2 25 263 https://adelta.westernsydney.edu.au/files/original/10f53f494c9a44c7afefc366c8ac03e2.png 63e05642ba7bcdb2a0154467d14bd1ec https://adelta.westernsydney.edu.au/files/original/cce3b7cfe89ae21fd87ba183345b1da0.png 6a35d0f8f7b1ad6132ad58e640dc66c8 https://adelta.westernsydney.edu.au/files/original/9beffce910176b23af87ba16d2f5c6c1.png a4f3503d441e5f0a0a38ae69a7931370 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Video Work URL The URL of the original work, included as an HTML link. <a href="http://projects.visualstudies.duke.edu/billseaman/seamanhowe/aoa/aoa.htm">http://projects.visualstudies.duke.edu/billseaman/seamanhowe/aoa/aoa.htm</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://projects.visualstudies.duke.edu/billseaman/seamanhowe/aoa/aoa.htm">Description from author's website</a> Genre Generative video/audio/text installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Seaman_arquitecture Title A name given to the resource Architecture of Association Creator An entity primarily responsible for making the resource Seaman, Bill Howe, Daniel Date A point or period of time associated with an event in the lifecycle of the resource 2008 Language A language of the resource English Description An account of the resource The Architecture of Association is a large-scale, generative artwork that draws associative links between media elements to form an evolving visual collage. A distributed flow of image, video and poetic text is "intelligently" distributed over a number of display surfaces. As the work is emergent in nature, it does not repeat sequences of images or texts but instead dynamically generates a continuously recombinant network of associations. In 1995, Seaman coined the term 'Recombinant Poetics' to articulate a set of generative virtual worlds. <a href="http://projects.visualstudies.duke.edu/billseaman/seamanhowe/aoa/aoa.htm">Source of Description</a> Rights Information about rights held in and over the resource Copyright William Seaman and Daniel Howe. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Bill Seaman Daniel Howe Generative video Text https://adelta.westernsydney.edu.au/files/original/7f717b0aff5a374b9c678b92e5aaf971.png 518427f0ee8461d719411be0e297f696 https://adelta.westernsydney.edu.au/files/original/288302c63707549bb79605e339cfe9a8.png 605e1990868c11003a428537423dd5e4 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Installation Work URL The URL of the original work, included as an HTML link. <a href="http://www.jeffrey-shaw.net/html_main/frameset-works.php">http://www.jeffrey-shaw.net/html_main/frameset-works.php</a> Artist Statement A statement about the work, as provided by the artist(s). Large LED alphanumeric units are mounted in a 13 x 9 grid on the stage tower of this theatre. Like a conventional news sign textual information is scrolled through these elements, but because the alphanumeric units are spaced far apart, the projected information becomes abstracted into a more complex image - it generates a patterning of fragments of words and sentences that appear to weave in and out of the wall of the building. The theatre users interactively program this sign, taking titles and texts from performances that are being presented in the theatre. Thus the sculpture radiates fragments of texts from the current stage production to the viewers outside, and from a great distance draws attention and makes the building porous to a transfer of information from inside out. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.jeffrey-shaw.net/html_main/frameset-works.php">Excerpt from author's website</a> Genre Mix media installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Shaw_architext Title A name given to the resource Architext Creator An entity primarily responsible for making the resource Shaw, Jeffrey Date A point or period of time associated with an event in the lifecycle of the resource 1993 Language A language of the resource English Contributor An entity responsible for making contributions to the resource Novamatic, Eich, Germany [Hardware and Software] Description An account of the resource Artist Statement Large LED alphanumeric units are mounted in a 13 x 9 grid on the stage tower of this theatre. Like a conventional news sign textual information is scrolled through these elements, but because the alphanumeric units are spaced far apart, the projected information becomes abstracted into a more complex image - it generates a patterning of fragments of words and sentences that appear to weave in and out of the wall of the building. The theatre users interactively program this sign, taking titles and texts from performances that are being presented in the theatre. Thus the sculpture radiates fragments of texts from the current stage production to the viewers outside, and from a great distance draws attention and makes the building porous to a transfer of information from inside out. <a href="http://www.jeffrey-shaw.net/html_main/frameset-works.php">Source of Artist Statement</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Installation Jeffrey Shaw Media Art https://adelta.westernsydney.edu.au/files/original/1eee9e8da9ce7a20d04d41db8237012c.png 8ab6befb3c50a89def97bb09d2d5d32c https://adelta.westernsydney.edu.au/files/original/4345d859e5312cd9ea48835d7b6897e2.png 5879def0a22710372868064dcf07f91c https://adelta.westernsydney.edu.au/files/original/f03681263a849e3437f54e97ce4c1c2f.png 3be4cfb54f4aadc7f2d64a15b5afe3dc ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.secrettechnology.com/resident/residency.htm">http://www.secrettechnology.com/resident/residency.htm</a> Artist Statement A statement about the work, as provided by the artist(s). Net Behaviour is an open email list community for sharing ideas, posting events & opportunities in the area or networked distributed creativity. Also facilitating collaborations. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.secrettechnology.com/">Description from author's website</a> Genre Web based digital poetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Nelson_netBehaviour Title A name given to the resource Art Work Net Behaviour Residency Creator An entity primarily responsible for making the resource Nelson, Jason Date A point or period of time associated with an event in the lifecycle of the resource 2005 Contributor An entity responsible for making contributions to the resource Strickland, Stephanie Catlow, Ruth MEZ, Breeze Xavier L Garret, Marc Daly, Catherine Upton, Lawrence Hayles, Katherine Waber Potter, Helen Marcacci, Bob Stasser, Reiner Leon Ley, Jennifer Language A language of the resource English Rights Information about rights held in and over the resource Copyright Jason Nelson, Stephanie Strickland, MEZ Breeze, Ruth Catlow, L Xavier, Marc Garret, Catherine Daly, Lawrence Upton, Waber, Helen Potter, Bob Marcacci, Reiner Stasser, Leon, Jennifer Ley.. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Digital poetry Net art Description An account of the resource Artist Statement Net Behaviour is an open email list community for sharing ideas, posting events & opportunities in the area or networked distributed creativity. Also facilitating collaborations. <a href="http://www.secrettechnology.com/">Source of Artist Statement</a> Digital poetry Jason Nelson Net art https://adelta.westernsydney.edu.au/files/original/f9d1acafb01d7c8892da4f9abb1cbbf5.png 1c2b6e717b03824ca1a5944e6cdd5884 https://adelta.westernsydney.edu.au/files/original/a0b16264fd3bff2e4273d492e84b2ef4.png 3dba10197d031049bc776bd31ba9c41e https://adelta.westernsydney.edu.au/files/original/e88e6aa7ca5bd17394e9db7b7f2babb4.png e2a4514ef5d982bffa6f77739e36c265 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Exhibition/YouTube Work URL The URL of the original work, included as an HTML link. <a href="https://www.youtube.com/watch?v=fQLrhOwTfKo&feature=youtu.be">https://www.youtube.com/watch?v=fQLrhOwTfKo&feature=youtu.be</a> Related Website 1 The URL of a related web page such as a YouTube clip or Vimeo, included as an HTML link. <a href="https://youtu.be/fQLrhOwTfKo">https://youtu.be/fQLrhOwTfKo</a> Artist Statement A statement about the work, as provided by the artist(s). ACT - assemblage for collective thought - is an ongoing conceptual and aesthetic collaboration, an assemblage of technologies and techniques for collaboration. It enables participants to think collectively. By 'think' here we do include thinking conceptually. However, following a century that has had to come to terms with thinking through aesthetic processes, we also mean thinking affectively, via images, texts and sounds. More than this, ACT asks what kind of thought is produced in the mix in the middle of the very act of collaboration, when DJing, VJing, dancing in front of a camera perhaps, are all opened up to the mix. Is there a different quality of thought? A different experience of thinking? An especially collaborative thought? <a href="http://www.andrewmurphie.org/docs/ACT_Aminima.pdf">Excerpt from the article Assembling Collective Thought</a> Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.andrewmurphie.org/docs/ACT_Aminima.pdf">Excerpt from the article Assembling Collective Thought</a> Technology used/Platform Wikis/Audio/Video/Editing and remixing packages Format Text/Video/Other Genre Performed distributed work Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Murphie_collectiveThought Title A name given to the resource Assemblage for Collective Thought [ACT] Creator An entity primarily responsible for making the resource Murphie, Andrew Munster, Anna Date A point or period of time associated with an event in the lifecycle of the resource 2006 Contributor An entity responsible for making contributions to the resource Barker, Michele Harley, Ross Fuller, Gillian Neilson, Brett Wall-Smith, Mat Richards, Kate Fuller, Mathew Gye, Lisa Scholz, Trebor Antic, Dragana Language A language of the resource English Rights Information about rights held in and over the resource Copyright Andrew Murphy and Anna Munster. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Collaborative performance Real-time audio-visual mix Description An account of the resource Artist Statement ACT - assemblage for collective thought - is an ongoing conceptual and aesthetic collaboration, an assemblage of technologies and techniques for collaboration. It enables participants to think collectively. By 'think' here we do include thinking conceptually. However, following a century that has had to come to terms with thinking through aesthetic processes, we also mean thinking affectively, via images, texts and sounds. More than this, ACT asks what kind of thought is produced in the mix in the middle of the very act of collaboration, when DJing, VJing, dancing in front of a camera perhaps, are all opened up to the mix. Is there a different quality of thought? A different experience of thinking? An especially collaborative thought? <a href="http://www.andrewmurphie.org/docs/ACT_Aminima.pdf">Excerpt from the article: Assembling Collective Thought</a> Andrew Murphie Anna Munster Collaborative performance Real-time audio-visual mix https://adelta.westernsydney.edu.au/files/original/61a790f98abec6804e86e02f240c8530.png daca3ea44423412c31c88a07807c58a8 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Work URL The URL of the original work, included as an HTML link. <a href="http://www.sounddesign.unimelb.edu.au/web/biogs/P000302b.htm">http://www.sounddesign.unimelb.edu.au/web/biogs/P000302b.htm </a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://www.sounddesign.unimelb.edu.au/web/biogs/P000302b.htm%5D">Excerpt from the Australian Sound Design Project</a> Genre Multimedia installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Farman_Gibbs_attached Title A name given to the resource Attached By One's Own Action Creator An entity primarily responsible for making the resource Farman, Nola Gibbs, Anna Date A point or period of time associated with an event in the lifecycle of the resource 1987 Description An account of the resource A miniature TV monitor is embedded in an illustrated dictionary. A viewer can sit at a desk an put on earphones. The sound track is a monologue on reading & writing - the constructing of meaning through these practices. The video shows archival footage of the construction of books from early bookbinding to contemporary computerised mass production. Text written & performed by Anna Gibbs (This work has been shown at PICA & at Experimenta in Melbourne). <a href="http://www.sounddesign.unimelb.edu.au/web/biogs/P000302b.htm%5D">Excerpt from the online database Australian Sound Design Project</a> Language A language of the resource English Rights Information about rights held in and over the resource Copyright Nola Farman and Anna Gibbs. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Anna Gibbs Nola Farman https://adelta.westernsydney.edu.au/files/original/23ad43f37e952846e9e18dab7e73c1d0.png 05ccbdc74436acf46b6541cbf4ee8fff https://adelta.westernsydney.edu.au/files/original/6fce10d0b462aabe7bf91191d86c242b.png eb09efe07b6dc2646bc81adb0571198f https://adelta.westernsydney.edu.au/files/original/e44b9dca59718dbdbf0e30bb9d09d7f3.png 6e22f95a9f9f7e94e5cabfa239b16458 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Genre Multimedia installation Work URL The URL of the original work, included as an HTML link. <a href="http://vimeo.com/44845265">http://vimeo.com/44845265</a> Artist Statement A statement about the work, as provided by the artist(s). The nine signs for Ogaki in this work originate in Japan during a residency in September 2010 at IAMAS an Art & Science research institute in Japan. During this month I surveyed the small town of Ogaki via bicycle and identified locations suited to digital intervention. Decoding the space, its history and inhabitants to provide context for a new set of codes. These codes were embedded in a work entitled noemaflux developed on site during my time in Japan. This work is an interactive work that creates new experiences of urban space and different ways of seeing the city. The title expresses this meaning. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://vimeo.com/44845265">Description from Vimeo</a> Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Installation / Vimeo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Innocent_augmented Title A name given to the resource Augmented Reality Creator An entity primarily responsible for making the resource Innocent, Troy Date A point or period of time associated with an event in the lifecycle of the resource 2010 Language A language of the resource English Subject The topic of the resource Multimedia Single channel video with stereo sound Description An account of the resource Artist Statement The nine signs for Ogaki in this work originate in Japan during a residency in September 2010 at IAMAS an Art & Science research institute in Japan. During this month I surveyed the small town of Ogaki via bicycle and identified locations suited to digital intervention. Decoding the space, its history and inhabitants to provide context for a new set of codes. These codes were embedded in a work entitled noemaflux developed on site during my time in Japan. This work is an interactive work that creates new experiences of urban space and different ways of seeing the city. The title expresses this meaning. <a href="http://vimeo.com/44845265">Description from Vimeo</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Multimedia Single channel video with stereo sound Troy Innocent https://adelta.westernsydney.edu.au/files/original/5dc02f1cc03055a5424fc2e13f5cf815.png fc6882a892477bd4475fd8e60c313c7d https://adelta.westernsydney.edu.au/files/original/cad5b2d2be5db44bc314fcb29cb53e3c.png 3bb824a65b6d3d2b5105da26502da0a5 https://adelta.westernsydney.edu.au/files/original/339e2742174ae5dc4eddfef7530b190a.png a82e954e3d90f3411d9e150611fa697f ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Media Multimedia installation Genre Multimedia installation Work URL The URL of the original work, included as an HTML link. <a href="http://vimeo.com/32559175">http://vimeo.com/32559175</a> Artist Statement A statement about the work, as provided by the artist(s). Autograf is an asemic writing system that generates tags by recombining marks and gestures used in graffiti tagging. The languages generated by this process are both familiar and alien its tags look like letters but remain indecipherable. It is constantly and rapidly reinscribing itself as if being generated by a gang of autonomous mecha-graf artists. The tags consume and erase one another and those that survive reproduce with one another to create stylistic hybrids. The processes behind this interaction are modelled on an experimental ecosystem made of language tags have energy, they live and die, replicate, and may steal or give energy to their neighbours. This ecosystem is sonified the generated soundtrack reflects the ebb and flow of energy in the system. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://vimeo.com/32559175">Description from Vimeo</a> Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Installation / Vimeo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Innocent_autograf Title A name given to the resource Autograf Creator An entity primarily responsible for making the resource Innocent, Troy Date A point or period of time associated with an event in the lifecycle of the resource 2009 Language A language of the resource English Subject The topic of the resource Generative artwork Multimedia Video installation Description An account of the resource Artist Statement Autograf is an asemic writing system that generates tags by recombining marks and gestures used in graffiti tagging. The languages generated by this process are both familiar and alien its tags look like letters but remain indecipherable. It is constantly and rapidly reinscribing itself as if being generated by a gang of autonomous mecha-graf artists. The tags consume and erase one another and those that survive reproduce with one another to create stylistic hybrids. The processes behind this interaction are modelled on an experimental ecosystem made of language tags have energy, they live and die, replicate, and may steal or give energy to their neighbours. This ecosystem is sonified the generated soundtrack reflects the ebb and flow of energy in the system. <a href="http://vimeo.com/32559175">Description from Vimeo</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Generative artwork Multimedia Troy Innocent Video installation https://adelta.westernsydney.edu.au/files/original/49d1d99eb5f3305556ab16bce84ecaeb.png 4418dea2d5c8fe3beb510647a0ea5580 https://adelta.westernsydney.edu.au/files/original/701740e011f884eeca3cb1bb279b2afd.png f3a4b180b05bb415102a846fde7eceb4 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Social Media Work URL The URL of the original work, included as an HTML link. <a href="http://chrisrodley.com/2014/02/25/b-e-t-t-y/">http://chrisrodley.com/2014/02/25/b-e-t-t-y/</a> Related Website 1 The URL of a related web page such as a YouTube clip or Vimeo, included as an HTML link. <a href="http://miscellanea.com/artworks/b-e-t-t-y/">http://miscellanea.com/artworks/b-e-t-t-y/</a> Artist Statement A statement about the work, as provided by the artist(s). When ELIZA, the world's first chatbot, was born in the 1960s, users were startled at how much the psychotherapist in the program resembled a human. Since then, chatbots have become increasingly sophisticated; some predict that a computer will pass the Turing test of successfully impersonating a human within the next decade. But in the age of Big Data, does it make sense to say that bots are imitating us? Many already are us, constituted from the thoughts and emotions we share every day online. B.E.T.T.Y. seeks to draw attention to the ghost in the machine of AI the humans who unwittingly control the wonderful Wizard of Oz from behind the curtain, and crouch inside the Mechanical Turk. Audience members are invited to share their private thoughts with an entity created by data-mining millions of social media messages in real time. Is artificial intelligence really so artificial after all? And do these cyborgian interlocutors lend us an empathetic ear, or cold comfort? B.E.T.T.Y. was a new media installation for the Art Gallery of New South Wales Society Contempo series exhibition in February 2014. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://chrisrodley.com/2014/02/25/b-e-t-t-y/">Excerpt from author's website</a> Genre Networked new media installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Rodley_Burrell_BETTY Title A name given to the resource B.E.T.T.Y. Creator An entity primarily responsible for making the resource Rodley, Chris Burrell, Andrew Date A point or period of time associated with an event in the lifecycle of the resource 2014 Language A language of the resource English Description An account of the resource Artist Statement When ELIZA, the world's first chatbot, was born in the 1960s, users were startled at how much the psychotherapist in the program resembled a human. Since then, chatbots have become increasingly sophisticated; some predict that a computer will pass the Turing test of successfully impersonating a human within the next decade. But in the age of Big Data, does it make sense to say that bots are imitating us? Many already are us, constituted from the thoughts and emotions we share every day online. B.E.T.T.Y. seeks to draw attention to the ghost in the machine of AI the humans who unwittingly control the wonderful Wizard of Oz from behind the curtain, and crouch inside the Mechanical Turk. Audience members are invited to share their private thoughts with an entity created by data-mining millions of social media messages in real time. Is artificial intelligence really so artificial after all? And do these cyborgian interlocutors lend us an empathetic ear, or cold comfort? B.E.T.T.Y. was a new media installation for the Art Gallery of New South Wales Society Contempo series exhibition in February 2014. <a href="http://chrisrodley.com/2014/02/25/b-e-t-t-y/">Source of Artist Statement</a> Rights Information about rights held in and over the resource Copyright Chris Rodley and Andrew Burrell. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Andrew Burrell Chris Rodley Installation Interactive Text New media https://adelta.westernsydney.edu.au/files/original/87a8d2b1d1d20634775ef984b1114a3a.png 8c53f090e936fdfe2e4260de7d8c39be https://adelta.westernsydney.edu.au/files/original/3f819976fefecb20f2f773b99cb2845a.png d62a9017e297bbfeaf57ab424e39c6a7 https://adelta.westernsydney.edu.au/files/original/69a28a895523d2016be3bbb8749cd3a5.png 8f2be4ab4606a75809664c64d1f68487 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Second Life Genre Web based 3D environment Work URL The URL of the original work, included as an HTML link. <a href="http://www.babelswarm.com/images.html">http://www.babelswarm.com/images.html</a> Artist Statement A statement about the work, as provided by the artist(s). Activated by the voices of visitors in the real-world gallery and chat messaging from virtual visitors in Second Life, a swarm of letter cubes - programmed to seek out their original word position - slowly builds a morphing, virtual Tower of Babel. This tower is constructed from the utterances of visitors to it, constantly reconfiguring itself according to the artificial stupidity of the individual letter forms. What sorts of conceptual figures are available to think such a thing? The very old: the Tower of Babel from the Book of Genesis, which melds the frightening possibilities of technology, language, and power in a single startling image. And the very new: swarm intelligence as an ideal that expresses how innumerable different individuals can nonetheless come to produce radical innovations in excess of the powers of any one of them and in the midst of apparent disorder. Babelswarm is a project that draws on the most traditional elements of religion, art, and literature, as it engages with the challenges of a scientific and technological age. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.babelswarm.com/about.html">Description in author's website</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Nash_Babelswarm Title A name given to the resource Babelswarm Creator An entity primarily responsible for making the resource Nash, Adam Clemens, Justin Dodds, Christopher Date A point or period of time associated with an event in the lifecycle of the resource 2008 Contributor An entity responsible for making contributions to the resource Dodds, Christopher Language A language of the resource English Rights Information about rights held in and over the resource Copyright Adam Nash, Justin Clemens and Christopher Dodds . The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Real time 3D art and audio project Description An account of the resource Artist Statement Activated by the voices of visitors in the real-world gallery and chat messaging from virtual visitors in Second Life, a swarm of letter cubes - programmed to seek out their original word position - slowly builds a morphing, virtual Tower of Babel. This tower is constructed from the utterances of visitors to it, constantly reconfiguring itself according to the artificial stupidity of the individual letter forms. What sorts of conceptual figures are available to think such a thing? The very old: the Tower of Babel from the Book of Genesis, which melds the frightening possibilities of technology, language, and power in a single startling image. And the very new: swarm intelligence as an ideal that expresses how innumerable different individuals can nonetheless come to produce radical innovations in excess of the powers of any one of them and in the midst of apparent disorder. Babelswarm is a project that draws on the most traditional elements of religion, art, and literature, as it engages with the challenges of a scientific and technological age. <a href="http://www.babelswarm.com/about.html">Source of Artist Statement</a> Adam Nash Christopher Dodds Justin Clemens Real time 3D art and audio project https://adelta.westernsydney.edu.au/files/original/d68f18ac896feeb4b015452dc8dc425b.png f8345183231f015b5da871eab0bec5ce https://adelta.westernsydney.edu.au/files/original/23e1e9affc6e3f0af586017b1c6980d0.png 4a3d289d59273dfe8cb13fda08929d84 https://adelta.westernsydney.edu.au/files/original/4e5de414393dc21ebe5a3f540adb9adf.png 90114bd708df13edaf1c9b9a1b32c9a1 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Installation Work URL The URL of the original work, included as an HTML link. <a href="http://www.rainerlinz.net/NMA/articles/perfecthouse/">http://www.rainerlinz.net/NMA/articles/perfecthouse/</a> Artist Statement A statement about the work, as provided by the artist(s). Banalities for the Perfect House is a collaborative installation & performance work premiered at Sydney's Performance Space theatre on Sept 9 2005. The work posits the house as a condition through which we perceive the world - the city an extension of grid-like structures viewed through the frame of an open window. The performance space is arranged with wooden frames, boards and barricades resembling, in abstract form, a housing construction site. Each surface is rendered with text creating an immersive environment that can literally be read, and heard as speech. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.rainerlinz.net/NMA/articles/perfecthouse/">Description from author's website</a> Genre Performance/ Installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Lewis_banalities Title A name given to the resource Banalities for the Perfect House Creator An entity primarily responsible for making the resource Lewis, Ruark Linz, Rainer Date A point or period of time associated with an event in the lifecycle of the resource 2005/2009 Language A language of the resource English Subject The topic of the resource Installation Description An account of the resource Artist Statement Banalities for the Perfect House is a collaborative installation & performance work premiered at Sydney's Performance Space theatre on Sept 9 2005. The work posits the house as a condition through which we perceive the world - the city an extension of grid-like structures viewed through the frame of an open window. The performance space is arranged with wooden frames, boards and barricades resembling, in abstract form, a housing construction site. Each surface is rendered with text creating an immersive environment that can literally be read, and heard as speech. <a href="http://www.rainerlinz.net/NMA/articles/perfecthouse/">Source of Artist Statement</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Installation Ruark Lewis https://adelta.westernsydney.edu.au/files/original/89da64052a82c65bf0d55dba24cab852.png 562342395b7c9318b5fc1e5ffeb85a61 https://adelta.westernsydney.edu.au/files/original/c6fe46c49f774af4e4b7134d7cfaba8b.png bc705793cb1f96158622aa6198de2c8d https://adelta.westernsydney.edu.au/files/original/9eb86b87b93426313cfa920667351d78.png 8a82d1838a9aec71213de519e3e1f52c ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime HTML Genre Web based digital poetry / Hypertext Work URL The URL of the original work, included as an HTML link. <a href="http://www.overthere.com.au/believe/aboutnovel.html">http://www.overthere.com.au/believe/aboutnovel.html</a> Artist Statement A statement about the work, as provided by the artist(s). Believe is both a website and a novel which is being written by my fictional character, Theodora Free. It will circulate around ideas about isolation and despair while also trying to find some form of peace/bliss. The novel is still evolving Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.overthere.com.au/believe/aboutnovel.html">Description in author's website</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Caney_Believe Title A name given to the resource Believe Creator An entity primarily responsible for making the resource Caney, Diane Language A language of the resource English Subject The topic of the resource Net poetry Description An account of the resource Artist Statement Believe is both a website and a novel which is being written by my fictional character, Theodora Free. It will circulate around ideas about isolation and despair while also trying to find some form of peace/bliss. The novel is still evolving. <a href="http://www.overthere.com.au/believe/aboutnovel.html">Source of Artist Statement</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Diane Caney Net poetry https://adelta.westernsydney.edu.au/files/original/a16721bc4f00f0032ee7ee17d425d627.png a1182637e5237bebeeb81f56715ece6c https://adelta.westernsydney.edu.au/files/original/356cf281ef6ce8e3f3826b42e4153518.png 369daa8736bb26bed8e16eca3253ad15 https://adelta.westernsydney.edu.au/files/original/d4f837eb09601f9ede35d24d16506fee.png 7b5ebc0dce93abafe30dc73f89f090f2 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime HTML Genre Web based digital poetry / Hypertext Work URL The URL of the original work, included as an HTML link. <a href="http://www.archiving.com.au/betweenshadesof/start.html">http://www.archiving.com.au/betweenshadesof/start.html</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Caney_between Title A name given to the resource Between Shades of Creator An entity primarily responsible for making the resource Caney, Diane Contributor An entity responsible for making contributions to the resource Petterd, Robin Language A language of the resource English Subject The topic of the resource Net poetry Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Diane Caney Net poetry https://adelta.westernsydney.edu.au/files/original/716a75ab6ff0bcd5de4accb93381b771.png 052d1350e04e54ec8ab967d798a67a8e https://adelta.westernsydney.edu.au/files/original/a4288b58ab360fa609d796ed37745911.png c566c67850579583d06d28c5a0245ab6 https://adelta.westernsydney.edu.au/files/original/e687603447aeb583df337a7dc9085175.png 5c3ae4c21878b750064c0ecb7709386b ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Media Hypertext Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime HTML Genre Hypertext Work URL The URL of the original work, included as an HTML link. <a href="http://ensemble.va.com.au/enslogic/text/car_wil_lct.htm">http://ensemble.va.com.au/enslogic/text/car_wil_lct.htm</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Carroli_Wilson_between Title A name given to the resource Between the Devil and the Deep Blue Sea-Collaborative Project Creator An entity primarily responsible for making the resource Carroli, Linda Wilson, Josephine Date A point or period of time associated with an event in the lifecycle of the resource 1998 Language A language of the resource English Rights Information about rights held in and over the resource Copyright Linda Carroli and Josephine Wilson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Collaborative logic Hypertext Collaborative logic Hypertext Josephine Wilson Linda Carroli https://adelta.westernsydney.edu.au/files/original/3cccadc38a752a2e5a81cae25e9bf6fb.png c290168cec0c9fb2bfc73559fee5741b https://adelta.westernsydney.edu.au/files/original/1a61bc02ed90af8f696014ad6341f8fd.png e9c8431006663bd17a001df34c5e7557 https://adelta.westernsydney.edu.au/files/original/b8aa544b8983bcdd3e0ada05e323e3f7.png 9889a5790319c4dd448dce4e0f6244c8 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.secrettechnology.com/between/between.html">http://www.secrettechnology.com/between/between.html</a> Artist Statement A statement about the work, as provided by the artist(s). Hidden secrets and interactive layers are packaged by our obsessions with objects and their terrible dark between. Between Treacherous Objects explores the space between various contemporary items/ideas. For example, between the Refrigerator and the Death Bed is a heavy lines and gradual space, where eating can fill your world, ending it as well. There are twelve levels, each playing with the depth of the screen, allowing the user to move in and out and around the floating space. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://heliozoa.com/?p=116#more-116">Description from author's website</a> Genre Web based digital poetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Nelson_treacherous Title A name given to the resource Between Treacherous Objects Creator An entity primarily responsible for making the resource Nelson, Jason Date A point or period of time associated with an event in the lifecycle of the resource 2007-8 Language A language of the resource English Rights Information about rights held in and over the resource Copyright Jason Nelson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Digital poetry Net art Description An account of the resource Artist Statement Hidden secrets and interactive layers are packaged by our obsessions with objects and their terrible dark between. Between Treacherous Objects explores the space between various contemporary items/ideas. For example, between the Refrigerator and the Death Bed is a heavy lines and gradual space, where eating can fill your world, ending it as well. There are twelve levels, each playing with the depth of the screen, allowing the user to move in and out and around the floating space. <a href="http://heliozoa.com/?p=116#more-116">Source of Artist Statement</a> Digital poetry Jason Nelson Net art https://adelta.westernsydney.edu.au/files/original/9a46619ed5ecd390d81711d3161c7246.png 98c0e3ac6793d920b3931b35f43efae8 https://adelta.westernsydney.edu.au/files/original/76f6339fa704687775beb0d8fc6aacb8.png 2704536351461a197565bc4c2d8ba9ba https://adelta.westernsydney.edu.au/files/original/5642008922de96d45e47dc1fa0fa667e.png ea78220d3544be22c06d49ef824602a8 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime YouTube Work URL The URL of the original work, included as an HTML link. <a href="http://lx.sysx.org/?page_id=11">http://lx.sysx.org/?page_id=11</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. Gillian Fuller Artist Statement A statement about the work, as provided by the artist(s). Players clean up the kitchen laboratory of a home biotech enthusiast using weapons such as dish cloths and egg flippers. The player is attacked by nasty mutant vegetables which are the product of genetic nouvelle cuisine, and learns throughout the game of a world wide corporate conspiracy to take over the entire food chain. Bio Tek Kitchen: a computer game patch on theme of public IP loss via biotech patenting. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://lx.sysx.org/?page_id=11">Statement from authors' website</a> Genre Game Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Starrs_Cmielewski_biotek Title A name given to the resource Bio Tek Kitchen Creator An entity primarily responsible for making the resource Starrs, Josephine Cmielewski, Leon Date A point or period of time associated with an event in the lifecycle of the resource 1999 Description An account of the resource Bio Tek Kitchen takes the form of a first person role playing game, deploying both the pixelated aesthetics and simple but multiple narrative outcomes of early video games. The work playfully engages with many of the tropes of bio-art at the time, which critically interrogated biotechnology and its impact on public IP and agricultural workers, highlighted by the contemporaneous work of artists such as CAE, (Critical Art Ensemble) and Eduardo Kac. In Bio Tek Kitchen a first person 'shooter' uses 'weapons' that are domestic rather military to 'clean up' rather than create mess. In so doing the work not only engages with the politics of biotechnology also deploys and flips multiple early gaming conventions. Gillian Fuller Artist Statement Players clean up the kitchen laboratory of a home biotech enthusiast using weapons such as dish cloths and egg flippers. The player is attacked by nasty mutant vegetables which are the product of genetic nouvelle cuisine, and learns throughout the game of a world wide corporate conspiracy to take over the entire food chain. Bio Tek Kitchen: a computer game patch on theme of public IP loss via biotech patenting. <a href="http://lx.sysx.org/?page_id=11">Source of Artist Statement</a> Language A language of the resource English Rights Information about rights held in and over the resource Copyright Josephine Starrs and Leon Cmielewski. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Game Josephine Starrs Leon Cmielewski https://adelta.westernsydney.edu.au/files/original/176fbb9fd0fc1c77e2079dae9e4ceb70.png 4586ae5fe2e1fdf0dec7556c3f5f5ce4 https://adelta.westernsydney.edu.au/files/original/6c726b3c2c571c90a33faefde3426645.png 11922fe9c7cd927becaa30bbf49a584f https://adelta.westernsydney.edu.au/files/original/8940ff3be911e602f6f9bae6cb062144.png f04d92a4684ab927e49381916cb2f0a2 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Media Web based digital poetry Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.secrettechnology.com/ausco/poecubic2.html">http://www.secrettechnology.com/ausco/poecubic2.html</a> Artist Statement A statement about the work, as provided by the artist(s). Multidimensional/interactive cube poem, based on the puzzle, but impossible to solve. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.secrettechnology.com/">Description from author's website</a> Genre Web based digital poetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Nelson_birds Title A name given to the resource Birds still warm from flying Creator An entity primarily responsible for making the resource Nelson, Jason Language A language of the resource English Rights Information about rights held in and over the resource Copyright Jason Nelson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Digital poetry Net art Description An account of the resource Artist Statement Multidimensional/interactive cube poem, based on the puzzle, but impossible to solve. <a href="http://www.secrettechnology.com/">Source of Artist Statement</a> Digital poetry Jason Nelson Net art https://adelta.westernsydney.edu.au/files/original/cef33a2eaf4ddd0280cc75832692d4f8.png 3f04ddcb72827e7efdbd535462b06282 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime HTML Work URL The URL of the original work, included as an HTML link. <a href="http://www.obn.org/reading_room/manifestos/html/bitch.html">http://www.obn.org/reading_room/manifestos/html/bitch.html</a> Genre Web based conceptual art Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context VNS_Matrix_mutant Title A name given to the resource Bitch Mutant Manifesto Creator An entity primarily responsible for making the resource VNS Matrix Date A point or period of time associated with an event in the lifecycle of the resource 1997 Contributor An entity responsible for making contributions to the resource Barratt, Virginia da Rimini, Francesca Pierce, Julianne Starrs, Josephine Language A language of the resource English Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. VNS Matrix https://adelta.westernsydney.edu.au/files/original/df56e7bb3da1df730b1bf7a169c43aef.png 39fede3a801513e512ad345bfed245f3 https://adelta.westernsydney.edu.au/files/original/a074dd9c1adb6f3f148669658ee1914e.png a0ca8b25c9bb89fb12f02eb3ebb26644 https://adelta.westernsydney.edu.au/files/original/7237a3453a1ee700cdd554264eddff8a.png fdb860240162e79cfb6d08aa48d7d952 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Work URL The URL of the original work, included as an HTML link. <a href="http://www.sounddesign.unimelb.edu.au/web/biogs/P000303b.htm">http://www.sounddesign.unimelb.edu.au/web/biogs/P000303b.htm</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://www.sounddesign.unimelb.edu.au/web/biogs/P000303b.htm">Excerpt from the Australian Sound Design Project</a> Genre Multimedia interactive installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Farman_Gibbs_braille Title A name given to the resource Braille Book Creator An entity primarily responsible for making the resource Farman, Nola Date A point or period of time associated with an event in the lifecycle of the resource 1994 Description An account of the resource A cast book with a Braille text has photosensitive cells which when touched produce sounds which can be heard from speakers located around the ceiling. The sounds allude to the meaning of the text that can only be fully understood by Braille readers. Materials: electronics and sound system, polyester resin, acrylic. <a href="http://www.sounddesign.unimelb.edu.au/web/biogs/P000303b.htm">Excerpt from the Australian Sound Design Project</a> Language A language of the resource English Rights Information about rights held in and over the resource Copyright Nola Farman . The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Interactive installation Interactive installation Nola Farman https://adelta.westernsydney.edu.au/files/original/d090847d88b831dd82ecf4755e85caea.png 4709153f7be5244317d0b9465ac57045 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.netpoetic.com/experiments/npoem4.html">http://www.netpoetic.com/experiments/npoem4.html</a> Artist Statement A statement about the work, as provided by the artist(s). A fancy way/method for branching, poetic lines out of lines, extending the poem down and out, read through node or nodeless. The poetic notion is more than simple. Write a poem, perhaps ten lines long. Then explore each of the lines, imagine poems which might build from them. Your poem might now have three branches extending from the trunk. Now choose lines from the branches and extend those, trees on trees. Geometry is both important and not important. Such meaningless statements are designed to coax vague thoughts an academic wonder. Are you now an academic wonder? You are. You are. Just because I am silly doesn't mean I'm not entirely serious. Whatever that means. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://heliozoa.com/?p=69#more-69">Description from author's website</a> Genre Web based digital poetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Nelson_Branch Title A name given to the resource Branch digital poem Creator An entity primarily responsible for making the resource Nelson, Jason Language A language of the resource English Rights Information about rights held in and over the resource Copyright Jason Nelson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Digital poetry Net art Description An account of the resource Artist Statement A fancy way/method for branching, poetic lines out of lines, extending the poem down and out, read through node or nodeless. The poetic notion is more than simple. Write a poem, perhaps ten lines long. Then explore each of the lines, imagine poems which might build from them. Your poem might now have three branches extending from the trunk. Now choose lines from the branches and extend those, trees on trees. Geometry is both important and not important. Such meaningless statements are designed to coax vague thoughts an academic wonder. Are you now an academic wonder? You are. You are. Just because I am silly doesn't mean I'm not entirely serious. Whatever that means. <a href="http://heliozoa.com/?p=69#more-69">Source of Artist Statement</a> Digital poetry Jason Nelson Net art https://adelta.westernsydney.edu.au/files/original/f34a4c23a6293a852a7b6576ec6b3648.png e4941634c9cb8223ebd90c20a3b1559e https://adelta.westernsydney.edu.au/files/original/380600a488af3a611facf4ff4d2eaba6.png 91959e1cf32b974addec8f079a11d4b7 https://adelta.westernsydney.edu.au/files/original/e5109e519be5dc0998bf5dd85bb2b53f.png 60d3b24734018174368472e19d9117b4 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime QuickTime/Shockwave/VRLM Player Work URL The URL of the original work, included as an HTML link. <a href="http://www.subtle.net/carrier/#">http://www.subtle.net/carrier/#</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. Artist's notes Artist Statement A statement about the work, as provided by the artist(s). carrier is a love story - an intimate romance between invasive virus and sentient host. carrier eroticises the intertwining of genetic codes, where cross-species merging on the cellular level is sexuality in its rawest form. carrier is artificial intelligence embedded in the world wide web - viral life swarming within the nervous system of our planet. carrier explores the textures of intersections rather than contrasts of oppositions, elevating invalid code in a symbiotic ecology in both the biological and virtual domains. carrier is a becoming symborg model as we emerge into a new millennium, as we seek a way to culturally reposition ourselves to the dissolving natural/artificial/species divide. carrier positions the contagious virus as a lively agent adapting in response to a changing environment, engaging with, and replicating within the receptive body. carrier draws blood from immunology and immunosemiotics, integrating the dynamic of interrelating pure codes, whether they be within the immune system or the computer operating system. carrier project originated from my research in gender, net art practice and chronic viral illness, with intent to reposition viral infection as positive biological merging with the flesh - a love story with an intelligent being, rather than the defensive medical response to invasion which sites the body as a detached battleground. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. Provided by Artist Genre Web based interactive multimedia Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Rackham_carrier Title A name given to the resource Carrier Creator An entity primarily responsible for making the resource Rackham, Melinda Date A point or period of time associated with an event in the lifecycle of the resource 1998 Description An account of the resource Carrier is an interactive immersive multimedia work that was conceived to be experienced in discrete darkened space and projected through a data projector with an external sound system. It could also be experienced through a computer monitor. The carrier site integrated musings on artificial intelligence, immunio-semiotics, swarm theory, genetic engineering and tantric practice with digital imagery, synthesised voice, vrml, shockwave, java script, java applets and data based interaction; with imagery sourced from medical research, insect communities, and binary coding, and included intimate real life experiences of living with chronic viral illness, which were contributed anonymously from the internet. Description from artist's notes. Artist Statement Carrier is a love story - an intimate romance between invasive virus and sentient host. Carrier eroticises the intertwining of genetic codes, where cross-species merging on the cellular level is sexuality in its rawest form. Carrier is artificial intelligence embedded in the world wide web - viral life swarming within the nervous system of our planet. carrier explores the textures of intersections rather than contrasts of oppositions, elevating invalid code in a symbiotic ecology in both the biological and virtual domains. Carrier is a becoming symborg model as we emerge into a new millennium, as we seek a way to culturally reposition ourselves to the dissolving natural/artificial/species divide. Carrier positions the contagious virus as a lively agent adapting in response to a changing environment, engaging with, and replicating within the receptive body. Carrier draws blood from immunology and immunosemiotics, integrating the dynamic of interrelating pure codes, whether they be within the immune system or the computer operating system. Carrier project originated from my research in gender, net art practice and chronic viral illness, with intent to reposition viral infection as positive biological merging with the flesh - a love story with an intelligent being, rather than the defensive medical response to invasion which sites the body as a detached battleground. Provided by Artist. Language A language of the resource English Rights Information about rights held in and over the resource Copyright Melinda Rackham. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Digital poetry Melinda Rackham https://adelta.westernsydney.edu.au/files/original/779512b7f8915826016a3fd38b809a2a.png 008e2ec08942eef8174e03304fdc4d4b https://adelta.westernsydney.edu.au/files/original/81ea9c33fe69948e9174cb2b0387289c.png c78999606c2aef5d13c69a1a1f2fbc8d https://adelta.westernsydney.edu.au/files/original/4ca3fe4b22f69180ed79e60b6b5b940b.png e0212febe0c746877750e40f03af1270 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Work URL The URL of the original work, included as an HTML link. <a href="http://www.sounddesign.unimelb.edu.au/web/biogs/P000306b.htm">http://www.sounddesign.unimelb.edu.au/web/biogs/P000306b.htm</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://www.sounddesign.unimelb.edu.au/web/biogs/P000306b.htm">Excerpt from the online database Australian Sound Design Project</a> Genre Interactive installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Farman_Gibbs_Carsick Title A name given to the resource Carsick Creator An entity primarily responsible for making the resource Farman, Nola Gibbs, Anna Date A point or period of time associated with an event in the lifecycle of the resource 1990 Contributor An entity responsible for making contributions to the resource Clinch, Brad Britto, Helen Description An account of the resource Several sections of old cars have been dragged into the gallery and electronically activated in some way - by sound and/or video. This piece was made in collaboration with Anna Gibbs, Brad Clinch and Helen Britton. An additional sound track of a rusty car disintegrated was conceived of and produced by Ros Bandt. The rear vision mirror has a miniature TV inside. The video is about memory and the processes of forgetting and remembering. Rear vision or an endlessly receding past. This piece is silent. The boot or trunk section is lit red to engage with the idea of the car as a body - a prosthetic. This section has a sound track and a TV in the floor of the boot - the road seems to continually pass beneath the car. Anna Gibbs wrote and produced the sound track in the dashboard. The sound of a car crash comes from the fender. Timed to occur unexpectedly but activated by people walking in front of it. <a href="http://www.sounddesign.unimelb.edu.au/web/biogs/P000306b.htm">Excerpt from Australian Sound Design Project</a> Language A language of the resource English Rights Information about rights held in and over the resource Copyright Nola Farman, Anna Gibbs, Helene Britto, Brad Clinch and Roz Bandt. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Interactive installation Anna Gibbs Interactive installation Nola Farman https://adelta.westernsydney.edu.au/files/original/afb38d6cf80141c4603137260fdf8668.png 26042a9e533a7c0d211c3385081e19bf https://adelta.westernsydney.edu.au/files/original/b9df103696bcae47b2a831e0fe9355a7.png bf545bc5614dc8fd9266ae27ddc15680 https://adelta.westernsydney.edu.au/files/original/7a30f56455cbeb8d2c2f850086980b6c.png e3f10ee8bf001a4bce457932a2ba9d66 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.wordcircuits.com/gallery/childhood/index.html">http://www.wordcircuits.com/gallery/childhood/index.html</a> Genre Visual biography Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://directory.eliterature.org/node/370">Tammy Suzor</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Childhood in Richmond Creator An entity primarily responsible for making the resource Zervos, Komninos Date A point or period of time associated with an event in the lifecycle of the resource 2001 Description An account of the resource In Childhood in Richmond, Komninos Zervos uses a collage of photos to tell a story about his life in 1950s Richmond, Victoria. The piece begins, 'I remember my childhood in the backstreets of Richmond/And the visions that leave a lasting impression/ Where I lived in a fish shop with my mother and father.' Black and white photographs appear on the screen as negatives. The opening page contains rollovers that trigger visual changes and audio clips. As the reader advances through the poem, the photos change colours and are more distinct. Black flies and fish float over the collage of photos. By clicking on a specific black fish or black fly, the poem will advance to another collage of photos. The names of fish appear superimposed over the photos, referencing a segment of the poem, 'And flake and couta and bream and schnapper/ To the window, to attract the eyes of the buyers.' These function as links to a line of the poem, which may link back to the same page. This interactive Flash piece provides a poetic experience, as Zervos narrates his poem with spoken words. The dynamic presentation is supported by instrumental drums and cymbals, accentuating the narrative. The poem ends with Komninos remembering his mother, 'And her legs would swell up from all of that walking/ And I often saw her in some corner crying/ In a fish shop, in Richmond, from where I came". <a href="http://directory.eliterature.org/node/370">Tammy Suzor</a> Publisher An entity responsible for making the resource available Word Circuits Language A language of the resource English Identifier An unambiguous reference to the resource within a given context Zervos_childhood Rights Information about rights held in and over the resource Copyright Komninos Zervos. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Cyberpoetry Hypertext Interactive poetry Speech work Cyberpoetry Hypertext Interactive poetry Komninos Zervos Speech work https://adelta.westernsydney.edu.au/files/original/77072f1afc7b735ceed43cd2ab6820e8.png 0ec931659971d07607cae1e742de4ea1 https://adelta.westernsydney.edu.au/files/original/3e94cc91bc02cd815f84831012fe5bcd.png 209d1220194fdd4e4d94e38809e4a4fe https://adelta.westernsydney.edu.au/files/original/2b22511c8366e61b65912ebcc11cdb71.png 42a5ca40bb8f924d8b9daa1d4cb0e277 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Genre Hypertext Work URL The URL of the original work, included as an HTML link. <a href="http://ensemble.va.com.au/cipher/index.html">http://ensemble.va.com.au/cipher/index.html</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://www.realtimearts.net/article/32/5049">Teri Hoskin, An other writing. RealTime issue #32 Aug-Sept 1999 pg. 12</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Carroli_Wilson_cipher Title A name given to the resource Cipher Creator An entity primarily responsible for making the resource Carroli, Linda Wilson, Josephine Date A point or period of time associated with an event in the lifecycle of the resource 1999 Description An account of the resource Cipher is a work in progress by 'collaborators' Josephine Wilson and Linda Carroli. Email conversations are the anchor for this engagement with a rhetoric that queries the value and the a/effects (now and/or eventual) of desire in the realm of electronic communication(s). There's a bit of detective work going on. Reading here is a process of constant folding, unfurling of the text. The writing manages to be both playful and deadly serious. Read the story of M (cipher/letterM.html) for a musing on the violent beginnings of alphabetic rule in the classroom. <a href="http://www.realtimearts.net/article/32/5049">Teri Hoskin, An other writing. RealTime </a> Language A language of the resource English Rights Information about rights held in and over the resource Copyright Linda Carroli and Josephine Wilson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Collaborative work Hypertext Collaborative work Hypertext Josephine Wilson Linda Carroli https://adelta.westernsydney.edu.au/files/original/2a899eeafe142a26aaf7defcccf57cc3.png 12d4809a60c5bba2ce416677835f3125 https://adelta.westernsydney.edu.au/files/original/fda4a219f18b3ca08c7b2c663276d3d1.png cb501b38cbaadae259e5e82e74ed8e40 https://adelta.westernsydney.edu.au/files/original/80f4ef838f004a69e2d4810a469900f7.png 95d75be963fad9b3468ab51bb0949eda ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime QuickTime Work URL The URL of the original work, included as an HTML link. <a href="http://scan.net.au/scan/gallery/works/smith_april10/smith.php">http://scan.net.au/scan/gallery/works/smith_april10/smith.php</a> Artist Statement A statement about the work, as provided by the artist(s). Clay conversations arose out of collaborative conversations I had with British ceramicist Joanna Still. After several meetings and exchanges, Joanna created some ceramics which evoked various forms of communication, for example a clay book, a calendar, and an abacus, but which also had an abstracted connection with the objects to which they refer. I wrote several short poems in response to Joanna's ceramics, conversations we had, and textual material she sent me (such as a newspaper cutting about Haitians eating clay plates because they could not afford food). My poetry also drew on experiences I had independently, which seemed to connect with the project, such as a visit I made to the Asian Art Museum in San Francisco. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://scan.net.au/scan/gallery/works/smith_april10/smith.php">Statement from author's website</a> Genre Video with audio performance Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Smith_Clay Title A name given to the resource Clay Conversations Creator An entity primarily responsible for making the resource Smith, Hazel Still, Joanna Dean, Roger Date A point or period of time associated with an event in the lifecycle of the resource 2010 Language A language of the resource English Description An account of the resource Artist Statement Clay conversations arose out of collaborative conversations I had with British ceramicist Joanna Still. After several meetings and exchanges, Joanna created some ceramics which evoked various forms of communication, for example a clay book, a calendar, and an abacus, but which also had an abstracted connection with the objects to which they refer. I wrote several short poems in response to Joanna's ceramics, conversations we had, and textual material she sent me (such as a newspaper cutting about Haitians eating clay plates because they could not afford food). My poetry also drew on experiences I had independently, which seemed to connect with the project, such as a visit I made to the Asian Art Museum in San Francisco. <a href="http://scan.net.au/scan/gallery/works/smith_april10/smith.php">Source of Artist Statement</a> Rights Information about rights held in and over the resource Copyright Hazel Smith, Joanna Still and Roger Dean. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Hazel Smith Joanna Still Roger Dean Video https://adelta.westernsydney.edu.au/files/original/8fcc1650f238f20b1fc10eb9e03e3b1b.png d2e4c2f95e0507fc68ed31c2f0e6f300 https://adelta.westernsydney.edu.au/files/original/1e1041673e8a437ae4fa7c131acd804a.png 7ea344a6bc6886aeeb786957ab1a6e9b https://adelta.westernsydney.edu.au/files/original/46af938a36cce6d5dd67f4639cd05128.png c7d16017ac4371c0047e566bd54ba6b5 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Work URL The URL of the original work, included as an HTML link. <a href="http://vimeo.com/25392777">http://vimeo.com/25392777</a> Artist Statement A statement about the work, as provided by the artist(s). Colony is part artificial lifeform, part icon of a digital media landscape. The weathered totems use light and sound to communicate with one another in response to human presence. Affect the colour and sound patterns of the artwork by walking through the environment or playing the totems with your iPhone. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://vimeo.com/25392777">Description from Vimeo</a> Genre Interactive installation / iPhone App / Urban art environment Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime iPhone App / Vimeo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Innocent_Colony Title A name given to the resource Colony Creator An entity primarily responsible for making the resource Innocent, Troy Date A point or period of time associated with an event in the lifecycle of the resource 2008 Language A language of the resource English Subject The topic of the resource Interactive installation iPhone App Multimedia installation Urban art environment Description An account of the resource Artist Statement Colony is part artificial lifeform, part icon of a digital media landscape. The weathered totems use light and sound to communicate with one another in response to human presence. Affect the colour and sound patterns of the artwork by walking through the environment or playing the totems with your iPhone. <a href="http://vimeo.com/25392777">Description from Vimeo</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Interactive installation iPhone App Multimedia installation Troy Innocent Urban art environment