9 25 263 https://adelta.westernsydney.edu.au/files/original/2cdf05be81c2a2358fe1e881d5c7db66.png 14a4c8bfbb7b5293ff19803dfdbf19c5 https://adelta.westernsydney.edu.au/files/original/f0e78aa6dcfe1bebb7a2befe5bc1187d.png 111a7520b37f0771666159afd70656dc ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Work URL The URL of the original work, included as an HTML link. <a href="http://www.sounddesign.unimelb.edu.au/web/biogs/P000313b.htm">http://www.sounddesign.unimelb.edu.au/web/biogs/P000313b.htm</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://www.sounddesign.unimelb.edu.au/web/biogs/P000313b.htm">Excerpt from the online database Australian Sound Design Project</a> Genre Audio installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Farman_Gibbs_suspended Title A name given to the resource Suspended Disbelief Creator An entity primarily responsible for making the resource Farman, Nola Gibbs, Anna Date A point or period of time associated with an event in the lifecycle of the resource 1997 Contributor An entity responsible for making contributions to the resource Smith, Andrew Description An account of the resource From within the pile of books, on an endless loop, comes the sound of two voices telling an endless story. The story is made from quotations from more than sixty different novels. The pieces are put together in such a way that they suggest a narrative. Something is happening, but just as you feel you know how the plot will go, it slides seamlessly to another story. It seems to be the same story but the narrative never finds resolution. It is a restless text held in permanent suspense. The text was written and performed by Nola Farman and Anna Gibbs. With thanks to Andrew Smith for the assembly of the installation. <a href="http://www.sounddesign.unimelb.edu.au/web/biogs/P000313b.htm">Excerpt from Australian Sound Design Project</a> Language A language of the resource English Rights Information about rights held in and over the resource Copyright Nola Farman and Anna Gibbs. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Installation Anna Gibbs Installation Nola Farman https://adelta.westernsydney.edu.au/files/original/b4190621d6b8b661094796a3036b93be.png 4f2e4be3cb85abd72a3e6128eca1ad7c https://adelta.westernsydney.edu.au/files/original/4a774e4de695a7c4ec5555eab3fa91ea.png 732b58a58cc7397553cd528ae3d2bc6b https://adelta.westernsydney.edu.au/files/original/c11f4726ce6c940a00fa2686022290b9.png 319e467699e19b1423834377e88a8f00 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.secrettechnology.com/sydney/">http://www.secrettechnology.com/sydney/</a> Artist Statement A statement about the work, as provided by the artist(s). Sydney's Siberia recreates how networks build exploratory story-scapes through an interactive zooming/clicking interface. Using 121 poetic/story image tiles, the artwork dynamically generates mosaics, infinitely recombining to build new connections/collections based on the users movements. The images/texts come from exploring Newcastle, Australia as a patchwork, a complex mix of architectural tendrils, whose stories extend to and are strained by the overshadowing behemoth of Sydney to the West. And as each new grid is formed, the reader must search for what they haven't seen, mining in a digital Siberia. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://heliozoa.com/?p=14#more-14">Description from author's website</a> Genre Web based digital poetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Nelson_Siberia Title A name given to the resource Sydney's Siberia Creator An entity primarily responsible for making the resource Nelson, Jason Date A point or period of time associated with an event in the lifecycle of the resource 2010 Language A language of the resource English Rights Information about rights held in and over the resource Copyright Jason Nelson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Digital poetry Net art Description An account of the resource Artist Statement Sydney's Siberia recreates how networks build exploratory story-scapes through an interactive zooming/clicking interface. Using 121 poetic/story image tiles, the artwork dynamically generates mosaics, infinitely recombining to build new connections/collections based on the users movements. The images/texts come from exploring Newcastle, Australia as a patchwork, a complex mix of architectural tendrils, whose stories extend to and are strained by the overshadowing behemoth of Sydney to the West. And as each new grid is formed, the reader must search for what they haven't seen, mining in a digital Siberia. <a href="http://heliozoa.com/?p=14#more-14">Source of Artist Statement</a> Digital poetry Jason Nelson Net art https://adelta.westernsydney.edu.au/files/original/862ada20ff37784263029bce93400e30.png 717703dbd1f04e906cdb85e6964a9e36 https://adelta.westernsydney.edu.au/files/original/8c296a1d4b402cc3ea643cd2d575f3a4.png 00ad8f66f734d65f72f6a47fb99f6993 https://adelta.westernsydney.edu.au/files/original/697c962d574bd361d4053cbfa9f02e39.png b4e702ffbd941ce1a3f46d7da99a484e ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime HTML Work URL The URL of the original work, included as an HTML link. <a href="http://ensemble.va.com.au/tableau/simon/index.html">http://ensemble.va.com.au/tableau/simon/index.html</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://ensemble.va.com.au/tableau/about.htm">Tableau website</a> Genre Multimedia hypertext Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Robb_adelaide Title A name given to the resource Tableau: Greetings from Adelaide Creator An entity primarily responsible for making the resource Robb, Simon Description An account of the resource Tableau's premise is the city: Adelaide. As place, time, tense, sense. It's the 'about' of writing oneself autobiographically, through the physical stratas of city, and it's especially 'about' how to write that to/for someone, as audience/reader, elsewhere. The project is aimed at a 'new monumentality' both personal and communal which creates different routes through individual memory and through collective cultural memory. The project has been funded by the Australia Council's New Media Fund. And generously supported and sponsored by the Experimental Art Foundation (Adelaide), and by Virtual Artists Jesse Reynolds & Dave Sag. As well, Ngapartji Cooperative Multimedia Centre (CMC) is a sponsor through the use of its premises and equipment for workshops. <a href="http://ensemble.va.com.au/tableau/about.htm">Tableau's website</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Multimedia hypertext Simon Robb https://adelta.westernsydney.edu.au/files/original/1627f7875292c735d93d11881bb478d9.png c5b0ddea38c5dbadba123a3032318fd9 https://adelta.westernsydney.edu.au/files/original/5bf6501a7684040c8781b85df84e6cb7.png 016fa36f0d723d22ffad7aae4222d780 https://adelta.westernsydney.edu.au/files/original/5c7c5906866d3340552e3648ac5badf4.png 0548bad767dbaa597b1816b38be9cf57 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime HTML Genre Hypertext Multimedia Work URL The URL of the original work, included as an HTML link. <a href="http://ensemble.va.com.au/tableau/index.html">http://ensemble.va.com.au/tableau/index.html</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://ensemble.va.com.au/tableau/about.htm">Tableau website</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Hoskin_translation Title A name given to the resource Tableau: Here Creator An entity primarily responsible for making the resource Hoskin, Teri Date A point or period of time associated with an event in the lifecycle of the resource 1998 Description An account of the resource Tableau's premise is the city: Adelaide. As place, time, tense, sense. It's the 'about' of writing oneself autobiographically, through the physical stratas of city, and it's especially 'about' how to write that to/for someone, as audience/reader, elsewhere. The project is aimed at a 'new monumentality' both personal and communal which creates different routes through individual memory and through collective cultural memory. The project has been funded by the Australia Council's New Media Fund. And generously supported and sponsored by the Experimental Art Foundation (Adelaide), and by Virtual Artists Jesse Reynolds & Dave Sag. As well, Ngapartji Cooperative Multimedia Centre (CMC) is a sponsor through the use of it's premises and equipment for workshops. <a href="http://ensemble.va.com.au/tableau/about.htm">Source of Description</a> Language A language of the resource English Subject The topic of the resource Electronic writing Hypertext Multimedia Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Electronic writing Hypertext Multimedia Teri Hoskin https://adelta.westernsydney.edu.au/files/original/47812a3f197d6685842ac87315b8763a.png 76f71fb2f976ba3ae2d374674d4ae22b https://adelta.westernsydney.edu.au/files/original/7daa2b28adb752a248d2d3cf0409bb3b.png 75917f1b70349760908a3c332dd5433c ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Work URL The URL of the original work, included as an HTML link. <a href="http://sistero.sysx.org/mythengine/takemethere/index.html">http://sistero.sysx.org/mythengine/takemethere/index.html</a> Artist Statement A statement about the work, as provided by the artist(s). A live video feed from the room where I often sleep captures the canal outside the window, a well-traversed trade route into Amsterdam. A live web cam sequences at 6 sec time intervals and transmits this via the Internet, which opens up as a portal, a projection site in Hobart. A counter at the right bottom marks the date and time. On the left, each morning at dawn GMT+1. I add a personal aphorism. I ask the viewer to consider the detail in a scene that might otherwise be consumed in a momentary glance the light, the mood of the water, the position of the birds, the trash. The 6 sec. incremental changes are perceptible, revealed through changes of the reloading frame. Somewhere in between the image peel a cargo boat on the canal vanishes. The next frame we may only see its wake. At times, the canal is completely still. A dark body of water. Or hours there is nothing happening and suddenly two birds are caught in mid flight. Because the work is Live it calls into question where the 'object' actually is - is it located at the server, on site in Hobart? Or in-between, the interstices of the world? In a sense, the work is un-locatable its point of origin is continually shifting. If you can tell me where it is, I would say it is dead. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://sistero.sysx.org/mythengine/takemethere/index.html">Description from author's website</a> Genre Live webcast projection with performative text Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context MauroFlaude_takeMe Title A name given to the resource Take Me There: Bring Me Back Creator An entity primarily responsible for making the resource Mauro-Flude, Nancy Date A point or period of time associated with an event in the lifecycle of the resource 2006 Language A language of the resource English Subject The topic of the resource Digital media Ephemeral Projection with embedded text Webcam transmisson Webcast performance Description An account of the resource Artist Statement A live video feed from the room where I often sleep captures the canal outside the window, a well-traversed trade route into Amsterdam. A live web cam sequences at 6 sec time intervals and transmits this via the Internet, which opens up as a portal, a projection site in Hobart. A counter at the right bottom marks the date and time. On the left, each morning at dawn GMT+1. I add a personal aphorism. I ask the viewer to consider the detail in a scene that might otherwise be consumed in a momentary glance the light, the mood of the water, the position of the birds, the trash. The 6 sec. incremental changes are perceptible, revealed through changes of the reloading frame. Somewhere in between the image peel a cargo boat on the canal vanishes. The next frame we may only see its wake. At times, the canal is completely still. A dark body of water. Or hours there is nothing happening and suddenly two birds are caught in mid flight. Because the work is Live it calls into question where the 'object' actually is - is it located at the server, on site in Hobart? Or in-between, the interstices of the world? In a sense, the work is un-locatable its point of origin is continually shifting. If you can tell me where it is, I would say it is dead. <a href="http://sistero.sysx.org/mythengine/takemethere/index.html">Source of Artist Statement</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Digital media Ephemeral Nancy Mauro-Flude Projection with embedded text Webcam transmisson Webcast performance https://adelta.westernsydney.edu.au/files/original/77c1a8c97d5b0d75e0117ae6decb3dc6.png d7aa302d2fc3420c47432b210d7a376d https://adelta.westernsydney.edu.au/files/original/f458c77d536bbb6513d41f4c0f734d59.png edb30081164ae8a04122aefe67939169 https://adelta.westernsydney.edu.au/files/original/9af6f55ad4f45f5e0fd410965702782c.png fc1ba6b22817bb2bfb9af3044cbbc61d ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Second Life/Video installation/Blog Work URL The URL of the original work, included as an HTML link. <a href="http://www.out-of-sync.com/weatherwebsite2012/project.html">http://www.out-of-sync.com/weatherwebsite2012/project.html</a> Artist Statement A statement about the work, as provided by the artist(s). Talking About the Weather is an ongoing cross media project sparked by our response to the terrifying spectre of global climate change. Sheer terror at the possibilities that are being talked about led us to talking about the weather. In this project weather talk is no longer a banal exchange of local weather conditions, but instead we ask people to donate their breath - the breath which they would normally use to talk about the weather and the same breath that is spread far and wide as described by Tim Flannery. Working with breath emphasises the dynamic nature of the atmosphere and our part in its creation and destruction. As Tim Flannery says, every breath you take makes you part of a dynamic system called the atmosphere, or the aerial ocean. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.out-of-sync.com/weatherwebsite2012/project.html">Artists' website</a> Genre Virtual environment/Multimedia installation/Performance Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Miranda_Neumark_weather Title A name given to the resource Talking about the Weather Creator An entity primarily responsible for making the resource Out-of-sync Neumark, Norie Miranda, Maria Date A point or period of time associated with an event in the lifecycle of the resource 2006 Language A language of the resource English Contributor An entity responsible for making contributions to the resource Flanagan, Borges Rights Information about rights held in and over the resource Copyright Norie Neumark and Maria Miranda. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Description An account of the resource Artist Statement Talking About the Weather is an ongoing cross media project sparked by our response to the terrifying spectre of global climate change. Sheer terror at the possibilities that are being talked about led us to talking about the weather. In this project weather talk is no longer a banal exchange of local weather conditions, but instead we ask people to donate their breath - the breath which they would normally use to talk about the weather and the same breath that is spread far and wide as described by Tim Flannery. Working with breath emphasises the dynamic nature of the atmosphere and our part in its creation and destruction. As Tim Flannery says, every breath you take makes you part of a dynamic system called the atmosphere, or the aerial ocean. <a href="http://www.out-of-sync.com/weatherwebsite2012/project.html">Source of Artist Statement</a> Installation Out-of-sync https://adelta.westernsydney.edu.au/files/original/be0ae00ec6597903e4ddd19096c45aa1.png e5282422d9626f1210990766bb15ce94 https://adelta.westernsydney.edu.au/files/original/d9a7eabe9d0c975a140b2717c0ee8aa7.png 6ebe9980a29dbeb6f5a81be951243701 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Network Work URL The URL of the original work, included as an HTML link. <a href="http://www.jeffrey-shaw.net/html_main/frameset-works.php">http://www.jeffrey-shaw.net/html_main/frameset-works.php</a> Artist Statement A statement about the work, as provided by the artist(s). During Imagina '93 computer graphics installations in Monte Carlo and in Karlsruhe were connected by modem through a conventional telephone line. Facing large video screens, the two distant players each shared the same virtual image space. While manipulating their own graphic elements each person was at the same time seeing on the screen in front of them the result of their distant partner's actions [...] Sharing a televirtual space of alphabetic forms, the formal interaction of the two players was both a sculptural interplay of the letters as well as a tentative communication with words. Up to eight letters could be placed by each player on the board at one time, and each player's letters had a distinctive colour (magenta and cyan). These letters could be individually resized in width, height and depth, becoming more transparent as their size increased. Each letter could also be moved anywhere over and above the surface of the game board. After some time, letters that were not being manipulated in one way or another would disappear from the game board area. Another function allowed each player to independently control their angle of view over the whole scene, and a voice phone connection between the two sites also allowed the players to speak to each other while manipulating these letters in the shared virtual space. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.jeffrey-shaw.net/html_main/frameset-works.php">Excerpt from author's website</a> Genre Network installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Shaw_televirtual Title A name given to the resource Televirtual Chit Chat Creator An entity primarily responsible for making the resource Shaw, Jeffrey Date A point or period of time associated with an event in the lifecycle of the resource 1996 Language A language of the resource English Contributor An entity responsible for making contributions to the resource May, Gideon [Software] Description An account of the resource Artist Statement During Imagina '93 computer graphics installations in Monte Carlo and in Karlsruhe were connected by modem through a conventional telephone line. Facing large video screens, the two distant players each shared the same virtual image space. While manipulating their own graphic elements each person was at the same time seeing on the screen in front of them the result of their distant partner's actions [...] Sharing a televirtual space of alphabetic forms, the formal interaction of the two players was both a sculptural interplay of the letters as well as a tentative communication with words. Up to eight letters could be placed by each player on the board at one time, and each player's letters had a distinctive colour (magenta and cyan). These letters could be individually resized in width, height and depth, becoming more transparent as their size increased. Each letter could also be moved anywhere over and above the surface of the game board. After some time, letters that were not being manipulated in one way or another would disappear from the game board area. Another function allowed each player to independently control their angle of view over the whole scene, and a voice phone connection between the two sites also allowed the players to speak to each other while manipulating these letters in the shared virtual space. <a href="http://www.jeffrey-shaw.net/html_main/frameset-works.php">Source of Artist Statement</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Interactive network installation Jeffrey Shaw https://adelta.westernsydney.edu.au/files/original/365404e504a742ffb6dd14fee6845678.png e8d3979c7754946136d6de8760a38145 https://adelta.westernsydney.edu.au/files/original/f56aadb99dfba73234278ee4c802edca.png 92891b707f53805fd107bac94047ef2c https://adelta.westernsydney.edu.au/files/original/05be68d98f873629cd0e6fa2da381886.png 1ef23211b8f4f82ac718840252f5ca12 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Work URL The URL of the original work, included as an HTML link. <a href="http://komninos.com.au/cyberpoetry/cyberpoetry1995-1997/iwb/intro.html">http://komninos.com.au/cyberpoetry/cyberpoetry1995-1997/iwb/intro.html</a> Related Website 1 The URL of a related web page such as a YouTube clip or Vimeo, included as an HTML link. <a href="http://iloveepoetry.com/?p=402">http://iloveepoetry.com/?p=402 </a> Artist Statement A statement about the work, as provided by the artist(s). This piece is a narrative cyberpoem which i first began working on in 1995 for my cyberpoetry CD-ROMs. That version, called "reality is a construct" was created in logo-motion in 3D and ran for seven minutes. This version, because of different connection speeds, different browsers, different hosts, etc., has to be restricted to animated gifs and whatever comes packaged with Netscape 3. <a href="http://komninos.com.au/cyberpoetry/cyberpoetry1995-1997/iwb/intro.html"> Statement from author's website</a> Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime gif animation Genre Web based digital poetry Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://iloveepoetry.com/?p=402">Excerpt of Leonardo Flores' description, I love E-Poetry</a> Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://komninos.com.au/cyberpoetry/cyberpoetry1995-1997/iwb/intro.html">Statement from author's website</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Zervos_adventures Title A name given to the resource The Adventures of i Creator An entity primarily responsible for making the resource Zervos, Komninos Date A point or period of time associated with an event in the lifecycle of the resource 1995 Description An account of the resource This narrative 'cyberpoem' started in 1995 with the goal of developing into a lengthy 'soapie' about the life of i. The project obviously didn't go on for a long time, though the 18 webisodes plus two alternate guest webisodes collected here are a testament to an ingenious exploration of the narrative potential of animated Concrete Poetry. Each piece is an ingenious animated GIF that illustrates and comments upon a moment in the early life of a character named i. The personification of the typographical character i and the transformation of other words into objects that i explores and interacts with truly exemplifies the Noigandres group's description of Concrete Poetry as 'tension of things-words in space-time.' <a href="http://iloveepoetry.com/?p=402">Excerpt of Leonardo Flores' description, I love E-Poetry</a> Artist Statement This piece is a narrative cyberpoem which i first began working on in 1995 for my cyberpoetry CD-ROMs. That version, called "reality is a construct" was created in logo-motion in 3D and ran for seven minutes. This version, because of different connection speeds, different browsers, different hosts, etc., has to be restricted to animated gifs and whatever comes packaged with Netscape 3. <a href="http://komninos.com.au/cyberpoetry/cyberpoetry1995-1997/iwb/intro.html">Source of Artist Statement</a> Language A language of the resource English Subject The topic of the resource Animated gif Concrete poetry Cyberpoetry Rights Information about rights held in and over the resource Copyright Komninos Zervos. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Animated gif Concrete poetry Cyberpoetry Komninos Zervos https://adelta.westernsydney.edu.au/files/original/e0bf280c868e756e4f771dc3098f6411.png 0045d2331ef749273c5a0c282dab2197 https://adelta.westernsydney.edu.au/files/original/21b89a48d2095f0b921142784e836c86.png ff860fe77cbb07f7008a2c115ebfebc4 https://adelta.westernsydney.edu.au/files/original/7f352fa5583102892e435fa997f8bb25.png 16470d82d7f999a708ef02c8c3bc7a3c ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Video/Performance Work URL The URL of the original work, included as an HTML link. <a href="http://www.remixthebook.com/the-art-of-walking">http://www.remixthebook.com/the-art-of-walking</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. Gillian Fuller Artist Statement A statement about the work, as provided by the artist(s). The Art of Walking where we remix Agnes Varda's Vagabond, our own online project Museum of Rumour and Mark Amerika's Sentences on Remixology 1.0 with a dash of Hamish Fulton the walking artist. The work came about through serendipity. Mark's deadline for his Remix project was looming and we had just read his Sentences on Remixology 1.0 a wonderful piece of writing that detourned Sol Lewitt's own Sentences on Conceptual Art. Mark had completely rethought what it is to be a media/ postproduction artist today. His thinking ranged widely across the arts and philosophy and there was a lot to think about. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.remixthebook.com/the-art-of-walking">Artists' statement from remixthebook.com</a> Genre Video/Web/Performative Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Miranda_Neumark_artofWalking Title A name given to the resource The Art of Walking Creator An entity primarily responsible for making the resource Out-of-sync Neumark, Norie Miranda, Maria Date A point or period of time associated with an event in the lifecycle of the resource 2011 Description An account of the resource The Art of Walking is a small, deft and moving contemplation on walking as both art and remix. The Art of Walking was created specifically for the website of Mark Amerika's 'Remix the Book' Project, which itself was a remix of Amerika's 'theoretical performances' that foregrounded samples of ideas and concepts he had gleaned and used from other writers, philosophers artists, poets, musician etc. As part of this whole 'remix' project, Out-of-Sync were invited artists to create work musing on remixing. Gillian Fuller Artist Statement The Art of Walking where we remix Agnes Varda's Vagabond, our own online project Museum of Rumour and Mark Amerika's Sentences on Remixology 1.0 with a dash of Hamish Fulton the walking artist. The work came about through serendipity. Mark's deadline for his Remix project was looming and we had just read his Sentences on Remixology 1.0 a wonderful piece of writing that detourned Sol Lewitt's own Sentences on Conceptual Art. Mark had completely rethought what it is to be a media/ postproduction artist today. His thinking ranged widely across the arts and philosophy and there was a lot to think about. <a href="http://www.remixthebook.com/the-art-of-walking">Artists' statement from remixthebook.com</a> Language A language of the resource English Rights Information about rights held in and over the resource Copyright Norie Neumark and Maria Miranda. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Out-of-sync https://adelta.westernsydney.edu.au/files/original/7f41fa68270e1e01522892c0272fce5a.png 76e61ab2468921c11b894b52d79c3bd9 https://adelta.westernsydney.edu.au/files/original/51c22499ab4e488f3e68e8710b69970a.png d63ee9a3a2b34e659e1c4f36df3328a5 https://adelta.westernsydney.edu.au/files/original/c24fb5447940bedd37d3f608e417e390.png 2e9b9fbbaa859f4d4c34c7e75bcc27b5 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.heliozoa.com/gene/bomargene.htm">http://www.heliozoa.com/gene/bomargene.htm</a> Artist Statement A statement about the work, as provided by the artist(s). Within every human there is a singular gene, unique only to that individual. And with that gene comes a singular ability, a rare, mostly never realized capacity for interacting with the world. The Bomar Gene explores this mythical gene, through a series of ficto-biographies, with each story being retranslated and spatialized through interactive interfaces and embodied animations. Each section opens up to such questions as: How are we defined by our genetic code? What does it mean to be an individual, to be unique? What are the implications of a society obsessed with rare abilities and super-powers? Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://heliozoa.com/?p=21#more-21">Statement from artist's website</a> Genre Web based digital poetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Nelson_bomarGene Title A name given to the resource The Bomar Gene Creator An entity primarily responsible for making the resource Nelson, Jason Date A point or period of time associated with an event in the lifecycle of the resource 2005 Language A language of the resource English Rights Information about rights held in and over the resource Copyright Jason Nelson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Description An account of the resource Artist Statement Within every human there is a singular gene, unique only to that individual. And with that gene comes a singular ability, a rare, mostly never realized capacity for interacting with the world. The Bomar Gene explores this mythical gene, through a series of ficto-biographies, with each story being retranslated and spatialized through interactive interfaces and embodied animations. Each section opens up to such questions as: How are we defined by our genetic code? What does it mean to be an individual, to be unique? What are the implications of a society obsessed with rare abilities and super-powers? <a href="http://heliozoa.com/?p=21#more-21">Source of Artist Statement</a> Digital poetry Jason Nelson Net art https://adelta.westernsydney.edu.au/files/original/dd693ac6e87efb2b770a33999f740190.png e4b79d2fe9a0f14f50c071430c2f4bcc https://adelta.westernsydney.edu.au/files/original/b58768c4750ba79837b9aa3102f1c176.png d3dcb7334bd3cfc23b534eb8049003f2 https://adelta.westernsydney.edu.au/files/original/9157446ddf0d5d44e2a83aed35fade82.png 116c4cc34323034eb65d833701740c15 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Work URL The URL of the original work, included as an HTML link. <a href="http://sitekreator.com/bendenham/chopstick_technique.html">http://sitekreator.com/bendenham/chopstick_technique.html</a> Artist Statement A statement about the work, as provided by the artist(s). With two pens in each hand the artist attempts to write four letters simultaneously. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.bendenham.com/">Description from author's website</a> Genre Text based video performance Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Denham_chopstick Title A name given to the resource The Chopstick Technique Creator An entity primarily responsible for making the resource Denham, Ben Date A point or period of time associated with an event in the lifecycle of the resource 2002/2011 Language A language of the resource English Rights Information about rights held in and over the resource Copyright Ben Denham. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Video performance Description An account of the resource Artist Statement With two pens in each hand the artist attempts to write four letters simultaneously. <a href="http://www.bendenham.com/">Source of Artist Statement</a> Ben Denham Video performance https://adelta.westernsydney.edu.au/files/original/5f55d7325a4894da6c9af13097db1416.png 5b6eb694c0c34c877d9019bc5fd7a5fa ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime mobile phone / tablet app Work URL The URL of the original work, included as an HTML link. <a href="https://itunes.apple.com/us/book/the-city-we-build/id599211495?mt=11">https://itunes.apple.com/us/book/the-city-we-build/id599211495?mt=11</a> Artist Statement A statement about the work, as provided by the artist(s). Get lost in the hidden places of Brisbane's Fortitude Valley. Discover secret doorways and forgotten phone boxes, dance with ghosts of the streets' past and future. In The City We Build, create your own pathways. Weaving words into the physical spaces that we walk around daily, three Brisbane poets take you on an experimental journey of poetic storytelling through the rich hunting grounds of Fortitude Valley, unearthing its abundance of night spots, unusual characters, river posts, and alleyways. Beginning at the iconic Judith Wright Centre of Contemporary Arts, these poetic trails combine language and landmarks to showcase 'the Valley' in a whole new light. And you lead the way Traverse the Brisbane River and discover the fluidity of choice with Julie Beveridge. Delve into the rock 'n' roll underbelly of the Valley with Carmen Leigh Keates. And travel through time and space, into Brisbane's past and through its future, with Chris Lynch. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="https://itunes.apple.com/us/book/the-city-we-build/id599211495?mt=11">Authors' description from iTunes</a> Genre Collaborative digital book Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Beveridge_city_build Title A name given to the resource The City We Build Creator An entity primarily responsible for making the resource Beveridge, Julie Keates, Carmen Leigh Lynch, Chris Keong, Cindy Date A point or period of time associated with an event in the lifecycle of the resource 2013 Publisher An entity responsible for making the resource available if:book Australia Language A language of the resource English Subject The topic of the resource App for mobile Collaborative digital book Tablet Description An account of the resource Artist Statement Get lost in the hidden places of Brisbane's Fortitude Valley. Discover secret doorways and forgotten phone boxes, dance with ghosts of the streets' past and future. In The City We Build, create your own pathways. Weaving words into the physical spaces that we walk around daily, three Brisbane poets take you on an experimental journey of poetic storytelling through the rich hunting grounds of Fortitude Valley, unearthing its abundance of night spots, unusual characters, river posts, and alleyways. Beginning at the iconic Judith Wright Centre of Contemporary Arts, these poetic trails combine language and landmarks to showcase 'the Valley' in a whole new light. And you lead the way Traverse the Brisbane River and discover the fluidity of choice with Julie Beveridge. Delve into the rock 'n' roll underbelly of the Valley with Carmen Leigh Keates. And travel through time and space, into Brisbane's past and through its future, with Chris Lynch. <a href="https://itunes.apple.com/us/book/the-city-we-build/id599211495?mt=11">Authors' description from iTunes</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. App for mobile Carmen Leigh Keates Chris Lynch Cindy Keong Collaborative digital book Julie Beveridge Tablet https://adelta.westernsydney.edu.au/files/original/7fdab0a514f163908a782f08f990e3c2.png 355fe059b6b60819367a60f7bde606c4 https://adelta.westernsydney.edu.au/files/original/c509062a07672ff4c57d7e961fd4b03f.png 3da876b55fcfd66c7ddec8a8d79d9468 https://adelta.westernsydney.edu.au/files/original/2159f013b0141b3edcb193c51fa635ef.png 15c558a3800a61d6456e33fdc0df5a96 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Web application Genre Interactive digital poetry Work URL The URL of the original work, included as an HTML link. <a href="http://netwurkerz.de/mez/datableed/complete/index.htm">http://netwurkerz.de/mez/datableed/complete/index.htm</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://iloveepoetry.com/?p=171"> Excerpt from Leonardo Flores' description in I love E-Poetry</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Breeze_datableed Title A name given to the resource the data][h!][bleeding texts" Creator An entity primarily responsible for making the resource Breeze, Mez Description An account of the resource This multimedia poem gives a voice to a body and mind imagined through computational conditions. Mary Anne Breeze / Mez / Netwurker has developed a language practice known as mezangelle, which she uses in this poem to create a cyborg lyric voice. The implied metaphor in the title is that data has a body and it is bleeding, perhaps it has been wounded. Mapped onto electronic texts, the displayed texts are the skin, while the code is the rest of the body, including the blood. What we read is a combination of computer and natural languages, both of which are executable. <a href="http://iloveepoetry.com/?p=171">Excerpt from Leonardo Flores' description in I love E-Poetry</a> Language A language of the resource English Rights Information about rights held in and over the resource Copyright Mez Breeze. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Code.work Interactive Net art Mezangelle Net.wurk Code.work Interactive Mez Breeze Mezangelle Net art Net.wurk https://adelta.westernsydney.edu.au/files/original/b2510f4a46bc40ffdec2d391da43fe0c.png bf6d330d6fee6d260558dc64cc792bfc https://adelta.westernsydney.edu.au/files/original/e22063f77f4ea40aad50c3f012142eeb.png 77eec62479b01b1cf88f8b4e1735a959 https://adelta.westernsydney.edu.au/files/original/df3bb82c1d7211b3fb6947489ce28789.png 2d2c7aaac3fa15b00d49c909de3e8931 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Genre A Literary game environment Work URL The URL of the original work, included as an HTML link. <a href="http://labs.dreamingmethods.com/tower/">http://labs.dreamingmethods.com/tower/</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://iloveepoetry.com/?p=302"> Excerpt from Leonardo Flores' description in I love E-Poetry</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Breeze_dead_tower Title A name given to the resource The Dead Tower Creator An entity primarily responsible for making the resource Breeze, Mez Date A point or period of time associated with an event in the lifecycle of the resource 2012 Contributor An entity responsible for making contributions to the resource Campbell, Andy Description An account of the resource This narrative poem is arranged on a darkly atmospheric virtual world designed to both creep you out and pull you in through curiosity. Like the proverbial moth, the reader's attention is drawn towards the brightest things around: white words float in the air, static or rotating. And the lines of mezangelle verse both heighten the dread by telling fragments of a ghostly narrative prefigured by the bus crash site the reader finds herself in and soften the tone with hints about the interface that nudge the fourth wall. <a href="http://iloveepoetry.com/?p=302">Excerpt from Leonardo Flores' description in I love E-Poetry</a> Language A language of the resource English Rights Information about rights held in and over the resource Copyright Mez Breeze. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Code.work Interactive Mezangelle Net art Net.wurk Code.work Interactive Mez Breeze Mezangelle Net art Net.wurk https://adelta.westernsydney.edu.au/files/original/0fa0f8737465b009e5f00351e3eda1b5.png b2f44adbc85578b96e3f477aee374f31 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime App mobile phone/tablet Work URL The URL of the original work, included as an HTML link. <a href="http://redroomcompany.org/projects/disappearing/">http://redroomcompany.org/projects/disappearing/</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://www.abc.net.au/radionational/programs/poetica/the-disappearing/5151842">Excerpt from the radio program Poetica, Radio National</a> Artist Statement A statement about the work, as provided by the artist(s). The Disappearing is a free app for Apple and Android devices that (literally) maps poetry and place. As an ongoing project, The Disappearing uncovers poetry’s invisible currents in the world around us. Using geo-location to map poetry to place, the app charts fragmentary histories, impressions and memories, encouraging readers to interact in a non-linear way. Not only is The Disappearing a pocket-sized library of poems about places, the app is also an alternative travel guide that preserves and shares experiences, emotions and ideas that vanish over time. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://redroomcompany.org/projects/disappearing/">Statement from The Red Room Company website</a> Genre Interactive poetry mapping Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context RedRoom_disappearing Title A name given to the resource The Disappearing Creator An entity primarily responsible for making the resource Red Room App Project Date A point or period of time associated with an event in the lifecycle of the resource 2012 Description An account of the resource The Disappearing is an interactive phone app that uses GPS technology to connect poetry to place. Over 200 poems linked to particular locations around Australia can be accessed via the phone app. What the poems have in common is that they all address the subject of 'disappearance'. It might be a natural feature, like the water in Lake Eyre as described in Rachael Mead's poem 'Kati Thanda'. It might be a place, like Fonzie's Fantasyland in Kate Lilley's poem about the seedy past of Sydney's Oxford Street. It could be a person, such as Emiko Ogura in Adam Aitken's poem 'Missing Persons'. Or it could be a species on the verge of disappearance, as in Bret Dionysius's 'Black Throated Finch'. <a href="http://www.abc.net.au/radionational/programs/poetica/the-disappearing/5151842">Excerpt from the radio program Poetica, Radio National</a> Artist Statement The Disappearing is a free app for Apple and Android devices that (literally) maps poetry and place. As an ongoing project, The Disappearing uncovers poetry’s invisible currents in the world around us. Using geo-location to map poetry to place, the app charts fragmentary histories, impressions and memories, encouraging readers to interact in a non-linear way. Not only is The Disappearing a pocket-sized library of poems about places, the app is also an alternative travel guide that preserves and shares experiences, emotions and ideas that vanish over time. <a href="http://redroomcompany.org/projects/disappearing/">Source of Artist Statement</a> Publisher An entity responsible for making the resource available The Red Room Company Language A language of the resource English Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Android iPad iPhone Red Room App Project https://adelta.westernsydney.edu.au/files/original/359fd261bcf84d700cc596f368cdd270.png 14bcad0c35e15010d5616187a94bee24 https://adelta.westernsydney.edu.au/files/original/01575422951d8d4f6391f46c1a004ed8.png 0ca71462fba4a5ae106536882f9e8d9c https://adelta.westernsydney.edu.au/files/original/b44f48d9d3adbaa177db5f66bd3c7cb0.png 9cdfeb44c837c42b42f0cb6163752553 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.australysis.com/eggsite/theegg/eggfinalv2.html">http://www.australysis.com/eggsite/theegg/eggfinalv2.html</a> Artist Statement A statement about the work, as provided by the artist(s). The egg, the cart, the horse, the chicken was written by Hazel Smith (text) and Roger Dean (sound). The hypertext and animations, written in Flash by Hazel Smith, are designed for a split screen. The texts in both the upper and lower frame are grouped into short linear 'scenes' which form an overall 'movie'. But the sequence in the upper frame can be disrupted by clicking on hyperlinks (marked in capital letters), which allow the reader to jump to texts other than the ones which follow each other in sequence. Consequently the juxtaposition of the texts on the two different screens is also variable. The piece engages with the way in which linear systems are constantly disrupted by non-linearity. This is written into the piece at a formal level by the use of the hyperlinks, animation and split screen, which tend to disrupt normal reading processes. Thematically the piece also addresses the ways in which a simple cause and effect relationship rarely operates, even within scientific systems. At the same time the hypertextual network interconnects many different ideas including the cultural significance of illness, the process of writing, the commodification of women's bodies, and the atemporal nature of memory. <a href="http://www.australysis.com/eggsite/theegg/cart%20info.html">Statement in authors' website</a> Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.australysis.com/eggsite/theegg/cart%20info.html">Statement in authors' website</a> Genre Hypermedia Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Smith_eggCartHorse Title A name given to the resource The egg, the cart, the horse, the chicken Creator An entity primarily responsible for making the resource Smith, Hazel Dean, Roger Date A point or period of time associated with an event in the lifecycle of the resource 2004 Language A language of the resource English Description An account of the resource Artist Statement The egg, the cart, the horse, the chicken was written by Hazel Smith (text) and Roger Dean (sound). The hypertext and animations, written in Flash by Hazel Smith, are designed for a split screen. The texts in both the upper and lower frame are grouped into short linear 'scenes' which form an overall 'movie'. But the sequence in the upper frame can be disrupted by clicking on hyperlinks (marked in capital letters), which allow the reader to jump to texts other than the ones which follow each other in sequence. Consequently the juxtaposition of the texts on the two different screens is also variable. The piece engages with the way in which linear systems are constantly disrupted by non-linearity. This is written into the piece at a formal level by the use of the hyperlinks, animation and split screen, which tend to disrupt normal reading processes. Thematically the piece also addresses the ways in which a simple cause and effect relationship rarely operates, even within scientific systems. At the same time the hypertextual network interconnects many different ideas including the cultural significance of illness, the process of writing, the commodification of women's bodies, and the atemporal nature of memory. <a href="http://www.australysis.com/eggsite/theegg/cart%20info.html">Source of Artist Statement</a> Rights Information about rights held in and over the resource Copyright Hazel Smith and Roger Dean. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Hazel Smith https://adelta.westernsydney.edu.au/files/original/922a486d15c2dfb3300593a545da7824.png f16135c60f14030da783d0115d82d24d ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Media Book/CD Rom Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Smith_erotics Title A name given to the resource The Erotics of Geography Creator An entity primarily responsible for making the resource Smith, Hazel Contributor An entity responsible for making contributions to the resource Dean, Roger White, Greg Brewster, Anne Rights Information about rights held in and over the resource Copyright Hazel Smith, Roger Dean, Greg White and Anne Brewster. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Book Hazel Smith Multimedia https://adelta.westernsydney.edu.au/files/original/dbfc22a81e610a0e76fa5fcae35966fa.png cdce26f753b8f332ebc09b66a2ff5d47 https://adelta.westernsydney.edu.au/files/original/fcab9efc092a8e87f568e2c97c245599.png 57c9907e3550e6d926f56b19cc957409 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime DVD ROM/CD ROM Work URL The URL of the original work, included as an HTML link. <a href="http://www.medienkunstnetz.de/works/mechanism-of-shivers/">http://www.medienkunstnetz.de/works/mechanism-of-shivers/</a> Related Website 1 The URL of a related web page such as a YouTube clip or Vimeo, included as an HTML link. <a href="http://billseaman.com/">http://billseaman.com/</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://www.medienkunstnetz.de/works/mechanism-of-shivers/">Description from Media Art Net, website for media artwork</a> Genre Multimedia interactive poetry/Video Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Seaman_exquisite Title A name given to the resource The Exquisite Mechanism of Shivers Creator An entity primarily responsible for making the resource Seaman, Bill Date A point or period of time associated with an event in the lifecycle of the resource 2002 Description An account of the resource 33 brief image and musical scenes are each based on a sentence of ten words. These exquisite image and sound compositions are mechanically combined, but internally organized by a poetic logic. The fragmentary aspect of splinter as well as the oscillation of trembles release appropriate associations, as the coherences in meaning of the work are formed into sentences of oscillating sense from the 330 fragmentations of the menu. <a href="http://www.medienkunstnetz.de/works/mechanism-of-shivers/">Description from Media Art Net, website for media artwork</a> Publisher An entity responsible for making the resource available ZKM Videosammlung Language A language of the resource English Rights Information about rights held in and over the resource Copyright William Seaman. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Bill Seaman Media Art Net https://adelta.westernsydney.edu.au/files/original/311b17bfffe14d5fdf9a356c9dbf2933.png f742a961cb60794679f36de9378fa410 https://adelta.westernsydney.edu.au/files/original/400d901e94db9ad22d80c4ee5e469491.png d02479ee2239d61bcbe7002c162cf5cc ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime QuickTime Genre Web based digital poetry Work URL The URL of the original work, included as an HTML link. <a href="http://yamanakanash.net/fseots/">http://yamanakanash.net/fseots/</a> Artist Statement A statement about the work, as provided by the artist(s). This is a simple work. It is a cycle of poems, randomly interlinked. It is not radical in its use of technology - the randomising perl script is the most natural way to navigate the cycle of poems because, while all the poems were written in the year 2003 during a period of intense personal circumstances as well as intense public international upheavals, the poems bear no linear relationship to each other and therefore can be read in any order. The technology is used in the service of artistic expression, which is a sensible role for technology. In this case, the artistic expression is simply a cycle of poems, so there is little to recommend it. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://yamanakanash.net/fseots/">Description in author's website</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Nash_southEast Title A name given to the resource The Far South East of the Soul Creator An entity primarily responsible for making the resource Nash, Adam Date A point or period of time associated with an event in the lifecycle of the resource 2003 Language A language of the resource English Rights Information about rights held in and over the resource Copyright Adam Nash. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Randomly hyperlinked poem cycle Description An account of the resource Artist Statement This is a simple work. It is a cycle of poems, randomly interlinked. It is not radical in its use of technology - the randomising perl script is the most natural way to navigate the cycle of poems because, while all the poems were written in the year 2003 during a period of intense personal circumstances as well as intense public international upheavals, the poems bear no linear relationship to each other and therefore can be read in any order. The technology is used in the service of artistic expression, which is a sensible role for technology. In this case, the artistic expression is simply a cycle of poems, so there is little to recommend it. <a href="http://yamanakanash.net/fseots/">Source of Artist Statement</a> Adam Nash Randomly hyperlinked poem cycle https://adelta.westernsydney.edu.au/files/original/c9fe73e1df69dfb45ff66812d950bcd9.png d5becc1004cd8a9ba7a94df823a8a6de https://adelta.westernsydney.edu.au/files/original/22cdd44c370b393aa6b36a03db58b477.png 42ea3e44134aab136488a9a202383380 https://adelta.westernsydney.edu.au/files/original/9e48d293a03a5d0147e40cbbb3b97637.png 55ccd737ca6600c3f7f87352c6ddddfe ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime HTML Genre Web based participatory documentary Work URL The URL of the original work, included as an HTML link. <a href="http://www.duckdigital.net/FOD/">http://www.duckdigital.net/FOD/</a> Artist Statement A statement about the work, as provided by the artist(s). The Flight of Ducks [is] a participatory online documentary built around a collection of objects from a camel expedition into Central Australia in 1933. [This work] takes the textual form of a journey through a landscape and turns it into a contextual universe where hypertext paths can be taken through a datascape. These paths form stories. Narratives that can dip into their paper bound origins or plunge into the poetics of the screen space. In this space they are composed into shimmering pixilated displays where image and text are inseparable and anyone can participate. <a href="http://www.duckdigital.net/FOD/FOD0259.html#Types">Excerpt from author's article Duck Song: Text and Image in on-line narrative. </a> Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.duckdigital.net/FOD/FOD0259.html#Types">Excerpt from author's article Duck Song: Text and Image in on-line narrative. </a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Pockley_ducks Title A name given to the resource The Flight of Ducks Creator An entity primarily responsible for making the resource Pockley, Simon Date A point or period of time associated with an event in the lifecycle of the resource 1995-ongoing Language A language of the resource English Rights Information about rights held in and over the resource Copyright Simon Pockley. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Description An account of the resource Artist Statement The Flight of Ducks [is] a participatory online documentary built around a collection of objects from a camel expedition into Central Australia in 1933. [This work] takes the textual form of a journey through a landscape and turns it into a contextual universe where hypertext paths can be taken through a datascape. These paths form stories. Narratives that can dip into their paper bound origins or plunge into the poetics of the screen space. In this space they are composed into shimmering pixilated displays where image and text are inseparable and anyone can participate. <a href="http://www.duckdigital.net/FOD/FOD0259.html#Types">Excerpt from author's article: Duck Song: Text and Image in on-line narrative.</a> Critical work Hypertext Participatory online documentary Simon Pockley https://adelta.westernsydney.edu.au/files/original/18078b8f2b3dd4bdd7362f588833ae71.png 09af8981d44d24828ff288b25da26186 https://adelta.westernsydney.edu.au/files/original/fcb10bab8497893c4ad60aea597a9bc0.png 8f25f3cbb8ba31122f19ce3c992e913d ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Work URL The URL of the original work, included as an HTML link. <a href="http://www.sounddesign.unimelb.edu.au/web/biogs/P000307b.htm">http://www.sounddesign.unimelb.edu.au/web/biogs/P000307b.htm</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://www.sounddesign.unimelb.edu.au/web/biogs/P000307b.htm">Excerpt from the online database Australian Sound Design Project</a> Genre Multimedia interactive installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Farman_Gibbs_heart Title A name given to the resource The Heart of the Matter Creator An entity primarily responsible for making the resource Farman, Nola Gibbs, Anna Date A point or period of time associated with an event in the lifecycle of the resource 1989 Description An account of the resource Two armchairs face each other across an island of carpet. One of them is occupied by a large red plastic love heart, steadily beating and pulsing with light. As anyone approaches, the heart beats faster and louder, subsiding as s/he moves away again. (the heart's 'sensitivity' to the spectator's presence is simulated by the action of two fields of ultrasonic radar which regulate the rhythm of its beat). For some people, the Heart appears to be excited at their approach and for others it seems to be alarmed. When anyone sits in the empty chair it causes the telephone to ring. The telephone plays an endless loop tape (Text written and performed by Anna Gibbs). The contents of the tape consist of a voice which insists by means of a persistent monologue, on the distance as well as proximity or intimacy offered by the telephone to the user - but the person using the telephone is not alone. The telephone is called the Heart Line. A surveillance camera is always trained on the empty or occupiable chair and the image relayed to the outside of the installation. The room is controlled by two fields of ultra sonic radar. <a href="http://www.sounddesign.unimelb.edu.au/web/biogs/P000307b.htm">Excerpt from the Australian Sound Design Project</a> Language A language of the resource English Rights Information about rights held in and over the resource Copyright Nola Farman and Anna Gibbs. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Interactive installation Anna Gibbs Interactive installation Nola Farman https://adelta.westernsydney.edu.au/files/original/ea2ec9d9be98378482624d336188a3bb.png 984a4d77169cb360964468da7071b2d3 https://adelta.westernsydney.edu.au/files/original/8ab38cedd28c8742e6584ea22eb0a78d.png ed3f12e6485e4a82551f3b238bc5d8ee https://adelta.westernsydney.edu.au/files/original/41844ed5afb84df640336af176fc0bdc.png 2acc81fa484eeb27b6bb6ba2145b7d29 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime HTML Genre Web based digital poetry / Hypertext Work URL The URL of the original work, included as an HTML link. <a href="http://www.overthere.com.au/mother/country.html">http://www.overthere.com.au/mother/country.html</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. Gillian Fuller Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Caney_mother Title A name given to the resource The Mother country Creator An entity primarily responsible for making the resource Caney, Diane Date A point or period of time associated with an event in the lifecycle of the resource 1999 Description An account of the resource A short hypertext poem which subverts notions of Mother Country by thinking through the obverse: 'a mother becomes a country'. The work repurposes the 'look and feel' of other of Caney's poems, for instance, Time's Daughter, through reuse of html coding and animated gifs found in that work. The re-use of other of the author's sites is part of a long standing research into intertextuality, identity and online poetics. Gillian Fuller Language A language of the resource English Subject The topic of the resource Net poetry Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Diane Caney Net poetry https://adelta.westernsydney.edu.au/files/original/54f6cd7b486808d09a844d299cd807a9.png 8a6a0a7601b6deaf0b79d570d2e9cdb2 https://adelta.westernsydney.edu.au/files/original/f115c1b112883d926a25127e5cea9d94.png e22e470d4d27acd3ce2fda60cf6ec400 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Video installation Work URL The URL of the original work, included as an HTML link. <a href="http://www.jeffrey-shaw.net/html_main/show_work.php?record_id=71#">http://www.jeffrey-shaw.net/html_main/show_work.php?record_id=71#</a> Artist Statement A statement about the work, as provided by the artist(s). In this installation images are projected onto a large screen lying flat on the floor of the exhibition space. The spectators stand on a surrounding balcony where a joystick enables any one of them to interactively operate the work by panning in any lateral direction over the surface of its images and zooming in or out of a chosen part of an image. At the zoom extremes the joystick generates a digital transition from one image layer to another. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.jeffrey-shaw.net/html_main/frameset-current.php/html_main/show_work.php?record_id=71">Excerpt from author's website</a> Genre Interactive computergraphic installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Shaw_narrative Title A name given to the resource The Narrative Landscape Creator An entity primarily responsible for making the resource Shaw, Jeffrey Groeneveld, Dirk Date A point or period of time associated with an event in the lifecycle of the resource 1984 Language A language of the resource English Description An account of the resource Artist Statement In this installation images are projected onto a large screen lying flat on the floor of the exhibition space. The spectators stand on a surrounding balcony where a joystick enables any one of them to interactively operate the work by panning in any lateral direction over the surface of its images and zooming in or out of a chosen part of an image. At the zoom extremes the joystick generates a digital transition from one image layer to another. <a href="http://www.jeffrey-shaw.net/html_main/frameset-current.php/html_main/show_work.php?record_id=71">Source of Artist Statement</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Interactive video Jeffrey Shaw https://adelta.westernsydney.edu.au/files/original/2dd2c87b6d43b5c479d655f39d04dd56.png a4e337982f16fce88b2a2bb71cfee73b https://adelta.westernsydney.edu.au/files/original/412f74e6e461d236ab13601f9c581041.png fbe29517aa71c0733b9f112afa5762b4 https://adelta.westernsydney.edu.au/files/original/d170659f54ff4bb0c890234b442ef96b.png c9670fe9a594e4a581d5627f8ccae393 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Network installation Work URL The URL of the original work, included as an HTML link. <a href="http://www.jeffrey-shaw.net/html_main/frameset-works.php">http://www.jeffrey-shaw.net/html_main/frameset-works.php</a> Artist Statement A statement about the work, as provided by the artist(s). The Net.Art Browser is a means of conjoining information space with the museum space and hybridizing the interactivity of surfing the Internet with the museum tradition of wall mounted images. While painting, cinema and TV construe images inside a fixed frame, the notion of 'augmented reality' that accompanied the development of the virtual reality technologies offers the new paradigm of a mobile viewing window that reveals images that are spatially embedded in the real environment. Using this model, the Net.Art Browser's web sites, curated by Benjamin Weil, are virtually placed side by side along a white wall. A motorized large flat screen (linked to a cableless keyboard) allows the viewer to move this display window linearly (in either direction) from one Internet-connected web site to another. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.jeffrey-shaw.net/html_main/frameset-works.php">Statement from author's website</a> Genre Multimedia installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Shaw_netArt Title A name given to the resource The Net.Art Browser Creator An entity primarily responsible for making the resource Shaw, Jeffrey Date A point or period of time associated with an event in the lifecycle of the resource 1999 Language A language of the resource English Description An account of the resource Artist Statement The Net.Art Browser is a means of conjoining information space with the museum space and hybridizing the interactivity of surfing the Internet with the museum tradition of wall mounted images. While painting, cinema and TV construe images inside a fixed frame, the notion of 'augmented reality' that accompanied the development of the virtual reality technologies offers the new paradigm of a mobile viewing window that reveals images that are spatially embedded in the real environment. Using this model, the Net.Art Browser's web sites, curated by Benjamin Weil, are virtually placed side by side along a white wall. A motorized large flat screen (linked to a cableless keyboard) allows the viewer to move this display window linearly (in either direction) from one Internet-connected web site to another. <a href="http://www.jeffrey-shaw.net/html_main/frameset-works.php">Source of Artist Statement</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Jeffrey Shaw Multimedia Network installation https://adelta.westernsydney.edu.au/files/original/bd245eac1f55bf7d93db047b26f25dea.png f4b3220b8cc2a6e540356dd1e69c0ac3 https://adelta.westernsydney.edu.au/files/original/aa555d3f74479865e48554bb426d6915.png 2960a6ba65e7eef3a90aaf4ae6c4c4e9 https://adelta.westernsydney.edu.au/files/original/597c594a09bed6d988c4754971cfb499.png baf96d6e60cbc7de6664615fb197e2f4 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.secrettechnology.com/poem_cube/poem_cube.html">http://www.secrettechnology.com/poem_cube/poem_cube.html</a> Artist Statement A statement about the work, as provided by the artist(s). One possible reading is as 3-dimensional concrete poetry sculpture generator. The cube interface allows the reader to move the interface in 3-dimesional space, with the all elements placed on the cube transforming in proportion to the cube's movement, perspective and warping is reasonably maintained as the cube is moved. Furthermore, each of the rows and columns can be moved to further recreate the placement and graphical nature of the poem. Each of the sides of the poem are colour coded to give the reader a reference point for the initial configuration of the interface, so changes become more apparent. A learning tool designed by myself and programmer Rory Hering. The Cube allows users/poets to enter a 16 line poem, with those lines automatically placed within the multi-layered sections. Use the buttons to move in and out, recombining the poems by turning the Cube upwards, downwards and inwards. Built to act as a bridge between the print and digital worlds. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.secrettechnology.com/">Description from author's website</a> Genre Web based digital poetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Nelson_poetryCube Title A name given to the resource The Poetry Cube Creator An entity primarily responsible for making the resource Nelson, Jason Date A point or period of time associated with an event in the lifecycle of the resource 2007-8 Language A language of the resource English Rights Information about rights held in and over the resource Copyright Jason Nelson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Digital poetry Interactive poetry cubes Net art Description An account of the resource Artist Statement One possible reading is as 3-dimensional concrete poetry sculpture generator. The cube interface allows the reader to move the interface in 3-dimesional space, with the all elements placed on the cube transforming in proportion to the cube's movement, perspective and warping is reasonably maintained as the cube is moved. Furthermore, each of the rows and columns can be moved to further recreate the placement and graphical nature of the poem. Each of the sides of the poem are colour coded to give the reader a reference point for the initial configuration of the interface, so changes become more apparent. A learning tool designed by myself and programmer Rory Hering. The Cube allows users/poets to enter a 16 line poem, with those lines automatically placed within the multi-layered sections. Use the buttons to move in and out, recombining the poems by turning the Cube upwards, downwards and inwards. Built to act as a bridge between the print and digital worlds. <a href="http://www.secrettechnology.com/">Source of Artist Statement</a> Digital poetry Interactive poetry cubes Jason Nelson Net art