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The story is made from quotations from more than sixty different novels. The pieces are put together in such a way that they suggest a narrative. Something is happening, but just as you feel you know how the plot will go, it slides seamlessly to another story. It seems to be the same story but the narrative never finds resolution. It is a restless text held in permanent suspense. The text was written and performed by Nola Farman and Anna Gibbs. With thanks to Andrew Smith for the assembly of the installation.<br /><a href=\"http://www.sounddesign.unimelb.edu.au/web/biogs/P000313b.htm\">Excerpt from Australian Sound Design Project</a>"]]]],["element",{"elementId":"44"},["name","Language"],["description","A language of the resource"],["elementTextContainer",["elementText",{"elementTextId":"662"},["text","English "]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"3567"},["text","Copyright Nola Farman and Anna Gibbs. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. 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The work was made in collaboration with Anna Gibbs who wrote &amp; performed the sound work with Nola Farman. The work used net hammocks &amp; other net materials with light. The text referred to the construction of gender through a paraphrasing of an early twentieth century amateur zoological text on the life of the spider. The optimum listening position was experienced by a person lying suspended in one of the hammocks.<br /><a href=\"http://www.sounddesign.unimelb.edu.au/web/biogs/P000308b.htm\">Excerpt from Australian Sound Design Project</a>"]]]],["element",{"elementId":"44"},["name","Language"],["description","A language of the resource"],["elementTextContainer",["elementText",{"elementTextId":"649"},["text","English "]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"3566"},["text","Copyright Nola Farman and Anna Gibbs. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. 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This piece was made in collaboration with Anna Gibbs, Brad Clinch and Helen Britton. An additional sound track of a rusty car disintegrated was conceived of and produced by Ros Bandt. The rear vision mirror has a miniature TV inside. The video is about memory and the processes of forgetting and remembering. Rear vision or an endlessly receding past. This piece is silent. The boot or trunk section is lit red to engage with the idea of the car as a body - a prosthetic. This section has a sound track and a TV in the floor of the boot - the road seems to continually pass beneath the car. Anna Gibbs wrote and produced the sound track in the dashboard. The sound of a car crash comes from the fender. Timed to occur unexpectedly but activated by people walking in front of it.<br /><a href=\"http://www.sounddesign.unimelb.edu.au/web/biogs/P000306b.htm\">Excerpt from Australian Sound Design Project</a>"]]]],["element",{"elementId":"44"},["name","Language"],["description","A language of the resource"],["elementTextContainer",["elementText",{"elementTextId":"637"},["text","English "]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"3565"},["text","Copyright Nola Farman, Anna Gibbs, Helene Britto, Brad Clinch and Roz Bandt. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder."]]]],["element",{"elementId":"49"},["name","Subject"],["description","The topic of the resource"],["elementTextContainer",["elementText",{"elementTextId":"3930"},["text","Interactive installation"]]]]]]],["tagContainer",["tag",{"tagId":"75"},["name","Anna Gibbs"]],["tag",{"tagId":"74"},["name","Interactive installation"]],["tag",{"tagId":"73"},["name","Nola Farman"]]]],["item",{"itemId":"56","public":"1","featured":"1"},["fileContainer",["file",{"fileId":"134"},["src","https://adelta.westernsydney.edu.au/files/original/18078b8f2b3dd4bdd7362f588833ae71.png"],["authentication","09af8981d44d24828ff288b25da26186"]],["file",{"fileId":"135"},["src","https://adelta.westernsydney.edu.au/files/original/fcb10bab8497893c4ad60aea597a9bc0.png"],["authentication","8f25f3cbb8ba31122f19ce3c992e913d"]]],["itemType",{"itemTypeId":"18"},["name","ADELTA Item"],["description","Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA)."],["elementContainer",["element",{"elementId":"101"},["name","Work URL"],["description","The URL of the original work, included as an HTML link."],["elementTextContainer",["elementText",{"elementTextId":"620"},["text","<a href=\"http://www.sounddesign.unimelb.edu.au/web/biogs/P000307b.htm\">http://www.sounddesign.unimelb.edu.au/web/biogs/P000307b.htm</a>"]]]],["element",{"elementId":"100"},["name","Source of Description"],["description","The source of information included in the Description, included as an HTML link to the relevant URL where possible."],["elementTextContainer",["elementText",{"elementTextId":"622"},["text","<a href=\"http://www.sounddesign.unimelb.edu.au/web/biogs/P000307b.htm\">Excerpt from the online database Australian Sound Design Project</a>"]]]],["element",{"elementId":"96"},["name","Genre"],["description"],["elementTextContainer",["elementText",{"elementTextId":"3207"},["text","Multimedia interactive installation"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"43"},["name","Identifier"],["description","An unambiguous reference to the resource within a given context"],["elementTextContainer",["elementText",{"elementTextId":"613"},["text","Farman_Gibbs_heart"]]]],["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"614"},["text","The Heart of the Matter"]]]],["element",{"elementId":"39"},["name","Creator"],["description","An entity primarily responsible for making the resource"],["elementTextContainer",["elementText",{"elementTextId":"615"},["text","Farman, Nola"]],["elementText",{"elementTextId":"616"},["text","Gibbs, Anna"]]]],["element",{"elementId":"40"},["name","Date"],["description","A point or period of time associated with an event in the lifecycle of the resource"],["elementTextContainer",["elementText",{"elementTextId":"618"},["text","1989"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"621"},["text","Two armchairs face each other across an island of carpet. One of them is occupied by a large red plastic love heart, steadily beating and pulsing with light. As anyone approaches, the heart beats faster and louder, subsiding as s/he moves away again. (the heart's 'sensitivity' to the spectator's presence is simulated by the action of two fields of ultrasonic radar which regulate the rhythm of its beat). For some people, the Heart appears to be excited at their approach and for others it seems to be alarmed. When anyone sits in the empty chair it causes the telephone to ring. The telephone plays an endless loop tape (Text written and performed by Anna Gibbs). The contents of the tape consist of a voice which insists by means of a persistent monologue, on the distance as well as proximity or intimacy offered by the telephone to the user - but the person using the telephone is not alone. The telephone is called the Heart Line. A surveillance camera is always trained on the empty or occupiable chair and the image relayed to the outside of the installation. The room is controlled by two fields of ultra sonic radar.<br /><a href=\"http://www.sounddesign.unimelb.edu.au/web/biogs/P000307b.htm\">Excerpt from the Australian Sound Design Project</a>"]]]],["element",{"elementId":"44"},["name","Language"],["description","A language of the resource"],["elementTextContainer",["elementText",{"elementTextId":"623"},["text","English "]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"3564"},["text","Copyright Nola Farman and Anna Gibbs. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder."]]]],["element",{"elementId":"49"},["name","Subject"],["description","The topic of the resource"],["elementTextContainer",["elementText",{"elementTextId":"3931"},["text","Interactive installation"]]]]]]],["tagContainer",["tag",{"tagId":"75"},["name","Anna Gibbs"]],["tag",{"tagId":"74"},["name","Interactive installation"]],["tag",{"tagId":"73"},["name","Nola Farman"]]]],["item",{"itemId":"55","public":"1","featured":"1"},["fileContainer",["file",{"fileId":"133"},["src","https://adelta.westernsydney.edu.au/files/original/61a790f98abec6804e86e02f240c8530.png"],["authentication","daca3ea44423412c31c88a07807c58a8"]]],["itemType",{"itemTypeId":"18"},["name","ADELTA Item"],["description","Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA)."],["elementContainer",["element",{"elementId":"101"},["name","Work URL"],["description","The URL of the original work, included as an HTML link."],["elementTextContainer",["elementText",{"elementTextId":"608"},["text","<a href=\"http://www.sounddesign.unimelb.edu.au/web/biogs/P000302b.htm\">http://www.sounddesign.unimelb.edu.au/web/biogs/P000302b.htm </a>"]]]],["element",{"elementId":"100"},["name","Source of Description"],["description","The source of information included in the Description, included as an HTML link to the relevant URL where possible."],["elementTextContainer",["elementText",{"elementTextId":"610"},["text","<a href=\"http://www.sounddesign.unimelb.edu.au/web/biogs/P000302b.htm%5D\">Excerpt from the Australian Sound Design Project</a>"]]]],["element",{"elementId":"96"},["name","Genre"],["description"],["elementTextContainer",["elementText",{"elementTextId":"3208"},["text","Multimedia installation"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"43"},["name","Identifier"],["description","An unambiguous reference to the resource within a given context"],["elementTextContainer",["elementText",{"elementTextId":"601"},["text","Farman_Gibbs_attached"]]]],["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"602"},["text","Attached By One's Own Action"]]]],["element",{"elementId":"39"},["name","Creator"],["description","An entity primarily responsible for making the resource"],["elementTextContainer",["elementText",{"elementTextId":"603"},["text","Farman, Nola"]],["elementText",{"elementTextId":"604"},["text","Gibbs, Anna"]]]],["element",{"elementId":"40"},["name","Date"],["description","A point or period of time associated with an event in the lifecycle of the resource"],["elementTextContainer",["elementText",{"elementTextId":"606"},["text","1987"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"609"},["text","A miniature TV monitor is embedded in an illustrated dictionary. A viewer can sit at a desk an put on earphones. The sound track is a monologue on reading &amp; writing - the constructing of meaning through these practices. The video shows archival footage of the construction of books from early bookbinding to contemporary computerised mass production. Text written &amp; performed by Anna Gibbs (This work has been shown at PICA &amp; at Experimenta in Melbourne).<br /><a href=\"http://www.sounddesign.unimelb.edu.au/web/biogs/P000302b.htm%5D\">Excerpt from the online database Australian Sound Design Project</a>"]]]],["element",{"elementId":"44"},["name","Language"],["description","A language of the resource"],["elementTextContainer",["elementText",{"elementTextId":"611"},["text","English "]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"3563"},["text","Copyright Nola Farman and Anna Gibbs. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder."]]]]]]],["tagContainer",["tag",{"tagId":"75"},["name","Anna Gibbs"]],["tag",{"tagId":"73"},["name","Nola Farman"]]]],["item",{"itemId":"54","public":"1","featured":"1"},["fileContainer",["file",{"fileId":"132"},["src","https://adelta.westernsydney.edu.au/files/original/caa38a1f6b09d3d8cf3d12a54eb8e407.png"],["authentication","76d2b251bad0d0c827b77737a2a0da6b"]]],["itemType",{"itemTypeId":"18"},["name","ADELTA Item"],["description","Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA)."],["elementContainer",["element",{"elementId":"101"},["name","Work URL"],["description","The URL of the original work, included as an HTML link."],["elementTextContainer",["elementText",{"elementTextId":"596"},["text","<a href=\"http://www.sounddesign.unimelb.edu.au/web/biogs/P000301b.htm\">http://www.sounddesign.unimelb.edu.au/web/biogs/P000301b.htm</a>"]]]],["element",{"elementId":"107"},["name","Related Website 1"],["description","The URL of a related web page such as a YouTube clip or Vimeo, included as an HTML link."],["elementTextContainer",["elementText",{"elementTextId":"597"},["text","<a href=\"http://trove.nla.gov.au/work/9429857?selectedversion=NBD26674217\">http://trove.nla.gov.au/work/9429857?selectedversion=NBD26674217</a>"]]]],["element",{"elementId":"93"},["name","Artist Statement"],["description","A statement about the work, as provided by the artist(s)."],["elementTextContainer",["elementText",{"elementTextId":"598"},["text","A double sided armchair made of secondhand hardcover novels contains a sound track of the continuous reading of a collaged narrative taken from 64 different novels. A quasi-narrative which never finds a resolution."]]]],["element",{"elementId":"96"},["name","Genre"],["description"],["elementTextContainer",["elementText",{"elementTextId":"3209"},["text","Multimedia installation"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder."]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"3932"},["text","<strong>Artist Statement</strong><br />A double sided armchair made of secondhand hardcover novels contains a sound track of the continuous reading of a collaged narrative taken from 64 different novels. A quasi-narrative which never finds a resolution."]]]]]]],["tagContainer",["tag",{"tagId":"75"},["name","Anna Gibbs"]],["tag",{"tagId":"73"},["name","Nola Farman"]]]],["item",{"itemId":"53","public":"1","featured":"1"},["fileContainer",["file",{"fileId":"129"},["src","https://adelta.westernsydney.edu.au/files/original/df56e7bb3da1df730b1bf7a169c43aef.png"],["authentication","39fede3a801513e512ad345bfed245f3"]],["file",{"fileId":"130"},["src","https://adelta.westernsydney.edu.au/files/original/a074dd9c1adb6f3f148669658ee1914e.png"],["authentication","a0ca8b25c9bb89fb12f02eb3ebb26644"]],["file",{"fileId":"131"},["src","https://adelta.westernsydney.edu.au/files/original/7237a3453a1ee700cdd554264eddff8a.png"],["authentication","fdb860240162e79cfb6d08aa48d7d952"]]],["itemType",{"itemTypeId":"18"},["name","ADELTA Item"],["description","Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA)."],["elementContainer",["element",{"elementId":"101"},["name","Work URL"],["description","The URL of the original work, included as an HTML link."],["elementTextContainer",["elementText",{"elementTextId":"584"},["text","<a href=\"http://www.sounddesign.unimelb.edu.au/web/biogs/P000303b.htm\">http://www.sounddesign.unimelb.edu.au/web/biogs/P000303b.htm</a>"]]]],["element",{"elementId":"100"},["name","Source of Description"],["description","The source of information included in the Description, included as an HTML link to the relevant URL where possible."],["elementTextContainer",["elementText",{"elementTextId":"586"},["text","<a href=\"http://www.sounddesign.unimelb.edu.au/web/biogs/P000303b.htm\">Excerpt from the Australian Sound Design Project</a>"]]]],["element",{"elementId":"96"},["name","Genre"],["description"],["elementTextContainer",["elementText",{"elementTextId":"3210"},["text","Multimedia interactive installation"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. 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The writers/ artists worked at their own location and were therefore in-residence virtually.<br /><a href=\"http://www.anat.org.au/2010/08/water-writes-always-in-plural/\">Excerpt from ANAT: Australian Network for Art and Technology</a>"]]]],["element",{"elementId":"45"},["name","Publisher"],["description","An entity responsible for making the resource available"],["elementTextContainer",["elementText",{"elementTextId":"458"},["text","Electronic Writing Research Ensemble"]]]],["element",{"elementId":"44"},["name","Language"],["description","A language of the resource"],["elementTextContainer",["elementText",{"elementTextId":"459"},["text","English"]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"3552"},["text","Copyright Linda Carroli and Josephine Wilson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder."]]]],["element",{"elementId":"49"},["name","Subject"],["description","The topic of the resource"],["elementTextContainer",["elementText",{"elementTextId":"3953"},["text","Hypertextual narratives"]],["elementText",{"elementTextId":"3954"},["text","Narrative fiction"]],["elementText",{"elementTextId":"3955"},["text","Online collaboration"]],["elementText",{"elementTextId":"3956"},["text","Writing for performance"]]]]]]],["tagContainer",["tag",{"tagId":"62"},["name","Hypertextual narratives"]],["tag",{"tagId":"66"},["name","Josephine Wilson"]],["tag",{"tagId":"19"},["name","Linda Carroli"]],["tag",{"tagId":"64"},["name","Narrative fiction"]],["tag",{"tagId":"63"},["name","Online collaboration"]],["tag",{"tagId":"65"},["name","Writing for performance"]]]],["item",{"itemId":"40","public":"1","featured":"1"},["fileContainer",["file",{"fileId":"808"},["src","https://adelta.westernsydney.edu.au/files/original/60d2ea665062fefd5a59c77f8a32a9b0.png"],["authentication","90011a7f793234bf08040b816f9d2121"]],["file",{"fileId":"810"},["src","https://adelta.westernsydney.edu.au/files/original/f24611a832fa773f4102bc776380cf4d.png"],["authentication","4ab4fe7deb1603878061532545e67782"]]],["itemType",{"itemTypeId":"18"},["name","ADELTA Item"],["description","Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA)."],["elementContainer",["element",{"elementId":"94"},["name","Media"],["description"],["elementTextContainer",["elementText",{"elementTextId":"440"},["text","Hypertext"]]]],["element",{"elementId":"95"},["name","Platform"],["description","Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime"],["elementTextContainer",["elementText",{"elementTextId":"442"},["text","PDF/online"]]]],["element",{"elementId":"96"},["name","Genre"],["description"],["elementTextContainer",["elementText",{"elementTextId":"443"},["text","Hypertext"]]]],["element",{"elementId":"101"},["name","Work URL"],["description","The URL of the original work, included as an HTML link."],["elementTextContainer",["elementText",{"elementTextId":"444"},["text","<a href=\"http://ensemble.va.com.au/speak/\">http://ensemble.va.com.au/speak/</a>"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"43"},["name","Identifier"],["description","An unambiguous reference to the resource within a given context"],["elementTextContainer",["elementText",{"elementTextId":"437"},["text","Carroli_Speak"]]]],["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"438"},["text","Speak"]]]],["element",{"elementId":"39"},["name","Creator"],["description","An entity primarily responsible for making the resource"],["elementTextContainer",["elementText",{"elementTextId":"439"},["text","Carroli, Linda"]]]],["element",{"elementId":"40"},["name","Date"],["description","A point or period of time associated with an event in the lifecycle of the resource"],["elementTextContainer",["elementText",{"elementTextId":"441"},["text","2002"]]]],["element",{"elementId":"44"},["name","Language"],["description","A language of the resource"],["elementTextContainer",["elementText",{"elementTextId":"445"},["text","English"]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"3551"},["text","Copyright Linda Carroli. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder."]]]],["element",{"elementId":"49"},["name","Subject"],["description","The topic of the resource"],["elementTextContainer",["elementText",{"elementTextId":"3957"},["text","Hypertext essay"]]]]]]],["tagContainer",["tag",{"tagId":"61"},["name","Hypertext essay"]],["tag",{"tagId":"19"},["name","Linda Carroli"]]]],["item",{"itemId":"39","public":"1","featured":"1"},["fileContainer",["file",{"fileId":"811"},["src","https://adelta.westernsydney.edu.au/files/original/f7f9a88d9293329d58b85f1b33827e21.png"],["authentication","7696bc75adac2bc61b400101529aad6b"]],["file",{"fileId":"812"},["src","https://adelta.westernsydney.edu.au/files/original/745f18babe1f97726b7be632714bded1.png"],["authentication","cd6fd9580189b91902314fd91a698644"]],["file",{"fileId":"813"},["src","https://adelta.westernsydney.edu.au/files/original/2e8469dd65e9913eb218ef17d6e6a8a0.png"],["authentication","90b134da0c94d97e02ca43e66f0d0658"]]],["itemType",{"itemTypeId":"18"},["name","ADELTA Item"],["description","Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA)."],["elementContainer",["element",{"elementId":"92"},["name","Critical Work"],["description"],["elementTextContainer",["elementText",{"elementTextId":"428"},["text","Inside/Outside Intertextuality"]]]],["element",{"elementId":"94"},["name","Media"],["description"],["elementTextContainer",["elementText",{"elementTextId":"429"},["text","Web based critical work"]]]],["element",{"elementId":"95"},["name","Platform"],["description","Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime"],["elementTextContainer",["elementText",{"elementTextId":"431"},["text","HTML"]]]],["element",{"elementId":"96"},["name","Genre"],["description"],["elementTextContainer",["elementText",{"elementTextId":"432"},["text","Hypertext"]]]],["element",{"elementId":"101"},["name","Work URL"],["description","The URL of the original work, included as an HTML link."],["elementTextContainer",["elementText",{"elementTextId":"433"},["text","<a href=\"http://www.overthere.com.au/digital/index.html\">http://www.overthere.com.au/digital/index.html</a>"]]]],["element",{"elementId":"93"},["name","Artist Statement"],["description","A statement about the work, as provided by the artist(s)."],["elementTextContainer",["elementText",{"elementTextId":"434"},["text","Inside/outside intertextuality is a collection of fragments relating to text, new technologies, identity and language. Both text and language are considered in their broadest contexts: as entities which transmute as they voyage across the parallel virtualities of technology and readerly space. I argue that identity is splintered enmeshments ...There are no strict conclusions in this composite text which I regard as always already entangling with a vast world (while it is being read): that of the multi-faceted virtual realities of its reader(s)."]]]],["element",{"elementId":"98"},["name","Source of Artist Statement"],["description","The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible."],["elementTextContainer",["elementText",{"elementTextId":"435"},["text","<a href=\"http://www.overthere.com.au/digital/index.html%5D\">Description in author's website</a>"]]]]]],["elementSetContainer",["elementSet",{"elementSetId":"1"},["name","Dublin Core"],["description","The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/."],["elementContainer",["element",{"elementId":"43"},["name","Identifier"],["description","An unambiguous reference to the resource within a given context"],["elementTextContainer",["elementText",{"elementTextId":"425"},["text","Caney_insideOutside"]]]],["element",{"elementId":"50"},["name","Title"],["description","A name given to the resource"],["elementTextContainer",["elementText",{"elementTextId":"426"},["text","Inside/Outside Intertextuality"]]]],["element",{"elementId":"39"},["name","Creator"],["description","An entity primarily responsible for making the resource"],["elementTextContainer",["elementText",{"elementTextId":"427"},["text","Caney, Diane"]]]],["element",{"elementId":"40"},["name","Date"],["description","A point or period of time associated with an event in the lifecycle of the resource"],["elementTextContainer",["elementText",{"elementTextId":"430"},["text","1999"]]]],["element",{"elementId":"44"},["name","Language"],["description","A language of the resource"],["elementTextContainer",["elementText",{"elementTextId":"436"},["text","English"]]]],["element",{"elementId":"49"},["name","Subject"],["description","The topic of the resource"],["elementTextContainer",["elementText",{"elementTextId":"3958"},["text","Hypertext"]]]],["element",{"elementId":"41"},["name","Description"],["description","An account of the resource"],["elementTextContainer",["elementText",{"elementTextId":"3959"},["text","<strong>Artist Statement</strong><br />Inside/outside intertextuality is a collection of fragments relating to text, new technologies, identity and language. Both text and language are considered in their broadest contexts: as entities which transmute as they voyage across the parallel virtualities of technology and readerly space. I argue that identity is splintered enmeshments ...There are no strict conclusions in this composite text which I regard as always already entangling with a vast world (while it is being read): that of the multi-faceted virtual realities of its reader(s).<br /><a href=\"http://www.overthere.com.au/digital/index.html%5D\">Source of Artist Statement</a>"]]]],["element",{"elementId":"47"},["name","Rights"],["description","Information about rights held in and over the resource"],["elementTextContainer",["elementText",{"elementTextId":"4221"},["text","The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. 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