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              <text>_cross.ova.ing ][4rm.blog.2.log][_ is a "netwurk repository" that's been in operation since 2003. these "wurks" r inscribed using the infamous polysemic language system termed _mezangelle_. this language evolved/s from multifarious computer code&gt;social_networked&gt;imageboard&gt;gamer&gt;augmented reality flavoured language/x/changes. 2 _mezangelle_ means 2 take words&gt;wordstrings&gt;sentences + alter them in such a way as 2 /x/tend + /n/hance meaning beyond the predicted +/or /x/pected. _mezangelling_ @tempts 2 /x/pand traditional text parameters thru layered/alternative/code based meanings /m/bedded in2 meta-phonetic renderings of language. _cross.ova.ing ][4rm.blog.2.log][ /m/ploys a base standard of code&gt;txt in order 2 evoke imaginative renderings rather than motion-based&gt;flashy graphics.</text>
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              <text>a.land is a journey thru fragments of memory - internal and external landscapes that are common to us all. Inspired by ferry trips on the Baltic Sea, it is a glimpse of life from our cabin aboard a cruise ship on the seas of the www. a.land offers gentle views through differing portholes of perception on love, longing, space, and time. aland's cyclic, poetic and immersive narrative maps both our internal and external environments via fragments of literature, 19th century paintings and partially recalled events. the purpose of a.land is to identify and reflect upon the physcological, geographical and virtual stratas which both visibly and invisibly connect us - where ever we happen to be physically located.</text>
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                <text>Copyright Melinda Rackham. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.</text>
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                <text>Copyright Jason Nelson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.</text>
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Four computer-generated objects were added in this simulated environment - red, green, yellow and blue rectangular boxes in the corners of the room. When entered, each box became a room interior which looked exactly like the outer room while at the same time possessing unique characteristics. The first room showed the four coloured boxes in a continuous circulating process of splitting into thirty-two smaller boxes and then reassembling themselves. The second room showed two rows of large moving Japanese characters - a haiku written specially by Shuntaro Tanikawa. The third room contained a slowly rotating wire-frame hypercube. At the centre of the fourth room was a continuously turning replica of the actual video monitor. While this simulated monitor had a blank white screen, moving coloured reflections on the walls of the room conveyed the impression that it was being illuminated by images on this empty screen.</text>
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              <text>&lt;a href="https://www.accaonline.org.au/exhibition/vns-matrix-all-new-gen"&gt;https://www.accaonline.org.au/exhibition/vns-matrix-all-new-gen&lt;/a&gt;</text>
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              <text>&lt;a href="http://www.transmediale.de/content/cyberfeminist-manifesto-21st-century"&gt;http://www.transmediale.de/content/cyberfeminist-manifesto-21st-century&lt;/a&gt;</text>
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                <text>Female cybersluts and guerrillas, anarcho cyber-terrorists infiltrate cyberspace and hack into the controls and databanks of Big Daddy Mainframe, the Oedipal man. The aim of the game is to sow the seeds of the New World disorder to the databanks and in this way to end the rule of phallic power. All New Gen refers to both new generations and genders. VNS Matrix plays with different sexualities and gendered roles, quotes from popular culture and cultural theory. Cyber-sluts resemble female action-dolls, and their well-designed interfaces acknowledge the role of gender technologies and made-up femininities. &lt;a href="http://www.medienkunstnetz.de/works/all-new-gen/"&gt;Description from Media Art Net&lt;/a&gt;</text>
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            <elementTextContainer>
              <elementText elementTextId="4181">
                <text>The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.</text>
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                <text>An Index for Kindness</text>
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                <text>The works by Ruark Lewis and Jonathan Jones are orchestrated in a colour symphony of reds, blacks and whites. As one enters the space, you are greeted by 'flags' with superimposed printed text, objects that are painted over with stripes, and a curiously long sketch that stretches most of the perimeter of the wall space The audio work start to creep under one's skin as we walk from the front space to the back, like being in a live theatre performance. The sound installation utters, stammers and bewilders. The cacophony range of nuances in 'b' and 's' sounds, are startling and at best, brilliant. As the sound installation loops, we are presented with a range of bare minimal sentences, half uttered words that express Anger (the most distinct), Sadness, Calmness and so on. Ironically, a flag, a 'sign' and an object communicates too, with the stenciled words 'silence is golden'. It leads me to speculate that the works could deal with the gaps of communication, between silences, mutters and tone of voice.&lt;br /&gt;&lt;a href="http://boonscafe.wordpress.com/2007/09/29/index-of-kindness-by-ruark-lewis-and-jonathan-jones/#comments"&gt;Description from Boonscafe, an Art review blog based in Singapore&lt;/a&gt;</text>
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              <text>For the exhibition Kunst Over de Vloer artists were invited to create works in the rooms of a private apartment building. Anamorphoses of Memory was located in a sparse and untidy student's bedroom. A monitor was placed on a mattress on the floor with its screen facing upwards. On the monitor screen moving rows of text were anamorphically reflected onto a mirrored cylinder standing upright in the centre of the screen. These texts moved outwards from the centre of the screen in concentric circles. Reflected on the cylinder, they became vertically scrolling sentences which could be read by the viewers. The texts were written specially by Dirk Groeneveld and evoked certain erotic contingencies performed in this bedroom.</text>
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                <text>May, Gideon [Software]</text>
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                <text>&lt;strong&gt;Artist Statement&lt;/strong&gt;&lt;br /&gt;For the exhibition Kunst Over de Vloer artists were invited to create works in the rooms of a private apartment building. Anamorphoses of Memory was located in a sparse and untidy student's bedroom. A monitor was placed on a mattress on the floor with its screen facing upwards. On the monitor screen moving rows of text were anamorphically reflected onto a mirrored cylinder standing upright in the centre of the screen. These texts moved outwards from the centre of the screen in concentric circles. Reflected on the cylinder, they became vertically scrolling sentences which could be read by the viewers. The texts were written specially by Dirk Groeneveld and evoked certain erotic contingencies performed in this bedroom.&lt;br /&gt;&lt;a href="http://www.jeffrey-shaw.net/html_main/show_work.php?record_id=72"&gt;Source of Artist Statement&lt;/a&gt;</text>
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                <text>The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.</text>
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              <text>&lt;a href="http://www.heliozoa.com/resume/color.html"&gt;http://www.heliozoa.com/resume/color.html&lt;/a&gt;</text>
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                <text>The music is the poem, magnifying the words the block's sideways, backways motion. Simple rollovers for simple background accents.&lt;br /&gt;&lt;a href="http://www.secrettechnology.com/"&gt;Source of Description&lt;/a&gt;</text>
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                <text>Copyright Jason Nelson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.</text>
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