10 25 263 https://adelta.westernsydney.edu.au/files/original/4555b5888795dc2ef8eb0a0e2e80e222.png f8ecb68d4f209eb3835ce26d5ce49354 https://adelta.westernsydney.edu.au/files/original/1a8532cf7c769ec63ef962b4ae311a20.png 8a35c56c44415071d685771cf15374f2 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime CD/Mobile & tablet App Work URL The URL of the original work, included as an HTML link. <a href="https://itunes.apple.com/us/app/the-use/id407969043?mt=8">https://itunes.apple.com/us/app/the-use/id407969043?mt=8</a> Related Website 1 The URL of a related web page such as a YouTube clip or Vimeo, included as an HTML link. <a href="http://www.lovely.com/titles/cd3091.html">http://www.lovely.com/titles/cd3091.html</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://iloveepoetry.com/?p=295"> Excerpt from Leonardo Flores' description in I love E-Poetry</a> Genre Textual/ Speech performance Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Mann_TheUse Title A name given to the resource The Use Creator An entity primarily responsible for making the resource Mann, Chris Description An account of the resource This work is a poetic tour de force in which Mann shows how much information can be lost when language is written down. Intonation, cadence, volume, emphasis, pause, breathing, and so much nonverbal information infuses the recorded vocal performances of these texts that the written texts pale by comparison. Mann provides access to both written and audio texts in a minimalist interface that takes a little getting used to both online and in the iOS app. It invites clicking around, which results in fascinatingly incomprehensible speech, as the audio files become layered and words jumble together. The great thing about this layering is that, while we lose individual words and their meanings, we gain a heightened sense of the rhythms and musicality of Mann's speech. <a href="http://iloveepoetry.com/?p=295">Excerpt from Leonardo Flores' description in I love E-Poetry</a> Language A language of the resource English Subject The topic of the resource Compositional linguistics Speech performance Textual Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Chris Mann Compositional linguistics Speech performance Textual https://adelta.westernsydney.edu.au/files/original/cdde356c9092b46ec6737d5c5db65040.png 5f44961ca8e5e37af0b0ecd26a2637b9 https://adelta.westernsydney.edu.au/files/original/8ad2c85aaf8270a49be77e1f2d87d1fb.png 0de56b22c8ad51639de1b436c670f682 https://adelta.westernsydney.edu.au/files/original/61d14dff714013942928963918c83280.png 9a613b6b541a593c8856436320a6474e ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash audio Work URL The URL of the original work, included as an HTML link. <a href="http://theuse.info/">http://theuse.info/</a> Genre Textual/ Speech performance Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Mann_LxWxH Title A name given to the resource The Use: LxWxH Creator An entity primarily responsible for making the resource Mann, Chris Language A language of the resource English Subject The topic of the resource Compositional linguistics Speech performance Textual Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Chris Mann Compositional linguistics Speech performance Textual https://adelta.westernsydney.edu.au/files/original/28c9a97c7b3b05b55b8da71204e2540d.png 5cde2770e7bfefd901bf5e5250ecf863 https://adelta.westernsydney.edu.au/files/original/7401325243725cb7b3640273a3e2bb17.png 28c263004948f341e50e5683c0a9b2da ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash audio Work URL The URL of the original work, included as an HTML link. <a href="http://theuse.info/">http://theuse.info/</a> Genre Textual/ Speech performance/Video Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Mann_maybe Title A name given to the resource The Use: Maybe if You Hit it Hard Creator An entity primarily responsible for making the resource Mann, Chris Language A language of the resource English Subject The topic of the resource Compositional linguistics Speech performance Textual Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Chris Mann Compositional linguistics Speech performance Textual https://adelta.westernsydney.edu.au/files/original/77e617d216a2cf2f0b45504dc2aff371.png 2d2e3dab537150c3cd9f1b363735c395 https://adelta.westernsydney.edu.au/files/original/f52abde77659211fd62d9d61e912f87d.png 883be7afa4cabadb1d4b6c06fcbdb4bd ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash audio Work URL The URL of the original work, included as an HTML link. <a href="http://theuse.info/">http://theuse.info/</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://melbourne-poetics.blogspot.com.au/2012_09_01_archive.html">Oscar Schwartz from the blog Melbourne Poetics Research</a> Genre Textual/ Speech performance Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Mann_nowTalking Title A name given to the resource The Use: Now you are talking Creator An entity primarily responsible for making the resource Mann, Chris Description An account of the resource Chris Mann's poetry is complicated to the point of breathlessness. When engaging with a Mann poem for the first time it is as if one has suddenly become dyslexic: the words are there, but their construction resists meaning. The complex facade of a Chris Mann poem is intimidating for any reader, so his readership is limited almost exclusively to the domain of the international avant-garde - more exclusively, to an international community of experimental composers. <a href="http://melbourne-poetics.blogspot.com.au/2012_09_01_archive.html">Oscar Schwartz from the blog Melbourne Poetics Research</a> Language A language of the resource English Subject The topic of the resource Compositional linguistics Speech performance Textual Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Chris Mann Compositional linguistics Speech performance Textual https://adelta.westernsydney.edu.au/files/original/a4397d20cc678b1757db48a3f011a9fe.png 7a3ab1440432b066405204346d4665a0 https://adelta.westernsydney.edu.au/files/original/8eb89e1f094c1986256a4ca57baed139.png 19c670d9de05510fd3e659e98f7c688a ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Video installation Work URL The URL of the original work, included as an HTML link. <a href="http://www.medienkunstnetz.de/works/the-virtuel-museum/">http://www.medienkunstnetz.de/works/the-virtuel-museum/</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://www.medienkunstnetz.de/works/the-virtuel-museum/">Description from Media Art Net, website for media artwork</a> Genre Interactive environment Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Shaw_virtualMuseum Title A name given to the resource The Virtual Museum Creator An entity primarily responsible for making the resource Shaw, Jeffrey Date A point or period of time associated with an event in the lifecycle of the resource 1991 Description An account of the resource An exact reproduction of the exhibition space is shown on a large monitor placed on a circular, motorized platform. Sitting in front of the screen in an armchair, visitors can navigate their way through four further virtual spaces by using the weight of their body to tip or swivel the chair. Each of these spaces contains different things: a gallery of pictures with running captions; an accumulation of sculptures consisting of letters of the alphabet; characters from the kanji alphabet on which sequences of film can be seen and floating letters that become a source of light. This 'Virtual Museum' functions only in part as a visual memory facility. Although every artistic medium is represented in it, paintings, sculptures, films and the computer-generated space itself are all transformed into signs that can be interpreted only with the help of specialist knowledge. <a href="http://www.medienkunstnetz.de/works/the-virtuel-museum/">Description from Media Art Net, website for media artwork</a> Language A language of the resource English Contributor An entity responsible for making contributions to the resource May, Gideon [Software] Nelissen, Huib [Hardware] Bossinade, Bas [Hardware] Produced under the auspices of the Stadelschule, Institut fur Neue Medien, Frankfurt a.M., Germany Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Interactive environment Jeffrey Shaw MediaArt https://adelta.westernsydney.edu.au/files/original/662176807a927533d70e9fbdb7da4f26.png 10d661508d48c478c2bf4817762709a1 https://adelta.westernsydney.edu.au/files/original/85c70ce469ba3eef2dfd2c2b5cccf59f.png bbd767f70d982b6fcee2bcecdf0b78f6 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Digital video Work URL The URL of the original work, included as an HTML link. <a href="http://www.lalouver.com/roguewaveprojects/html/grant-stevens.html">http://www.lalouver.com/roguewaveprojects/html/grant-stevens.html</a> Genre Video installation Image 1 Description / Attribution Information provided from the work's creator(s); either describing the image which represents the work, or attribution of the image which represents the work within ADELTA. Grant Stevens, The Wandering, 2009, digital video with sound, 3 min 5 sec, video still, courtesy the artist and Sullivan + Strumpf, Sydney Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Stevens_wandering Title A name given to the resource The Wandering Creator An entity primarily responsible for making the resource Stevens, Grant Date A point or period of time associated with an event in the lifecycle of the resource 2009 Language A language of the resource English Subject The topic of the resource Digital video Video installation Publisher An entity responsible for making the resource available The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Digital video Grant Stevens Video installation https://adelta.westernsydney.edu.au/files/original/c8d75b22511dc86ef28a816278a8c1f6.png 6ebe25b6de92fe85e3e01962dabf4dfa https://adelta.westernsydney.edu.au/files/original/9f4e50d0adc7882c4228738772c1532e.png 167c11ca901f23afb11bbae465d1b85b https://adelta.westernsydney.edu.au/files/original/d49a2a051bd01f791afc8e12c5e47e6c.png 139d61f7f54e2bfdfbc8b264c3c695f0 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Video Work URL The URL of the original work, included as an HTML link. <a href="http://billseaman.com/">http://billseaman.com/</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://billseaman.com/">Description from author's website</a> Genre Interactive video Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Seaman_watchDetail Title A name given to the resource The Watch Detail Creator An entity primarily responsible for making the resource Seaman, Bill Date A point or period of time associated with an event in the lifecycle of the resource 1990 Language A language of the resource English Description An account of the resource The first major interactive work was entitled The Watch Detail (1990). Video images, sound and text that addressed the subject of time were explored interactively. This work employed Macintosh Hypercard media, that was used to control an interactive laserdisc. Thus the work became a meta-media time piece. A large database of time-oriented images, and texts could be navigated, juxtaposed and/or re-oriented in time. The media-time of the image could also be explored where a participant could move forward, backward, stay still, as well as move fast forward and fast backward. An elaborate poetic text made of short individual observations about time was made available to the user of the system. The participant could juxtapose any of the video and still material, move from chapter to chapter, edit segments, trigger sequences of encoded database material in relation to chosen selected textual criteria, view a set of still images with text superimpositions, or view material in a linear mode. A linear video also exists with this title. <a href="http://billseaman.com/">Source of Description</a> Rights Information about rights held in and over the resource Copyright William Seaman. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Bill Seaman Interactive video Linear video https://adelta.westernsydney.edu.au/files/original/ebcfbaab9ad13fbc8172421fab7d2fa5.png 1660787bc6546d25ad2e02a822eceb40 https://adelta.westernsydney.edu.au/files/original/146351b44acd892bdad8ebd318a5edbc.png 87305da8b9472a8967ecfdcb97c4b930 https://adelta.westernsydney.edu.au/files/original/7a97932e1b8e0e06970266d872c6ec07.png 4ca62413488e6aff69c48feb3c54728c ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Work URL The URL of the original work, included as an HTML link. <a href="http://billseaman.com/">http://billseaman.com/</a> Artist Statement A statement about the work, as provided by the artist(s). The World Generator promotes a form of active looking/listening/interacting/understanding. Through interaction with this virtual world generator, text potentially qualifies differing emotive aspects of the current computer-based emergent context. Media elements also inform the understanding of the text. All of the media-elements present meaning forces that operate on each other. Different interactions and 'negotiations' of the space promote an ongoing meaning summing. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://projects.visualstudies.duke.edu/billseaman/pdf/illusiveNatureContext.pdf">Excerpt from author's article The Illusive Nature of Context: The Negotiation of the Thoughtbody</a> Genre Video installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Seaman_twoGen Title A name given to the resource The World Generator/The Engine of Desire Creator An entity primarily responsible for making the resource Seaman, Bill May, Gideon Date A point or period of time associated with an event in the lifecycle of the resource 1996-1997 Language A language of the resource English Description An account of the resource Artist Statement The World Generator promotes a form of active looking/listening/interacting/understanding. Through interaction with this virtual world generator, text potentially qualifies differing emotive aspects of the current computer-based emergent context. Media elements also inform the understanding of the text. All of the media-elements present meaning forces that operate on each other. Different interactions and 'negotiations' of the space promote an ongoing meaning summing. <a href="http://projects.visualstudies.duke.edu/billseaman/pdf/illusiveNatureContext.pdf">Excerpt from author's article The Illusive Nature of Context: The Negotiation of the Thoughtbody</a> Rights Information about rights held in and over the resource Copyright William Seaman. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Bill Seaman Installation Text https://adelta.westernsydney.edu.au/files/original/e2ad89fda1fd24529ec08948553c9577.png 388a615f120d478404f86a5c36e0bf0b https://adelta.westernsydney.edu.au/files/original/13761cf6e76bed042a9f0396a3b47d86.png 3d09794688adf498b0e8b1e3e99a4a1c https://adelta.westernsydney.edu.au/files/original/9172c09a46734604f10ff59c3eda9150.png c59fb3c22619609c135175b4018d9896 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.secrettechnology.com/death/deathspin.htm">http://www.secrettechnology.com/death/deathspin.htm</a> Artist Statement A statement about the work, as provided by the artist(s). A slot machine for predicting death. Stripped down code of a slot game inserted with 15 five-line death fictions, poeticals. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.secrettechnology.com/">Description from author's website</a> Genre Web based digital poetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Nelson_howYouWillDie Title A name given to the resource This is how you will die Creator An entity primarily responsible for making the resource Nelson, Jason Date A point or period of time associated with an event in the lifecycle of the resource 2006 Language A language of the resource English Rights Information about rights held in and over the resource Copyright Jason Nelson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Digital poetry Net art Description An account of the resource Artist Statement A slot machine for predicting death. Stripped down code of a slot game inserted with 15 five-line death fictions, poeticals. <a href="http://www.secrettechnology.com/">Source of Artist Statement</a> Digital poetry Jason Nelson Net art https://adelta.westernsydney.edu.au/files/original/a4e2c391336c075315691a2bb0a97390.png d9991f78750e3ed4db221a0bc8edb17d https://adelta.westernsydney.edu.au/files/original/b82130fadfc030c768109de8d2326d60.png 88fd88315bea8a240eeef2774323ef82 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime QuickTime Work URL The URL of the original work, included as an HTML link. <a href="http://www.asu.edu/pipercwcenter/how2journal/vol_3_no_2/new_media/smith_dean/smith_dean.html">http://www.asu.edu/pipercwcenter/how2journal/vol_3_no_2/new_media/smith_dean/smith_dean.html</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://www.asu.edu/pipercwcenter/how2journal/vol_3_no_2/new_media/smith_dean/smith_dean.html"> Excerpt from How2, electronic Journal for experimental women's poetry. Vol.3 no.2</a> Genre Performative text & audio Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Smith_timeMagician Title A name given to the resource Time the Magician Creator An entity primarily responsible for making the resource Smith, Hazel Dean, Roger White, Greg The AustraLYSIS Electroband Date A point or period of time associated with an event in the lifecycle of the resource 2005 Description An account of the resource Time, the magician is a collaboration by Hazel Smith and Roger Dean written in the real-time algorithmic image-processing program Jitter. The piece begins with a poem, written by Hazel, on the subject of time: influential on the writing of the poem was Elizabeth Grosz's The Nick of Time. <a href="http://www.asu.edu/pipercwcenter/how2journal/vol_3_no_2/new_media/smith_dean/smith_dean.html">Excerpt from How2, electronic Journal for experimental women's poetry. Vol.3 no.2</a> Language A language of the resource English Rights Information about rights held in and over the resource Copyright Hazel Smith and the austraLYSIS electroband. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. AustraLYSIS Electroband Greg White Hazel Smith Multimedia Performative text Roger Dean https://adelta.westernsydney.edu.au/files/original/d62331051f03743fc1397a417a03da1a.png ae428a5f1aad5993146221b8d490c769 https://adelta.westernsydney.edu.au/files/original/9ba72e45f051ea514eb7177e0f8f11e3.png de3dd4f31b998f3e14c5f58d03d7dd09 https://adelta.westernsydney.edu.au/files/original/34e10004850021d76dc13af8a88792d5.png eab4b0fefc6cc440fdbbd3ae8dd581d4 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime HTML Genre Web based digital poetry / Hypertext Work URL The URL of the original work, included as an HTML link. <a href="http://www.overthere.com.au/daughter/indexbelly.html">http://www.overthere.com.au/daughter/indexbelly.html</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. Gillian Fuller Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Caney_daughter Title A name given to the resource Time's daughter Creator An entity primarily responsible for making the resource Caney, Diane Contributor An entity responsible for making contributions to the resource Petterd, Robin Description An account of the resource Time's daughter is a hypertext poetic work that explores the themes of desire, expectation and contemplation. The user begins at a simple home page with a choice of seven words( where, view, belly, time, eon, face, hands ) through which the user can start traversing through the poem/s. It is a collaboration with digital media artist, Robin Petterd. The use of html is very simple and the aesthetics of the project are similarly simple, offering in the main, a white screen with small image and dominant text in varying positions on the page. Occasionally, images or animated gifs are tiled behind text. Sometimes the page scrolls horizontally forcing the user to engage with the whole screen in order to find the linked word to lead them to the next fragment. The simple navigation with limited hyperlinks and pared down early html aesthetic showcases the recontextualisation of the fragments, in terms of layout, sequence and dynamism of text: a research concern of the artist during this period. Gillian Fuller Language A language of the resource English Subject The topic of the resource Net poetry Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Diane Caney Net poetry https://adelta.westernsydney.edu.au/files/original/a037725c15f67cd7855cb561b7c30987.png f34241ccfbe884705edde5956ca9c2a8 https://adelta.westernsydney.edu.au/files/original/788e94244e84fd93b8524bee472ffe17.png 5ce0de9ef7a1992434b2d9b09ad34e0f ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Installation Work URL The URL of the original work, included as an HTML link. <a href="http://lx.sysx.org/?page_id=13">http://lx.sysx.org/?page_id=13</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. Gillian Fuller Artist Statement A statement about the work, as provided by the artist(s). Trace is a mixed media installation exploring [...] biometric themes, a subject that becomes increasingly significant as the 'global war on terror' escalates and government security organisations are collecting physical data from citizens for identification purposes. In the first part of the installation the viewer engages with the biometric station, encouraged by friendly instructions to voluntarily register using palm scans, iris scans and voice analysis. Further into the exhibition an involuntary image capture occurs. Viewers can access these images from a database of previous exhibition visitors where the biometric data is blended with the captured images.<a href="http://lx.sysx.org/?page_id=13"> Excerpt from authors' website</a> Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://lx.sysx.org/?page_id=13">Statement from authors' website</a> Genre Mixed media installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Starrs_Cmielewski_trace Title A name given to the resource Trace Creator An entity primarily responsible for making the resource Starrs, Josephine Cmielewski, Leon Date A point or period of time associated with an event in the lifecycle of the resource 2002 Description An account of the resource A playful mixed media interactive installation that showcased biometric technologies, such as iris, palm and voice scanners, image capture and cumulative databases to engage visitors with everyday biometric technologies and the practices of biometric capture and archiving. Continuing the artists' practice of exploring the info-aesthetics of contemporary political issues, both the practices and aesthetics of information technologies are highlighted as visitors biometric data is both requested and involuntarily taken, databased and reused in the installation. Gillian Fuller Artist Statement Trace is a mixed media installation exploring [...] biometric themes, a subject that becomes increasingly significant as the 'global war on terror' escalates and government security organisations are collecting physical data from citizens for identification purposes. In the first part of the installation the viewer engages with the biometric station, encouraged by friendly instructions to voluntarily register using palm scans, iris scans and voice analysis. Further into the exhibition an involuntary image capture occurs. Viewers can access these images from a database of previous exhibition visitors where the biometric data is blended with the captured images. <a href="http://lx.sysx.org/?page_id=13">Source of Artist Statement</a> Language A language of the resource English Rights Information about rights held in and over the resource Copyright Josephine Starrs and Leon Cmielewski. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Josephine Starrs Leon Cmielewski Mixed media installation https://adelta.westernsydney.edu.au/files/original/3c2ed9f5a88db5cb4f71358e286c6ad8.png 9a41f9fdaec21d7ab0d622cca1b58c49 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Single channel digital video Work URL The URL of the original work, included as an HTML link. <a href="http://vimeo.com/59622009">http://vimeo.com/59622009</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://www.lalouver.com/html/gallery-history-images/other-resources/Stevens-LATIMES-Pagel-2013.pdf">David Pagel, Los Angeles Times</a> Genre Video Installation Image 1 Description / Attribution Information provided from the work's creator(s); either describing the image which represents the work, or attribution of the image which represents the work within ADELTA. Grant Stevens, Tranquility Falls, 2013, digital video with sound, 3 min 3 sec, video still, courtesy the artist and Sullivan + Strumpf, Sydney Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Stevens_tranquility Title A name given to the resource Tranquility Falls Creator An entity primarily responsible for making the resource Stevens, Grant Date A point or period of time associated with an event in the lifecycle of the resource 2013 Description An account of the resource Tranquility Falls, is a floor-to-ceiling projection of what appears to be a synthetic waterfall and a cascade of phrases that describes various features of self-help culture. The words start slowly, earnestly and meditatively. Accelerating to an annoying crescendo, in three short minutes they leave viewers with a snide sense of being superior to such well-meaning illusions. <a href="http://www.lalouver.com/html/gallery-history-images/other-resources/Stevens-LATIMES-Pagel-2013.pdf">David Pagel, Los Angeles Times</a> Language A language of the resource English Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Grant Stevens Video installation https://adelta.westernsydney.edu.au/files/original/772eee34b12d6bf181840bd4cc76cd0f.png 21d3b3cfbc7f1864105af48475c6ae7d https://adelta.westernsydney.edu.au/files/original/2837123823cfbd5aa8af878f4b2de4dc.png ce0b24d901c42c0679f7589ccd225ade https://adelta.westernsydney.edu.au/files/original/182eed42fa7c6c44fbe7ae3c875c3412.png 6914733ee6a2742536a1e44e18093695 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Installation / Vimeo Genre Video Installation Work URL The URL of the original work, included as an HTML link. <a href="http://vimeo.com/45054742">http://vimeo.com/45054742</a> Artist Statement A statement about the work, as provided by the artist(s). Iconica is an artificial world made of language, populated by lifeforms whose bodies are made of media encoded with different systems of representation. The artificial life model that generates the appearance and behaviour of this world is based on an iconic language which may be combined using grammatical rules to create an endless number of possible meanings. Trans'forms is an abbreviation of the term 'transitional forms' from evolutionary theory. This term refers to the inbetween states that occur when one species evolves into another new species. The new lifeforms depicted above apply this concept to digital media, capturing transitional forms in visual languages as they evolve and adapt to electronic space. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://vimeo.com/45054742">Description from Vimeo</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Innocent_transitional Title A name given to the resource Transitional Forms; new life from Iconica Creator An entity primarily responsible for making the resource Innocent, Troy Date A point or period of time associated with an event in the lifecycle of the resource 2002 Language A language of the resource English Subject The topic of the resource Dual channel video installation Description An account of the resource Artist Statement Iconica is an artificial world made of language, populated by lifeforms whose bodies are made of media encoded with different systems of representation. The artificial life model that generates the appearance and behaviour of this world is based on an iconic language which may be combined using grammatical rules to create an endless number of possible meanings. Trans'forms is an abbreviation of the term 'transitional forms' from evolutionary theory. This term refers to the inbetween states that occur when one species evolves into another new species. The new lifeforms depicted above apply this concept to digital media, capturing transitional forms in visual languages as they evolve and adapt to electronic space. <a href="http://vimeo.com/45054742">Description from Vimeo</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Dual channel video installation Troy Innocent https://adelta.westernsydney.edu.au/files/original/8de2941242da7a3b90450d87439a59ae.png 06e1e7168e516b9ccc02aff979321393 https://adelta.westernsydney.edu.au/files/original/dc74c16ac2d5cccaca98c3e53052a3bf.png 6514665e2c1e0d1c492aa8126afeb108 https://adelta.westernsydney.edu.au/files/original/90a57f752dac454a02e2af1a54591431.png 2410b1680c366421ab877c499ab3be02 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime HTML Genre Web based digital poetry / Hypertext Work URL The URL of the original work, included as an HTML link. <a href="http://www.overthere.com.au/travels/index.htm">http://www.overthere.com.au/travels/index.htm</a> Related Website 1 The URL of a related web page such as a YouTube clip or Vimeo, included as an HTML link. <a href="http://www.overthere.com.au/">http://www.overthere.com.au/</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. Gillian Fuller Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Caney_travels Title A name given to the resource Travels Towards Creator An entity primarily responsible for making the resource Caney, Diane Date A point or period of time associated with an event in the lifecycle of the resource 1998 Contributor An entity responsible for making contributions to the resource Petterd, Robin Description An account of the resource A hypertext poem assembled of fragments of poetry, plays and other textual fragments of Rimbaud, Patrick White, Shakespeare, Virginia Wolff and original text by Caney. The work integrates visual elements in its interaction, such as animated, linked gifs and mouseovers creating an embodied engagement with text/screen. The work explores the interplay of multi-modality, intertextuality and the affordances of new media space/time in real time while dwelling upon themes of loss and grief. Gillian Fuller Language A language of the resource English Subject The topic of the resource Net poetry Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Diane Caney Net poetry https://adelta.westernsydney.edu.au/files/original/215d60fd67410daa10363d030263b178.png 5bc8ef0ed604d54c9dcf4a457864e25b https://adelta.westernsydney.edu.au/files/original/872dd1fe4a01fbce83c7b9062e18346a.png 2cf5aaa85c50edbffc92645bded64a3c ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Installation Work URL The URL of the original work, included as an HTML link. <a href="http://embodiedmedia.com/homeartworks/tree-of-fortune">http://embodiedmedia.com/homeartworks/tree-of-fortune</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://www.realtimearts.net/article/58/8987">Excerpt from RealTime, issue #58 Dec-Jan 2003 pg. 29</a> Artist Statement A statement about the work, as provided by the artist(s). Tree of Fortune was a major public artwork comprising of 130 LED scrolling text boxes distributed throughout a large tree. Each module displayed an individual scrolling message presented in red LED text, created in collaboration with Brisbane writer Linda Carolli. The work was commissioned for and presented in a prominent riverbank location at Christchurch's 2004 Biennial. It was accompanied by a high quality catalogue publication. The project sought to foster private reflection amongst its viewers around the context of contemporary ecological crises, whilst also calling upon the power of their imagining as a method for retaining positive and critical mindsets in the face of adversity. This was achieved through ostensibly presenting texts in the form of 'fortune cookie' style statements, but then configuring them to require a personal response. This sense of unravelling questions and answers was further cemented through the qualities of each scrolling text, which only revealed a small part of each phrase at any one time. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://embodiedmedia.com/homeartworks/tree-of-fortune">Description from artist's website</a> Genre Electronic text installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context ARmstrong_tree_fortune Title A name given to the resource Tree of Fortune Creator An entity primarily responsible for making the resource Armstrong, Keith Carroli, Linda Date A point or period of time associated with an event in the lifecycle of the resource 2003 Description An account of the resource Unbearable Lightness (tree of fortune) is a collaboration between Keith Armstrong and Linda Carroli recontextualising the Christmas tree. On the South Bank Cultural Forecourt, a fig tree is decorated with small glowing baubles which on closer inspection are digital 'text modules' each with their own message. <a href="http://www.realtimearts.net/article/58/8987">Excerpt from RealTime </a> Artist Statement Tree of Fortune was a major public artwork comprising of 130 LED scrolling text boxes distributed throughout a large tree. Each module displayed an individual scrolling message presented in red LED text, created in collaboration with Brisbane writer Linda Carolli. The work was commissioned for and presented in a prominent riverbank location at Christchurch's 2004 Biennial. It was accompanied by a high quality catalogue publication. The project sought to foster private reflection amongst its viewers around the context of contemporary ecological crises, whilst also calling upon the power of their imagining as a method for retaining positive and critical mindsets in the face of adversity. This was achieved through ostensibly presenting texts in the form of 'fortune cookie' style statements, but then configuring them to require a personal response. This sense of unravelling questions and answers was further cemented through the qualities of each scrolling text, which only revealed a small part of each phrase at any one time. <a href="http://embodiedmedia.com/homeartworks/tree-of-fortune">Source of Artist Statement</a> Language A language of the resource English Rights Information about rights held in and over the resource Copyright Keith Armstrong and Linda Carroli. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Electronic text Installation Public installation Electronic text Installation Linda Carroli Public installation https://adelta.westernsydney.edu.au/files/original/b2dc5354519f107440d9b38fb3b95e81.png ef02194381190e3e59dcd42527ea4612 https://adelta.westernsydney.edu.au/files/original/9aa9a487776fe3f633385f80c1d2e5bf.png b23d389646f8beb898ef1cd0ddc21b86 https://adelta.westernsydney.edu.au/files/original/7fcdf6434bcb448c393ac1a1b11a1b65.png cf45c7c622032cb4f89ed68cd23af962 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime QuickTime/Second Life Genre 3D environment Work URL The URL of the original work, included as an HTML link. <a href="http://www.sarahwaterson.net/?p=144">http://www.sarahwaterson.net/?p=144</a> Artist Statement A statement about the work, as provided by the artist(s). Trope creatively intervenes in the ways that readers engage with literary texts and aims to expand writing networks and to further develop the virtual literary community. Trope features short fiction and poetry in selected exhibitions. Texts are repositioned in a spatialised visual format/s and audio designed for SL users to experience texts in a three dimensional world. <a href="http://www.sarahwaterson.net/?p=144">Sara Waterson.</a> Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.sarahwaterson.net/?p=144">Sara Waterson's website</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Waterson_trope Title A name given to the resource Trope Creator An entity primarily responsible for making the resource Waterson, Sara Davies, Cristyn Knox, Sara Date A point or period of time associated with an event in the lifecycle of the resource 2008/9 Contributor An entity responsible for making contributions to the resource Davies, Cristyn Knox, Elena Language A language of the resource English Description An account of the resource Artist Statement Trope creatively intervenes in the ways that readers engage with literary texts and aims to expand writing networks and to further develop the virtual literary community. Trope features short fiction and poetry in selected exhibitions. Texts are repositioned in a spatialised visual format/s and audio designed for SL users to experience texts in a three dimensional world. <a href="http://www.sarahwaterson.net/?p=144">Sara Waterson</a> Rights Information about rights held in and over the resource Copyright Sara Waterson, Sara Knox and Cristyn Davies. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource New media Real-time 3D art project Cristyn Davies New media Real-time 3D art project Sara Knox Sara Waterson https://adelta.westernsydney.edu.au/files/original/4d696ba602e423e4a49769e2feb2895c.png ff5be837e693f93be1eb514084b04f55 https://adelta.westernsydney.edu.au/files/original/2a332bc48d46e0ed9f646d5bd6801237.png 46bbba637a694438f61fb242709383c0 https://adelta.westernsydney.edu.au/files/original/8b4ffb83d719a7b67a31c203614c4708.png b5ada5992f6c4c19204e20e1488a4aa1 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime HTML Work URL The URL of the original work, included as an HTML link. <a href="http://www.sallypryor.com/tropicality.html">http://www.sallypryor.com/tropicality.html</a> Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. Fbitch Genre Web based interactive multimedia Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Pryor_Tropicality Title A name given to the resource Tropicality Creator An entity primarily responsible for making the resource Pryor,Sally Date A point or period of time associated with an event in the lifecycle of the resource 2012 Language A language of the resource English Rights Information about rights held in and over the resource Copyright Sally Pryor. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Animated web work Sally Pryor https://adelta.westernsydney.edu.au/files/original/b82c8272962bb2771e6ea8c881eff573.png 133296a523bdbc901c057b103e0d0900 https://adelta.westernsydney.edu.au/files/original/98ad5fbe57b98f5ff3e22b5617a0eac6.png 93648f41ac757a03cb7b31eaf944760b https://adelta.westernsydney.edu.au/files/original/393053a00b293c26977848d64d7c8038.png c36e0350ce71f9315495fb915099d8ea ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime HTML/JavaScript/Animated giffs/Java Applets Work URL The URL of the original work, included as an HTML link. <a href="http://www.subtle.net/tunnel/">http://www.subtle.net/tunnel/</a> Artist Statement A statement about the work, as provided by the artist(s). Tunnel is a site about pornography and online sexuality, the cyber affair, and the ensuing tension between the real cyber sexual experience and the real flesh sexual experience. Tunnel charts the incongruity and incompatibility when the digitally coded self crosses the terminal boundary, questioning early notions of fluid identity and sexuality on the net. The location of cyber relations is the personal intimate feminine private space of online where the boundaries that define personal safety do not seem necessary. Sexual and Emotional Intimacy are achieved in an astoundingly short amount of time - after all online encounters are merely a projection of the self into another who exists only at our fantasy beck and call, who will disappear when the computer is turned off. Or do they? What happens when the cyber lovers meet in flesh space? Will the sensory /data overload blow both their buffers? Statement from artist's notes. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. Artist's notes Genre Web based interactive poetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Rackham_Tunnel Title A name given to the resource Tunnel Creator An entity primarily responsible for making the resource Rackham, Melinda Date A point or period of time associated with an event in the lifecycle of the resource 1996 Description An account of the resource 'Tunnel' is an html site,using javascript, java applets and animated gifs and images that explored cybersexuality which in the early 1990s was an emerging area in both cyberculture and cyberart. It explored the intersection of female sex and technology in every day suburban cyberspace drawn from Usenet newsgroups and IRC sessions where living beings interacted sexually with others thru text on a monitor. The work is silent and displayed explicit sexual images and text drawn from actual experience in realtime. Its aesthetic was thus jerky due to slow speeds of dial up modems (usually14.4 Kbps). Created with very early Photoshop, DreamWeaver, and text editors, Tunnel was designed to be viewed in Netscape Navigator 3 on a 13 inch monitor in 1996. It was resized and java updated in 2005 and updated again to make compatible with modern browsers in 2014. Artist Statement Tunnel is a site about pornography and online sexuality, the cyber affair, and the ensuing tension between the real cyber sexual experience and the real flesh sexual experience. Tunnel charts the incongruity and incompatibility when the digitally coded self crosses the terminal boundary, questioning early notions of fluid identity and sexuality on the net. The location of cyber relations is the personal intimate feminine private space of online where the boundaries that define personal safety do not seem necessary. Sexual and Emotional Intimacy are achieved in an astoundingly short amount of time - after all online encounters are merely a projection of the self into another who exists only at our fantasy beck and call, who will disappear when the computer is turned off. Or do they? What happens when the cyber lovers meet in flesh space? Will the sensory /data overload blow both their buffers? Statement from artist's notes. Language A language of the resource English Rights Information about rights held in and over the resource Copyright Melinda Rackham. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Digital poetry Melinda Rackham https://adelta.westernsydney.edu.au/files/original/6573c330e19036c7f6a185781aedfac2.png d4f5d01edd5cfd3fcd688ce268752ada https://adelta.westernsydney.edu.au/files/original/bc6f1fe12da0323f2561573ce0a99d5b.png 678ab2e0e2c79afe64e2c501f0b7c2b0 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Twitter Genre Real-time digital Poetry Work URL The URL of the original work, included as an HTML link. <a href="http://conference.conlang.org/lcc3/posters/Mez_Breeze-Twitterwurking.pdf">http://conference.conlang.org/lcc3/posters/Mez_Breeze-Twitterwurking.pdf</a> Artist Statement A statement about the work, as provided by the artist(s). _Twitterwurking_ comprised of sequential "tweets" posted via a microblogging platform called Twitter. The work itself was written in my mezangelle language - a type of merging of programming languages/code with poetic elements. The Twitterwurk sought to incorporate specific users into the narrative by typing the "@" symbol before their name. The users were then made aware of this focused reply and thus deliberately enfolded into the tweetstream/project. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://conference.conlang.org/lcc3/posters/Mez_Breeze-Twitterwurking.pdf">Description from a transcription of Twitterwurking, created in the New Media Scotland Twitter Recidency</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Breeze_twitter Title A name given to the resource Twitterwurking Creator An entity primarily responsible for making the resource Breeze, Mez Date A point or period of time associated with an event in the lifecycle of the resource 2008 Language A language of the resource English Rights Information about rights held in and over the resource Copyright Mez Breeze. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Live Performance Reality game Twitter Description An account of the resource Artist Statement _Twitterwurking_ comprised of sequential "tweets" posted via a microblogging platform called Twitter. The work itself was written in my mezangelle language - a type of merging of programming languages/code with poetic elements. The Twitterwurk sought to incorporate specific users into the narrative by typing the "@" symbol before their name. The users were then made aware of this focused reply and thus deliberately enfolded into the tweetstream/project. <a href="http://conference.conlang.org/lcc3/posters/Mez_Breeze-Twitterwurking.pdf">Description from a transcription of Twitterwurking, created in the New Media Scotland Twitter Residency</a> Live Mez Breeze Performance Reality game Twitter https://adelta.westernsydney.edu.au/files/original/601913efd64db0d73b31677614bd9a0c.png 52b4248861524ed548ef8df2fd5078fb https://adelta.westernsydney.edu.au/files/original/aa2668d496e33e4e63b840a29489215a.png 3490ba194c2013ded0f15ac438707710 https://adelta.westernsydney.edu.au/files/original/92eba8725a9385b603c0bdafeb6f8822.png 9d42f5fd7ac41bbc09b242ba1368ebb6 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.secrettechnology.com/mouse/undirection.html">http://www.secrettechnology.com/mouse/undirection.html</a> Artist Statement A statement about the work, as provided by the artist(s). While net-art becomes increasingly more complex, more database and programming centered, this project shoots for simplicity. Utilizing the basic mouse-follower, Uncontrollable Semantics pulls together over fifty dramatically different sound, image and interactive environments, all through the simple mouse follower. While a simple innovation, this technique allows the user/player/reader to create their own experience, to feel the work come from the screen. Each environment offers four directions to four terms, four semantics, four named creatures. Explore and play and confuse yourself. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://heliozoa.com/?p=133#more-133">Description from author's website</a> Genre Web based digital poetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Nelson_uncontrollable Title A name given to the resource Uncontrollable semantics Creator An entity primarily responsible for making the resource Nelson, Jason Language A language of the resource English Rights Information about rights held in and over the resource Copyright Jason Nelson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Description An account of the resource Artist Statement While net-art becomes increasingly more complex, more database and programming centered, this project shoots for simplicity. Utilizing the basic mouse-follower, Uncontrollable Semantics pulls together over fifty dramatically different sound, image and interactive environments, all through the simple mouse follower. While a simple innovation, this technique allows the user/player/reader to create their own experience, to feel the work come from the screen. Each environment offers four directions to four terms, four semantics, four named creatures. Explore and play and confuse yourself. <a href="http://heliozoa.com/?p=133#more-133">Source of Artist Statement</a> Digital poetry Jason Nelson Net art https://adelta.westernsydney.edu.au/files/original/5fdfcdba9d03d96b2e6eea6b274ada13.png 225cee0156c5ac09779000e39d9555e6 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://eugeniaraskopoulos.com/wp-content/uploads/2015/08/voodoo-objects.pdf">Extract from essay Voodoo Objects: “Under My Skin” by Anne Finegan</a> Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Archival digital prints Work URL The URL of the original work, included as an HTML link. <a href="http://eugeniaraskopoulos.com/works/">http://eugeniaraskopoulos.com/works/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Under my Skin Description An account of the resource Eugenia Raskopoulos’ latest installation straddles dark domestic and political territory. The messages range from blunt to subtle. A video camera looks through a car windscreen across which the word “refugees” is written against a clear blue sky, bordered by gum trees and full of hope. No matter how frenetic the pace of the windscreen wipers, the sullied text remains discernable withing the smear as a symbol of Australia’s unresolved refugee issues. Elsewhere crisp and formally framed large photographs dominate with a very odd set of objects, abject reminders which carry bodily memories of intense “inpain” is not a typo but a deliberate misspelling as if the state of being in “in pain” were an abstract noun describing a political condition. In an earlier body of work, Raskopoulos had subjected the word “democracy” to various political tests and pressures, undermining the cheapness of its currency as a buzzword for political gain. Text and visual metaphors - like the windscreen wiper’s attempt to “wipe away” political problems - have long informed Raskipoulos’ work. <a href="http://eugeniaraskopoulos.com/wp-content/uploads/2015/08/voodoo-objects.pdf">Extract from essay Voodoo Objects: “Under My Skin” by Anne Finegan</a> Creator An entity primarily responsible for making the resource Raskopoulos, Eugenia Date A point or period of time associated with an event in the lifecycle of the resource 2014 Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. https://adelta.westernsydney.edu.au/files/original/4a3b982fdb3773770b3b1553c2ff23fa.png 6a9302df802604aa9692982aefc26ae4 https://adelta.westernsydney.edu.au/files/original/348da316e544653ba605e623002b9432.png 300454f8901841cf31b9cfe52ae84fb2 https://adelta.westernsydney.edu.au/files/original/994e4690a655bddfec7153df2916824e.png 1e868c6cbd8ddaf67d820a5ab94d2a36 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Genre Interactive multimedia installation Work URL The URL of the original work, included as an HTML link. <a href="http://urbancodemakers.net/blog/">http://urbancodemakers.net/blog/</a> Related Website 1 The URL of a related web page such as a YouTube clip or Vimeo, included as an HTML link. <a href="http://vimeo.com/46732022">http://vimeo.com/46732022</a> Artist Statement A statement about the work, as provided by the artist(s). The Urban Codemakers operated in Guildford Lane between August 2010 and February 2011. Their urban renewal project sought to rezone the city through play. It consists of three guilds, street signage, 100+ blog posts, four blogs, a street game, 768 IDEOTAGs, a public demonstration, a public information video in Federation square, a series of academic articles, and three urban planning proposals for the City of Melbourne. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://vimeo.com/46732022">Description from Vimeo</a> Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Installation / Vimeo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Innocent_urban Title A name given to the resource Urban Codemakers: rezone the city through play Creator An entity primarily responsible for making the resource Innocent, Troy Date A point or period of time associated with an event in the lifecycle of the resource 2010-2011 Language A language of the resource English Subject The topic of the resource Installation Multimedia Participatory action Description An account of the resource Artist Statement The Urban Codemakers operated in Guildford Lane between August 2010 and February 2011. Their urban renewal project sought to rezone the city through play. It consists of three guilds, street signage, 100+ blog posts, four blogs, a street game, 768 IDEOTAGs, a public demonstration, a public information video in Federation square, a series of academic articles, and three urban planning proposals for the City of Melbourne. <a href="http://vimeo.com/46732022">Description from Vimeo</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Installation Multimedia Participatory action Troy Innocent https://adelta.westernsydney.edu.au/files/original/d7d5f2b47af82af40f89f5875e62c01f.png 82e9283036b33f7800d20371df2fefae https://adelta.westernsydney.edu.au/files/original/ae628c748ca751bec1478dc744fd3b15.png 6998f474b20166702ee53fcb9269ec0d https://adelta.westernsydney.edu.au/files/original/5cb4a1a18dd8fa6b4e97e816bd59551b.png 9a54151cd778c729b698c640129e60bf ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Work URL The URL of the original work, included as an HTML link. <a href="http://lx.sysx.org/?page_id=20">http://lx.sysx.org/?page_id=20</a> Artist Statement A statement about the work, as provided by the artist(s). User Unfriendly Interface, CD ROM/Installation on themes of conspiracy theories, male vs female concept of space, dating services, mens issues & personality testing.<a href="http://lx.sysx.org/?page_id=20"> Statement from authors' website</a> Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://lx.sysx.org/?page_id=20">Statement from authors' website</a> Genre Interactive video installation Publication Type The publication type is the means and channels by which a work is made public. CD-ROM/Installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Starrs_Cmielewski_userUnfriendly Title A name given to the resource User Unfriendly Interface Creator An entity primarily responsible for making the resource Starrs, Josephine Cmielewski, Leon Language A language of the resource English Description An account of the resource Artist Statement User Unfriendly Interface, CD ROM/Installation on themes of conspiracy theories, male vs female concept of space, dating services, mens issues and personality testing. <a href="http://lx.sysx.org/?page_id=20">Source of Artist Statement</a> Rights Information about rights held in and over the resource Copyright Josephine Starrs and Leon Cmielewski. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Installation Interactive CD-ROM Josephine Starrs Leon Cmielewski https://adelta.westernsydney.edu.au/files/original/fb8176592e3d046312e1ed85e8791279.png 779a5b8f68bc29db1a4b376271bf0dcf https://adelta.westernsydney.edu.au/files/original/f611ed782e7f01a1656a861fd999c2f0.png 779a5b8f68bc29db1a4b376271bf0dcf ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.secrettechnology.com/">http://www.secrettechnology.com/</a> Artist Statement A statement about the work, as provided by the artist(s). Real-time weather rss feeds drive a series of visualizations. Artistically translates numbers into strange creatures. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.secrettechnology.com/">Description from author's website</a> Genre Web based digital poetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Nelson_weatherVisualizer Title A name given to the resource Vholoce: Weather Visualizer Creator An entity primarily responsible for making the resource Nelson, Jason Date A point or period of time associated with an event in the lifecycle of the resource 2007-8 Language A language of the resource English Rights Information about rights held in and over the resource Copyright Jason Nelson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Digital poetry Net art Description An account of the resource Artist Statement Real-time weather rss feeds drive a series of visualizations. Artistically translates numbers into strange creatures. <a href="http://www.secrettechnology.com/">Source of Artist Statement</a> Digital poetry Jason Nelson Net art