId":"1674"},["text","<a href=\"http://www.out-of-sync.com/weatherwebsite2012/project.html\">http://www.out-of-sync.com/weatherwebsite2012/project.html</a>"]]]],["element",{"elementId":"93"},["name","Artist Statement"],["description","A statement about the work, as provided by the artist(s)."],["elementTextContainer",["elementText",{"elementTextId":"1677"},["text","Talking About the Weather is an ongoing cross media project sparked by our response to the terrifying spectre of global climate change. Sheer terror at the possibilities that are being talked about led us to talking about the weather. In this project weather talk is no longer a banal exchange of local weather conditions, but instead we ask people to donate their breath - the breath which they would normally use to talk about the weather and the same breath that is spread far and wide as described by Tim Flannery. Working with breath emphasises the dynamic nature of the atmosphere and our part in its creation and destruction. As Tim Flannery says, every breath you take makes you part of a dynamic system called the atmosphere, or the aerial ocean."]]]],["element",{"elementId":"98"},["name","Source of Artist Statement"],["description","The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible."],["elementTextContainer",["elementText",{"elementTextId":"1678"},["text","<a href=\"http://www.out-of-sync.com/weatherwebsite2012/project.html\">Artists' website</a>"]]]],["element",{"elementId":"96"},["name","Genre"],["description"],["elementTextContainer",["elementText",{"elementTextId":"3111"},["text","Virtual environment/Multimedia installation/Performance"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder."]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"3706"},["text","<strong>Artist Statement</strong><br />Talking About the Weather is an ongoing cross media project sparked by our response to the terrifying spectre of global climate change. Sheer terror at the possibilities that are being talked about led us to talking about the weather. In this project weather talk is no longer a banal exchange of local weather conditions, but instead we ask people to donate their breath - the breath which they would normally use to talk about the weather and the same breath that is spread far and wide as described by Tim Flannery. Working with breath emphasises the dynamic nature of the atmosphere and our part in its creation and destruction. As Tim Flannery says, every breath you take makes you part of a dynamic system called the atmosphere, or the aerial ocean.<br /><a href=\"http://www.out-of-sync.com/weatherwebsite2012/project.html\">Source of Artist Statement</a>"]]]]]]],["tagContainer",["tag",{"tagId":"16"},["name","Installation"]],["tag",{"tagId":"140"},["name","Out-of-sync"]]]],["item",{"itemId":"151","public":"1","featured":"1"},["fileContainer",["file",{"fileId":"405"},["src","https://adelta.westernsydney.edu.au/files/original/01389324f66a3cf3330d4dc686421226.png"],["authentication","5cc2660573cf20d8a26b285d2e33ce27"]],["file",{"fileId":"406"},["src","https://adelta.westernsydney.edu.au/files/original/5944e689c14d679cd0520eaae6cca57c.png"],["authentication","70727151521165a30459fba5d3f4f1fc"]],["file",{"fileId":"407"},["src","https://adelta.westernsydney.edu.au/files/original/237ef349bf531dcc5f0884e16b9d6c8b.png"],["authentication","77235034509a15499be176c2cff20112"]]],["itemType",{"itemTypeId":"18"},["name","ADELTA Item"],["description","Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA)."],["elementContainer",["element",{"elementId":"95"},["name","Platform"],["description","Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime"],["elementTextContainer",["elementText",{"elementTextId":"1658"},["text","Flash"]]]],["element",{"elementId":"101"},["name","Work URL"],["description","The URL of the original work, included as an HTML link."],["elementTextContainer",["elementText",{"elementTextId":"1661"},["text","<a href=\"http://turbulence.org/studios/rumor/museum/\">http://turbulence.org/studios/rumor/museum/</a>"]]]],["element",{"elementId":"100"},["name","Source of Description"],["description","The source of information included in the Description, included as an HTML link to the relevant URL where possible."],["elementTextContainer",["elementText",{"elementTextId":"1663"},["text","<a href=\"http://www.umbc.edu/cadvc/blur/outofsync.html\">Excerpt from the Center for Art and Visual Culture <br /></a>"]]]],["element",{"elementId":"96"},["name","Genre"],["description"],["elementTextContainer",["elementText",{"elementTextId":"3115"},["text","Web/Site specific installation"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"43"},["name","Identifier"],["description","An unambiguous reference to the resource within a given context"],["elementTextContainer",["elementText",{"elementTextId":"1653"},["text","Miranda_Neumark_museumRumour"]]]],["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1654"},["text","Museum of Rumour"]]]],["element",{"elementId":"39"},["name","Creator"],["description","An entity primarily responsible for making the resource"],["elementTextContainer",["elementText",{"elementTextId":"1655"},["text","Out-of-sync"]],["elementText",{"elementTextId":"3113"},["text","Miranda, Maria"]],["elementText",{"elementTextId":"3114"},["text","Neumark, Norie"]]]],["element",{"elementId":"40"},["name","Date"],["description","A point or period of time associated with an event in the lifecycle of the resource"],["elementTextContainer",["elementText",{"elementTextId":"1657"},["text","2003"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"1662"},["text","The Museum of Rumour, 2003, is both an internet work and a site specific installation originally installed at Callan Park, which had once been an insane asylum and is now Sydney College of the Arts. The website uses Gertrude Stein as a node for a network of associations in six frames, each with diverse 'rumours,' including Tourneur's Cat People film and Our Lady of Coogee, an apparition of the Virgin Mary on a beach in Sydney, Australia, where you can hear people saying 'I saw her on Thursday' or 'its unexplainable.' The site engages nineteenth century writer Alfred Jarry's notion of pataphysics: \"The science of imaginary solutions, which symbolically attributes the properties of objects, described by their virtuality, to their lineaments.' The Museum of Rumour plumbs the terrain of analogy to reveal our mind's desire to intuitively connect images, experiences, sounds, and information across known and unknown to create maps of understanding across difference and invisibility.<br /><a href=\"http://www.umbc.edu/cadvc/blur/outofsync.html\">Excerpt from the Center for Art and Visual Culture <br /></a>"]]]],["element",{"elementId":"44"},["name","Language"],["description","A language of the resource"],["elementTextContainer",["elementText",{"elementTextId":"1664"},["text","English"]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"3620"},["text","Copyright Norie Neumark and Maria Miranda. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder."]]]]]]],["tagContainer",["tag",{"tagId":"16"},["name","Installation"]],["tag",{"tagId":"140"},["name","Out-of-sync"]]]],["item",{"itemId":"150","public":"1","featured":"1"},["fileContainer",["file",{"fileId":"398"},["src","https://adelta.westernsydney.edu.au/files/original/7f41fa68270e1e01522892c0272fce5a.png"],["authentication","76e61ab2468921c11b894b52d79c3bd9"]],["file",{"fileId":"399"},["src","https://adelta.westernsydney.edu.au/files/original/51c22499ab4e488f3e68e8710b69970a.png"],["authentication","d63ee9a3a2b34e659e1c4f36df3328a5"]],["file",{"fileId":"404"},["src","https://adelta.westernsydney.edu.au/files/original/c24fb5447940bedd37d3f608e417e390.png"],["authentication","2e9b9fbbaa859f4d4c34c7e75bcc27b5"]]],["itemType",{"itemTypeId":"18"},["name","ADELTA Item"],["description","Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA)."],["elementContainer",["element",{"elementId":"95"},["name","Platform"],["description","Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime"],["elementTextContainer",["elementText",{"elementTextId":"1647"},["text","Flash"]]]],["element",{"elementId":"101"},["name","Work URL"],["description","The URL of the original work, included as an HTML link."],["elementTextContainer",["elementText",{"elementTextId":"1648"},["text","<a href=\"http://www.heliozoa.com/gene/bomargene.htm\">http://www.heliozoa.com/gene/bomargene.htm</a>"]]]],["element",{"elementId":"93"},["name","Artist Statement"],["description","A statement about the work, as provided by the artist(s)."],["elementTextContainer",["elementText",{"elementTextId":"1649"},["text","Within every human there is a singular gene, unique only to that individual. And with that gene comes a singular ability, a rare, mostly never realized capacity for interacting with the world. The Bomar Gene explores this mythical gene, through a series of ficto-biographies, with each story being retranslated and spatialized through interactive interfaces and embodied animations. Each section opens up to such questions as: How are we defined by our genetic code? What does it mean to be an individual, to be unique? What are the implications of a society obsessed with rare abilities and super-powers?"]]]],["element",{"elementId":"98"},["name","Source of Artist Statement"],["description","The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible."],["elementTextContainer",["elementText",{"elementTextId":"1650"},["text","<a href=\"http://heliozoa.com/?p=21#more-21\">Statement from artist's website</a>"]]]],["element",{"elementId":"96"},["name","Genre"],["description"],["elementTextContainer",["elementText",{"elementTextId":"3116"},["text","Web based digital poetry"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"43"},["name","Identifier"],["description","An unambiguous reference to the resource within a given context"],["elementTextContainer",["elementText",{"elementTextId":"1642"},["text","Nelson_bomarGene"]]]],["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"1643"},["text","The Bomar Gene"]]]],["element",{"elementId":"39"},["name","Creator"],["description","An entity primarily responsible for making the resource"],["elementTextContainer",["elementText",{"elementTextId":"1644"},["text","Nelson, Jason"]]]],["element",{"elementId":"40"},["name","Date"],["description","A point or period of time associated with an event in the lifecycle of the resource"],["elementTextContainer",["elementText",{"elementTextId":"1646"},["text","2005"]]]],["element",{"elementId":"44"},["name","Language"],["description","A language of the resource"],["elementTextContainer",["elementText",{"elementTextId":"1651"},["text","English"]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"3619"},["text","Copyright Jason Nelson. 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