7 25 263 https://adelta.westernsydney.edu.au/files/original/01389324f66a3cf3330d4dc686421226.png 5cc2660573cf20d8a26b285d2e33ce27 https://adelta.westernsydney.edu.au/files/original/5944e689c14d679cd0520eaae6cca57c.png 70727151521165a30459fba5d3f4f1fc https://adelta.westernsydney.edu.au/files/original/237ef349bf531dcc5f0884e16b9d6c8b.png 77235034509a15499be176c2cff20112 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://turbulence.org/studios/rumor/museum/">http://turbulence.org/studios/rumor/museum/</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://www.umbc.edu/cadvc/blur/outofsync.html">Excerpt from the Center for Art and Visual Culture </a> Genre Web/Site specific installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Miranda_Neumark_museumRumour Title A name given to the resource Museum of Rumour Creator An entity primarily responsible for making the resource Out-of-sync Miranda, Maria Neumark, Norie Date A point or period of time associated with an event in the lifecycle of the resource 2003 Description An account of the resource The Museum of Rumour, 2003, is both an internet work and a site specific installation originally installed at Callan Park, which had once been an insane asylum and is now Sydney College of the Arts. The website uses Gertrude Stein as a node for a network of associations in six frames, each with diverse 'rumours,' including Tourneur's Cat People film and Our Lady of Coogee, an apparition of the Virgin Mary on a beach in Sydney, Australia, where you can hear people saying 'I saw her on Thursday' or 'its unexplainable.' The site engages nineteenth century writer Alfred Jarry's notion of pataphysics: "The science of imaginary solutions, which symbolically attributes the properties of objects, described by their virtuality, to their lineaments.' The Museum of Rumour plumbs the terrain of analogy to reveal our mind's desire to intuitively connect images, experiences, sounds, and information across known and unknown to create maps of understanding across difference and invisibility. <a href="http://www.umbc.edu/cadvc/blur/outofsync.html">Excerpt from the Center for Art and Visual Culture </a> Language A language of the resource English Rights Information about rights held in and over the resource Copyright Norie Neumark and Maria Miranda. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Installation Out-of-sync https://adelta.westernsydney.edu.au/files/original/77c1a8c97d5b0d75e0117ae6decb3dc6.png d7aa302d2fc3420c47432b210d7a376d https://adelta.westernsydney.edu.au/files/original/f458c77d536bbb6513d41f4c0f734d59.png edb30081164ae8a04122aefe67939169 https://adelta.westernsydney.edu.au/files/original/9af6f55ad4f45f5e0fd410965702782c.png fc1ba6b22817bb2bfb9af3044cbbc61d ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Second Life/Video installation/Blog Work URL The URL of the original work, included as an HTML link. <a href="http://www.out-of-sync.com/weatherwebsite2012/project.html">http://www.out-of-sync.com/weatherwebsite2012/project.html</a> Artist Statement A statement about the work, as provided by the artist(s). Talking About the Weather is an ongoing cross media project sparked by our response to the terrifying spectre of global climate change. Sheer terror at the possibilities that are being talked about led us to talking about the weather. In this project weather talk is no longer a banal exchange of local weather conditions, but instead we ask people to donate their breath - the breath which they would normally use to talk about the weather and the same breath that is spread far and wide as described by Tim Flannery. Working with breath emphasises the dynamic nature of the atmosphere and our part in its creation and destruction. As Tim Flannery says, every breath you take makes you part of a dynamic system called the atmosphere, or the aerial ocean. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.out-of-sync.com/weatherwebsite2012/project.html">Artists' website</a> Genre Virtual environment/Multimedia installation/Performance Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Miranda_Neumark_weather Title A name given to the resource Talking about the Weather Creator An entity primarily responsible for making the resource Out-of-sync Neumark, Norie Miranda, Maria Date A point or period of time associated with an event in the lifecycle of the resource 2006 Language A language of the resource English Contributor An entity responsible for making contributions to the resource Flanagan, Borges Rights Information about rights held in and over the resource Copyright Norie Neumark and Maria Miranda. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Description An account of the resource Artist Statement Talking About the Weather is an ongoing cross media project sparked by our response to the terrifying spectre of global climate change. Sheer terror at the possibilities that are being talked about led us to talking about the weather. In this project weather talk is no longer a banal exchange of local weather conditions, but instead we ask people to donate their breath - the breath which they would normally use to talk about the weather and the same breath that is spread far and wide as described by Tim Flannery. Working with breath emphasises the dynamic nature of the atmosphere and our part in its creation and destruction. As Tim Flannery says, every breath you take makes you part of a dynamic system called the atmosphere, or the aerial ocean. <a href="http://www.out-of-sync.com/weatherwebsite2012/project.html">Source of Artist Statement</a> Installation Out-of-sync https://adelta.westernsydney.edu.au/files/original/5847aae723b75da411cea8c27b01c53a.png 45b75c792eeeec33188ca7d921cd6f08 https://adelta.westernsydney.edu.au/files/original/ce0b9ea2afdde9ca8b1ce1b7750872f8.png f38f52bcaf90ceae2c0411ac14f11df7 https://adelta.westernsydney.edu.au/files/original/ab4fcd2a6a5d0d7d68fc2a48d7e01b6b.png 8e0011974d881924172d2b9a456b0e49 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Media Video/Sound installation Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Video installation Work URL The URL of the original work, included as an HTML link. <a href="http://vimeo.com/48430885">http://vimeo.com/48430885</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. Gillian Fuller Artist Statement A statement about the work, as provided by the artist(s). In 2006 we took a roadtrip to Woomera in South Australia, wanting to see the fabled rocket-testing, weapons testing site we were surprised at what we found. Woomera the traditional country of the Kokatha people is now owned by the Defence Department. It's essentially a company town, rather than a country town. Woomera is a place that occupies a singular and contradictory position in the Australian cultural landscape. It is a place of actual and imaginary space junk, an ageing Rocket Park and a town with a shrinking population. It was once the centre of Australia's defence program - testing rockets and sending Australia's first satellite into orbit. 4000-7000 people lived there. Today there is about 200 people living in a purpose-built town surrounded by the Woomera Prohibited Area. In many ways it exemplifies modernity's contradictions and paradoxes. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://vimeo.com/48430885">Artists' description on Vimeo. </a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Miranda_Neumark_spaceJunk Title A name given to the resource Space Junk Creator An entity primarily responsible for making the resource Out-of-sync Miranda, Maria Neumark, Norie Date A point or period of time associated with an event in the lifecycle of the resource 2006 Description An account of the resource Space junk is a video and sound installation that continues out-of-sync situationist inspired practice of making work that starts with performative encounters in public places. The work dwells textually, aurally and visually on the paradoxes and odd juxtapositions of modernity. In particular, the conceptual and aesthetic residues of the jet age and space race in the ancient landscape of colonised and colonising Australia. Well-worn Australian cinematic type images of desolate roads against furnace red skies with road trains thundering down them juxtapose silent shots of scrubby desert wildflowers as a voice narrates the story of the artists' road trip and their spare poetic observations. Scenes of various tourist sites in Woomera: a park containing old rockets sculpturally displayed; public buildings; close-ups of bowling pins being knocked down in the town's bowling alley display the aesthetic residues of the Space age: the surprising junk left over and what becomes of it. The soundscape features rhythmic ambiguous metallic sounds, sounding sometimes like the clatter of a typewriter, at other times the scraping sound of metal against a metal interspersed with the crunch of footsteps walking over salty earth, at other times quiet with spare voice over. Gillian Fuller Artist Statement In 2006 we took a roadtrip to Woomera in South Australia, wanting to see the fabled rocket-testing, weapons testing site we were surprised at what we found. Woomera the traditional country of the Kokatha people is now owned by the Defence Department. It's essentially a company town, rather than a country town. Woomera is a place that occupies a singular and contradictory position in the Australian cultural landscape. It is a place of actual and imaginary space junk, an ageing Rocket Park and a town with a shrinking population. It was once the centre of Australia's defence program - testing rockets and sending Australia's first satellite into orbit. 4000-7000 people lived there. Today there is about 200 people living in a purpose-built town surrounded by the Woomera Prohibited Area. In many ways it exemplifies modernity's contradictions and paradoxes. <a href="http://vimeo.com/48430885">Artists' description on Vimeo.</a> Language A language of the resource English Rights Information about rights held in and over the resource Copyright Norie Neumark and Maria Miranda. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Installation Out-of-sync https://adelta.westernsydney.edu.au/files/original/e0bf280c868e756e4f771dc3098f6411.png 0045d2331ef749273c5a0c282dab2197 https://adelta.westernsydney.edu.au/files/original/21b89a48d2095f0b921142784e836c86.png ff860fe77cbb07f7008a2c115ebfebc4 https://adelta.westernsydney.edu.au/files/original/7f352fa5583102892e435fa997f8bb25.png 16470d82d7f999a708ef02c8c3bc7a3c ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Video/Performance Work URL The URL of the original work, included as an HTML link. <a href="http://www.remixthebook.com/the-art-of-walking">http://www.remixthebook.com/the-art-of-walking</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. Gillian Fuller Artist Statement A statement about the work, as provided by the artist(s). The Art of Walking where we remix Agnes Varda's Vagabond, our own online project Museum of Rumour and Mark Amerika's Sentences on Remixology 1.0 with a dash of Hamish Fulton the walking artist. The work came about through serendipity. Mark's deadline for his Remix project was looming and we had just read his Sentences on Remixology 1.0 a wonderful piece of writing that detourned Sol Lewitt's own Sentences on Conceptual Art. Mark had completely rethought what it is to be a media/ postproduction artist today. His thinking ranged widely across the arts and philosophy and there was a lot to think about. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.remixthebook.com/the-art-of-walking">Artists' statement from remixthebook.com</a> Genre Video/Web/Performative Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Miranda_Neumark_artofWalking Title A name given to the resource The Art of Walking Creator An entity primarily responsible for making the resource Out-of-sync Neumark, Norie Miranda, Maria Date A point or period of time associated with an event in the lifecycle of the resource 2011 Description An account of the resource The Art of Walking is a small, deft and moving contemplation on walking as both art and remix. The Art of Walking was created specifically for the website of Mark Amerika's 'Remix the Book' Project, which itself was a remix of Amerika's 'theoretical performances' that foregrounded samples of ideas and concepts he had gleaned and used from other writers, philosophers artists, poets, musician etc. As part of this whole 'remix' project, Out-of-Sync were invited artists to create work musing on remixing. Gillian Fuller Artist Statement The Art of Walking where we remix Agnes Varda's Vagabond, our own online project Museum of Rumour and Mark Amerika's Sentences on Remixology 1.0 with a dash of Hamish Fulton the walking artist. The work came about through serendipity. Mark's deadline for his Remix project was looming and we had just read his Sentences on Remixology 1.0 a wonderful piece of writing that detourned Sol Lewitt's own Sentences on Conceptual Art. Mark had completely rethought what it is to be a media/ postproduction artist today. His thinking ranged widely across the arts and philosophy and there was a lot to think about. <a href="http://www.remixthebook.com/the-art-of-walking">Artists' statement from remixthebook.com</a> Language A language of the resource English Rights Information about rights held in and over the resource Copyright Norie Neumark and Maria Miranda. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Out-of-sync https://adelta.westernsydney.edu.au/files/original/90bba343f58425858b7326442681da77.png 35dea1901230fb305e534639fe3fb73e https://adelta.westernsydney.edu.au/files/original/860cfa7296001d8d60df71ff85eb556b.png 42f0d0929b7a16ba2f1d569e89d6b351 https://adelta.westernsydney.edu.au/files/original/153c63975aac9a587d0e55a9341d04b9.png f8dc6efdff0299513a7f6beda8a936a1 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Media Video installation Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime installation Work URL The URL of the original work, included as an HTML link. <a href="http://www.out-of-sync.com/InsearchSea/Insearch1.html">http://www.out-of-sync.com/InsearchSea/Insearch1.html</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. Gillian Fuller Artist Statement A statement about the work, as provided by the artist(s). In 1829-30 the explorer Charles Sturt and his party hauled a whaling boat over the mountains to sail downstream along the Murrumbidgee River to the Murray in search of an imaginary inland sea. Beginning in Sydney, the artists made a (miniature - paper) whaling boat to take along Sturt's trail, the boat acting as a transportation/transformation device for their journey into memory and imagination. Making paper boats with found material along the way, and then with videos and soundtracks, they updated Sturt's journey as a performative media event for the 21st century. Three soundtracks, three scenes and a pile of paper boats.<a href="http://www.out-of-sync.com/InsearchSea/Insearch1.html"> </a> Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.out-of-sync.com/InsearchSea/Insearch1.html">Description from artists' website</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Miranda_Neumark_inlandsea Title A name given to the resource In Search of the Inland Sea Creator An entity primarily responsible for making the resource Out-of-sync Date A point or period of time associated with an event in the lifecycle of the resource 2009 Contributor An entity responsible for making contributions to the resource Neumark, Norie Miranda, Maria Description An account of the resource In Search of the Inland Sea is a three part video/sound work, installation and performance event that remixes a journey of early Australian explorer, Charles Sturt, in which he hauled a whaleboat overland in search of an inland sea. As the artists record their journey into inland Australia, they carry paper boats with them. These boats intervene or feature in each of the narratives that are laid over physical places visited on the journey. In voiceover actors narrate scenes taken from genre movies. Gillian Fuller Artist Statement In 1829-30 the explorer Charles Sturt and his party hauled a whaling boat over the mountains to sail downstream along the Murrumbidgee River to the Murray in search of an imaginary inland sea. Beginning in Sydney, the artists made a (miniature - paper) whaling boat to take along Sturt's trail, the boat acting as a transportation/transformation device for their journey into memory and imagination. Making paper boats with found material along the way, and then with videos and soundtracks, they updated Sturt's journey as a performative media event for the 21st century. Three soundtracks, three scenes and a pile of paper boats. <a href="http://www.out-of-sync.com/InsearchSea/Insearch1.html">Source of Artist Statement</a> Language A language of the resource English Rights Information about rights held in and over the resource Copyright Norie Neumark and Maria Miranda. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Installation Out-of-sync https://adelta.westernsydney.edu.au/files/original/073d089bdf53958b62cded5235bd2980.png ce2b201047c03438b1044ce4f0fc0e34 https://adelta.westernsydney.edu.au/files/original/3d2d08591d11e812cb96744ba39d76b6.png 7220aba5d7def7bec2958acab3ecf727 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://scan.net.au/scan/gallery/works/miranda/4thFloor/index.html">http://scan.net.au/scan/gallery/works/miranda/4thFloor/index.html</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://rhizome.org/artbase/artwork/47607/">Excerpt from Rhizome.org, a website on Contemporary Art and Technology</a> Genre Interactive research log/Hypermedia/Vlog Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Miranda_Neumark_fourthFloor Title A name given to the resource Searching for rue Simon-Crubellier: The Fourth Floor: le quatrieme etage Creator An entity primarily responsible for making the resource Out-of-sync Neumark, Norie Miranda, Maria Date A point or period of time associated with an event in the lifecycle of the resource 2008 Description An account of the resource The Fourth Floor: le quatrieme etage is a bi-lingual Internet work and is the first part of a larger project entitled The Search for rue Simon-Crubellier. The work explores real and imagined relations to place and poses the question: is it possible to bring something that does not exist into existence by searching for it? In this fictive work a resident of the City. <a href="http://rhizome.org/artbase/artwork/47607/">Excerpt from Rhizome.org, a website on Contemporary Art and Technology</a> Language A language of the resource English Rights Information about rights held in and over the resource Copyright Norie Neumark and Maria Miranda. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Out-of-sync Vlog https://adelta.westernsydney.edu.au/files/original/a55d39e9f8986c0b47a27acc64e3607a.png a0835deb82d32b87ccf868c8ffdaa574 https://adelta.westernsydney.edu.au/files/original/e7616d2536a870c9c090bdba9b0218ec.png 6b03c9dd12b7c6702d906ec94c04b11e ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Installation Work URL The URL of the original work, included as an HTML link. <a href="http://www.out-of-sync.com/searching/">http://www.out-of-sync.com/searching/</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. Gillian Fuller Artist Statement A statement about the work, as provided by the artist(s). Searching for rue Simon-Crubellier is a video/sound installation, which is part of a cross media project that also includes the Internet site The 4th Floor. The project was begun in Paris in 2004 while doing a residency at the Cite Internationale des Arts. The work takes as a point of departure the experience of being Australians in Paris and reading George Perec's book Life a User's Manual. In this book Perec creates a puzzle of a novel set in a building located in the 17th arrondissement of Paris at number 11 rue Simon-Crubellier. Excerpt from artists' website Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. Frackham Genre Multimedia installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Miranda_Neumark_simonCrubellier Title A name given to the resource Searching for rue Simon-Crubellier Creator An entity primarily responsible for making the resource Out-of-sync Miranda, Maria Neumark, Norie Date A point or period of time associated with an event in the lifecycle of the resource 2009 Description An account of the resource A site specific performative multi-media experiment/exploration of myth and map making, of bodies, space and the many modalities of old and new media. The work documents the artists' search/research for fictional site in Paris inspired by the work of Perec. The artists imposed on themselves a set of rules. The primary rule was that when they asked for directions to rue Simon-Crubellier, they were obliged to follow those directions. According to the artists: "Searching for rue Simon-Crubellier is a process-based, interdisciplinary and conceptual work. It is an actual search for an imaginary place -- exploring actual and imagined relations to place. In searching for rue Simon-Crubellier, the work poses the question: is it possible to bring something that does not exist into existence by searching for it?". Gillian Fuller Artist Statement Searching for rue Simon-Crubellier is a video/sound installation, which is part of a cross media project that also includes the Internet site The 4th Floor. The project was begun in Paris in 2004 while doing a residency at the Cite Internationale des Arts. The work takes as a point of departure the experience of being Australians in Paris and reading George Perec's book Life a User's Manual. In this book Perec creates a puzzle of a novel set in a building located in the 17th arrondissement of Paris at number 11 rue Simon-Crubellier. Excerpt from artists' website Language A language of the resource English/French Rights Information about rights held in and over the resource Copyright Norie Neumark and Maria Miranda. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Installation Out-of-sync https://adelta.westernsydney.edu.au/files/original/c9fe73e1df69dfb45ff66812d950bcd9.png d5becc1004cd8a9ba7a94df823a8a6de https://adelta.westernsydney.edu.au/files/original/22cdd44c370b393aa6b36a03db58b477.png 42ea3e44134aab136488a9a202383380 https://adelta.westernsydney.edu.au/files/original/9e48d293a03a5d0147e40cbbb3b97637.png 55ccd737ca6600c3f7f87352c6ddddfe ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime HTML Genre Web based participatory documentary Work URL The URL of the original work, included as an HTML link. <a href="http://www.duckdigital.net/FOD/">http://www.duckdigital.net/FOD/</a> Artist Statement A statement about the work, as provided by the artist(s). The Flight of Ducks [is] a participatory online documentary built around a collection of objects from a camel expedition into Central Australia in 1933. [This work] takes the textual form of a journey through a landscape and turns it into a contextual universe where hypertext paths can be taken through a datascape. These paths form stories. Narratives that can dip into their paper bound origins or plunge into the poetics of the screen space. In this space they are composed into shimmering pixilated displays where image and text are inseparable and anyone can participate. <a href="http://www.duckdigital.net/FOD/FOD0259.html#Types">Excerpt from author's article Duck Song: Text and Image in on-line narrative. </a> Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.duckdigital.net/FOD/FOD0259.html#Types">Excerpt from author's article Duck Song: Text and Image in on-line narrative. </a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Pockley_ducks Title A name given to the resource The Flight of Ducks Creator An entity primarily responsible for making the resource Pockley, Simon Date A point or period of time associated with an event in the lifecycle of the resource 1995-ongoing Language A language of the resource English Rights Information about rights held in and over the resource Copyright Simon Pockley. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Description An account of the resource Artist Statement The Flight of Ducks [is] a participatory online documentary built around a collection of objects from a camel expedition into Central Australia in 1933. [This work] takes the textual form of a journey through a landscape and turns it into a contextual universe where hypertext paths can be taken through a datascape. These paths form stories. Narratives that can dip into their paper bound origins or plunge into the poetics of the screen space. In this space they are composed into shimmering pixilated displays where image and text are inseparable and anyone can participate. <a href="http://www.duckdigital.net/FOD/FOD0259.html#Types">Excerpt from author's article: Duck Song: Text and Image in on-line narrative.</a> Critical work Hypertext Participatory online documentary Simon Pockley https://adelta.westernsydney.edu.au/files/original/4d696ba602e423e4a49769e2feb2895c.png ff5be837e693f93be1eb514084b04f55 https://adelta.westernsydney.edu.au/files/original/2a332bc48d46e0ed9f646d5bd6801237.png 46bbba637a694438f61fb242709383c0 https://adelta.westernsydney.edu.au/files/original/8b4ffb83d719a7b67a31c203614c4708.png b5ada5992f6c4c19204e20e1488a4aa1 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime HTML Work URL The URL of the original work, included as an HTML link. <a href="http://www.sallypryor.com/tropicality.html">http://www.sallypryor.com/tropicality.html</a> Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. Fbitch Genre Web based interactive multimedia Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Pryor_Tropicality Title A name given to the resource Tropicality Creator An entity primarily responsible for making the resource Pryor,Sally Date A point or period of time associated with an event in the lifecycle of the resource 2012 Language A language of the resource English Rights Information about rights held in and over the resource Copyright Sally Pryor. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Animated web work Sally Pryor https://adelta.westernsydney.edu.au/files/original/19b0013cbc5d6111613214f43d8a8863.png 4dfb5496f3d6f10d366454cf02eadad2 https://adelta.westernsydney.edu.au/files/original/5745ba1deb5929e4c7b356a6e27a2008.png badebcb82679c5817f23d307a5a06057 https://adelta.westernsydney.edu.au/files/original/5018ec33bf447ac786b59d6da867e6a5.png 4d863ff31ba88ba6cfbf8ac7b9656132 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Twitter/Video Work URL The URL of the original work, included as an HTML link. <a href="http://sallypryor.com/works/med.html">http://sallypryor.com/works/med.html</a> Artist Statement A statement about the work, as provided by the artist(s). Twills is a generative video work, dynamic and mostly text-based. It was projected on the wall in the show and explores the roles of medication in contemporary life and the complex responses people have to these. I harvested twitter for several months in 2013 looking for interesting tweets containing the words pills or medication and built a database of over 500 tweets. Then I wrote a program to assemble random collections of tweets into structured collages of these many different hopes, fears, problems, solutions and experiences of medication. People are remarkably candid on twitter and their tweets are thought-provoking in themselves, but when they are combined in unexpected ways, new stories are continually generated. <a href="http://sallypryor.com/works/med.html">Excerpt from author's website</a> Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://sallypryor.com/works/med.html">Excerpt from author's website</a> Genre Generative video work/Multimedia installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Pryor_twills Title A name given to the resource On medication: Twills (tweets about pills) Creator An entity primarily responsible for making the resource Pryor,Sally Date A point or period of time associated with an event in the lifecycle of the resource 2013 Contributor An entity responsible for making contributions to the resource Golin, Carlo McDonald, Bill Language A language of the resource English Rights Information about rights held in and over the resource Copyright Sally Pryor. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Description An account of the resource Artist Statement Twills is a generative video work, dynamic and mostly text-based. It was projected on the wall in the show and explores the roles of medication in contemporary life and the complex responses people have to these. I harvested twitter for several months in 2013 looking for interesting tweets containing the words pills or medication and built a database of over 500 tweets. Then I wrote a program to assemble random collections of tweets into structured collages of these many different hopes, fears, problems, solutions and experiences of medication. People are remarkably candid on twitter and their tweets are thought-provoking in themselves, but when they are combined in unexpected ways, new stories are continually generated. <a href="http://sallypryor.com/works/med.html">Source of Artist Statement</a> Generative video work Multimedia installation Sally Pryor https://adelta.westernsydney.edu.au/files/original/31533bc04b3d0d9bb517ccf01f558b2d.png 56dacd63b3f57df92ed0443441452c58 https://adelta.westernsydney.edu.au/files/original/2b40cd111a881179a09efafaf1cd401b.png af248fb03b4420379cf1c9760578bd50 https://adelta.westernsydney.edu.au/files/original/2450c6a47ddbc79dfa06dbbf855afd81.png d1793cd479c9d4d3a14eb9ddcfcd19ca ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Shockwave/CD ROM Work URL The URL of the original work, included as an HTML link. <a href="http://sallypryor.com/works/postcards.html">http://sallypryor.com/works/postcards.html</a> Artist Statement A statement about the work, as provided by the artist(s). What exactly IS writing? Is picture writing something that is half way between pictures and writing? And is it a useful concept for thinking about new media writing and interfaces? One approach to these questions is provided by Integrationism, a radical new theory of language and communication which Roy Harris has applied to a groundbreaking analysis of writing. In this view, writing is teased apart from speech (transcription of speech is just one of writing's possible uses) and re-aligned with spatial configurations in general. 'Picture writing' then becomes a meaningless and rather ethnocentric term because the boundary between writing and pictures is shown to be fluid, rather than fixed. These are quite difficult ideas to grasp in a world where written words are so important. In Postcards from Writing, a kind of intellectual road movie, I artistically express my own encounter with them and explore their implications for new media writing and interfaces. My work offers users an interactive experience, rather than simply an illustrated lecture, because user interaction creates dynamic and multidimensional signs that illuminate the ideas I'm trying to express. <a href="http://sallypryor.com/works/postcards.html">Statement from author's website</a> Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://sallypryor.com/works/postcards.html">Statement from author's website</a> Genre Interactive multimedia Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Pryor_writing Title A name given to the resource Postcards from Writing Creator An entity primarily responsible for making the resource Pryor, Sally Date A point or period of time associated with an event in the lifecycle of the resource 2004 Language A language of the resource English Rights Information about rights held in and over the resource Copyright Sally Pryor. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Description An account of the resource Artist Statement What exactly IS writing? Is picture writing something that is half way between pictures and writing? And is it a useful concept for thinking about new media writing and interfaces? One approach to these questions is provided by Integrationism, a radical new theory of language and communication which Roy Harris has applied to a groundbreaking analysis of writing. In this view, writing is teased apart from speech (transcription of speech is just one of writing's possible uses) and re-aligned with spatial configurations in general. 'Picture writing' then becomes a meaningless and rather ethnocentric term because the boundary between writing and pictures is shown to be fluid, rather than fixed. These are quite difficult ideas to grasp in a world where written words are so important. In Postcards from Writing, a kind of intellectual road movie, I artistically express my own encounter with them and explore their implications for new media writing and interfaces. My work offers users an interactive experience, rather than simply an illustrated lecture, because user interaction creates dynamic and multidimensional signs that illuminate the ideas I'm trying to express. <a href="http://sallypryor.com/works/postcards.html">Source of Artist Statement</a> CD ROM Interactive multimedia Sally Pryor https://adelta.westernsydney.edu.au/files/original/416811bdaeb7647eadfbd861c2aa4350.png 45721d23ad14f4ed01082572eaee9a4a https://adelta.westernsydney.edu.au/files/original/f86c37201d17e62700e74fe5dcffb049.jpg ef1c1dc51f8a7e818ee60b6630dd6900 https://adelta.westernsydney.edu.au/files/original/d2e287ce6858022e02dbe1abd1388f15.jpg a1afb9bbacf9339593c4f282e67eb044 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Work URL The URL of the original work, included as an HTML link. <a href="http://sallypryor.com/works/tunis.html">http://sallypryor.com/works/tunis.html</a> Artist Statement A statement about the work, as provided by the artist(s). Postcard from Tunis is not an objective documentary (if such a thing actually exists). Instead, it's a playful, artistic exploration of writing: its histories, its inscriptions, its relationships with pictures and its relevance to the human-computer interface. This is set in a very personal, audiovisual portrait of Tunis, the capital of Tunisia. This is a city and culture that I love, and the home of my former family-in-law. I programmed the unique interface so that it echoes an actual visit, where you can't help learning a few Tunisian words and with time, maybe starting to read written Arabic. Although it was designed for adults, children have shown a strong affinity with the CD-ROM and the interface is bilingual in English and French. <a href="http://sallypryor.com/works/tunis/details.html">Excerpt from author's website</a> Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://sallypryor.com/works/tunis/details.html">Excerpt from author's website</a> Genre Interactive multimedia Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime CD ROM Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Pryor_tunis Title A name given to the resource Postcard from Tunis Creator An entity primarily responsible for making the resource Pryor,Sally Date A point or period of time associated with an event in the lifecycle of the resource 1999 Language A language of the resource English/French/Arabic Rights Information about rights held in and over the resource Copyright Sally Pryor. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Description An account of the resource Artist Statement Postcard from Tunis is not an objective documentary (if such a thing actually exists). Instead, it's a playful, artistic exploration of writing: its histories, its inscriptions, its relationships with pictures and its relevance to the human-computer interface. This is set in a very personal, audiovisual portrait of Tunis, the capital of Tunisia. This is a city and culture that I love, and the home of my former family-in-law. I programmed the unique interface so that it echoes an actual visit, where you can't help learning a few Tunisian words and with time, maybe starting to read written Arabic. Although it was designed for adults, children have shown a strong affinity with the CD-ROM and the interface is bilingual in English and French. <a href="http://sallypryor.com/works/tunis/details.html">Source of Artist Statement</a> CD ROM Sally Pryor https://adelta.westernsydney.edu.au/files/original/f6d27a9ee546cab6149d0744bdd68180.png 1593bd94abadce4f02fb55f71ebc9930 https://adelta.westernsydney.edu.au/files/original/dd0578db587ed4648f75dfd89dcbd54b.png 914a602d62d9ee2bb6aa17602dfe42d9 https://adelta.westernsydney.edu.au/files/original/45b673bec282b3b7d7acd17290a576d5.png c4fc142376afa539d5c8f7cefb889d64 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Work URL The URL of the original work, included as an HTML link. <a href="http://www.subtle.net/aland/">http://www.subtle.net/aland/</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. Artist's notes Artist Statement A statement about the work, as provided by the artist(s). a.land is a journey thru fragments of memory - internal and external landscapes that are common to us all. Inspired by ferry trips on the Baltic Sea, it is a glimpse of life from our cabin aboard a cruise ship on the seas of the www. a.land offers gentle views through differing portholes of perception on love, longing, space, and time. aland's cyclic, poetic and immersive narrative maps both our internal and external environments via fragments of literature, 19th century paintings and partially recalled events. the purpose of a.land is to identify and reflect upon the physcological, geographical and virtual stratas which both visibly and invisibly connect us - where ever we happen to be physically located. Genre Web based interactive multimedia Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Rackham_aLand Title A name given to the resource A.Land Creator An entity primarily responsible for making the resource Rackham, Melinda Date A point or period of time associated with an event in the lifecycle of the resource 1999 Description An account of the resource A.Land is an online DHTML project in which users move through fragments of texts and images: both original and borrowed from sources as diverse as Heraclitus to Katherine Hayles presented via 'portholes of perception'. These portholes were inspired from Rackham's journeys on Baltic ferries, in which seemingly limited views can generate multiple material and immaterial 'worlds'. The work assembles a poetic hypertext narrative via user selecting java coded sequences which recur throughout the virtual worlds of the work. Description from Artist's notes Artist Statement A.Land is a journey thru fragments of memory - internal and external landscapes that are common to us all. Inspired by ferry trips on the Baltic Sea, it is a glimpse of life from our cabin aboard a cruise ship on the seas of the www. A.Land offers gentle views through differing portholes of perception on love, longing, space, and time. aland's cyclic, poetic and immersive narrative maps both our internal and external environments via fragments of literature, 19th century paintings and partially recalled events. the purpose of a.land is to identify and reflect upon the physcological, geographical and virtual stratas which both visibly and invisibly connect us - where ever we happen to be physically located. Language A language of the resource English Rights Information about rights held in and over the resource Copyright Melinda Rackham. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Digital poetry Melinda Rackham https://adelta.westernsydney.edu.au/files/original/f34a4c23a6293a852a7b6576ec6b3648.png e4941634c9cb8223ebd90c20a3b1559e https://adelta.westernsydney.edu.au/files/original/380600a488af3a611facf4ff4d2eaba6.png 91959e1cf32b974addec8f079a11d4b7 https://adelta.westernsydney.edu.au/files/original/e5109e519be5dc0998bf5dd85bb2b53f.png 60d3b24734018174368472e19d9117b4 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime QuickTime/Shockwave/VRLM Player Work URL The URL of the original work, included as an HTML link. <a href="http://www.subtle.net/carrier/#">http://www.subtle.net/carrier/#</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. Artist's notes Artist Statement A statement about the work, as provided by the artist(s). carrier is a love story - an intimate romance between invasive virus and sentient host. carrier eroticises the intertwining of genetic codes, where cross-species merging on the cellular level is sexuality in its rawest form. carrier is artificial intelligence embedded in the world wide web - viral life swarming within the nervous system of our planet. carrier explores the textures of intersections rather than contrasts of oppositions, elevating invalid code in a symbiotic ecology in both the biological and virtual domains. carrier is a becoming symborg model as we emerge into a new millennium, as we seek a way to culturally reposition ourselves to the dissolving natural/artificial/species divide. carrier positions the contagious virus as a lively agent adapting in response to a changing environment, engaging with, and replicating within the receptive body. carrier draws blood from immunology and immunosemiotics, integrating the dynamic of interrelating pure codes, whether they be within the immune system or the computer operating system. carrier project originated from my research in gender, net art practice and chronic viral illness, with intent to reposition viral infection as positive biological merging with the flesh - a love story with an intelligent being, rather than the defensive medical response to invasion which sites the body as a detached battleground. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. Provided by Artist Genre Web based interactive multimedia Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Rackham_carrier Title A name given to the resource Carrier Creator An entity primarily responsible for making the resource Rackham, Melinda Date A point or period of time associated with an event in the lifecycle of the resource 1998 Description An account of the resource Carrier is an interactive immersive multimedia work that was conceived to be experienced in discrete darkened space and projected through a data projector with an external sound system. It could also be experienced through a computer monitor. The carrier site integrated musings on artificial intelligence, immunio-semiotics, swarm theory, genetic engineering and tantric practice with digital imagery, synthesised voice, vrml, shockwave, java script, java applets and data based interaction; with imagery sourced from medical research, insect communities, and binary coding, and included intimate real life experiences of living with chronic viral illness, which were contributed anonymously from the internet. Description from artist's notes. Artist Statement Carrier is a love story - an intimate romance between invasive virus and sentient host. Carrier eroticises the intertwining of genetic codes, where cross-species merging on the cellular level is sexuality in its rawest form. Carrier is artificial intelligence embedded in the world wide web - viral life swarming within the nervous system of our planet. carrier explores the textures of intersections rather than contrasts of oppositions, elevating invalid code in a symbiotic ecology in both the biological and virtual domains. Carrier is a becoming symborg model as we emerge into a new millennium, as we seek a way to culturally reposition ourselves to the dissolving natural/artificial/species divide. Carrier positions the contagious virus as a lively agent adapting in response to a changing environment, engaging with, and replicating within the receptive body. Carrier draws blood from immunology and immunosemiotics, integrating the dynamic of interrelating pure codes, whether they be within the immune system or the computer operating system. Carrier project originated from my research in gender, net art practice and chronic viral illness, with intent to reposition viral infection as positive biological merging with the flesh - a love story with an intelligent being, rather than the defensive medical response to invasion which sites the body as a detached battleground. Provided by Artist. Language A language of the resource English Rights Information about rights held in and over the resource Copyright Melinda Rackham. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Digital poetry Melinda Rackham https://adelta.westernsydney.edu.au/files/original/c647c49354415eda16ea2a8b24ff75ac.png 1ae7d30aac3f63c63808dce49243921a https://adelta.westernsydney.edu.au/files/original/7be639c18de01cd821791050446a298a.png 85e698a6ba103475c8fdb3b5808dc55d https://adelta.westernsydney.edu.au/files/original/2ae182b346c582ff7a1dfe989d89858b.png 79dd399d846dac4712020dcd846ef12e ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Work URL The URL of the original work, included as an HTML link. <a href="http://www.subtle.net/empyrean/">http://www.subtle.net/empyrean/</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. Gillian Fuller Artist Statement A statement about the work, as provided by the artist(s). Empyrean is a soft space constructed on the internet in Virtual Reality Modeling Language, a parallel universe to the hard spaces we inhabit each day. It contains seven intertwined e-scapes, - order, truth, beauty, strangeness, charm, chaos, and void. These zones are realms of the spirit, arenas beyond space and time which are simultaneously contained within the screen, just as the medieval empyrean of Christianity was the containing sphere or outer limit of the universe, the arena where god and the angels where thought to live. The work is an investigation of the colonization of the virtual - confronting the re-creation of urban spaces and the pioneering metaphor that has infested the web as users try to remake online virtual space as a poor imitation of the real. It is a space with no attachments to offline reality, a place of emptiness - of hungry voids, of gaps and environment, which has no horizon line to anchor oneself against, and no attachment to offline hard space. Empyrean deliberately does not provide pathways to follow so that the viewer must transverse the otherworldly yet oddly familiar domains thru their senses, by feeling one's way thru this immersive environment with its in-tensions and strange attractions. <a href="http://www.subtle.net/archive/nabi.html">Excerpt from artist's website</a> Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.subtle.net/archive/nabi.html">Excerpt from author's website</a> Genre 3D Virtual environment Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Rackham_empyrean Title A name given to the resource Empyrean Creator An entity primarily responsible for making the resource Rackham, Melinda Date A point or period of time associated with an event in the lifecycle of the resource 2000-2003 Description An account of the resource Empyrean is a VRML online installation that generates a virtual geography that self-consciously works within and disrupts protocols of code. Described by the artist as soft skinned e-scape, the user navigates seven connected zones sensually, through floating images, movement and sound to traverse the work/worlds. Sound and image and user exploration are closely integrated and responsive, creating an early example of affectually immersive online poetics. Sound design: Mitchell Whitelaw. Gillian Fuller. Artist Statement Empyrean is a soft space constructed on the internet in Virtual Reality Modeling Language, a parallel universe to the hard spaces we inhabit each day. It contains seven intertwined e-scapes, - order, truth, beauty, strangeness, charm, chaos, and void. These zones are realms of the spirit, arenas beyond space and time which are simultaneously contained within the screen, just as the medieval empyrean of Christianity was the containing sphere or outer limit of the universe, the arena where god and the angels where thought to live. The work is an investigation of the colonization of the virtual - confronting the re-creation of urban spaces and the pioneering metaphor that has infested the web as users try to remake online virtual space as a poor imitation of the real. It is a space with no attachments to offline reality, a place of emptiness - of hungry voids, of gaps and environment, which has no horizon line to anchor oneself against, and no attachment to offline hard space. Empyrean deliberately does not provide pathways to follow so that the viewer must transverse the otherworldly yet oddly familiar domains thru their senses, by feeling one's way thru this immersive environment with its in-tensions and strange attractions. <a href="http://www.subtle.net/archive/nabi.html">Source of Artist Statement</a> Language A language of the resource English Contributor An entity responsible for making contributions to the resource Whitelaw, Mitchell Rights Information about rights held in and over the resource Copyright Melinda Rackham. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Digital poetry Melinda Rackham https://adelta.westernsydney.edu.au/files/original/6be8483b0cd32408b923f5e22eaa596f.png ed3bf8cc6cb2883391bf2c839ad9acf7 https://adelta.westernsydney.edu.au/files/original/ef361e12648db538ef97ced8bbd1810f.png 12b7d9e90742ef14c141d18c9fcbe143 https://adelta.westernsydney.edu.au/files/original/355cd24c190413de881d27f33a4e7928.png 1e22f5c60e909e304babb95c165632b2 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime HTML Work URL The URL of the original work, included as an HTML link. <a href="http://www.subtle.net/line/index1.html">http://www.subtle.net/line/index1.html</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. Artist's notes Genre Web based interactive multimedia Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Rackham_line Title A name given to the resource Line Creator An entity primarily responsible for making the resource Rackham, Melinda Date A point or period of time associated with an event in the lifecycle of the resource 1999 Description An account of the resource Line is an imaginal and textual narrative simultaneously existing in several media: 1. An internet site tracks an intimate electronic relationship between two net users: one an artist who works online and physically located in Australia, and another a salaryman physically located in Japan who uses the net for corporate pursuits. 2. A gallery installation consisting of a laser beam intersecting a wall mounted book of intimate interwoven photographic architectural images from urban, industrial and rural landscapes in Australia and Japan, functioning as symbols for the emotional and physical ties to local geographical community, a real physicality which parallels their ethereal online communications. Description from Artist's notes. Language A language of the resource English Rights Information about rights held in and over the resource Copyright Melinda Rackham. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Digital poetry Melinda Rackham https://adelta.westernsydney.edu.au/files/original/b82c8272962bb2771e6ea8c881eff573.png 133296a523bdbc901c057b103e0d0900 https://adelta.westernsydney.edu.au/files/original/98ad5fbe57b98f5ff3e22b5617a0eac6.png 93648f41ac757a03cb7b31eaf944760b https://adelta.westernsydney.edu.au/files/original/393053a00b293c26977848d64d7c8038.png c36e0350ce71f9315495fb915099d8ea ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime HTML/JavaScript/Animated giffs/Java Applets Work URL The URL of the original work, included as an HTML link. <a href="http://www.subtle.net/tunnel/">http://www.subtle.net/tunnel/</a> Artist Statement A statement about the work, as provided by the artist(s). Tunnel is a site about pornography and online sexuality, the cyber affair, and the ensuing tension between the real cyber sexual experience and the real flesh sexual experience. Tunnel charts the incongruity and incompatibility when the digitally coded self crosses the terminal boundary, questioning early notions of fluid identity and sexuality on the net. The location of cyber relations is the personal intimate feminine private space of online where the boundaries that define personal safety do not seem necessary. Sexual and Emotional Intimacy are achieved in an astoundingly short amount of time - after all online encounters are merely a projection of the self into another who exists only at our fantasy beck and call, who will disappear when the computer is turned off. Or do they? What happens when the cyber lovers meet in flesh space? Will the sensory /data overload blow both their buffers? Statement from artist's notes. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. Artist's notes Genre Web based interactive poetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Rackham_Tunnel Title A name given to the resource Tunnel Creator An entity primarily responsible for making the resource Rackham, Melinda Date A point or period of time associated with an event in the lifecycle of the resource 1996 Description An account of the resource 'Tunnel' is an html site,using javascript, java applets and animated gifs and images that explored cybersexuality which in the early 1990s was an emerging area in both cyberculture and cyberart. It explored the intersection of female sex and technology in every day suburban cyberspace drawn from Usenet newsgroups and IRC sessions where living beings interacted sexually with others thru text on a monitor. The work is silent and displayed explicit sexual images and text drawn from actual experience in realtime. Its aesthetic was thus jerky due to slow speeds of dial up modems (usually14.4 Kbps). Created with very early Photoshop, DreamWeaver, and text editors, Tunnel was designed to be viewed in Netscape Navigator 3 on a 13 inch monitor in 1996. It was resized and java updated in 2005 and updated again to make compatible with modern browsers in 2014. Artist Statement Tunnel is a site about pornography and online sexuality, the cyber affair, and the ensuing tension between the real cyber sexual experience and the real flesh sexual experience. Tunnel charts the incongruity and incompatibility when the digitally coded self crosses the terminal boundary, questioning early notions of fluid identity and sexuality on the net. The location of cyber relations is the personal intimate feminine private space of online where the boundaries that define personal safety do not seem necessary. Sexual and Emotional Intimacy are achieved in an astoundingly short amount of time - after all online encounters are merely a projection of the self into another who exists only at our fantasy beck and call, who will disappear when the computer is turned off. Or do they? What happens when the cyber lovers meet in flesh space? Will the sensory /data overload blow both their buffers? Statement from artist's notes. Language A language of the resource English Rights Information about rights held in and over the resource Copyright Melinda Rackham. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Digital poetry Melinda Rackham https://adelta.westernsydney.edu.au/files/original/0fa0f8737465b009e5f00351e3eda1b5.png b2f44adbc85578b96e3f477aee374f31 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime App mobile phone/tablet Work URL The URL of the original work, included as an HTML link. <a href="http://redroomcompany.org/projects/disappearing/">http://redroomcompany.org/projects/disappearing/</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://www.abc.net.au/radionational/programs/poetica/the-disappearing/5151842">Excerpt from the radio program Poetica, Radio National</a> Artist Statement A statement about the work, as provided by the artist(s). The Disappearing is a free app for Apple and Android devices that (literally) maps poetry and place. As an ongoing project, The Disappearing uncovers poetry’s invisible currents in the world around us. Using geo-location to map poetry to place, the app charts fragmentary histories, impressions and memories, encouraging readers to interact in a non-linear way. Not only is The Disappearing a pocket-sized library of poems about places, the app is also an alternative travel guide that preserves and shares experiences, emotions and ideas that vanish over time. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://redroomcompany.org/projects/disappearing/">Statement from The Red Room Company website</a> Genre Interactive poetry mapping Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context RedRoom_disappearing Title A name given to the resource The Disappearing Creator An entity primarily responsible for making the resource Red Room App Project Date A point or period of time associated with an event in the lifecycle of the resource 2012 Description An account of the resource The Disappearing is an interactive phone app that uses GPS technology to connect poetry to place. Over 200 poems linked to particular locations around Australia can be accessed via the phone app. What the poems have in common is that they all address the subject of 'disappearance'. It might be a natural feature, like the water in Lake Eyre as described in Rachael Mead's poem 'Kati Thanda'. It might be a place, like Fonzie's Fantasyland in Kate Lilley's poem about the seedy past of Sydney's Oxford Street. It could be a person, such as Emiko Ogura in Adam Aitken's poem 'Missing Persons'. Or it could be a species on the verge of disappearance, as in Bret Dionysius's 'Black Throated Finch'. <a href="http://www.abc.net.au/radionational/programs/poetica/the-disappearing/5151842">Excerpt from the radio program Poetica, Radio National</a> Artist Statement The Disappearing is a free app for Apple and Android devices that (literally) maps poetry and place. As an ongoing project, The Disappearing uncovers poetry’s invisible currents in the world around us. Using geo-location to map poetry to place, the app charts fragmentary histories, impressions and memories, encouraging readers to interact in a non-linear way. Not only is The Disappearing a pocket-sized library of poems about places, the app is also an alternative travel guide that preserves and shares experiences, emotions and ideas that vanish over time. <a href="http://redroomcompany.org/projects/disappearing/">Source of Artist Statement</a> Publisher An entity responsible for making the resource available The Red Room Company Language A language of the resource English Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Android iPad iPhone Red Room App Project https://adelta.westernsydney.edu.au/files/original/cc8114933f4f7e1fdcfc11be5d0d6723.png 3e43b4c62b7f6dc3acc95122cd599316 https://adelta.westernsydney.edu.au/files/original/91bdf99ab26b8ed42e09dba39bae9c89.png c8debbd5acd075bb143c43261ad8df52 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Second Life Work URL The URL of the original work, included as an HTML link. <a href="http://katerichards.net/art/foul-whisperings-strange-matters/">http://katerichards.net/art/foul-whisperings-strange-matters/</a> Artist Statement A statement about the work, as provided by the artist(s). Foul Whisperings, Strange Matters brings Shakespeare's world renowned and extraordinarily influential play Macbeth into a virtual worlds environment. This is an appropriate, timely use of pop culture as an adaptive bridge between classic texts and new media technology. The poetic use of metaphor, image and symbol that permeate Shakespeare's language can be brought to 3D life using the online world as a discursive design space where visitors experience the motivations and emotional journey of character, and explore and make personal sense of the universal themes of Shakespeare. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://katerichards.net/art/foul-whisperings-strange-matters/">Statement from author's website</a> Genre 3D Environment Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Richards_whisperings Title A name given to the resource Foul Whisperings, Strange Matters Creator An entity primarily responsible for making the resource Richards, Kate Ely-Harper, Kerreen Thomas, Angela Date A point or period of time associated with an event in the lifecycle of the resource 2008 Contributor An entity responsible for making contributions to the resource Nash, Adam Language A language of the resource English Description An account of the resource Artist Statement Foul Whisperings, Strange Matters brings Shakespeare's world renowned and extraordinarily influential play Macbeth into a virtual worlds environment. This is an appropriate, timely use of pop culture as an adaptive bridge between classic texts and new media technology. The poetic use of metaphor, image and symbol that permeate Shakespeare's language can be brought to 3D life using the online world as a discursive design space where visitors experience the motivations and emotional journey of character, and explore and make personal sense of the universal themes of Shakespeare. <a href="http://katerichards.net/art/foul-whisperings-strange-matters/">Source of Artist Statement</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Kate Richards Real-time 3D art project https://adelta.westernsydney.edu.au/files/original/8de3f1b02a3052087de4352359219e4b.png 4334aa620011d5651bca22a2a3f274fd https://adelta.westernsydney.edu.au/files/original/b91fe0424413f388b58a06a6badb8403.png 80d0b0d09be6a7835bf8e18c7753c8b3 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Multimedia installation Work URL The URL of the original work, included as an HTML link. <a href="http://sarahwaterson.net/subscape/">http://sarahwaterson.net/subscape/</a> Genre Real-time generative system Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://sarahwaterson.net/subscape/">Excerpt from artist's website</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Richards_subscape Title A name given to the resource Sub-Scape Creator An entity primarily responsible for making the resource Waterson, Sarah Richards, Kate Date A point or period of time associated with an event in the lifecycle of the resource 2004-ongoing Contributor An entity responsible for making contributions to the resource Drummond, Jon Language A language of the resource English Description An account of the resource sub_scape is a real-time generative system for manipulating data streams. The software is extremely robust and will generate hours and hours of varied material by sampling, folding and remapping one data set onto another. Using elegant rules, sub_scape generates poetic ecologies of sound and image. The data sets can comprise data streams of video and audio, openGL data, and alphanumerical data - eg company reports, statistics, poems, seafloor height. What emerge from the system are aesthetic complexes and evolving patterns, along with anomalies, turbulence and recursive effects. The system exhibits confluence, paradox, metaphor and commentary, arising from the intriguing combinations of source data and formal strategies. <a href="http://sarahwaterson.net/subscape/">Source of Description</a> Rights Information about rights held in and over the resource Copyright Sarah Waterson and Kate Richards. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Kate Richards Real-time generative system https://adelta.westernsydney.edu.au/files/original/4f56c1c8890251821bbacc88a5c8e4a6.png 36783052787f71b63bafde921d6e53ce https://adelta.westernsydney.edu.au/files/original/0f018115833874725ba5f2a6d0fa9a71.png 4534150b13c6ff1d3b5336d38bbf6cc9 https://adelta.westernsydney.edu.au/files/original/c0dd3320aad32232ad2741daa2472cba.png 24a5ae7e0061c5261db42f1c7f972cc2 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Installation Work URL The URL of the original work, included as an HTML link. <a href="http://www.lifeafterwartime.com/law.php?section=5">http://www.lifeafterwartime.com/law.php?section=5</a> Artist Statement A statement about the work, as provided by the artist(s). Bystander is an immersive environment composed of photographs, sequences of short text, and musical patterns that all knit together to conjure haunting moods and stories for a large, darkened gallery space. The images, texts and sound files of Bystander are all governed by computer systems to form an environment that responds evermore intelligently, semantically and aesthetically to the behaviour of visitors interacting with the historical material over time. Feedback relationships develop between the visitors and the environment so that the 'eco-system' of Bystander offers emergent patterns of narrative and ever-altering rhythms of dynamic reaction. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.lifeafterwartime.com/law.php?section=5">Statement from artwork's website, lifeafterwartime.com</a> Genre Interactive data narrative Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Gibson_Bystander Title A name given to the resource Life After Wartime: Bystander Creator An entity primarily responsible for making the resource Richards, Kate Gibson, Ross Date A point or period of time associated with an event in the lifecycle of the resource 2007 Language A language of the resource English Description An account of the resource Artist Statement Bystander is an immersive environment composed of photographs, sequences of short text, and musical patterns that all knit together to conjure haunting moods and stories for a large, darkened gallery space. The images, texts and sound files of Bystander are all governed by computer systems to form an environment that responds evermore intelligently, semantically and aesthetically to the behaviour of visitors interacting with the historical material over time. Feedback relationships develop between the visitors and the environment so that the 'eco-system' of Bystander offers emergent patterns of narrative and ever-altering rhythms of dynamic reaction. <a href="http://www.lifeafterwartime.com/law.php?section=5">Source of Artist Statement</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Installation Interactive Kate Richards Ross Gibson https://adelta.westernsydney.edu.au/files/original/83737217818f2ca9aedb0b386a4c3483.png 43847431584ac6cf0db6fe31efe62297 https://adelta.westernsydney.edu.au/files/original/3bdd22a7f0be7c53c4131818c59a2e54.png cc0c9c584e4bcb0051582f69f0f3a4e4 https://adelta.westernsydney.edu.au/files/original/4b4f7da18d5a140c48f6352680f763a7.png 112e1a825935f8716a5464eb9ea994ee ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime CD ROM/Live Work URL The URL of the original work, included as an HTML link. <a href="http://www.lifeafterwartime.com">http://www.lifeafterwartime.com</a> Related Website 1 The URL of a related web page such as a YouTube clip or Vimeo, included as an HTML link. <a href="http://www.lifeafterwartime.com/media/pdfs/suite.pdf">http://www.lifeafterwartime.com/media/pdfs/suite.pdf</a> Artist Statement A statement about the work, as provided by the artist(s). Life After Wartime is a suite of multimedia artworks by Kate Richards and Ross Gibson. Based on 3000 archival scene-of-crime images from Sydney and thousands of evocative texts by Gibson, each iteration within the suite uses various design and interaction techniques to engage its audience. The suite comprises: Crime Scene 1999-2000 Justice & Police Museum Sydney and touring; Darkness Loiters 2000 an interactive story engine; Life After Wartime CD-ROM 2003 exhibited nationally and internationally, for sale through the artists, funded by the Australian Film Commission. Life After Wartime live with The Necks Adelaide Fringe Festival 2001 and Sydney Opera House 2003 a live improvised event with world renowned jazz trio The Necks; Street XRays 2005 Gibson's re-photography installation at ACMI. Bystander 2007 a 5 channel interactive and immersive video installation at The Performance Space@CarriageWorks Sydney 2007. <a href="http://katerichards.net/project/life-after-wartime/">Kate Richards' website</a> Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://katerichards.net/art/life-after-wartime/">Description from author's website</a> Genre Multimedia Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Gibson_wartime Title A name given to the resource Life After Wartime Creator An entity primarily responsible for making the resource Richards, Kate Gibson, Ross Date A point or period of time associated with an event in the lifecycle of the resource 1998-ongoing Language A language of the resource English Description An account of the resource Artist Statement Life After Wartime is a suite of multimedia artworks by Kate Richards and Ross Gibson. Based on 3000 archival scene-of-crime images from Sydney and thousands of evocative texts by Gibson, each iteration within the suite uses various design and interaction techniques to engage its audience. The suite comprises: Crime Scene 1999-2000 Justice & Police Museum Sydney and touring; Darkness Loiters 2000 an interactive story engine; Life After Wartime CD-ROM 2003 exhibited nationally and internationally, for sale through the artists, funded by the Australian Film Commission. Life After Wartime live with The Necks Adelaide Fringe Festival 2001 and Sydney Opera House 2003 a live improvised event with world renowned jazz trio The Necks; Street XRays 2005 Gibson's re-photography installation at ACMI. Bystander 2007 a 5 channel interactive and immersive video installation at The Performance Space@CarriageWorks Sydney 2007. <a href="http://katerichards.net/project/life-after-wartime/">Source of Artist Statement</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Kate Richards Multimedia artwork Ross Gibson Suite https://adelta.westernsydney.edu.au/files/original/a3db40d0ed18ec0dd3aea27ec2267f9c.png d6e05077b17d2b7860aa4059ce6408c5 https://adelta.westernsydney.edu.au/files/original/7cb72eda90c48e96304dc406ec5b3233.png 44c509c9eac5d1c7b7f435b40c801944 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Multimedia Work URL The URL of the original work, included as an HTML link. <a href="http://katerichards.net/art/dawes-point/">http://katerichards.net/art/dawes-point/</a> Artist Statement A statement about the work, as provided by the artist(s). Development stage of a multi-disciplinary performance work based on the notebooks of First Fleet marine/astronomer/surveyor William Dawes who recorded his encounters between 1788-1790 with the indigenous peoples of the Sydney foreshore area most notably young Cadigal woman, Patyegarang.[...]The live action process will involve the opening up of the primary source notebook text through the actor's physiology of movement, voice, physical and emotional inter-relationships with Dawes text (words, correction marks, and spaces/silences between the words) and each other. Other source material will be diaries and letters that refer to Dawes and Patyegarang (i.e., Elizabeth Macarthur's letters & journals). The secondary source material will be current writings and interpretations of their encounter (i.e. Inga Clendinnen's Dancing With Strangers). The other source text will be what the artists bring of themselves to the work, personal text, cultural stories, constellation and creation myths and their 'speakings back' to Dawes and Patyegarang from varying viewpoints. We aim to devise a chorus ensemble of indigenous performers to counterpoint the dual Dawes Patyegarang protagonist/s structure. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://katerichards.net/art/dawes-point/">Excerpt from author's website</a> Genre Live performance work Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Gibson_mrDawes Title A name given to the resource Mr Dawes Pronounces Well Creator An entity primarily responsible for making the resource Richards, Kate Gibson, Ross Date A point or period of time associated with an event in the lifecycle of the resource 2009-ongoing Language A language of the resource English Description An account of the resource Artist Statement Development stage of a multi-disciplinary performance work based on the notebooks of First Fleet marine / astronomer / surveyor William Dawes who recorded his encounters between 1788-1790 with the indigenous peoples of the Sydney foreshore area most notably young Cadigal woman, Patyegarang.[...]The live action process will involve the opening up of the primary source notebook text through the actor's physiology of movement, voice, physical and emotional inter-relationships with Dawes text (words, correction marks, and spaces/silences between the words) and each other. Other source material will be diaries and letters that refer to Dawes and Patyegarang (i.e., Elizabeth Macarthur's letters & journals). The secondary source material will be current writings and interpretations of their encounter (i.e. Inga Clendinnen's Dancing With Strangers). The other source text will be what the artists bring of themselves to the work, personal text, cultural stories, constellation and creation myths and their 'speakings back' to Dawes and Patyegarang from varying viewpoints. We aim to devise a chorus ensemble of indigenous performers to counterpoint the dual Dawes Patyegarang protagonist/s structure. <a href="http://katerichards.net/art/dawes-point/">Source of Artist Statement</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Kate Richards Multimedia performance Ross Gibson https://adelta.westernsydney.edu.au/files/original/862ada20ff37784263029bce93400e30.png 717703dbd1f04e906cdb85e6964a9e36 https://adelta.westernsydney.edu.au/files/original/8c296a1d4b402cc3ea643cd2d575f3a4.png 00ad8f66f734d65f72f6a47fb99f6993 https://adelta.westernsydney.edu.au/files/original/697c962d574bd361d4053cbfa9f02e39.png b4e702ffbd941ce1a3f46d7da99a484e ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime HTML Work URL The URL of the original work, included as an HTML link. <a href="http://ensemble.va.com.au/tableau/simon/index.html">http://ensemble.va.com.au/tableau/simon/index.html</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://ensemble.va.com.au/tableau/about.htm">Tableau website</a> Genre Multimedia hypertext Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Robb_adelaide Title A name given to the resource Tableau: Greetings from Adelaide Creator An entity primarily responsible for making the resource Robb, Simon Description An account of the resource Tableau's premise is the city: Adelaide. As place, time, tense, sense. It's the 'about' of writing oneself autobiographically, through the physical stratas of city, and it's especially 'about' how to write that to/for someone, as audience/reader, elsewhere. The project is aimed at a 'new monumentality' both personal and communal which creates different routes through individual memory and through collective cultural memory. The project has been funded by the Australia Council's New Media Fund. And generously supported and sponsored by the Experimental Art Foundation (Adelaide), and by Virtual Artists Jesse Reynolds & Dave Sag. As well, Ngapartji Cooperative Multimedia Centre (CMC) is a sponsor through the use of its premises and equipment for workshops. <a href="http://ensemble.va.com.au/tableau/about.htm">Tableau's website</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Multimedia hypertext Simon Robb https://adelta.westernsydney.edu.au/files/original/49d1d99eb5f3305556ab16bce84ecaeb.png 4418dea2d5c8fe3beb510647a0ea5580 https://adelta.westernsydney.edu.au/files/original/701740e011f884eeca3cb1bb279b2afd.png f3a4b180b05bb415102a846fde7eceb4 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Social Media Work URL The URL of the original work, included as an HTML link. <a href="http://chrisrodley.com/2014/02/25/b-e-t-t-y/">http://chrisrodley.com/2014/02/25/b-e-t-t-y/</a> Related Website 1 The URL of a related web page such as a YouTube clip or Vimeo, included as an HTML link. <a href="http://miscellanea.com/artworks/b-e-t-t-y/">http://miscellanea.com/artworks/b-e-t-t-y/</a> Artist Statement A statement about the work, as provided by the artist(s). When ELIZA, the world's first chatbot, was born in the 1960s, users were startled at how much the psychotherapist in the program resembled a human. Since then, chatbots have become increasingly sophisticated; some predict that a computer will pass the Turing test of successfully impersonating a human within the next decade. But in the age of Big Data, does it make sense to say that bots are imitating us? Many already are us, constituted from the thoughts and emotions we share every day online. B.E.T.T.Y. seeks to draw attention to the ghost in the machine of AI the humans who unwittingly control the wonderful Wizard of Oz from behind the curtain, and crouch inside the Mechanical Turk. Audience members are invited to share their private thoughts with an entity created by data-mining millions of social media messages in real time. Is artificial intelligence really so artificial after all? And do these cyborgian interlocutors lend us an empathetic ear, or cold comfort? B.E.T.T.Y. was a new media installation for the Art Gallery of New South Wales Society Contempo series exhibition in February 2014. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://chrisrodley.com/2014/02/25/b-e-t-t-y/">Excerpt from author's website</a> Genre Networked new media installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Rodley_Burrell_BETTY Title A name given to the resource B.E.T.T.Y. Creator An entity primarily responsible for making the resource Rodley, Chris Burrell, Andrew Date A point or period of time associated with an event in the lifecycle of the resource 2014 Language A language of the resource English Description An account of the resource Artist Statement When ELIZA, the world's first chatbot, was born in the 1960s, users were startled at how much the psychotherapist in the program resembled a human. Since then, chatbots have become increasingly sophisticated; some predict that a computer will pass the Turing test of successfully impersonating a human within the next decade. But in the age of Big Data, does it make sense to say that bots are imitating us? Many already are us, constituted from the thoughts and emotions we share every day online. B.E.T.T.Y. seeks to draw attention to the ghost in the machine of AI the humans who unwittingly control the wonderful Wizard of Oz from behind the curtain, and crouch inside the Mechanical Turk. Audience members are invited to share their private thoughts with an entity created by data-mining millions of social media messages in real time. Is artificial intelligence really so artificial after all? And do these cyborgian interlocutors lend us an empathetic ear, or cold comfort? B.E.T.T.Y. was a new media installation for the Art Gallery of New South Wales Society Contempo series exhibition in February 2014. <a href="http://chrisrodley.com/2014/02/25/b-e-t-t-y/">Source of Artist Statement</a> Rights Information about rights held in and over the resource Copyright Chris Rodley and Andrew Burrell. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Andrew Burrell Chris Rodley Installation Interactive Text New media