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              <text>Pirating sensor data from the Roller Derby players to use as framework to trigger text feeds - past, present &amp; realtime from skaters, audience and artists. Expanding the action on the track, the screen displays a data-mash: live tweets &amp; text feeds, mapped with the cyclic rolling energy of the skaters, building vibrancy. A montage of conversation, description, conjecture &amp; moments pirated from history and literature.</text>
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              <text>&lt;a href="http://www.bumpp.net/art-bump.htm"&gt;Description from Bump Projects, an initiative for collaborative art projects&lt;/a&gt;</text>
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                <text>READ_RUN_EXECUTE_ : Pirating the archaic energy</text>
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                <text>Neugebauer, Chris</text>
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                <text>&lt;strong&gt;Artist Statement&lt;/strong&gt;&lt;br /&gt;Pirating sensor data from the Roller Derby players to use as framework to trigger text feeds - past, present &amp;amp; realtime from skaters, audience and artists. Expanding the action on the track, the screen displays a data-mash: live tweets &amp;amp; text feeds, mapped with the cyclic rolling energy of the skaters, building vibrancy. A montage of conversation, description, conjecture &amp;amp; moments pirated from history and literature.&lt;br /&gt;&lt;a href="http://www.bumpp.net/art-bump.htm"&gt;Description from Bump Projects, an initiative for collaborative art projects&lt;/a&gt;</text>
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                <text>The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.</text>
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              <text>Real-time digital Poetry</text>
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              <text>&lt;a href="http://iloveepoetry.com/?p=2584"&gt;http://iloveepoetry.com/?p=2584&lt;/a&gt;</text>
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              <text>&lt;a href="http://iloveepoetry.com/?p=2584"&gt; Excerpt from Leonardo Flores' description in I love E-Poetry&lt;/a&gt;</text>
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                <text>Real_Time_"1sts!" [or: PanoptiConned Imagery From the Scene] </text>
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                <text>This work is inspired by the real-time events triggered by a fatal shooting incident in MIT and a manhunt for suspects allegedly involved in the Boston Marathon bombings as reported through social media, particularly Twitter.&lt;br /&gt;&lt;a href="http://iloveepoetry.com/?p=2584"&gt;Excerpt from Leonardo Flores' description in I love E-Poetry&lt;/a&gt;</text>
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                <text>Copyright Mez Breeze. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.</text>
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              <text>&lt;a href="http://projects.visualstudies.duke.edu/billseaman/workSpcDice01.php"&gt;http://projects.visualstudies.duke.edu/billseaman/workSpcDice01.php&lt;/a&gt;</text>
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              <text>&lt;a href="http://projects.visualstudies.duke.edu/billseaman/workSpcDice01.php"&gt;Description from author's website&lt;/a&gt;</text>
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                <text>Seaman, Bill</text>
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                <text>Ziegler, Chris</text>
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                <text>Red Dice / Des Chiffre (2000) was commissioned by the Canadian National Gallery and is now in their permanent collection. Seaman again worked with Chris Ziegler on the programming of the work. The work presents a text by the Poet Stephane Mallarme - Un coup de des jamais n'abolira le hasard, Dice Thrown Never Will Annul Chance, and an interactive audio/visual meta-text by Seaman. Large scale projections of both the interface and the visual portion of Seaman's audio/visual work are presented. The piece enables the user to view and listen to Mallarme's text through the use of a Pen/Wacom tablet interface. When the pen touches on words, they are subsequently spoken. Small video icons are called up that register the potential to trigger related segments of an audio/visual text by Seaman.&lt;br /&gt;The work also incorporates a "Recombinant" section enabling the user to re-order Seaman's video, generate a new soundtrack by choosing from 144 different musical sections - layering up to seven at a time, as well as recombine Seaman's texts via this pen interface. The work functions as a companion work to Passage Sets / One Pulls Pivots at the Tip of the Tongue which was also influenced by the Mallarme text.&lt;br /&gt;&lt;a href="http://projects.visualstudies.duke.edu/billseaman/workSpcDice01.php"&gt;Source of Description&lt;/a&gt;</text>
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                <text>Copyright William Seaman. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.</text>
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        <name>Bill Seaman</name>
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              <text>In 2006 we took a roadtrip to Woomera in South Australia, wanting to see the fabled rocket-testing, weapons testing site  we were surprised at what we found. Woomera the traditional country of the Kokatha people is now owned by the Defence Department. It's essentially a company town, rather than a country town. Woomera is a place that occupies a singular and contradictory position in the Australian cultural landscape. It is a place of actual and imaginary space junk, an ageing Rocket Park and a town with a shrinking population. It was once the centre of Australia's defence program - testing rockets and sending Australia's first satellite into orbit. 4000-7000 people lived there. Today there is about 200 people living in a purpose-built town surrounded by the Woomera Prohibited Area. In many ways it exemplifies modernity's contradictions and paradoxes.</text>
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The soundscape features rhythmic ambiguous metallic sounds, sounding sometimes like the clatter of a typewriter, at other times the scraping sound of metal against a metal interspersed with the crunch of footsteps walking over salty earth, at other times quiet with spare voice over.&#13;
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