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Ruark: \"We have designed this work as a lightly installed architectural installation. It is a floor work almost 7m long. Each of the 40 coloured planks are inscribed with descriptions of the wool industry in New South Wales. We have been working with Jonathan's grandfather recording his oral history which tells of the 85 year old's early life as a wool classer. Beneath each plank we are planning to install rows of fluorescent lights. The lights will form a sequence of patterns by tilting the planks recto &amp; verso. We have constructed something like a hovering mid-twentieth century night harvester.\"<br /><a href=\"http://arttalk.podomatic.com/entry/2007-10-11T05_47_59-07_00\">Abstract of artists' interview by Sean O'Brien in Art Talk's podcast</a>"]]]],["element",{"elementId":"44"},["name","Language"],["description","A language of the resource"],["elementTextContainer",["elementText",{"elementTextId":"960"},["text","English"]]]],["element",{"elementId":"49"},["name","Subject"],["description","The topic of the resource"],["elementTextContainer",["elementText",{"elementTextId":"3866"},["text","Installation"]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"4193"},["text","The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. 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For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"43"},["name","Identifier"],["description","An unambiguous reference to the resource within a given context"],["elementTextContainer",["elementText",{"elementTextId":"932"},["text","Lewis_kindness"]]]],["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"933"},["text","An Index for Kindness"]]]],["element",{"elementId":"39"},["name","Creator"],["description","An entity primarily responsible for making the resource"],["elementTextContainer",["elementText",{"elementTextId":"934"},["text","Lewis, Ruark"]],["elementText",{"elementTextId":"935"},["text"," Jones, Jonathan"]]]],["element",{"elementId":"40"},["name","Date"],["description","A point or period of time associated with an event in the lifecycle of the resource"],["elementTextContainer",["elementText",{"elementTextId":"937"},["text","2008"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"947"},["text","The works by Ruark Lewis and Jonathan Jones are orchestrated in a colour symphony of reds, blacks and whites. As one enters the space, you are greeted by 'flags' with superimposed printed text, objects that are painted over with stripes, and a curiously long sketch that stretches most of the perimeter of the wall space The audio work start to creep under one's skin as we walk from the front space to the back, like being in a live theatre performance. The sound installation utters, stammers and bewilders. The cacophony range of nuances in 'b' and 's' sounds, are startling and at best, brilliant. As the sound installation loops, we are presented with a range of bare minimal sentences, half uttered words that express Anger (the most distinct), Sadness, Calmness and so on. Ironically, a flag, a 'sign' and an object communicates too, with the stenciled words 'silence is golden'. It leads me to speculate that the works could deal with the gaps of communication, between silences, mutters and tone of voice.<br /><a href=\"http://boonscafe.wordpress.com/2007/09/29/index-of-kindness-by-ruark-lewis-and-jonathan-jones/#comments\">Description from Boonscafe, an Art review blog based in Singapore</a>"]]]],["element",{"elementId":"44"},["name","Language"],["description","A language of the resource"],["elementTextContainer",["elementText",{"elementTextId":"949"},["text","English"]]]],["element",{"elementId":"49"},["name","Subject"],["description","The topic of the resource"],["elementTextContainer",["elementText",{"elementTextId":"3867"},["text","Installation"]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"4194"},["text","The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. 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Each surface is rendered with text creating an immersive environment that can literally be read, and heard as speech."]]]],["element",{"elementId":"98"},["name","Source of Artist Statement"],["description","The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible."],["elementTextContainer",["elementText",{"elementTextId":"921"},["text","<a href=\"http://www.rainerlinz.net/NMA/articles/perfecthouse/\">Description from author's website</a>"]]]],["element",{"elementId":"96"},["name","Genre"],["description"],["elementTextContainer",["elementText",{"elementTextId":"3192"},["text","Performance/ Installation"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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The work posits the house as a condition through which we perceive the world - the city an extension of grid-like structures viewed through the frame of an open window. The performance space is arranged with wooden frames, boards and barricades resembling, in abstract form, a housing construction site. Each surface is rendered with text creating an immersive environment that can literally be read, and heard as speech.<br /><a href=\"http://www.rainerlinz.net/NMA/articles/perfecthouse/\">Source of Artist Statement</a>"]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"4196"},["text","The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. 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The exhibition is a portrait composite of internationally renowned anthropologist Vivienne Kondos and her husband Alex Kondos leaving their house, a space filled with the accumulated ephemera of living and the patina of over thirty years of anthropological and social research. 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A series of eight lectures were posted to the site at two weekly intervals, beginning June until September 1998. The invited theorists, artists, writers where each asked to speak from their own practices to the consideration of an electronic poetics. The papers where made specifically for this project with this medium (a networked screen environment) in mind. Five artists new to this medium were invited to make work as a critical response to the papers. An email list serv acted as the 'backbone' to the project, as an experiment, to see if we could create an email rhetorics/poetics between us. 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