8 25 263 https://adelta.westernsydney.edu.au/files/original/8dd82165ce6d6fd24da4c4bdafe13b1f.png 8512435e6cfaaec5e8e2080c4527ad55 https://adelta.westernsydney.edu.au/files/original/c9c020ffad6c432af9677be47df2305e.png 6cb17c051b4206a4fa03e7bd03bdc60b https://adelta.westernsydney.edu.au/files/original/a018f3a15182557cebe9f51a16efff08.png 3c5bb0d9d93d4d6c9b754b5afb3c6241 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Twitter/Coding algorithim Work URL The URL of the original work, included as an HTML link. <a href="http://chrisrodley.com/2013/06/19/everything-is-going-to-be-ok/">http://chrisrodley.com/2013/06/19/everything-is-going-to-be-ok/</a> Related Website 1 The URL of a related web page such as a YouTube clip or Vimeo, included as an HTML link. <a href="http://miscellanea.com/artworks/everything-is-going-to-be-ok/">http://miscellanea.com/artworks/everything-is-going-to-be-ok/</a> Related Website 2 The URL of a related web page such as a YouTube clip or Vimeo, included as an HTML link. <a href="http://www.broadsheet.com.au/sydney/arts-and-entertainment/article/twitter-art-everything-going-be-ok">http://www.broadsheet.com.au/sydney/arts-and-entertainment/article/twitter-art-everything-going-be-ok</a> Artist Statement A statement about the work, as provided by the artist(s). Millions of people are sharing their intimate secrets on social media. Every day, over 300 people across the globe will tweet 'don't leave me' to their significant others or try to reassure anxious loved ones by tweeting the words 'everything is going to be OK . Part of the 'Underbelly Arts Festival' on Sydney's Cockatoo Island in August 2013, Everything Is Going To Be OK addresses this unprecedented intrusion of private thoughts into the public sphere, and how the smallest details of our emotional lives are being appropriated and aggregated by remorseless, corporate-controlled data streams that come to mirror our hopes, fears and personalities. The work features projections of short form monologues and dialogues, constructed in real-time out of data from Twitter. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://chrisrodley.com/2013/06/19/everything-is-going-to-be-ok/">Description from author's website</a> Genre Networked new media installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Rodley_Burrell_everythingOk Title A name given to the resource Everything Is Going To Be Ok Creator An entity primarily responsible for making the resource Rodley, Chris Burrell, Andrew Date A point or period of time associated with an event in the lifecycle of the resource 2013 Language A language of the resource English Description An account of the resource Artist Statement Millions of people are sharing their intimate secrets on social media. Every day, over 300 people across the globe will tweet 'don't leave me' to their significant others or try to reassure anxious loved ones by tweeting the words 'everything is going to be OK . Part of the 'Underbelly Arts Festival' on Sydney's Cockatoo Island in August 2013, Everything Is Going To Be OK addresses this unprecedented intrusion of private thoughts into the public sphere, and how the smallest details of our emotional lives are being appropriated and aggregated by remorseless, corporate-controlled data streams that come to mirror our hopes, fears and personalities. The work features projections of short form monologues and dialogues, constructed in real-time out of data from Twitter. <a href="http://chrisrodley.com/2013/06/19/everything-is-going-to-be-ok/">Source of Artist Statement</a> Rights Information about rights held in and over the resource Copyright Chris Rodley and Andrew Burrell. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Algorithmic realtime data reinterpretation Andrew Burrell Chris Rodley Installation New media Twitter art https://adelta.westernsydney.edu.au/files/original/4516da1c1241e2909277fc8bfcf78f9e.png dc2584604220a958a314df8bfab4ff44 https://adelta.westernsydney.edu.au/files/original/adfde1d79ee97d997d6b92b5eb286f54.jpg 5167491cff3272a67b2dd3fabc5a91e6 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Twitter/Coding algorithim Work URL The URL of the original work, included as an HTML link. <a href="http://miscellanea.com/artworks/1000-broken-hearts/">http://miscellanea.com/artworks/1000-broken-hearts/ </a> Artist Statement A statement about the work, as provided by the artist(s). On the Internet, a heart breaks every 4 seconds.1000 Broken Hearts was an installation presented at Oxford Act Factory in October 2013 as part of the City of Sydney's Art and About. It reconfigures the last thousand heartbreaks from the Internet hive-mind as spectral projections that dance and flicker at random intervals in three-dimensional space. It asks us to consider the nature and meaning of emotion in the digital age, when the line between suicidal angst and quotidian frustrations is increasingly blurred. Projected into a smoke filled glass cube the words of a 1000 individuals crying out to their networks can be seen to float momentarily in space then disappear in a fleeting moment of connection. 1000 Broken Hearts builds on a series of data artworks that enquire into the emotional valence of text in networked spaces. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://miscellanea.com/artworks/1000-broken-hearts/">Description from author's website</a> Genre Networked new media installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Rodley_Burrell_brokenHearts Title A name given to the resource 1000 Broken Hearts Creator An entity primarily responsible for making the resource Rodley, Chris Burrell, Andrew Date A point or period of time associated with an event in the lifecycle of the resource 2013 Language A language of the resource English Description An account of the resource Artist Statement On the Internet, a heart breaks every 4 seconds.1000 Broken Hearts was an installation presented at Oxford Act Factory in October 2013 as part of the City of Sydney's Art and About. It reconfigures the last thousand heartbreaks from the Internet hive-mind as spectral projections that dance and flicker at random intervals in three-dimensional space. It asks us to consider the nature and meaning of emotion in the digital age, when the line between suicidal angst and quotidian frustrations is increasingly blurred. Projected into a smoke filled glass cube the words of a 1000 individuals crying out to their networks can be seen to float momentarily in space then disappear in a fleeting moment of connection. 1000 Broken Hearts builds on a series of data artworks that enquire into the emotional valence of text in networked spaces. <a href="http://miscellanea.com/artworks/1000-broken-hearts/">Source of Artist Statement</a> Rights Information about rights held in and over the resource Copyright Chris Rodley and Andrew Burrell. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Algorithmic realtime data reinterpretation Andrew Burrell Chris Rodley Installation New media Twitter art https://adelta.westernsydney.edu.au/files/original/a5a9cb559e01ccc8e416d9e98cdb8681.png 76f784eb7cb748c4620d87f03e14866c https://adelta.westernsydney.edu.au/files/original/0c6ae92e859bb3f701eb8b784168e9d9.png 76fca2f34b4134091df528ff55c5385b ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Twitter/Coding algorithim Work URL The URL of the original work, included as an HTML link. <a href="http://chrisrodley.com/2013/05/29/getting-to-know-the-digital-hive-mind/">http://chrisrodley.com/2013/05/29/getting-to-know-the-digital-hive-mind/</a> Related Website 1 The URL of a related web page such as a YouTube clip or Vimeo, included as an HTML link. <a href="http://miscellanea.com/artworks/enquire-within-upon-everybody/">http://miscellanea.com/artworks/enquire-within-upon-everybody/</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://isea2013-in-realtime.net/2013/06/26/the-big-connect/">Description from the blog ISEA2013, RealTime </a> Artist Statement A statement about the work, as provided by the artist(s). It's a real-time question and answer session which gives audiences the chance to query the Internet collective consciousness on any subject and receive real-time, generative responses. To make it work from a technical point of view, we've needed to define a series of complex (and sometimes simple) algorithms that query online data streams in order to return relevant answers without any intervention from us. Currently we're focused on testing the app that drives the artwork by priming it with questions (if you tweet a question now with the hashtag #enquire Sydney or #enquire Darwin it will be added to the list). We've been finding that the answers given by the digital hive mind offer some glimpses into its emergent personality. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://chrisrodley.com/2013/05/29/getting-to-know-the-digital-hive-mind/">Description from author's website</a> Genre Networked new media installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Rodley_Burrell_enquire Title A name given to the resource Enquire Within Upon Everybody Creator An entity primarily responsible for making the resource Rodley, Chris Burrell, Andrew Date A point or period of time associated with an event in the lifecycle of the resource 2013 Description An account of the resource Enquire Within Upon Everybody, developed by technologist Andrew Burrell and writer Chris Rodley, is one of the most engaging of the works in The Portals (or perhaps that's because I've been lured too far into the Twittersphere over recent years). Utilising Twitter and a series of algorithms, questions tweeted to a particular hashtag (#enquiresydney) evoke responses from the social media 'hive mind.' While it might take a day for you to personally receive a response to your own tweet, the answer I got back was pretty much on the money. What astounds me is that, as the work is being demo-ed, one of the mothers from the school band event comes over to request that Enquire Within Upon Everybody is no longer displayed on the oversized urban screen. Apparently, some of the text isn't appropriate for a school-age audience. Although, from what I've seen, the most contentious of tweets have been questions about marriage and gender, addressed to Jesus, or about dreams of Julian Assange. <a href="https://isea2013-in-realtime.net/2013/06/26/the-big-connect/">Description from the blog ISEA2013, RealTime </a> Artist Statement It's a real-time question and answer session which gives audiences the chance to query the Internet collective consciousness on any subject and receive real-time, generative responses. To make it work from a technical point of view, we've needed to define a series of complex (and sometimes simple) algorithms that query online data streams in order to return relevant answers without any intervention from us. Currently we're focused on testing the app that drives the artwork by priming it with questions (if you tweet a question now with the hashtag #enquire Sydney or #enquire Darwin it will be added to the list). We've been finding that the answers given by the digital hive mind offer some glimpses into its emergent personality. <a href="http://chrisrodley.com/2013/05/29/getting-to-know-the-digital-hive-mind/">Source of Artist Statement</a> Language A language of the resource English Rights Information about rights held in and over the resource Copyright Chris Rodley and Andrew Burrell. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Algorithmic realtime data reinterpretation Andrew Burrell Chris Rodley Generative text Installation New media https://adelta.westernsydney.edu.au/files/original/261a4ea9276f0ac9ad9001445f964b41.png 851887239bf8399cf9ffdd630eb7bb9b https://adelta.westernsydney.edu.au/files/original/1b503a0c5b302f8d86b779fd69fe4bbb.png 9a5aee6e1af0f72a1243a3528efb70c2 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Twitter/Coding algorithim Work URL The URL of the original work, included as an HTML link. <a href="http://chrisrodley.com/2013/10/10/datafiction-v0-1/">http://chrisrodley.com/2013/10/10/datafiction-v0-1/</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://visual.artshub.com.au/news-article/news/visual-arts/top-5-artworks-from-electro-nerds-196910">Anne Phillips, blog Visual Arts Hub</a> Artist Statement A statement about the work, as provided by the artist(s). We live in an age of big data, when much of what we say and do is captured and stored in vast, searchable databases. What is the future of the novel that most personal and intimate of artforms as private lives are increasingly turned into public data? DataFiction v0.1 is part of a major new collaboration between myself and artist Andrew Burrell that aims to create a real-time, data-driven novel. These excerpts of generative, network-sourced prose were presented as early work-in-progress, with the aim of inciting audience interest and critical feedback. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://chrisrodley.com/2013/10/10/datafiction-v0-1/">Description from author's website</a> Genre Networked new media installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Rodley_Burrell_datafiction Title A name given to the resource Data Fiction v0.1 Creator An entity primarily responsible for making the resource Rodley, Chris Burrell, Andrew Date A point or period of time associated with an event in the lifecycle of the resource 2013-ongoing Description An account of the resource It's often said that dialogue in fiction is determined by the conventions of the novel, rather than by the way that people actually speak. However, artist Andrew Burrell and writer Chris Rodley aim to change all that by creating the world's first data-driven novel. With the tremendous growth of social media, the internet has become an ever-expanding repository of stories created by individuals sharing their personal milestones and tragedies online. Ninety percent of the world's data has been created in the last two years and dataFiction v0.1 aims to mine this vast resource in order to discover how people tell their stories in real life. Chris Rodley tells me that if you search a fairly standard phrase, such as 'You have beautiful eyes,' you hit on some rather surprising, yet common combinations. For example, 'You have beautiful eyes and a moustache,' which is not something that you would expect to read in a novel. The challenge for dataFiction v0.1 is to curate these snippets of stories into a novel-length narrative. I can't wait to see what they come up with. In the meantime, it was compelling enough to watch those partial narratives flash across the screen. <a href="http://visual.artshub.com.au/news-article/news/visual-arts/top-5-artworks-from-electro-nerds-196910">Anne Phillips, blog Visual Arts Hub</a> Artist Statement We live in an age of big data, when much of what we say and do is captured and stored in vast, searchable databases. What is the future of the novel that most personal and intimate of artforms as private lives are increasingly turned into public data? DataFiction v0.1 is part of a major new collaboration between myself and artist Andrew Burrell that aims to create a real-time, data-driven novel. These excerpts of generative, network-sourced prose were presented as early work-in-progress, with the aim of inciting audience interest and critical feedback. <a href="http://chrisrodley.com/2013/10/10/datafiction-v0-1/">Source of Artist Statement</a> Language A language of the resource English Rights Information about rights held in and over the resource Copyright Chris Rodley and Andrew Burrell. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Algorithmic realtime data reinterpretation Andrew Burrell Chris Rodley Data-driven novel Generative text Installation New media https://adelta.westernsydney.edu.au/files/original/8eb1d731e6ae9ab857937cbcb14b2cbb.png 0fa93692fd512b5f366481d932fb927c https://adelta.westernsydney.edu.au/files/original/5116443a2d4af1962be8e6e2bdcdf805.png de9764afd91771a77fa22e254d0819cd https://adelta.westernsydney.edu.au/files/original/53bb5a6efad1788d8ac78399a6f931b0.png 647eb242997d876619b4aa4190d2458e ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Twitter/Coding algorithim Work URL The URL of the original work, included as an HTML link. <a href="http://www.welcometopanopolis.com/#">http://www.welcometopanopolis.com/#</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. Gillian Fuller Artist Statement A statement about the work, as provided by the artist(s). Welcome to Panopolis explores the im/possibility of uniqueness in digitally networked environments - places where almost everything we want to say is always, already being said by someone else. It uses geographically disparate pieces of data to create a virtual space with distinctive emergent qualities where readers can examine and reflect on the un/predictable, un/reliable nature of online information. By filtering and re-combining social media content, Welcome to Panopolis incites new textual and narrative possibilities. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://miscellanea.com/artworks/welcome-to-panoplolis/">Description from author's website</a> Genre Networked new media installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Rodley_Burrell_panopolis Title A name given to the resource Welcome to Panopolis Creator An entity primarily responsible for making the resource Rodley, Chris Burrell, Andrew Date A point or period of time associated with an event in the lifecycle of the resource 2013 Description An account of the resource Welcome to Panopolis takes the form of an imaginary travellers/tourist online guide that outlines a series of predictable and cliched experiences in what influential anthropologist Marc Auge, has labelled 'the non-places of supermodernity': spaces exemplified by airports, tourist areas, subways and spaces of transit. The work also enacts the self-consciousness of tourist discourses as outlined by many theorists in mobility studies. The website is divided into chapters typical of travel guides Sightseeing, Dining Out, Health & Safety etc The text humorously outlines 'typical' experiences in a semiotically pre-packaged world. The canned experiences outlined in the textual guide is offset by the idiosyncratic and contextually unknowable feeds of social media texts that feed into the website via 'notes' appended to various pieces of text in the guide, creating a world both familiar and strange. Gillian Fuller Artist Statement Welcome to Panopolis explores the im/possibility of uniqueness in digitally networked environments - places where almost everything we want to say is always, already being said by someone else. It uses geographically disparate pieces of data to create a virtual space with distinctive emergent qualities where readers can examine and reflect on the un/predictable, un/reliable nature of online information. By filtering and re-combining social media content, Welcome to Panopolis incites new textual and narrative possibilities. <a href="http://miscellanea.com/artworks/welcome-to-panoplolis/">Source of Artist Statement</a> Language A language of the resource English Rights Information about rights held in and over the resource Copyright Chris Rodley and Andrew Burrell. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Algorithmic realtime data reinterpretation Andrew Burrell Chris Rodley New media https://adelta.westernsydney.edu.au/files/original/d7db40dafc86cd90dab8d646b7fafa9a.png 752c94a2a1e35d54b51aa9a4caad9d16 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Twitter/Coding algorithim Work URL The URL of the original work, included as an HTML link. <a href="http://chrisrodley.com/2013/04/13/375/">http://chrisrodley.com/2013/04/13/375/</a> Artist Statement A statement about the work, as provided by the artist(s). Don't Leave Me, Baby is a digital poem created out of live social media data. Messages of emotional anguish and insecurity are sourced in real time from Twitter and matched with expressions of consolation and reassurance. Tears are wiped away as soon as they are shed; hearts are mended as soon as they are broken. In the data stream, our emotional evolution takes a great leap forward; the human psyche becomes a flawlessly resilient, self-correcting system. The work is part of a wider exploration of the emergent personality of the Internet and the possibilities of data-driven text by hybrid media artist Andrew Burrell and writer Chris Rodley. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://chrisrodley.com/2013/04/13/375/">Description from author's website</a> Genre Digital poem Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Rodley_Burrell_dontLeave Title A name given to the resource Don't Leave Me Baby Creator An entity primarily responsible for making the resource Rodley, Chris Burrell, Andrew Date A point or period of time associated with an event in the lifecycle of the resource 2013 Language A language of the resource English Description An account of the resource Artist Statement Don't Leave Me, Baby is a digital poem created out of live social media data. Messages of emotional anguish and insecurity are sourced in real time from Twitter and matched with expressions of consolation and reassurance. Tears are wiped away as soon as they are shed; hearts are mended as soon as they are broken. In the data stream, our emotional evolution takes a great leap forward; the human psyche becomes a flawlessly resilient, self-correcting system. The work is part of a wider exploration of the emergent personality of the Internet and the possibilities of data-driven text by hybrid media artist Andrew Burrell and writer Chris Rodley. <a href="http://chrisrodley.com/2013/04/13/375/">Source of Artist Statement</a> Rights Information about rights held in and over the resource Copyright Chris Rodley and Andrew Burrell. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Algorithmic realtime data reinterpretation Andrew Burrell Chris Rodley Digital poem New media https://adelta.westernsydney.edu.au/files/original/dbfc22a81e610a0e76fa5fcae35966fa.png cdce26f753b8f332ebc09b66a2ff5d47 https://adelta.westernsydney.edu.au/files/original/fcab9efc092a8e87f568e2c97c245599.png 57c9907e3550e6d926f56b19cc957409 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime DVD ROM/CD ROM Work URL The URL of the original work, included as an HTML link. <a href="http://www.medienkunstnetz.de/works/mechanism-of-shivers/">http://www.medienkunstnetz.de/works/mechanism-of-shivers/</a> Related Website 1 The URL of a related web page such as a YouTube clip or Vimeo, included as an HTML link. <a href="http://billseaman.com/">http://billseaman.com/</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://www.medienkunstnetz.de/works/mechanism-of-shivers/">Description from Media Art Net, website for media artwork</a> Genre Multimedia interactive poetry/Video Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Seaman_exquisite Title A name given to the resource The Exquisite Mechanism of Shivers Creator An entity primarily responsible for making the resource Seaman, Bill Date A point or period of time associated with an event in the lifecycle of the resource 2002 Description An account of the resource 33 brief image and musical scenes are each based on a sentence of ten words. These exquisite image and sound compositions are mechanically combined, but internally organized by a poetic logic. The fragmentary aspect of splinter as well as the oscillation of trembles release appropriate associations, as the coherences in meaning of the work are formed into sentences of oscillating sense from the 330 fragmentations of the menu. <a href="http://www.medienkunstnetz.de/works/mechanism-of-shivers/">Description from Media Art Net, website for media artwork</a> Publisher An entity responsible for making the resource available ZKM Videosammlung Language A language of the resource English Rights Information about rights held in and over the resource Copyright William Seaman. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Bill Seaman Media Art Net https://adelta.westernsydney.edu.au/files/original/e1da70df2d8654464775f2d7cdcd4f54.png 73f7e34f70fce55ee310dcd7ba7bbef1 https://adelta.westernsydney.edu.au/files/original/8bbf7e60344d47e35958a0e82616cd02.png 2c6c4c6532ed481f31a994e1820d9583 https://adelta.westernsydney.edu.au/files/original/7604946965ddd23eb34159e532897c71.png 0ecd2a29275f3e86e677e64b983c382f ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Video Work URL The URL of the original work, included as an HTML link. <a href="http://projects.visualstudies.duke.edu/billseaman/workSpcPassageWall01.php">http://projects.visualstudies.duke.edu/billseaman/workSpcPassageWall01.php</a> Related Website 1 The URL of a related web page such as a YouTube clip or Vimeo, included as an HTML link. <a href="http://billseaman.com/">http://billseaman.com/</a> Artist Statement A statement about the work, as provided by the artist(s). Passage Sets is a generative visual poem. It includes an interactive poem generator. The users of the system can position themselves in front of the screen and select words and/or phrases from four lists that become visual as they enter into differing proximities in relation to the screens. Moving forward and/or backward, then stopping in the center of the field, enables the participants to make selections from specific lists authored by Seaman. These words then flow across the screen and become part of an ever-changing line of text at the bottom of the screen. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://projects.visualstudies.duke.edu/billseaman/workSpcPassageWall01.php">Excerpt from author's website</a> Genre Interactive video installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Seaman_passages Title A name given to the resource Passage Sets/One Pull Pivots at the Tip of the Tongue (Wall of Light Version) Creator An entity primarily responsible for making the resource Seaman, Bill Berreth, Todd Date A point or period of time associated with an event in the lifecycle of the resource 2010 Language A language of the resource English Description An account of the resource Artist Statement Passage Sets is a generative visual poem. It includes an interactive poem generator. The users of the system can position themselves in front of the screen and select words and/or phrases from four lists that become visual as they enter into differing proximities in relation to the screens. Moving forward and/or backward, then stopping in the center of the field, enables the participants to make selections from specific lists authored by Seaman. These words then flow across the screen and become part of an ever-changing line of text at the bottom of the screen. <a href="http://projects.visualstudies.duke.edu/billseaman/workSpcPassageWall01.php">Source of Artist Statement</a> Rights Information about rights held in and over the resource Copyright William Seaman. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Bill Seaman Generative video Interactive Text https://adelta.westernsydney.edu.au/files/original/7a4352600757aa6ee8d38f7857585aa5.png b599afdf6cda17be5203d9c8e9b54344 https://adelta.westernsydney.edu.au/files/original/16ffcfaaccc8c6d5f2f98c5a393453b8.png 4443434ab7e21ef9f8f145f8892ad564 https://adelta.westernsydney.edu.au/files/original/134a3cd8ca2e348f7751399265c0d144.png 5cc0fba2dfb0c3bde034e6fa83be57ef ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Work URL The URL of the original work, included as an HTML link. <a href="http://projects.visualstudies.duke.edu/billseaman/workSpcComSpace.php">http://projects.visualstudies.duke.edu/billseaman/workSpcComSpace.php </a> Artist Statement A statement about the work, as provided by the artist(s). The work expands Seaman's set of exhibitions related to the Thoughtbody Environment and Neosentience [ongoing collaboration with Otto Rossler] and extends Yeong-woong Cheong's work in terms of computer graphics/video generative systems. A large-scale generative visual poem is presented on a number of large format screens in the lobby and outside of the SK building, Seoul. The poem addresses the notion of "communication" from many perspectives. Seaman shot video in Seoul and across the Korean countryside. A combinatoric poem Seaman explores many notions of the space of communication and the poetic communication of space. [Source: excerpt of author's description http://billseaman.com/] Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://billseaman.com/">Description from author's website</a> Genre Generative video installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Seaman_Communication Title A name given to the resource Communication<->Space Creator An entity primarily responsible for making the resource Seaman, Bill Cheong, Yeong-woong Date A point or period of time associated with an event in the lifecycle of the resource 2007 Language A language of the resource English Description An account of the resource Artist Statement The work expands Seaman's set of exhibitions related to the Thoughtbody Environment and Neosentience [ongoing collaboration with Otto Rossler] and extends Yeong-woong Cheong's work in terms of computer graphics/video generative systems. A large-scale generative visual poem is presented on a number of large format screens in the lobby and outside of the SK building, Seoul. The poem addresses the notion of "communication" from many perspectives. Seaman shot video in Seoul and across the Korean countryside. A combinatoric poem Seaman explores many notions of the space of communication and the poetic communication of space. <a href="http://billseaman.com/">Source of Artist Statement</a> Rights Information about rights held in and over the resource Copyright William Seaman. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Bill Seaman Generative graphics Soundtrack Text Video https://adelta.westernsydney.edu.au/files/original/ebcfbaab9ad13fbc8172421fab7d2fa5.png 1660787bc6546d25ad2e02a822eceb40 https://adelta.westernsydney.edu.au/files/original/146351b44acd892bdad8ebd318a5edbc.png 87305da8b9472a8967ecfdcb97c4b930 https://adelta.westernsydney.edu.au/files/original/7a97932e1b8e0e06970266d872c6ec07.png 4ca62413488e6aff69c48feb3c54728c ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Work URL The URL of the original work, included as an HTML link. <a href="http://billseaman.com/">http://billseaman.com/</a> Artist Statement A statement about the work, as provided by the artist(s). The World Generator promotes a form of active looking/listening/interacting/understanding. Through interaction with this virtual world generator, text potentially qualifies differing emotive aspects of the current computer-based emergent context. Media elements also inform the understanding of the text. All of the media-elements present meaning forces that operate on each other. Different interactions and 'negotiations' of the space promote an ongoing meaning summing. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://projects.visualstudies.duke.edu/billseaman/pdf/illusiveNatureContext.pdf">Excerpt from author's article The Illusive Nature of Context: The Negotiation of the Thoughtbody</a> Genre Video installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Seaman_twoGen Title A name given to the resource The World Generator/The Engine of Desire Creator An entity primarily responsible for making the resource Seaman, Bill May, Gideon Date A point or period of time associated with an event in the lifecycle of the resource 1996-1997 Language A language of the resource English Description An account of the resource Artist Statement The World Generator promotes a form of active looking/listening/interacting/understanding. Through interaction with this virtual world generator, text potentially qualifies differing emotive aspects of the current computer-based emergent context. Media elements also inform the understanding of the text. All of the media-elements present meaning forces that operate on each other. Different interactions and 'negotiations' of the space promote an ongoing meaning summing. <a href="http://projects.visualstudies.duke.edu/billseaman/pdf/illusiveNatureContext.pdf">Excerpt from author's article The Illusive Nature of Context: The Negotiation of the Thoughtbody</a> Rights Information about rights held in and over the resource Copyright William Seaman. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Bill Seaman Installation Text https://adelta.westernsydney.edu.au/files/original/72dadb5b2b26e5e3b8ea8e30f224904b.png 9835c7046a30db95f2a9425d9858011d https://adelta.westernsydney.edu.au/files/original/5399325917684a7a155af6b2e0f2f490.png 0099e33df7d58b2ede16fad08bd19603 https://adelta.westernsydney.edu.au/files/original/6427f787c73db904f24ccb718c1e4c1c.png 9ef5fc55db899898380600a377b93b42 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Video Work URL The URL of the original work, included as an HTML link. <a href="http://projects.visualstudies.duke.edu/billseaman/workSpcEpiphany01.php">http://projects.visualstudies.duke.edu/billseaman/workSpcEpiphany01.php</a> Genre Installation/Video/Text Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Seaman_Epiphany Title A name given to the resource Epiphany Creator An entity primarily responsible for making the resource Seaman, Bill Date A point or period of time associated with an event in the lifecycle of the resource 2004 Language A language of the resource English Rights Information about rights held in and over the resource Copyright William Seaman. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Bill Seaman Installation Text Video https://adelta.westernsydney.edu.au/files/original/b2156504f05c5db18dcdf556c0b7d825.png fd8b6441db7384d4edbf744e4e6a40ce https://adelta.westernsydney.edu.au/files/original/647c24e1de43c28dd15bd8dcc7673938.png fb09a78ae075d21be50f11385207a5f1 https://adelta.westernsydney.edu.au/files/original/e26d5c92eecb4c4a80ae8c0bb13f2253.png 0642f1b089bd07521f43408e0b6a3ba7 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Video Work URL The URL of the original work, included as an HTML link. <a href="http://projects.visualstudies.duke.edu/billseaman/workSpcDice01.php">http://projects.visualstudies.duke.edu/billseaman/workSpcDice01.php</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://projects.visualstudies.duke.edu/billseaman/workSpcDice01.php">Description from author's website</a> Genre Interactive video/Installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Seaman_redDice Title A name given to the resource Red Dice / Des Chiffr Creator An entity primarily responsible for making the resource Seaman, Bill Date A point or period of time associated with an event in the lifecycle of the resource 2000 Contributor An entity responsible for making contributions to the resource Ziegler, Chris Language A language of the resource English/French Description An account of the resource Red Dice / Des Chiffre (2000) was commissioned by the Canadian National Gallery and is now in their permanent collection. Seaman again worked with Chris Ziegler on the programming of the work. The work presents a text by the Poet Stephane Mallarme - Un coup de des jamais n'abolira le hasard, Dice Thrown Never Will Annul Chance, and an interactive audio/visual meta-text by Seaman. Large scale projections of both the interface and the visual portion of Seaman's audio/visual work are presented. The piece enables the user to view and listen to Mallarme's text through the use of a Pen/Wacom tablet interface. When the pen touches on words, they are subsequently spoken. Small video icons are called up that register the potential to trigger related segments of an audio/visual text by Seaman. The work also incorporates a "Recombinant" section enabling the user to re-order Seaman's video, generate a new soundtrack by choosing from 144 different musical sections - layering up to seven at a time, as well as recombine Seaman's texts via this pen interface. The work functions as a companion work to Passage Sets / One Pulls Pivots at the Tip of the Tongue which was also influenced by the Mallarme text. <a href="http://projects.visualstudies.duke.edu/billseaman/workSpcDice01.php">Source of Description</a> Rights Information about rights held in and over the resource Copyright William Seaman. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Bill Seaman Interactive audio Visual meta-text https://adelta.westernsydney.edu.au/files/original/29e6a22c5706825f197c4d46671bb70a.png dae698253b26045de6c1dfbda54c90b1 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Media Video installation Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Video Work URL The URL of the original work, included as an HTML link. <a href="http://projects.visualstudies.duke.edu/billseaman/seamanvanberkel/exchange_fields/exchange_fields.htm">http://projects.visualstudies.duke.edu/billseaman/seamanvanberkel/exchange_fields/exchange_fields.htm</a> Artist Statement A statement about the work, as provided by the artist(s). Exchange Fields (2000), commissioned by the Vision Ruhr Exhibition in Dortmund Germany, incorporates the recorded dance and choreography of Regina van Berkel. The programmer Gideon May also became involved in this project. The central question dealt with the generation of a new kind of interface - how might an embodied experience of interface be layered into the content of an interactive media/dance comprised of video, text, a sculptural installation and music? Exchange Fields sought to develop a novel interface strategy by eliciting culturally determined environmental 'behaviour in relation to objects' as a grammar of gesture that could be used as input to the reacting system. The work sought to tap into pre-linguistic environmental knowledge related to the use of particular varieties of objects. A series of furniture/sculptures were developed. Each furniture/sculpture was designed with a unique implied "suggestion" of how the body might be positioned in relation to that object. This suggestion was non-logo-centric. It was embodied in the form of the physical interface itself and reinforced through linguistic captioning affixed near the work. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://billseaman.com/">Description from author's website</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Seaman_exchange Title A name given to the resource Exchange Fields Creator An entity primarily responsible for making the resource Seaman, Bill Date A point or period of time associated with an event in the lifecycle of the resource 2000 Contributor An entity responsible for making contributions to the resource Van Berkel, Regina May, Gideon Language A language of the resource English Description An account of the resource Artist Statement Exchange Fields (2000), commissioned by the Vision Ruhr Exhibition in Dortmund Germany, incorporates the recorded dance and choreography of Regina van Berkel. The programmer Gideon May also became involved in this project. The central question dealt with the generation of a new kind of interface - how might an embodied experience of interface be layered into the content of an interactive media/dance comprised of video, text, a sculptural installation and music? Exchange Fields sought to develop a novel interface strategy by eliciting culturally determined environmental 'behaviour in relation to objects' as a grammar of gesture that could be used as input to the reacting system. The work sought to tap into pre-linguistic environmental knowledge related to the use of particular varieties of objects. A series of furniture/sculptures were developed. Each furniture/sculpture was designed with a unique implied "suggestion" of how the body might be positioned in relation to that object. This suggestion was non-logo-centric. It was embodied in the form of the physical interface itself and reinforced through linguistic captioning affixed near the work. <a href="http://billseaman.com/">Source of Artist Statement</a> Rights Information about rights held in and over the resource Copyright Bill Seaman. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Bill Seaman Installation Text Video https://adelta.westernsydney.edu.au/files/original/c8d75b22511dc86ef28a816278a8c1f6.png 6ebe25b6de92fe85e3e01962dabf4dfa https://adelta.westernsydney.edu.au/files/original/9f4e50d0adc7882c4228738772c1532e.png 167c11ca901f23afb11bbae465d1b85b https://adelta.westernsydney.edu.au/files/original/d49a2a051bd01f791afc8e12c5e47e6c.png 139d61f7f54e2bfdfbc8b264c3c695f0 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Video Work URL The URL of the original work, included as an HTML link. <a href="http://billseaman.com/">http://billseaman.com/</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://billseaman.com/">Description from author's website</a> Genre Interactive video Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Seaman_watchDetail Title A name given to the resource The Watch Detail Creator An entity primarily responsible for making the resource Seaman, Bill Date A point or period of time associated with an event in the lifecycle of the resource 1990 Language A language of the resource English Description An account of the resource The first major interactive work was entitled The Watch Detail (1990). Video images, sound and text that addressed the subject of time were explored interactively. This work employed Macintosh Hypercard media, that was used to control an interactive laserdisc. Thus the work became a meta-media time piece. A large database of time-oriented images, and texts could be navigated, juxtaposed and/or re-oriented in time. The media-time of the image could also be explored where a participant could move forward, backward, stay still, as well as move fast forward and fast backward. An elaborate poetic text made of short individual observations about time was made available to the user of the system. The participant could juxtapose any of the video and still material, move from chapter to chapter, edit segments, trigger sequences of encoded database material in relation to chosen selected textual criteria, view a set of still images with text superimpositions, or view material in a linear mode. A linear video also exists with this title. <a href="http://billseaman.com/">Source of Description</a> Rights Information about rights held in and over the resource Copyright William Seaman. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Bill Seaman Interactive video Linear video https://adelta.westernsydney.edu.au/files/original/10f53f494c9a44c7afefc366c8ac03e2.png 63e05642ba7bcdb2a0154467d14bd1ec https://adelta.westernsydney.edu.au/files/original/cce3b7cfe89ae21fd87ba183345b1da0.png 6a35d0f8f7b1ad6132ad58e640dc66c8 https://adelta.westernsydney.edu.au/files/original/9beffce910176b23af87ba16d2f5c6c1.png a4f3503d441e5f0a0a38ae69a7931370 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Video Work URL The URL of the original work, included as an HTML link. <a href="http://projects.visualstudies.duke.edu/billseaman/seamanhowe/aoa/aoa.htm">http://projects.visualstudies.duke.edu/billseaman/seamanhowe/aoa/aoa.htm</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://projects.visualstudies.duke.edu/billseaman/seamanhowe/aoa/aoa.htm">Description from author's website</a> Genre Generative video/audio/text installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Seaman_arquitecture Title A name given to the resource Architecture of Association Creator An entity primarily responsible for making the resource Seaman, Bill Howe, Daniel Date A point or period of time associated with an event in the lifecycle of the resource 2008 Language A language of the resource English Description An account of the resource The Architecture of Association is a large-scale, generative artwork that draws associative links between media elements to form an evolving visual collage. A distributed flow of image, video and poetic text is "intelligently" distributed over a number of display surfaces. As the work is emergent in nature, it does not repeat sequences of images or texts but instead dynamically generates a continuously recombinant network of associations. In 1995, Seaman coined the term 'Recombinant Poetics' to articulate a set of generative virtual worlds. <a href="http://projects.visualstudies.duke.edu/billseaman/seamanhowe/aoa/aoa.htm">Source of Description</a> Rights Information about rights held in and over the resource Copyright William Seaman and Daniel Howe. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Bill Seaman Daniel Howe Generative video Text https://adelta.westernsydney.edu.au/files/original/58c4342a1e117b1ee6ac6602c0f4106f.png 9cd8427c7bdab0aa4f3c389c0c5936c3 https://adelta.westernsydney.edu.au/files/original/da22dc81a8fbe5f88300d069532a4b85.png 3b9f13147fee153c192dd8e5df266f84 https://adelta.westernsydney.edu.au/files/original/fbb7b2b44ed55c078f100d0bc05455ec.png 8a98034eb168fe42c6ffa36a78cc8d3f ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://projects.visualstudies.duke.edu/billseaman/seamanhowe/eoe/eoe.htm">Description in artist's website</a> Work URL The URL of the original work, included as an HTML link. <a href="http://projects.visualstudies.duke.edu/billseaman/seamanhowe/eoe/eoe.htm">http://projects.visualstudies.duke.edu/billseaman/seamanhowe/eoe/eoe.htm</a> Genre Generative sound/video/audio/text installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Seaman_engine Title A name given to the resource Engine of Engines Creator An entity primarily responsible for making the resource Seaman, Bill Howe, Daniel Language A language of the resource English Description An account of the resource The Engine of Engines is a generative sound and video installation that responds in real-time to network traffic in the local environment. In the Hong Kong debut (see video), sixteen self-contained nodes, each comprised of a screen, processing-unit, audio output, and flash memory, are suspended in space by connective wire. Together these nodes react dynamically to the nearly one thousand computers in the School of Creative Media's labs, offices and classrooms. <a href="http://projects.visualstudies.duke.edu/billseaman/seamanhowe/eoe/eoe.htm">Source of Description</a> Date A point or period of time associated with an event in the lifecycle of the resource 2011 - present Rights Information about rights held in and over the resource Copyright William Seaman and Daniel Howe. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Bill Seaman Daniel Howe https://adelta.westernsydney.edu.au/files/original/2dd2c87b6d43b5c479d655f39d04dd56.png a4e337982f16fce88b2a2bb71cfee73b https://adelta.westernsydney.edu.au/files/original/412f74e6e461d236ab13601f9c581041.png fbe29517aa71c0733b9f112afa5762b4 https://adelta.westernsydney.edu.au/files/original/d170659f54ff4bb0c890234b442ef96b.png c9670fe9a594e4a581d5627f8ccae393 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Network installation Work URL The URL of the original work, included as an HTML link. <a href="http://www.jeffrey-shaw.net/html_main/frameset-works.php">http://www.jeffrey-shaw.net/html_main/frameset-works.php</a> Artist Statement A statement about the work, as provided by the artist(s). The Net.Art Browser is a means of conjoining information space with the museum space and hybridizing the interactivity of surfing the Internet with the museum tradition of wall mounted images. While painting, cinema and TV construe images inside a fixed frame, the notion of 'augmented reality' that accompanied the development of the virtual reality technologies offers the new paradigm of a mobile viewing window that reveals images that are spatially embedded in the real environment. Using this model, the Net.Art Browser's web sites, curated by Benjamin Weil, are virtually placed side by side along a white wall. A motorized large flat screen (linked to a cableless keyboard) allows the viewer to move this display window linearly (in either direction) from one Internet-connected web site to another. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.jeffrey-shaw.net/html_main/frameset-works.php">Statement from author's website</a> Genre Multimedia installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Shaw_netArt Title A name given to the resource The Net.Art Browser Creator An entity primarily responsible for making the resource Shaw, Jeffrey Date A point or period of time associated with an event in the lifecycle of the resource 1999 Language A language of the resource English Description An account of the resource Artist Statement The Net.Art Browser is a means of conjoining information space with the museum space and hybridizing the interactivity of surfing the Internet with the museum tradition of wall mounted images. While painting, cinema and TV construe images inside a fixed frame, the notion of 'augmented reality' that accompanied the development of the virtual reality technologies offers the new paradigm of a mobile viewing window that reveals images that are spatially embedded in the real environment. Using this model, the Net.Art Browser's web sites, curated by Benjamin Weil, are virtually placed side by side along a white wall. A motorized large flat screen (linked to a cableless keyboard) allows the viewer to move this display window linearly (in either direction) from one Internet-connected web site to another. <a href="http://www.jeffrey-shaw.net/html_main/frameset-works.php">Source of Artist Statement</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Jeffrey Shaw Multimedia Network installation https://adelta.westernsydney.edu.au/files/original/42650f353fbac94ed5e71ad8267bd720.png 9928ccc7396ac56930120c91e7b554e2 https://adelta.westernsydney.edu.au/files/original/d71f4d4e91173d6b990cb37b3b85513f.png a42b7636ade890afefaf86e77c2d78fe https://adelta.westernsydney.edu.au/files/original/63402e55577cba6d64a9f90b32eb0093.png fccbec78c85bc212c00d7de938647d7d ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Video installation Work URL The URL of the original work, included as an HTML link. <a href="http://vimeo.com/2832934">http://vimeo.com/2832934</a> Genre Interactive video installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Shaw_placeHampi Title A name given to the resource Place - Hampi Creator An entity primarily responsible for making the resource Shaw, Jeffrey Kenderdine, Sarah Date A point or period of time associated with an event in the lifecycle of the resource 2006 Language A language of the resource English Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Interactive environment Jeffrey Shaw MediaArt https://adelta.westernsydney.edu.au/files/original/7e2b56b3ae126581edeb1cf4db5ab7c6.png c3abedcd422f1b5af9b2469567bce820 https://adelta.westernsydney.edu.au/files/original/adcda94fe1ab247ef1c648c26951fe69.png c0d0851cad90e60b0106cae9eab35afc https://adelta.westernsydney.edu.au/files/original/02f3236884b7d0f59672bdfe623d9846.png 3da5030057c7d98f100436a696963808 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Video installation Work URL The URL of the original work, included as an HTML link. <a href="http://www.youtube.com/watch?v=61l7Y4MS4aU">http://www.youtube.com/watch?v=61l7Y4MS4aU</a> Related Website 1 The URL of a related web page such as a YouTube clip or Vimeo, included as an HTML link. <a href="http://www.jeffrey-shaw.net/html_main/frameset-works.php">http://www.jeffrey-shaw.net/html_main/frameset-works.php</a> Artist Statement A statement about the work, as provided by the artist(s). In The Legible City the visitor is able to ride a stationary bicycle through a simulated representation of a city that is constituted by computer-generated three-dimensional letters that form words and sentences along the sides of the streets. Using the ground plans of actual cities - Manhattan, Amsterdam and Karlsruhe - the existing architecture of these cities is completely replaced by textual formations written and compiled by Dirk Groeneveld. Travelling through these cities of words is consequently a journey of reading; choosing the path one takes is a choice of texts as well as their spontaneous juxtapositions and conjunctions of meaning. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.jeffrey-shaw.net/html_main/frameset-works.php">Excerpt from author's website</a> Genre Interactive video installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Shaw_legible Title A name given to the resource Legible City Creator An entity primarily responsible for making the resource Shaw, Jeffrey Groeneveld, Dirk Date A point or period of time associated with an event in the lifecycle of the resource 1988-91 Contributor An entity responsible for making contributions to the resource May, Gideon [Software] Schmitt, Lothar Van Vark, Tat [Hardware] Jungbauer, Charly [Hardware] Nelissen, Huib [Hardware] Language A language of the resource English Description An account of the resource Artist Statement In The Legible City the visitor is able to ride a stationary bicycle through a simulated representation of a city that is constituted by computer-generated three-dimensional letters that form words and sentences along the sides of the streets. Using the ground plans of actual cities - Manhattan, Amsterdam and Karlsruhe - the existing architecture of these cities is completely replaced by textual formations written and compiled by Dirk Groeneveld. Travelling through these cities of words is consequently a journey of reading; choosing the path one takes is a choice of texts as well as their spontaneous juxtapositions and conjunctions of meaning. <a href="http://www.jeffrey-shaw.net/html_main/frameset-works.php">Source of Artist Statement</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Interactive video Jeffrey Shaw MediaArt https://adelta.westernsydney.edu.au/files/original/a4397d20cc678b1757db48a3f011a9fe.png 7a3ab1440432b066405204346d4665a0 https://adelta.westernsydney.edu.au/files/original/8eb89e1f094c1986256a4ca57baed139.png 19c670d9de05510fd3e659e98f7c688a ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Video installation Work URL The URL of the original work, included as an HTML link. <a href="http://www.medienkunstnetz.de/works/the-virtuel-museum/">http://www.medienkunstnetz.de/works/the-virtuel-museum/</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://www.medienkunstnetz.de/works/the-virtuel-museum/">Description from Media Art Net, website for media artwork</a> Genre Interactive environment Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Shaw_virtualMuseum Title A name given to the resource The Virtual Museum Creator An entity primarily responsible for making the resource Shaw, Jeffrey Date A point or period of time associated with an event in the lifecycle of the resource 1991 Description An account of the resource An exact reproduction of the exhibition space is shown on a large monitor placed on a circular, motorized platform. Sitting in front of the screen in an armchair, visitors can navigate their way through four further virtual spaces by using the weight of their body to tip or swivel the chair. Each of these spaces contains different things: a gallery of pictures with running captions; an accumulation of sculptures consisting of letters of the alphabet; characters from the kanji alphabet on which sequences of film can be seen and floating letters that become a source of light. This 'Virtual Museum' functions only in part as a visual memory facility. Although every artistic medium is represented in it, paintings, sculptures, films and the computer-generated space itself are all transformed into signs that can be interpreted only with the help of specialist knowledge. <a href="http://www.medienkunstnetz.de/works/the-virtuel-museum/">Description from Media Art Net, website for media artwork</a> Language A language of the resource English Contributor An entity responsible for making contributions to the resource May, Gideon [Software] Nelissen, Huib [Hardware] Bossinade, Bas [Hardware] Produced under the auspices of the Stadelschule, Institut fur Neue Medien, Frankfurt a.M., Germany Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Interactive environment Jeffrey Shaw MediaArt https://adelta.westernsydney.edu.au/files/original/0bc182692f0c9518299b536c6969408b.png b5e98eb137b678224fe007b87492b3bb https://adelta.westernsydney.edu.au/files/original/04922eeabb0cd259db9f16028578fe6f.png 412bf4bbf7f320f234c694df464bd939 https://adelta.westernsydney.edu.au/files/original/5852fef35b78f0280d0a7c6a3a9d4c20.png 1dfe51f60272e8ffaa328de1dbaaa886 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Video installation Work URL The URL of the original work, included as an HTML link. <a href="http://www.jeffrey-shaw.net/html_main/show_work.php?record_id=96#">http://www.jeffrey-shaw.net/html_main/show_work.php?record_id=96#</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://www.iamas.ac.jp/interaction/i97/artist_Shaw.html">Excerpt from IAMAS, the Institute of Advance Media Arts and Science</a> Artist Statement A statement about the work, as provided by the artist(s). The installation has a large cylindrical projection screen with a round motorised platform in its centre, a computer and three video projectors that project onto a 120-degree portion of the screen. Continuous rotation of this viewing window around the screen reveals the full 360-degree computer-generated scene. While the work is controlled and generally viewed from within the circumference of the screen, the projected image can also be seen on its outside surface. The user interface in this work is a modified video camera. By rotating this camera and using its zoom and play buttons, the viewer controls his forward, backward and rotational movements through the virtual scene as well as the rotation of the platform and of the projected image around the circular screen. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.jeffrey-shaw.net/html_main/show_work.php?record_id=96#">Excerpt from author's website</a> Genre Computergraphic/Photo installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Shaw_placeUser Title A name given to the resource Place - a User's Manual Creator An entity primarily responsible for making the resource Shaw, Jeffrey Date A point or period of time associated with an event in the lifecycle of the resource 1995 Description An account of the resource This work extends the tradition of panorama painting, photography and cinematography in the vector of simulation and virtual reality. A rotating platform with three video projectors allows the viewer to interactively rotate his window of view around a circular projection screen and so explore a virtual three dimensional world constituted by an emblematic constellation of panoramic photographic landscapes. <a href="http://www.iamas.ac.jp/interaction/i97/artist_Shaw.html">Excerpt from IAMAS, the Institute of Advance Media Arts and Science</a> Artist Statement The installation has a large cylindrical projection screen with a round motorised platform in its centre, a computer and three video projectors that project onto a 120-degree portion of the screen. Continuous rotation of this viewing window around the screen reveals the full 360-degree computer-generated scene. While the work is controlled and generally viewed from within the circumference of the screen, the projected image can also be seen on its outside surface. The user interface in this work is a modified video camera. By rotating this camera and using its zoom and play buttons, the viewer controls his forward, backward and rotational movements through the virtual scene as well as the rotation of the platform and of the projected image around the circular screen. <a href="http://www.jeffrey-shaw.net/html_main/show_work.php?record_id=96#">Source of Artist Statement</a> Language A language of the resource English Contributor An entity responsible for making contributions to the resource Mathias, Adolf [Software] Nelissen, Huib [Hardware] Bossinade, Bas [Hardware] Waliczky, Tamas [2-D graphics] Camphausen, Rufus [Consultant] Produced under the auspices of the Neue Galerie am Landesmuseum Joanneum, Graz, Austria in cooperation with Stiftung Kulturfonds, Berlin, Germany and the ZKM, Karisuhe, Germany Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Interactive environment Jeffrey Shaw MediaArt https://adelta.westernsydney.edu.au/files/original/5cb131342e2ad19bc2cdc611e6be624d.png b397804e61332bc887753184844ee711 https://adelta.westernsydney.edu.au/files/original/3e7514149de0b0198fd554603f444756.png fa35d1b408d841b87089d02298e078b0 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Video installation Work URL The URL of the original work, included as an HTML link. <a href="http://www.jeffrey-shaw.net/html_main/show_work.php?record_id=97#">http://www.jeffrey-shaw.net/html_main/show_work.php?record_id=97#</a> Artist Statement A statement about the work, as provided by the artist(s). ConFIGURING the CAVE is a computer based interactive video installation that assumes a set of technical and pictorial procedures to identify various paradigmatic conjunctions of body and space. The work utilises the CAVE technology stereographic virtual reality environment with contiguous projections on three walls and the floor. The user interface is a near life-size wooden puppet that is formed like the prosaic artists' mannequin; this figure can be handled by the viewers to control real time transformations of the computer generated imagery and the sound composition. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.jeffrey-shaw.net/html_main/show_work.php?record_id=97#">Excerpt from author's website</a> Genre Interactive computergraphic installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Shaw_configuring Title A name given to the resource ConFIGURING the CAVE Creator An entity primarily responsible for making the resource Shaw, Jeffrey Hegedues, Agnes Lintermann, Bernd Date A point or period of time associated with an event in the lifecycle of the resource 1996 Contributor An entity responsible for making contributions to the resource Lintermann, Bernd [Software] Stuck, Leslie [Music] Language A language of the resource English Description An account of the resource Artist Statement ConFIGURING the CAVE is a computer based interactive video installation that assumes a set of technical and pictorial procedures to identify various paradigmatic conjunctions of body and space. The work utilises the CAVE technology stereographic virtual reality environment with contiguous projections on three walls and the floor. The user interface is a near life-size wooden puppet that is formed like the prosaic artists' mannequin; this figure can be handled by the viewers to control real time transformations of the computer generated imagery and the sound composition. <a href="http://www.jeffrey-shaw.net/html_main/show_work.php?record_id=97#">Source of Artist Statement</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Interactive environment Jeffrey Shaw MediaArt https://adelta.westernsydney.edu.au/files/original/a8d700562b8bf9e97b75f8f511428e90.png e2544059850d28b6326a85ac5e5dc7e8 https://adelta.westernsydney.edu.au/files/original/f8e7b316cfa36fda0abcaca2eeac26d3.png 682d1754691f17a1b1b0b8d49f8ac229 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Video installation Work URL The URL of the original work, included as an HTML link. <a href="http://www.jeffrey-shaw.net/html_main/show_work.php?record_id=105#">http://www.jeffrey-shaw.net/html_main/show_work.php?record_id=105#</a> Artist Statement A statement about the work, as provided by the artist(s). In this installation a rotating platform allows the viewer to interactively rotate a projected image within a large circular projection screen and explore a three dimensional virtual environment constituted by an emblematic constellation of panoramic locations and cinematic events. The work presents a virtual landscape containing eleven cylinders that show particular sites in the Ruhr area. The viewer can navigate this 3D space and enter these panoramic cylinders, inside each of which a surrounding cinematic sequence fills the projection screen and presents a 360 degree pre-recorded situation and acted event[...]A microphone on top of this interface camera picks up any sound that the viewer makes, and this causes the release of continuously moving three dimensional words and sentences within the projected scene. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.jeffrey-shaw.net/html_main/show_work.php?record_id=105#">Excerpt from author's website</a> Genre Interactive video installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Shaw_placeRuhr Title A name given to the resource Place - Ruhr Creator An entity primarily responsible for making the resource Shaw, Jeffrey Date A point or period of time associated with an event in the lifecycle of the resource 2000 Language A language of the resource English Contributor An entity responsible for making contributions to the resource Mathias, Adolf [Software] Kiel, Andreas [Software] Nelissen, Huib [Hardware] Description An account of the resource Artist Statement In this installation a rotating platform allows the viewer to interactively rotate a projected image within a large circular projection screen and explore a three dimensional virtual environment constituted by an emblematic constellation of panoramic locations and cinematic events. The work presents a virtual landscape containing eleven cylinders that show particular sites in the Ruhr area. The viewer can navigate this 3D space and enter these panoramic cylinders, inside each of which a surrounding cinematic sequence fills the projection screen and presents a 360 degree pre-recorded situation and acted event[...]A microphone on top of this interface camera picks up any sound that the viewer makes, and this causes the release of continuously moving three dimensional words and sentences within the projected scene. <a href="http://www.jeffrey-shaw.net/html_main/show_work.php?record_id=105#">Source of Artist Statement</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. 3D Virtual environment Interactive installation Jeffrey Shaw https://adelta.westernsydney.edu.au/files/original/54f6cd7b486808d09a844d299cd807a9.png 8a6a0a7601b6deaf0b79d570d2e9cdb2 https://adelta.westernsydney.edu.au/files/original/f115c1b112883d926a25127e5cea9d94.png e22e470d4d27acd3ce2fda60cf6ec400 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Video installation Work URL The URL of the original work, included as an HTML link. <a href="http://www.jeffrey-shaw.net/html_main/show_work.php?record_id=71#">http://www.jeffrey-shaw.net/html_main/show_work.php?record_id=71#</a> Artist Statement A statement about the work, as provided by the artist(s). In this installation images are projected onto a large screen lying flat on the floor of the exhibition space. The spectators stand on a surrounding balcony where a joystick enables any one of them to interactively operate the work by panning in any lateral direction over the surface of its images and zooming in or out of a chosen part of an image. At the zoom extremes the joystick generates a digital transition from one image layer to another. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.jeffrey-shaw.net/html_main/frameset-current.php/html_main/show_work.php?record_id=71">Excerpt from author's website</a> Genre Interactive computergraphic installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Shaw_narrative Title A name given to the resource The Narrative Landscape Creator An entity primarily responsible for making the resource Shaw, Jeffrey Groeneveld, Dirk Date A point or period of time associated with an event in the lifecycle of the resource 1984 Language A language of the resource English Description An account of the resource Artist Statement In this installation images are projected onto a large screen lying flat on the floor of the exhibition space. The spectators stand on a surrounding balcony where a joystick enables any one of them to interactively operate the work by panning in any lateral direction over the surface of its images and zooming in or out of a chosen part of an image. At the zoom extremes the joystick generates a digital transition from one image layer to another. <a href="http://www.jeffrey-shaw.net/html_main/frameset-current.php/html_main/show_work.php?record_id=71">Source of Artist Statement</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Interactive video Jeffrey Shaw https://adelta.westernsydney.edu.au/files/original/be0ae00ec6597903e4ddd19096c45aa1.png e5282422d9626f1210990766bb15ce94 https://adelta.westernsydney.edu.au/files/original/d9a7eabe9d0c975a140b2717c0ee8aa7.png 6ebe9980a29dbeb6f5a81be951243701 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Network Work URL The URL of the original work, included as an HTML link. <a href="http://www.jeffrey-shaw.net/html_main/frameset-works.php">http://www.jeffrey-shaw.net/html_main/frameset-works.php</a> Artist Statement A statement about the work, as provided by the artist(s). During Imagina '93 computer graphics installations in Monte Carlo and in Karlsruhe were connected by modem through a conventional telephone line. Facing large video screens, the two distant players each shared the same virtual image space. While manipulating their own graphic elements each person was at the same time seeing on the screen in front of them the result of their distant partner's actions [...] Sharing a televirtual space of alphabetic forms, the formal interaction of the two players was both a sculptural interplay of the letters as well as a tentative communication with words. Up to eight letters could be placed by each player on the board at one time, and each player's letters had a distinctive colour (magenta and cyan). These letters could be individually resized in width, height and depth, becoming more transparent as their size increased. Each letter could also be moved anywhere over and above the surface of the game board. After some time, letters that were not being manipulated in one way or another would disappear from the game board area. Another function allowed each player to independently control their angle of view over the whole scene, and a voice phone connection between the two sites also allowed the players to speak to each other while manipulating these letters in the shared virtual space. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.jeffrey-shaw.net/html_main/frameset-works.php">Excerpt from author's website</a> Genre Network installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Shaw_televirtual Title A name given to the resource Televirtual Chit Chat Creator An entity primarily responsible for making the resource Shaw, Jeffrey Date A point or period of time associated with an event in the lifecycle of the resource 1996 Language A language of the resource English Contributor An entity responsible for making contributions to the resource May, Gideon [Software] Description An account of the resource Artist Statement During Imagina '93 computer graphics installations in Monte Carlo and in Karlsruhe were connected by modem through a conventional telephone line. Facing large video screens, the two distant players each shared the same virtual image space. While manipulating their own graphic elements each person was at the same time seeing on the screen in front of them the result of their distant partner's actions [...] Sharing a televirtual space of alphabetic forms, the formal interaction of the two players was both a sculptural interplay of the letters as well as a tentative communication with words. Up to eight letters could be placed by each player on the board at one time, and each player's letters had a distinctive colour (magenta and cyan). These letters could be individually resized in width, height and depth, becoming more transparent as their size increased. Each letter could also be moved anywhere over and above the surface of the game board. After some time, letters that were not being manipulated in one way or another would disappear from the game board area. Another function allowed each player to independently control their angle of view over the whole scene, and a voice phone connection between the two sites also allowed the players to speak to each other while manipulating these letters in the shared virtual space. <a href="http://www.jeffrey-shaw.net/html_main/frameset-works.php">Source of Artist Statement</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Interactive network installation Jeffrey Shaw