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                <text>[Lux]: is an array of texts by local and international writers and artists whose practices extend to online digital environments. The works published here were originally exhibited as text on paper at Adelaide's Contemporary Art Centre of South Australia.&lt;br /&gt;&lt;a href="http://ensemble.va.com.au/lux/intro.html"&gt;Teri Hoskin, excerpt from lux: notes for an electronic writing&lt;/a&gt;</text>
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                <text>Copyright Sara Waterson, Sara Knox and Cristyn Davies. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.</text>
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                <text>sub_scape is a real-time generative system for manipulating data streams. The software is extremely robust and will generate hours and hours of varied material by sampling, folding and remapping one data set onto another. Using elegant rules, sub_scape generates poetic ecologies of sound and image. The data sets can comprise data streams of video and audio, openGL data, and alphanumerical data - eg company reports, statistics, poems, seafloor height. What emerge from the system are aesthetic complexes and evolving patterns, along with anomalies, turbulence and recursive effects. The system exhibits confluence, paradox, metaphor and commentary, arising from the intriguing combinations of source data and formal strategies. &lt;a href="http://sarahwaterson.net/subscape/"&gt;Source of Description&lt;/a&gt;</text>
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                <text>Copyright Sarah Waterson and Kate Richards. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.</text>
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                <text>In Childhood in Richmond, Komninos Zervos uses a collage of photos to tell a story about his life in 1950s Richmond, Victoria. The piece begins, 'I remember my childhood in the backstreets of Richmond/And the visions that leave a lasting impression/ Where I lived in a fish shop with my mother and father.' Black and white photographs appear on the screen as negatives. The opening page contains rollovers that trigger visual changes and audio clips. As the reader advances through the poem, the photos change colours and are more distinct. Black flies and fish float over the collage of photos. By clicking on a specific black fish or black fly, the poem will advance to another collage of photos. The names of fish appear superimposed over the photos, referencing a segment of the poem, 'And flake and couta and bream and schnapper/ To the window, to attract the eyes of the buyers.' These function as links to a line of the poem, which may link back to the same page. This interactive Flash piece provides a poetic experience, as Zervos narrates his poem with spoken words. The dynamic presentation is supported by instrumental drums and cymbals, accentuating the narrative. The poem ends with Komninos remembering his mother, 'And her legs would swell up from all of that walking/ And I often saw her in some corner crying/ In a fish shop, in Richmond, from where I came".&lt;br /&gt;&lt;a href="http://directory.eliterature.org/node/370"&gt;Tammy Suzor&lt;/a&gt;</text>
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                <text>Copyright Komninos Zervos. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.</text>
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                <text>This suite of 28 early animated poems from 1995-1997 were created as animated GIFs but are really powered by a vibrant enthusiasm over the ability of computers to write kinetic language. In this suite, we see words morph into other words and into objects, words whose movements evoke their meanings, words used to build landscapes full of objects (a decade before WordWorld), and phrases reconfiguring and reshaping themselves into new ones - as is the case with 'she left' (above). This poem is very economical with its language resources, yet so effective in describing the psychological process of a breakup in a relationship.&lt;br /&gt;&lt;a href="iloveepoetry.com/?p=404"&gt;Excerpt of Leonardo Flores' description, I love E-Poetry&lt;/a&gt;</text>
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                <text>Copyright Komninos Zervos. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.</text>
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              <text>&lt;a href="http://elmcip.net/creative-work/exquisite-corpse-poems"&gt;ELMCIP: Electronic Literature as a Model of Creativity and Innovation in Practice&lt;/a&gt;</text>
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                <text>A suite of five online poetry generator that produce a shifting lines of poetry in the manner of an exquisite corpse.&lt;br /&gt;&lt;a href="http://elmcip.net/creative-work/exquisite-corpse-poems"&gt;ELMCIP: Electronic Literature as a Model of Creativity and Innovation in Practice&lt;/a&gt;</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3687">
                <text>Copyright Komninos Zervos. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.</text>
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              <text>&lt;a href="http://www.studiocleo.com/cauldron/volume2/confluence/kominoszervos/index.html#"&gt;http://www.studiocleo.com/cauldron/volume2/confluence/kominoszervos/index.html#&lt;/a&gt;</text>
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              <text>&lt;a href="http://iloveepoetry.com/?p=192"&gt;Excerpt of Leonardo Flores' description, I love E-Poetry&lt;/a&gt;</text>
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                <text>This selection of six poems built with a type of composite image known as animated GIFs used to create the earliest animations in the Web. In Zervos' experienced hands (see his 'Dimocopo' suite), this simple technology can be very expressive indeed, as can be seen in 'Divorce' a kinetic concrete poem that uses moving typography to highlight some of the finer points in a divorce process.&lt;br /&gt;&lt;a href="http://iloveepoetry.com/?p=192"&gt;Excerpt of Leonardo Flores' description, I love E-Poetry&lt;/a&gt;</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3688">
                <text>Copyright Komninos Zervos. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.</text>
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                <text>Zervos_javaPoems</text>
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                <text>Java Poems</text>
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                <text>Zervos, Komninos</text>
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                <text>This trio of early e-poems were written in HTML and use Java applets to shape their linguistic texts with a careful touch. 'Infinity' and 'Internet Junkie' both change the colour of the text over a schedule to shape readings and to imbue them with a nervous energy. In 'Infinity' (displayed above) the rarely used tag reinforces the instability of textual meaning as the phrases can be read with and without the three blinking words, 'reality,' 'literary,' and 'Why?' In 'Internet Junkie' the increased rate of colour change from one stanza to the next mimics the increasing urgency of the addict's need. The final poem in the piece uses the 'NervousText' applet by Daniel Wyszynski to animate its words, 'KOMNINOS is a poet,' which can be soothed into static stability with a mouse click.&lt;br /&gt;&lt;a href="http://iloveepoetry.com/?p=403"&gt;Excerpt of Leonardo Flores' description, I love E-Poetry&lt;/a&gt;</text>
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                <text>English</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="3689">
                <text>Copyright Komninos Zervos. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.</text>
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                <text>Cyberpoetry</text>
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                <text>HTML</text>
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        <name>Java</name>
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        <name>Kinetic</name>
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        <name>Komninos Zervos</name>
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          <name>Work URL</name>
          <description>The URL of the original work, included as an HTML link.</description>
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              <text>&lt;a href="http://komninos.com.au/cyberpoetry/cyberpoetry1995-1997/iwb/intro.html"&gt;http://komninos.com.au/cyberpoetry/cyberpoetry1995-1997/iwb/intro.html&lt;/a&gt;</text>
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          <name>Related Website 1</name>
          <description>The URL of a related web page such as a YouTube clip or Vimeo, included as an HTML link.</description>
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              <text>&lt;a href="http://iloveepoetry.com/?p=402"&gt;http://iloveepoetry.com/?p=402&lt;br /&gt;&lt;br /&gt;&lt;/a&gt;</text>
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          <name>Artist Statement</name>
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              <text>This piece is a narrative cyberpoem which i first began working on in 1995 for my cyberpoetry CD-ROMs. That version, called "reality is a construct" was created in logo-motion in 3D and ran for seven minutes. This version, because of different connection speeds, different browsers, different hosts, etc., has to be restricted to animated gifs and whatever comes packaged with Netscape 3. &lt;a href="http://komninos.com.au/cyberpoetry/cyberpoetry1995-1997/iwb/intro.html"&gt; Statement from author's website&lt;/a&gt;</text>
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              <text>gif animation</text>
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              <text>Web based digital poetry</text>
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          <description>The source of information included in the Description, included as an HTML link to the relevant URL where possible.</description>
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              <text>&lt;a href="http://iloveepoetry.com/?p=402"&gt;Excerpt of Leonardo Flores' description, I love E-Poetry&lt;/a&gt;</text>
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          <name>Source of Artist Statement</name>
          <description>The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible.</description>
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              <text>&lt;a href="http://komninos.com.au/cyberpoetry/cyberpoetry1995-1997/iwb/intro.html"&gt;Statement from author's website&lt;/a&gt;</text>
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            <name>Identifier</name>
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                <text>Zervos_adventures</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>The Adventures of i</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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              <elementText elementTextId="2888">
                <text>Zervos, Komninos</text>
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                <text>1995</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>This narrative 'cyberpoem' started in 1995 with the goal of developing into a lengthy 'soapie' about the life of i. The project obviously didn't go on for a long time, though the 18 webisodes plus two alternate guest webisodes collected here are a testament to an ingenious exploration of the narrative potential of animated Concrete Poetry. Each piece is an ingenious animated GIF that illustrates and comments upon a moment in the early life of a character named i. The personification of the typographical character i and the transformation of other words into objects that i explores and interacts with truly exemplifies the Noigandres group's description of Concrete Poetry as 'tension of things-words in space-time.'&lt;br /&gt;&lt;a href="http://iloveepoetry.com/?p=402"&gt;Excerpt of Leonardo Flores' description, I love E-Poetry&lt;/a&gt;</text>
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                <text>&lt;strong&gt;Artist Statement&lt;/strong&gt;&lt;br /&gt;This piece is a narrative cyberpoem which i first began working on in 1995 for my cyberpoetry CD-ROMs. That version, called "reality is a construct" was created in logo-motion in 3D and ran for seven minutes. This version, because of different connection speeds, different browsers, different hosts, etc., has to be restricted to animated gifs and whatever comes packaged with Netscape 3.&lt;br /&gt;&lt;a href="http://komninos.com.au/cyberpoetry/cyberpoetry1995-1997/iwb/intro.html"&gt;Source of Artist Statement&lt;/a&gt;</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Animated gif</text>
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                <text>Concrete poetry</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3690">
                <text>Copyright Komninos Zervos. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.</text>
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        <name>Komninos Zervos</name>
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