3 25 263 https://adelta.westernsydney.edu.au/files/original/7a4352600757aa6ee8d38f7857585aa5.png b599afdf6cda17be5203d9c8e9b54344 https://adelta.westernsydney.edu.au/files/original/16ffcfaaccc8c6d5f2f98c5a393453b8.png 4443434ab7e21ef9f8f145f8892ad564 https://adelta.westernsydney.edu.au/files/original/134a3cd8ca2e348f7751399265c0d144.png 5cc0fba2dfb0c3bde034e6fa83be57ef ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Work URL The URL of the original work, included as an HTML link. <a href="http://projects.visualstudies.duke.edu/billseaman/workSpcComSpace.php">http://projects.visualstudies.duke.edu/billseaman/workSpcComSpace.php </a> Artist Statement A statement about the work, as provided by the artist(s). The work expands Seaman's set of exhibitions related to the Thoughtbody Environment and Neosentience [ongoing collaboration with Otto Rossler] and extends Yeong-woong Cheong's work in terms of computer graphics/video generative systems. A large-scale generative visual poem is presented on a number of large format screens in the lobby and outside of the SK building, Seoul. The poem addresses the notion of "communication" from many perspectives. Seaman shot video in Seoul and across the Korean countryside. A combinatoric poem Seaman explores many notions of the space of communication and the poetic communication of space. [Source: excerpt of author's description http://billseaman.com/] Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://billseaman.com/">Description from author's website</a> Genre Generative video installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Seaman_Communication Title A name given to the resource Communication<->Space Creator An entity primarily responsible for making the resource Seaman, Bill Cheong, Yeong-woong Date A point or period of time associated with an event in the lifecycle of the resource 2007 Language A language of the resource English Description An account of the resource Artist Statement The work expands Seaman's set of exhibitions related to the Thoughtbody Environment and Neosentience [ongoing collaboration with Otto Rossler] and extends Yeong-woong Cheong's work in terms of computer graphics/video generative systems. A large-scale generative visual poem is presented on a number of large format screens in the lobby and outside of the SK building, Seoul. The poem addresses the notion of "communication" from many perspectives. Seaman shot video in Seoul and across the Korean countryside. A combinatoric poem Seaman explores many notions of the space of communication and the poetic communication of space. <a href="http://billseaman.com/">Source of Artist Statement</a> Rights Information about rights held in and over the resource Copyright William Seaman. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Bill Seaman Generative graphics Soundtrack Text Video https://adelta.westernsydney.edu.au/files/original/5cb131342e2ad19bc2cdc611e6be624d.png b397804e61332bc887753184844ee711 https://adelta.westernsydney.edu.au/files/original/3e7514149de0b0198fd554603f444756.png fa35d1b408d841b87089d02298e078b0 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Video installation Work URL The URL of the original work, included as an HTML link. <a href="http://www.jeffrey-shaw.net/html_main/show_work.php?record_id=97#">http://www.jeffrey-shaw.net/html_main/show_work.php?record_id=97#</a> Artist Statement A statement about the work, as provided by the artist(s). ConFIGURING the CAVE is a computer based interactive video installation that assumes a set of technical and pictorial procedures to identify various paradigmatic conjunctions of body and space. The work utilises the CAVE technology stereographic virtual reality environment with contiguous projections on three walls and the floor. The user interface is a near life-size wooden puppet that is formed like the prosaic artists' mannequin; this figure can be handled by the viewers to control real time transformations of the computer generated imagery and the sound composition. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.jeffrey-shaw.net/html_main/show_work.php?record_id=97#">Excerpt from author's website</a> Genre Interactive computergraphic installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Shaw_configuring Title A name given to the resource ConFIGURING the CAVE Creator An entity primarily responsible for making the resource Shaw, Jeffrey Hegedues, Agnes Lintermann, Bernd Date A point or period of time associated with an event in the lifecycle of the resource 1996 Contributor An entity responsible for making contributions to the resource Lintermann, Bernd [Software] Stuck, Leslie [Music] Language A language of the resource English Description An account of the resource Artist Statement ConFIGURING the CAVE is a computer based interactive video installation that assumes a set of technical and pictorial procedures to identify various paradigmatic conjunctions of body and space. The work utilises the CAVE technology stereographic virtual reality environment with contiguous projections on three walls and the floor. The user interface is a near life-size wooden puppet that is formed like the prosaic artists' mannequin; this figure can be handled by the viewers to control real time transformations of the computer generated imagery and the sound composition. <a href="http://www.jeffrey-shaw.net/html_main/show_work.php?record_id=97#">Source of Artist Statement</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Interactive environment Jeffrey Shaw MediaArt ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime YouTube Work URL The URL of the original work, included as an HTML link. <a href="https://www.youtube.com/watch?v=LqKRLiVJsEQ">https://www.youtube.com/watch?v=LqKRLiVJsEQ</a> Genre Web based video animation/Critical work Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Murphie_contagious Title A name given to the resource Contagious Comportment Creator An entity primarily responsible for making the resource Murphie, Andrew Date A point or period of time associated with an event in the lifecycle of the resource 2009 Contributor An entity responsible for making contributions to the resource Wall-Smith, Mat Munster, Anna Fuller,Gillian Bertelsen, Lone Language A language of the resource English Subject The topic of the resource Animation Critical work Generative thought machine Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Andrew Murphie Animation Critical work Generative thought machine https://adelta.westernsydney.edu.au/files/original/8680e8f5508426aa201caf29dc43d1ff.png d85c433dd88a0f0e5881c8418a1183b8 https://adelta.westernsydney.edu.au/files/original/6001b52145b180c855876a1fde527c3c.png ba8a47a61675f10b6edb7def188660b0 https://adelta.westernsydney.edu.au/files/original/046d21b396aaf9e100fdd2b7e44382d1.png 12434fb8f0f6950ae3fb05f336712d3f ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.heliozoa.com/conversation/conversation.html">http://www.heliozoa.com/conversation/conversation.html</a> Artist Statement A statement about the work, as provided by the artist(s). Inspired by the artic sound experiments of Glen Gould. Isolating small talk at crowded parties, this engine allows the user/reader to create their own vocal mess. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.secrettechnology.com/">Description from author's website</a> Genre Web based digital poetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Nelson_Conversations Title A name given to the resource Conversation Creator An entity primarily responsible for making the resource Nelson, Jason Language A language of the resource English Rights Information about rights held in and over the resource Copyright Jason Nelson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Description An account of the resource Artist Statement Inspired by the artic sound experiments of Glen Gould. Isolating small talk at crowded parties, this engine allows the user/reader to create their own vocal mess. <a href="http://www.secrettechnology.com/">Source of Artist Statement</a> Digital poetry Jason Nelson Net art https://adelta.westernsydney.edu.au/files/original/7412dc3b52f8c5adf2c5fcacc9971c48.png e6f6bfde39b51f22ff34ee39fd6a7223 https://adelta.westernsydney.edu.au/files/original/054e6741c056bdf4f95d0abccef97cd4.png cc916fca51a59ed96f29c58cccf20929 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Video installation Work URL The URL of the original work, included as an HTML link. <a href="http://www.lalouver.com/roguewaveprojects/html/grant-stevens.html">http://www.lalouver.com/roguewaveprojects/html/grant-stevens.html</a> Genre Video installation Image 1 Description / Attribution Information provided from the work's creator(s); either describing the image which represents the work, or attribution of the image which represents the work within ADELTA. Grant Stevens, Crushing, 2009, digital video with sound, 4 min 11 sec, video still, courtesy the artist and Sullivan + Strumpf, Sydney Image 2 Description / Attribution Information provided from the work's creator(s); either describing the image which represents the work, or attribution of the image which represents the work within ADELTA. Grant Stevens, Crushing, 2009, digital video with sound, 4 min 11 sec, video still, courtesy the artist and Sullivan + Strumpf, Sydney Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Stevens_Crushing Title A name given to the resource Crushing Creator An entity primarily responsible for making the resource Stevens, Grant Date A point or period of time associated with an event in the lifecycle of the resource 2009 Language A language of the resource English Subject The topic of the resource Digital video Description An account of the resource Video installation Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Digital video Grant Stevens Video installation https://adelta.westernsydney.edu.au/files/original/8c120a029a55ebc692968818b7657156.png 61ff34af5ad410f2a14b557f79d2f003 https://adelta.westernsydney.edu.au/files/original/52d7af0bcecd42fc02f4948a0fd9569a.png fd59e90ecfe0c7a0a9a63199534ab9bd https://adelta.westernsydney.edu.au/files/original/2ccf43f4fc1fe4f487cc0f2453256abf.png b45ad7ba6a028242c220f1d0be20837b ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://komninos.com.au/underground/entry.html">http://komninos.com.au/underground/entry.html</a> Related Website 1 The URL of a related web page such as a YouTube clip or Vimeo, included as an HTML link. <a href="http://iloveepoetry.com/?p=400">http://iloveepoetry.com/?p=400</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://iloveepoetry.com/?p=400">Heather McHugh's description from I love E-Poetry </a> Genre Web based digital poetry Publication Type The publication type is the means and channels by which a work is made public. Online//CD ROM/DVD Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Zervos_cyberpoetry Title A name given to the resource Cyberpoetry Underground Creator An entity primarily responsible for making the resource Zervos, Komninos Date A point or period of time associated with an event in the lifecycle of the resource 2003 Description An account of the resource A perceptual joy-ride, full of visual attractions and sonic energies, cyberpoetry underground is notable for its sheer momentum and solid graphic punsmanship. Animated text, three-dimensional letter-forms and 360-degree views turn electronic space into an extra-literary passage, certain areas of which the viewer can negotiate. At the end of some tunnels are the objects of cybertext poems, graffitissimi ultimately serving to remind us that getting there can be more than half the fun. For romping humor, cinematic verve and swerve, cyberpoetry underground earned its place among the top three. <a href="http://iloveepoetry.com/?p=400">Heather McHugh's description from I love E-Poetry</a> Publisher An entity responsible for making the resource available State of the Arts anthology CD Electronic Literature Organisation/The Other Voices Poetry Project Language A language of the resource English Rights Information about rights held in and over the resource Copyright Komninos Zervos. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Cyberpoetry Interactive sound poetry Multimedia Cyberpoetry Interactive sound poetry Komninos Zervos Multimedia https://adelta.westernsydney.edu.au/files/original/81011b9e5fe273df948129116a61eb95.png efd3bf96b2f75f7bd306cce5da8b3eeb https://adelta.westernsydney.edu.au/files/original/c1805b0849b6b0688e6218f475dafdf2.png 8becdfe40791a89fb8e9115736043ce7 https://adelta.westernsydney.edu.au/files/original/6ec0aaa116426d3c995891a5bb1745f3.png 05a07325926677d33b3ececec1f73d63 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime QuickTime Genre Web based multimedia poetry Work URL The URL of the original work, included as an HTML link. <a href="http://ensemble.va.com.au/dailybred/">http://ensemble.va.com.au/dailybred/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Hoskin_bread Title A name given to the resource Daily Bread Creator An entity primarily responsible for making the resource Hoskin, Teri Walton, Anne Language A language of the resource English Subject The topic of the resource Electronic writing Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Anne Walton Electronic writing Teri Hoskin https://adelta.westernsydney.edu.au/files/original/261a4ea9276f0ac9ad9001445f964b41.png 851887239bf8399cf9ffdd630eb7bb9b https://adelta.westernsydney.edu.au/files/original/1b503a0c5b302f8d86b779fd69fe4bbb.png 9a5aee6e1af0f72a1243a3528efb70c2 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Twitter/Coding algorithim Work URL The URL of the original work, included as an HTML link. <a href="http://chrisrodley.com/2013/10/10/datafiction-v0-1/">http://chrisrodley.com/2013/10/10/datafiction-v0-1/</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://visual.artshub.com.au/news-article/news/visual-arts/top-5-artworks-from-electro-nerds-196910">Anne Phillips, blog Visual Arts Hub</a> Artist Statement A statement about the work, as provided by the artist(s). We live in an age of big data, when much of what we say and do is captured and stored in vast, searchable databases. What is the future of the novel that most personal and intimate of artforms as private lives are increasingly turned into public data? DataFiction v0.1 is part of a major new collaboration between myself and artist Andrew Burrell that aims to create a real-time, data-driven novel. These excerpts of generative, network-sourced prose were presented as early work-in-progress, with the aim of inciting audience interest and critical feedback. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://chrisrodley.com/2013/10/10/datafiction-v0-1/">Description from author's website</a> Genre Networked new media installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Rodley_Burrell_datafiction Title A name given to the resource Data Fiction v0.1 Creator An entity primarily responsible for making the resource Rodley, Chris Burrell, Andrew Date A point or period of time associated with an event in the lifecycle of the resource 2013-ongoing Description An account of the resource It's often said that dialogue in fiction is determined by the conventions of the novel, rather than by the way that people actually speak. However, artist Andrew Burrell and writer Chris Rodley aim to change all that by creating the world's first data-driven novel. With the tremendous growth of social media, the internet has become an ever-expanding repository of stories created by individuals sharing their personal milestones and tragedies online. Ninety percent of the world's data has been created in the last two years and dataFiction v0.1 aims to mine this vast resource in order to discover how people tell their stories in real life. Chris Rodley tells me that if you search a fairly standard phrase, such as 'You have beautiful eyes,' you hit on some rather surprising, yet common combinations. For example, 'You have beautiful eyes and a moustache,' which is not something that you would expect to read in a novel. The challenge for dataFiction v0.1 is to curate these snippets of stories into a novel-length narrative. I can't wait to see what they come up with. In the meantime, it was compelling enough to watch those partial narratives flash across the screen. <a href="http://visual.artshub.com.au/news-article/news/visual-arts/top-5-artworks-from-electro-nerds-196910">Anne Phillips, blog Visual Arts Hub</a> Artist Statement We live in an age of big data, when much of what we say and do is captured and stored in vast, searchable databases. What is the future of the novel that most personal and intimate of artforms as private lives are increasingly turned into public data? DataFiction v0.1 is part of a major new collaboration between myself and artist Andrew Burrell that aims to create a real-time, data-driven novel. These excerpts of generative, network-sourced prose were presented as early work-in-progress, with the aim of inciting audience interest and critical feedback. <a href="http://chrisrodley.com/2013/10/10/datafiction-v0-1/">Source of Artist Statement</a> Language A language of the resource English Rights Information about rights held in and over the resource Copyright Chris Rodley and Andrew Burrell. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Algorithmic realtime data reinterpretation Andrew Burrell Chris Rodley Data-driven novel Generative text Installation New media https://adelta.westernsydney.edu.au/files/original/ad6ddaf4da36b8067082d59f5026f5af.png a7711bc5da92b62ec662f50e15733b93 https://adelta.westernsydney.edu.au/files/original/1169a30d8f343263cfcb15b60986ac54.png ee2c0fec22bbecf0a64f9c4669f9a458 https://adelta.westernsydney.edu.au/files/original/92adfb651aec1325da906954fb4e573b.png c57566c8e0b8cd06b40e2098bf92bde6 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime gif animation Work URL The URL of the original work, included as an HTML link. <a href="http://komninos.com.au/cyberpoetry/cyberpoetry1995-1997/animgif.html">http://komninos.com.au/cyberpoetry/cyberpoetry1995-1997/animgif.html</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://iloveepoetry.com/?p=404">Excerpt of Leonardo Flores' description, I love E-Poetry</a> Genre Web based digital poetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Zervos_dimocopo Title A name given to the resource Dimocopo - digital moving concrete poetry Creator An entity primarily responsible for making the resource Zervos, Komninos Date A point or period of time associated with an event in the lifecycle of the resource 1995-1997 Description An account of the resource This suite of 28 early animated poems from 1995-1997 were created as animated GIFs but are really powered by a vibrant enthusiasm over the ability of computers to write kinetic language. In this suite, we see words morph into other words and into objects, words whose movements evoke their meanings, words used to build landscapes full of objects (a decade before WordWorld), and phrases reconfiguring and reshaping themselves into new ones - as is the case with 'she left' (above). This poem is very economical with its language resources, yet so effective in describing the psychological process of a breakup in a relationship. <a href="iloveepoetry.com/?p=404">Excerpt of Leonardo Flores' description, I love E-Poetry</a> Language A language of the resource English Rights Information about rights held in and over the resource Copyright Komninos Zervos. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Animated gif Cyberpoetry Digital moving concrete poetry HTML Kinetic Animated gif Cyberpoetry Digital moving concrete poetry HTML Kinetic Komninos Zervos https://adelta.westernsydney.edu.au/files/original/844a7b6e573533e83b0a8cfcdd8faa96.png 4e5d8362777aa5fd3ceaba861b2ab758 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://www.medienkunstnetz.de/works/dirty-work-for-slimey-girls/">Description from Media Art Net </a> Genre Web based conceptual art Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context VNS_Matrix_dirtyGirls Title A name given to the resource Dirty Work for Slimey Girls Creator An entity primarily responsible for making the resource VNS Matrix Date A point or period of time associated with an event in the lifecycle of the resource 1994 Contributor An entity responsible for making contributions to the resource Barratt, Virginia da Rimini, Francesca Pierce, Julianne Starrs, Josephine Description An account of the resource The project which they pursued was one of debunking the masculinist myths which might alienate women from technological devices and their cultural products. They believe that women who hijack the tools of domination and control introduce a rupture into a highly systematised culture by infecting the machines with radical thought, diverting them from their inherent purpose of linear topdown mastery. <a href="http://www.medienkunstnetz.de/works/dirty-work-for-slimey-girls/">Description from Media Art Net</a> Language A language of the resource English Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. VNS Matrix https://adelta.westernsydney.edu.au/files/original/ba7aa359f886c19cfc72534f50de04e3.png ddb938b96e6b3d30f2f0dcbcaa815f5a https://adelta.westernsydney.edu.au/files/original/5e3a251d8786267fe5cd25f959496eda.png 7a16b227ab28800495ea165189828a8d ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime HTML / QuickTime Work URL The URL of the original work, included as an HTML link. <a href="http://dollyoko.thing.net/title.htm">http://dollyoko.thing.net/title.htm</a> Genre Hypertext multimedia Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Rimini_Dollspace Title A name given to the resource Dollspace Creator An entity primarily responsible for making the resource da Rimini, Francesca Date A point or period of time associated with an event in the lifecycle of the resource 2001 Contributor An entity responsible for making contributions to the resource Dominguez, Ricardo Grimm, Michael Language A language of the resource English Subject The topic of the resource Hypertext multimedia Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Francesca da Rimini https://adelta.westernsydney.edu.au/files/original/d7db40dafc86cd90dab8d646b7fafa9a.png 752c94a2a1e35d54b51aa9a4caad9d16 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Twitter/Coding algorithim Work URL The URL of the original work, included as an HTML link. <a href="http://chrisrodley.com/2013/04/13/375/">http://chrisrodley.com/2013/04/13/375/</a> Artist Statement A statement about the work, as provided by the artist(s). Don't Leave Me, Baby is a digital poem created out of live social media data. Messages of emotional anguish and insecurity are sourced in real time from Twitter and matched with expressions of consolation and reassurance. Tears are wiped away as soon as they are shed; hearts are mended as soon as they are broken. In the data stream, our emotional evolution takes a great leap forward; the human psyche becomes a flawlessly resilient, self-correcting system. The work is part of a wider exploration of the emergent personality of the Internet and the possibilities of data-driven text by hybrid media artist Andrew Burrell and writer Chris Rodley. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://chrisrodley.com/2013/04/13/375/">Description from author's website</a> Genre Digital poem Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Rodley_Burrell_dontLeave Title A name given to the resource Don't Leave Me Baby Creator An entity primarily responsible for making the resource Rodley, Chris Burrell, Andrew Date A point or period of time associated with an event in the lifecycle of the resource 2013 Language A language of the resource English Description An account of the resource Artist Statement Don't Leave Me, Baby is a digital poem created out of live social media data. Messages of emotional anguish and insecurity are sourced in real time from Twitter and matched with expressions of consolation and reassurance. Tears are wiped away as soon as they are shed; hearts are mended as soon as they are broken. In the data stream, our emotional evolution takes a great leap forward; the human psyche becomes a flawlessly resilient, self-correcting system. The work is part of a wider exploration of the emergent personality of the Internet and the possibilities of data-driven text by hybrid media artist Andrew Burrell and writer Chris Rodley. <a href="http://chrisrodley.com/2013/04/13/375/">Source of Artist Statement</a> Rights Information about rights held in and over the resource Copyright Chris Rodley and Andrew Burrell. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Algorithmic realtime data reinterpretation Andrew Burrell Chris Rodley Digital poem New media https://adelta.westernsydney.edu.au/files/original/3eb60d9d8b14dfb334bfa410e3ae2995.png 020d95aee3a55b12e33f350dc0ab94e5 https://adelta.westernsydney.edu.au/files/original/8c8f5f8d0ad40e8b6f8fc7ef0fec8a77.png 09919f2fbbee59c8a0bb67469ec9dac8 https://adelta.westernsydney.edu.au/files/original/092adae4b896cdb22613751346df7100.png 9bf8555478c00b6b9c63f63c2aec3560 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.heliozoa.com/dreamaphage/opening.html">http://www.heliozoa.com/dreamaphage/opening.html</a> Artist Statement A statement about the work, as provided by the artist(s). Inspired by lost diaries and those strange diseases that arise in one percent of one percent of the one percent of us. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.secrettechnology.com/">Description from author's website</a> Genre Web based digital poetry/ CD ROM Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Nelson_dreamaphageV1 Title A name given to the resource Dreamaphage: Version 1 Creator An entity primarily responsible for making the resource Nelson, Jason Date A point or period of time associated with an event in the lifecycle of the resource 2006 Language A language of the resource English Rights Information about rights held in and over the resource Copyright Jason Nelson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Description An account of the resource Artist Statement Inspired by lost diaries and those strange diseases that arise in one percent of one percent of the one percent of us. <a href="http://www.secrettechnology.com/">Source of Artist Statement</a> Digital poetry Jason Nelson Net art https://adelta.westernsydney.edu.au/files/original/ee537d0b938cc04d72902fc12466331e.png 78b0d00ac65fbd6018a1e24cd80c7fba https://adelta.westernsydney.edu.au/files/original/823fddc0248632a9687d9c8f1503d556.png 2c6e8c173e064f72050f1fd67faa7684 https://adelta.westernsydney.edu.au/files/original/d3e4aee435bb235a62079c01ea133888.png e40a4a0a8f0e37fe0590d77b02133862 https://adelta.westernsydney.edu.au/files/original/6f18e9d0702d00b19c1de3d843d43b68.png 53ecacfb36afe3c7d22ae2978a3155e7 https://adelta.westernsydney.edu.au/files/original/bd40dc1d4c65a9fc5b833237c2f8e474.png 7c855cdf2a8f8d81b379353bf0be12d0 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.secrettechnology.com/dreamaphage/opening.html">http://www.secrettechnology.com/dreamaphage/opening.html</a> Artist Statement A statement about the work, as provided by the artist(s). Redesigned the interface, playing off 3D feel on version one, placing it within the two dimensions. Added a few extra bits, and readjusted the medical reports. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.secrettechnology.com/">Description from author's website</a> Genre Web based digital poetry/ CD ROM Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Nelson_dreamaphageV2 Title A name given to the resource Dreamaphage: Version 2 Creator An entity primarily responsible for making the resource Nelson, Jason Date A point or period of time associated with an event in the lifecycle of the resource 2006 Language A language of the resource English Rights Information about rights held in and over the resource Copyright Jason Nelson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Description An account of the resource Artist Statement Redesigned the interface, playing off 3D feel on version one, placing it within the two dimensions. Added a few extra bits, and readjusted the medical reports. <a href="http://www.secrettechnology.com/">Source of Artist Statement</a> Digital poetry Jason Nelson Net art https://adelta.westernsydney.edu.au/files/original/c647c49354415eda16ea2a8b24ff75ac.png 1ae7d30aac3f63c63808dce49243921a https://adelta.westernsydney.edu.au/files/original/7be639c18de01cd821791050446a298a.png 85e698a6ba103475c8fdb3b5808dc55d https://adelta.westernsydney.edu.au/files/original/2ae182b346c582ff7a1dfe989d89858b.png 79dd399d846dac4712020dcd846ef12e ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Work URL The URL of the original work, included as an HTML link. <a href="http://www.subtle.net/empyrean/">http://www.subtle.net/empyrean/</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. Gillian Fuller Artist Statement A statement about the work, as provided by the artist(s). Empyrean is a soft space constructed on the internet in Virtual Reality Modeling Language, a parallel universe to the hard spaces we inhabit each day. It contains seven intertwined e-scapes, - order, truth, beauty, strangeness, charm, chaos, and void. These zones are realms of the spirit, arenas beyond space and time which are simultaneously contained within the screen, just as the medieval empyrean of Christianity was the containing sphere or outer limit of the universe, the arena where god and the angels where thought to live. The work is an investigation of the colonization of the virtual - confronting the re-creation of urban spaces and the pioneering metaphor that has infested the web as users try to remake online virtual space as a poor imitation of the real. It is a space with no attachments to offline reality, a place of emptiness - of hungry voids, of gaps and environment, which has no horizon line to anchor oneself against, and no attachment to offline hard space. Empyrean deliberately does not provide pathways to follow so that the viewer must transverse the otherworldly yet oddly familiar domains thru their senses, by feeling one's way thru this immersive environment with its in-tensions and strange attractions. <a href="http://www.subtle.net/archive/nabi.html">Excerpt from artist's website</a> Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.subtle.net/archive/nabi.html">Excerpt from author's website</a> Genre 3D Virtual environment Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Rackham_empyrean Title A name given to the resource Empyrean Creator An entity primarily responsible for making the resource Rackham, Melinda Date A point or period of time associated with an event in the lifecycle of the resource 2000-2003 Description An account of the resource Empyrean is a VRML online installation that generates a virtual geography that self-consciously works within and disrupts protocols of code. Described by the artist as soft skinned e-scape, the user navigates seven connected zones sensually, through floating images, movement and sound to traverse the work/worlds. Sound and image and user exploration are closely integrated and responsive, creating an early example of affectually immersive online poetics. Sound design: Mitchell Whitelaw. Gillian Fuller. Artist Statement Empyrean is a soft space constructed on the internet in Virtual Reality Modeling Language, a parallel universe to the hard spaces we inhabit each day. It contains seven intertwined e-scapes, - order, truth, beauty, strangeness, charm, chaos, and void. These zones are realms of the spirit, arenas beyond space and time which are simultaneously contained within the screen, just as the medieval empyrean of Christianity was the containing sphere or outer limit of the universe, the arena where god and the angels where thought to live. The work is an investigation of the colonization of the virtual - confronting the re-creation of urban spaces and the pioneering metaphor that has infested the web as users try to remake online virtual space as a poor imitation of the real. It is a space with no attachments to offline reality, a place of emptiness - of hungry voids, of gaps and environment, which has no horizon line to anchor oneself against, and no attachment to offline hard space. Empyrean deliberately does not provide pathways to follow so that the viewer must transverse the otherworldly yet oddly familiar domains thru their senses, by feeling one's way thru this immersive environment with its in-tensions and strange attractions. <a href="http://www.subtle.net/archive/nabi.html">Source of Artist Statement</a> Language A language of the resource English Contributor An entity responsible for making contributions to the resource Whitelaw, Mitchell Rights Information about rights held in and over the resource Copyright Melinda Rackham. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Digital poetry Melinda Rackham https://adelta.westernsydney.edu.au/files/original/0a72d08cd4a65fa1eb4e341b92edf1f8.png 562c6db958ca285bc875961c22d76d23 https://adelta.westernsydney.edu.au/files/original/2712f41cb0e59dd0d7258f5d5864607b.png 92146dab808ffdd875e4b3003b492b49 https://adelta.westernsydney.edu.au/files/original/f5f733f54c839af5ab324f0484f5319a.png 1aa6893d45ecfc3e16738802fbbfe963 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Media Web based digital poetry Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.secrettechnology.com/doomcount/endhere.html">http://www.secrettechnology.com/doomcount/endhere.html</a> Artist Statement A statement about the work, as provided by the artist(s). Series of short ficto-doomsday stones using with real-time countdowns to the end of times. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.secrettechnology.com/">Description from author's website</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Nelson_endings Title A name given to the resource Endings eventually end Creator An entity primarily responsible for making the resource Nelson, Jason Date A point or period of time associated with an event in the lifecycle of the resource 2009 Language A language of the resource English Rights Information about rights held in and over the resource Copyright Jason Nelson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Digital poetry Net art Description An account of the resource Artist Statement Series of short ficto-doomsday stones using with real-time countdowns to the end of times. <a href="http://www.secrettechnology.com/">Source of Artist Statement</a> Digital poetry Jason Nelson Net art https://adelta.westernsydney.edu.au/files/original/e178ff980c4e3733a4a560465600f8c8.png e3fbc93f62fa1a9abb376d816065ef3f ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Genre Video Work URL The URL of the original work, included as an HTML link. <a href="http://chriscaines.com/?page_id=66">http://chriscaines.com/?page_id=66</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. Gillian Fuller Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Caines_enemy Title A name given to the resource Enemy of Fun Creator An entity primarily responsible for making the resource Caines, Chris Date A point or period of time associated with an event in the lifecycle of the resource 1998 Description An account of the resource A six minute multimedia video piece of the mid 90s works that aesthetically cites affinities between 'left bank' cinema movement artists while deploying the disruptive potentials of multi-media on cinematic storytelling conventions. Enemy of Fun is broken into six short 'chapters' in which a central character 'e' narrates moments and events of her life. The character attains narrative stability through her voice-over and her singular perspective, while the images on screen create montages of various urban and natural states, images of oceans, flowers shot and manipulated through after-effects to mimic the vision of a bee, streets and buildings that bend into each-other that recall the ficto-affective bio-documentary style of Marker's Sunless and create a non- realist cinema language through evocative and affectual forms. Gillian Fuller Language A language of the resource English Rights Information about rights held in and over the resource Copyright Chris Caines. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Electronic writing Video Chris Caines Electronic writing Video https://adelta.westernsydney.edu.au/files/original/58c4342a1e117b1ee6ac6602c0f4106f.png 9cd8427c7bdab0aa4f3c389c0c5936c3 https://adelta.westernsydney.edu.au/files/original/da22dc81a8fbe5f88300d069532a4b85.png 3b9f13147fee153c192dd8e5df266f84 https://adelta.westernsydney.edu.au/files/original/fbb7b2b44ed55c078f100d0bc05455ec.png 8a98034eb168fe42c6ffa36a78cc8d3f ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://projects.visualstudies.duke.edu/billseaman/seamanhowe/eoe/eoe.htm">Description in artist's website</a> Work URL The URL of the original work, included as an HTML link. <a href="http://projects.visualstudies.duke.edu/billseaman/seamanhowe/eoe/eoe.htm">http://projects.visualstudies.duke.edu/billseaman/seamanhowe/eoe/eoe.htm</a> Genre Generative sound/video/audio/text installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Seaman_engine Title A name given to the resource Engine of Engines Creator An entity primarily responsible for making the resource Seaman, Bill Howe, Daniel Language A language of the resource English Description An account of the resource The Engine of Engines is a generative sound and video installation that responds in real-time to network traffic in the local environment. In the Hong Kong debut (see video), sixteen self-contained nodes, each comprised of a screen, processing-unit, audio output, and flash memory, are suspended in space by connective wire. Together these nodes react dynamically to the nearly one thousand computers in the School of Creative Media's labs, offices and classrooms. <a href="http://projects.visualstudies.duke.edu/billseaman/seamanhowe/eoe/eoe.htm">Source of Description</a> Date A point or period of time associated with an event in the lifecycle of the resource 2011 - present Rights Information about rights held in and over the resource Copyright William Seaman and Daniel Howe. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Bill Seaman Daniel Howe https://adelta.westernsydney.edu.au/files/original/a5a9cb559e01ccc8e416d9e98cdb8681.png 76f784eb7cb748c4620d87f03e14866c https://adelta.westernsydney.edu.au/files/original/0c6ae92e859bb3f701eb8b784168e9d9.png 76fca2f34b4134091df528ff55c5385b ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Twitter/Coding algorithim Work URL The URL of the original work, included as an HTML link. <a href="http://chrisrodley.com/2013/05/29/getting-to-know-the-digital-hive-mind/">http://chrisrodley.com/2013/05/29/getting-to-know-the-digital-hive-mind/</a> Related Website 1 The URL of a related web page such as a YouTube clip or Vimeo, included as an HTML link. <a href="http://miscellanea.com/artworks/enquire-within-upon-everybody/">http://miscellanea.com/artworks/enquire-within-upon-everybody/</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://isea2013-in-realtime.net/2013/06/26/the-big-connect/">Description from the blog ISEA2013, RealTime </a> Artist Statement A statement about the work, as provided by the artist(s). It's a real-time question and answer session which gives audiences the chance to query the Internet collective consciousness on any subject and receive real-time, generative responses. To make it work from a technical point of view, we've needed to define a series of complex (and sometimes simple) algorithms that query online data streams in order to return relevant answers without any intervention from us. Currently we're focused on testing the app that drives the artwork by priming it with questions (if you tweet a question now with the hashtag #enquire Sydney or #enquire Darwin it will be added to the list). We've been finding that the answers given by the digital hive mind offer some glimpses into its emergent personality. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://chrisrodley.com/2013/05/29/getting-to-know-the-digital-hive-mind/">Description from author's website</a> Genre Networked new media installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Rodley_Burrell_enquire Title A name given to the resource Enquire Within Upon Everybody Creator An entity primarily responsible for making the resource Rodley, Chris Burrell, Andrew Date A point or period of time associated with an event in the lifecycle of the resource 2013 Description An account of the resource Enquire Within Upon Everybody, developed by technologist Andrew Burrell and writer Chris Rodley, is one of the most engaging of the works in The Portals (or perhaps that's because I've been lured too far into the Twittersphere over recent years). Utilising Twitter and a series of algorithms, questions tweeted to a particular hashtag (#enquiresydney) evoke responses from the social media 'hive mind.' While it might take a day for you to personally receive a response to your own tweet, the answer I got back was pretty much on the money. What astounds me is that, as the work is being demo-ed, one of the mothers from the school band event comes over to request that Enquire Within Upon Everybody is no longer displayed on the oversized urban screen. Apparently, some of the text isn't appropriate for a school-age audience. Although, from what I've seen, the most contentious of tweets have been questions about marriage and gender, addressed to Jesus, or about dreams of Julian Assange. <a href="https://isea2013-in-realtime.net/2013/06/26/the-big-connect/">Description from the blog ISEA2013, RealTime </a> Artist Statement It's a real-time question and answer session which gives audiences the chance to query the Internet collective consciousness on any subject and receive real-time, generative responses. To make it work from a technical point of view, we've needed to define a series of complex (and sometimes simple) algorithms that query online data streams in order to return relevant answers without any intervention from us. Currently we're focused on testing the app that drives the artwork by priming it with questions (if you tweet a question now with the hashtag #enquire Sydney or #enquire Darwin it will be added to the list). We've been finding that the answers given by the digital hive mind offer some glimpses into its emergent personality. <a href="http://chrisrodley.com/2013/05/29/getting-to-know-the-digital-hive-mind/">Source of Artist Statement</a> Language A language of the resource English Rights Information about rights held in and over the resource Copyright Chris Rodley and Andrew Burrell. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Algorithmic realtime data reinterpretation Andrew Burrell Chris Rodley Generative text Installation New media https://adelta.westernsydney.edu.au/files/original/c69851da00e6fc9f5ac5965ee7f04689.png 5dc61dd1b7f3089a0e4b139109cdba77 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Media Hypertext/Critical work Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime HTML Genre Hypertext/Critical work Work URL The URL of the original work, included as an HTML link. <a href="http://ensemble.va.com.au/enslogic/index.html">http://ensemble.va.com.au/enslogic/index.html</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://ensemble.va.com.au/enslogic/index.html">Teri Hoskin's description from Ensemble Logic + Choragraphy website</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Kerr_Therapeutics Title A name given to the resource Ensemble Logic + Choragraphy: Therapeutics, some notes for a project Creator An entity primarily responsible for making the resource Kerr, Heather Date A point or period of time associated with an event in the lifecycle of the resource 1998 Description An account of the resource [Ensemble Logic + Choragraphy] is a 'project' with many components. A series of eight lectures were posted to the site at two weekly intervals, beginning June until September 1998. The invited theorists, artists, writers where each asked to speak from their own practices to the consideration of an electronic poetics. The papers where made specifically for this project with this medium (a networked screen environment) in mind. Five artists new to this medium were invited to make work as a critical response to the papers. An email list serv acted as the 'backbone' to the project, as an experiment, to see if we could create an email rhetorics/poetics between us. Some of the enslogers also met via IRC and at LinguaMOO. <a href="http://ensemble.va.com.au/enslogic/index.html">Teri Hoskin, Ensemble Logic + Choragraphy </a> Language A language of the resource English Subject The topic of the resource Critical work Hypertext Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Critical work Heather Kerr Hypertext https://adelta.westernsydney.edu.au/files/original/f86bf67d5fa83d3d6e291b3d30ba3fb3.png 4c7c019e8ef57724d5f545b401aaf1da https://adelta.westernsydney.edu.au/files/original/77963e61325bda9f0684a4beacc8b8fb.png fd53eb50e54910aa8067db418b64fd41 https://adelta.westernsydney.edu.au/files/original/fce07c1cffa4104b8feb29d411085fa1.png aa602f5abedc63183d825ec272d86e41 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.secrettechnology.com/entanglegrids.html">http://www.secrettechnology.com/entanglegrids.html</a> Artist Statement A statement about the work, as provided by the artist(s). Keyboard driven video/sound poem generator. Create your own pop spell combinations. Includes 80s commercials, bombs, star trek. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.secrettechnology.com/">Description from author's website</a> Genre Web based digital poetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Nelson_explodeThis Title A name given to the resource Entangled Grids: Explode, this Explode Creator An entity primarily responsible for making the resource Nelson, Jason Date A point or period of time associated with an event in the lifecycle of the resource 2006 Language A language of the resource English Rights Information about rights held in and over the resource Copyright Jason Nelson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Keyboard controlled grids Pop culture playthings Video collages Description An account of the resource Artist Statement Keyboard driven video/sound poem generator. Create your own pop spell combinations. Includes 80s commercials, bombs, star trek. <a href="http://www.secrettechnology.com/">Source of Artist Statement</a> Jason Nelson Keyboard controlled grids Pop culture playthings Video collages https://adelta.westernsydney.edu.au/files/original/1a5e9d8d7a4f0d2fffec298d84ef4534.png 2758af5fb0c0b6ad85f92825601138dc https://adelta.westernsydney.edu.au/files/original/99affa43a7f7fe9d03a05629c88fa0d3.png 24300d245367bf6b4956b1e52db979d7 https://adelta.westernsydney.edu.au/files/original/67b639af723744cf9c52ed879f824336.png 4b8981b4f15248b7dfb4e27fe067b9e4 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.secrettechnology.com/entanglegrids.html">http://www.secrettechnology.com/entanglegrids.html</a> Artist Statement A statement about the work, as provided by the artist(s). Keyboard driven video/sound poem generator. Create your own pop spell combinations. Includes 80s commercials, bombs, star trek. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.secrettechnology.com/">Description from author's website</a> Genre Web based digital poetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Nelson_hemeticon Title A name given to the resource Entangled Grids: Hermeticon Creator An entity primarily responsible for making the resource Nelson, Jason Date A point or period of time associated with an event in the lifecycle of the resource 2005 Language A language of the resource English Rights Information about rights held in and over the resource Copyright Jason Nelson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Keyboard controlled grids Pop culture playthings Video collages Description An account of the resource Artist Statement Keyboard driven video/sound poem generator. Create your own pop spell combinations. Includes 80s commercials, bombs, star trek. <a href="http://www.secrettechnology.com/">Source of Artist Statement</a> Jason Nelson Keyboard controlled grids Pop culture playthings Video collages https://adelta.westernsydney.edu.au/files/original/48b913be11ba1005b05f84f8f1babed9.png 60288bbba15992997a7e37a4911080cf https://adelta.westernsydney.edu.au/files/original/ea7d61139bbb0f2acdf6ba0d0d7b158f.png ac0a31243ed9dcc8ca550aee1c55bd37 https://adelta.westernsydney.edu.au/files/original/53c258157d34d0149df77912334527ee.png 4f8ac1df50067a2f20818e34d7461339 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.secrettechnology.com/entanglegrids.html">http://www.secrettechnology.com/entanglegrids.html</a> Artist Statement A statement about the work, as provided by the artist(s). Keyboard driven video/sound poem generator. Create your own pop spell combinations. Includes 80s commercials, bombs, star trek. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.secrettechnology.com/">Description from author's website</a> Genre Web based digital poetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Nelson_entangled Title A name given to the resource Entangled Grids: Trekabulary Creator An entity primarily responsible for making the resource Nelson, Jason Contributor An entity responsible for making contributions to the resource Arcilla, Mariam Language A language of the resource English Rights Information about rights held in and over the resource Copyright Jason Nelson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Keyboard controlled grids Pop culture playthings Video collages Description An account of the resource Artist Statement Keyboard driven video/sound poem generator. Create your own pop spell combinations. Includes 80s commercials, bombs, star trek. <a href="http://www.secrettechnology.com/">Source of Artist Statement</a> Jason Nelson Keyboard controlled grids Pop culture playthings Video collages https://adelta.westernsydney.edu.au/files/original/72dadb5b2b26e5e3b8ea8e30f224904b.png 9835c7046a30db95f2a9425d9858011d https://adelta.westernsydney.edu.au/files/original/5399325917684a7a155af6b2e0f2f490.png 0099e33df7d58b2ede16fad08bd19603 https://adelta.westernsydney.edu.au/files/original/6427f787c73db904f24ccb718c1e4c1c.png 9ef5fc55db899898380600a377b93b42 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Video Work URL The URL of the original work, included as an HTML link. <a href="http://projects.visualstudies.duke.edu/billseaman/workSpcEpiphany01.php">http://projects.visualstudies.duke.edu/billseaman/workSpcEpiphany01.php</a> Genre Installation/Video/Text Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Seaman_Epiphany Title A name given to the resource Epiphany Creator An entity primarily responsible for making the resource Seaman, Bill Date A point or period of time associated with an event in the lifecycle of the resource 2004 Language A language of the resource English Rights Information about rights held in and over the resource Copyright William Seaman. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Bill Seaman Installation Text Video https://adelta.westernsydney.edu.au/files/original/364e8bc31e2cb91d3831744b73db8e0c.png 13333704f1286a3fb6f8f8dce23c702b https://adelta.westernsydney.edu.au/files/original/8d0abaa9472ed23db21455575ca1cb97.png 4005ef64f420203473ed1faa8000d439 https://adelta.westernsydney.edu.au/files/original/9f8630cffb9c89bf74139899b9715503.png 50af9e62adb888d48abba964ef488d58 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Genre Multimedia performance Work URL The URL of the original work, included as an HTML link. <a href="http://sister0.org/?error-in-time/">http://sister0.org/?error-in-time/</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://www.realtimearts.net/article/100/10110">Extract from the article Mind, play, empathy & machines, Real-time magazine </a> Artist Statement A statement about the work, as provided by the artist(s). _Error_in_Time_ give us a compelling insight into geek space from the perspective of a female hacker. [It] uses sound, literature, performance and live code manipulations to explore the intimate workings of computer/human interfaces, surveillance and social media. _ Error_in_Time_ is a performance in which the character enters into her daily computer routine. The coded content of her screen is projected upstage. Networked presences, dancing, file searching and parsing are the main scenes of action. She weaves her story via performative algorithms and types in a surreal first person narrative touching on subjects from dark matter to rogue bots. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://sister0.org/?error-in-time/">Description from author's website</a> Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Live code Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MauroFlaude_error Title A name given to the resource Error_In_Time() Creator An entity primarily responsible for making the resource Mauro-Flude, Nancy Date A point or period of time associated with an event in the lifecycle of the resource 2012 Description An account of the resource Sitting with her back to the audience, Nancy Mauro-Flude uncovers visually opening up the insides of the operating system behind our daily computer interactions. Through enquiring conversations, the amplified sound of Mauro-Flude's fingertips dancing across the keyboard beautifully conveyed the poetics and isokinetics of machine and human intelligence. <a href="http://www.realtimearts.net/article/100/10110">Extract from the article Mind, play, empathy & machines, Real-time magazine </a> Artist Statement _Error_in_Time_ give us a compelling insight into geek space from the perspective of a female hacker. [It] uses sound, literature, performance and live code manipulations to explore the intimate workings of computer/human interfaces, surveillance and social media. _ Error_in_Time_ is a performance in which the character enters into her daily computer routine. The coded content of her screen is projected upstage. Networked presences, dancing, file searching and parsing are the main scenes of action. She weaves her story via performative algorithms and types in a surreal first person narrative touching on subjects from dark matter to rogue bots. <a href="http://sister0.org/?error-in-time/">Source of Artist Statement</a> Language A language of the resource English Subject The topic of the resource Dance theatre Live code Multimedia performance Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Dance theatre Live code Multimedia performance Nancy Mauro-Flude