9 25 263 https://adelta.westernsydney.edu.au/files/original/7f717b0aff5a374b9c678b92e5aaf971.png 518427f0ee8461d719411be0e297f696 https://adelta.westernsydney.edu.au/files/original/288302c63707549bb79605e339cfe9a8.png 605e1990868c11003a428537423dd5e4 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Installation Work URL The URL of the original work, included as an HTML link. <a href="http://www.jeffrey-shaw.net/html_main/frameset-works.php">http://www.jeffrey-shaw.net/html_main/frameset-works.php</a> Artist Statement A statement about the work, as provided by the artist(s). Large LED alphanumeric units are mounted in a 13 x 9 grid on the stage tower of this theatre. Like a conventional news sign textual information is scrolled through these elements, but because the alphanumeric units are spaced far apart, the projected information becomes abstracted into a more complex image - it generates a patterning of fragments of words and sentences that appear to weave in and out of the wall of the building. The theatre users interactively program this sign, taking titles and texts from performances that are being presented in the theatre. Thus the sculpture radiates fragments of texts from the current stage production to the viewers outside, and from a great distance draws attention and makes the building porous to a transfer of information from inside out. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.jeffrey-shaw.net/html_main/frameset-works.php">Excerpt from author's website</a> Genre Mix media installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Shaw_architext Title A name given to the resource Architext Creator An entity primarily responsible for making the resource Shaw, Jeffrey Date A point or period of time associated with an event in the lifecycle of the resource 1993 Language A language of the resource English Contributor An entity responsible for making contributions to the resource Novamatic, Eich, Germany [Hardware and Software] Description An account of the resource Artist Statement Large LED alphanumeric units are mounted in a 13 x 9 grid on the stage tower of this theatre. Like a conventional news sign textual information is scrolled through these elements, but because the alphanumeric units are spaced far apart, the projected information becomes abstracted into a more complex image - it generates a patterning of fragments of words and sentences that appear to weave in and out of the wall of the building. The theatre users interactively program this sign, taking titles and texts from performances that are being presented in the theatre. Thus the sculpture radiates fragments of texts from the current stage production to the viewers outside, and from a great distance draws attention and makes the building porous to a transfer of information from inside out. <a href="http://www.jeffrey-shaw.net/html_main/frameset-works.php">Source of Artist Statement</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Installation Jeffrey Shaw Media Art https://adelta.westernsydney.edu.au/files/original/e89a711532b6fe7955a111404a2fe733.png f8c654bffa1b5f74ae8058303b81193c ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Video Installation Work URL The URL of the original work, included as an HTML link. <a href="http://www.jeffrey-shaw.net/html_main/frameset-works.php">http://www.jeffrey-shaw.net/html_main/frameset-works.php</a> Artist Statement A statement about the work, as provided by the artist(s). In this installation at the International Art & Science Exhibition a large, back projected high-resolution monitor was mounted on a motorised turntable. An infra-red joystick controlled the 360-degree rotation of this screen and the synchronous rotation of the viewer's point of view in the computer-generated scene. This joystick also allowed the viewer to move his point of view forwards and backwards in the scene. The computer-generated imagery showed a room that reproduced the appearance and proportions of the real room accommodating the installation. The virtual space (the image on the the screen) and the real space (the room) were optically aligned so that the viewer facing a door or a window in the real room would also be facing the same features in the simulated room. In this way Alice's Room set up a conjunction of virtual and actual spaces enabling reality and fiction be physically interpolated. Four computer-generated objects were added in this simulated environment - red, green, yellow and blue rectangular boxes in the corners of the room. When entered, each box became a room interior which looked exactly like the outer room while at the same time possessing unique characteristics. The first room showed the four coloured boxes in a continuous circulating process of splitting into thirty-two smaller boxes and then reassembling themselves. The second room showed two rows of large moving Japanese characters - a haiku written specially by Shuntaro Tanikawa. The third room contained a slowly rotating wire-frame hypercube. At the centre of the fourth room was a continuously turning replica of the actual video monitor. While this simulated monitor had a blank white screen, moving coloured reflections on the walls of the room conveyed the impression that it was being illuminated by images on this empty screen. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.jeffrey-shaw.net/html_main/frameset-works.php">Statement from author's website</a> Genre Computergraphic installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Shaw_alice Title A name given to the resource Alice's Room Creator An entity primarily responsible for making the resource Shaw, Jeffrey May, Gideon Date A point or period of time associated with an event in the lifecycle of the resource 1989 Contributor An entity responsible for making contributions to the resource Huib Nelissen [Hardware] Floris van Manen [Hardware] Language A language of the resource English Description An account of the resource Artist Statement In this installation at the International Art & Science Exhibition a large, back projected high-resolution monitor was mounted on a motorised turntable. An infra-red joystick controlled the 360-degree rotation of this screen and the synchronous rotation of the viewer's point of view in the computer-generated scene. This joystick also allowed the viewer to move his point of view forwards and backwards in the scene. The computer-generated imagery showed a room that reproduced the appearance and proportions of the real room accommodating the installation. The virtual space (the image on the the screen) and the real space (the room) were optically aligned so that the viewer facing a door or a window in the real room would also be facing the same features in the simulated room. In this way Alice's Room set up a conjunction of virtual and actual spaces enabling reality and fiction be physically interpolated. Four computer-generated objects were added in this simulated environment - red, green, yellow and blue rectangular boxes in the corners of the room. When entered, each box became a room interior which looked exactly like the outer room while at the same time possessing unique characteristics. The first room showed the four coloured boxes in a continuous circulating process of splitting into thirty-two smaller boxes and then reassembling themselves. The second room showed two rows of large moving Japanese characters - a haiku written specially by Shuntaro Tanikawa. The third room contained a slowly rotating wire-frame hypercube. At the centre of the fourth room was a continuously turning replica of the actual video monitor. While this simulated monitor had a blank white screen, moving coloured reflections on the walls of the room conveyed the impression that it was being illuminated by images on this empty screen. <a href="http://www.jeffrey-shaw.net/html_main/frameset-works.php">Source of Artist Statement</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Interactive environment Jeffrey Shaw MediaArt https://adelta.westernsydney.edu.au/files/original/6ab1ca799fe248e50c76bd981f204219.png 3983507229d241f4169b19004535e322 https://adelta.westernsydney.edu.au/files/original/3557524a9c0a21f863b0139aa31a6e40.png 5ad8ffe2ac51c202f0a85d4a850bacf4 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Video Work URL The URL of the original work, included as an HTML link. <a href="http://www.jeffrey-shaw.net/html_main/show_work.php?record_id=72">http://www.jeffrey-shaw.net/html_main/show_work.php?record_id=72</a> Artist Statement A statement about the work, as provided by the artist(s). For the exhibition Kunst Over de Vloer artists were invited to create works in the rooms of a private apartment building. Anamorphoses of Memory was located in a sparse and untidy student's bedroom. A monitor was placed on a mattress on the floor with its screen facing upwards. On the monitor screen moving rows of text were anamorphically reflected onto a mirrored cylinder standing upright in the centre of the screen. These texts moved outwards from the centre of the screen in concentric circles. Reflected on the cylinder, they became vertically scrolling sentences which could be read by the viewers. The texts were written specially by Dirk Groeneveld and evoked certain erotic contingencies performed in this bedroom. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.jeffrey-shaw.net/html_main/show_work.php?record_id=72">Statement from author's website</a> Genre Computergraphic/video installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Shaw_anamorphoses Title A name given to the resource Anamorphoses of Memory Creator An entity primarily responsible for making the resource Shaw, Jeffrey Groeneveld, Dirk Date A point or period of time associated with an event in the lifecycle of the resource 1986 Contributor An entity responsible for making contributions to the resource May, Gideon [Software] Language A language of the resource English Description An account of the resource Artist Statement For the exhibition Kunst Over de Vloer artists were invited to create works in the rooms of a private apartment building. Anamorphoses of Memory was located in a sparse and untidy student's bedroom. A monitor was placed on a mattress on the floor with its screen facing upwards. On the monitor screen moving rows of text were anamorphically reflected onto a mirrored cylinder standing upright in the centre of the screen. These texts moved outwards from the centre of the screen in concentric circles. Reflected on the cylinder, they became vertically scrolling sentences which could be read by the viewers. The texts were written specially by Dirk Groeneveld and evoked certain erotic contingencies performed in this bedroom. <a href="http://www.jeffrey-shaw.net/html_main/show_work.php?record_id=72">Source of Artist Statement</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Installation Jeffrey Shaw Media Art https://adelta.westernsydney.edu.au/files/original/634039f7b9a715b2c8d24260b43a1d40.png 4fe63448020407017e0eec1bab4129ba https://adelta.westernsydney.edu.au/files/original/75f3110259092f4815878d0d6299eaa1.png baaca6dff0a63d98ac491be303dd4ee5 https://adelta.westernsydney.edu.au/files/original/386b5c4b7f8ed1b06f44b6e4cb700b6a.png 781dbec77e16e0d5c5bf7cad6b634ff0 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Video Work URL The URL of the original work, included as an HTML link. <a href="http://www.jeffrey-shaw.net/html_main/frameset-current.php/html_main/show_work.php?record_id=67">http://www.jeffrey-shaw.net/html_main/frameset-current.php/html_main/show_work.php?record_id=67</a> Artist Statement A statement about the work, as provided by the artist(s). Points of View was a 'theatre of signs' with both stage and protagonists being provided by a three-dimensional computer graphics simulation that was video projected onto a large screen in front of a seated audience...The representation of the actors on the stage was derived from the ancient Egyptian alphabet - each figure was a hieroglyphic character. This constellation of signs was used to articulate a world model with an underlying set of physical and conceptual relationships. Sixteen sound tracks - mostly spoken texts - were interactively linked to the image via the same joystick that controlled the visual movements. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.jeffrey-shaw.net/html_main/frameset-current.php/html_main/show_work.php?record_id=67">Excerpt from author's website</a> Genre Computergraphic/video installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Shaw_pointsView1 Title A name given to the resource Points of View I Creator An entity primarily responsible for making the resource Shaw, Jeffrey Date A point or period of time associated with an event in the lifecycle of the resource 1983 Contributor An entity responsible for making contributions to the resource Abel, Larry [Software] Van Vark, Tat [Hardware] Jungbauer, Charly [Hardware] Ziegler, Torsten [Software] Steine, Armin [Hardware] Produced under the auspices of the Mickery Theater, Amsterdam, Netherlands Language A language of the resource English Description An account of the resource Artist Statement Points of View was a 'theatre of signs' with both stage and protagonists being provided by a three-dimensional computer graphics simulation that was video projected onto a large screen in front of a seated audience...The representation of the actors on the stage was derived from the ancient Egyptian alphabet - each figure was a hieroglyphic character. This constellation of signs was used to articulate a world model with an underlying set of physical and conceptual relationships. Sixteen sound tracks - mostly spoken texts - were interactively linked to the image via the same joystick that controlled the visual movements. <a href="http://www.jeffrey-shaw.net/html_main/frameset-current.php/html_main/show_work.php?record_id=67">Source of Artist Statement</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Installation Jeffrey Shaw Media Art https://adelta.westernsydney.edu.au/files/original/22c7f358b77f5a39e8a7d7fb6c48b92c.png 0636aef0084b0c72b20f3e3ef74d4456 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Video Work URL The URL of the original work, included as an HTML link. <a href="http://www.jeffrey-shaw.net/html_main/frameset-current.php/html_main/show_work.php?record_id=68">http://www.jeffrey-shaw.net/html_main/frameset-current.php/html_main/show_work.php?record_id=68</a> Artist Statement A statement about the work, as provided by the artist(s). Points of View II - Babel addressed issues relating to the Falklands War. It implemented functional and iconographic structures that were similar to Points of View I. Egyptian hieroglyphs were used to articulate both a visual and psychological architecture - a hierarchical edifice that set out to identify the essential pathology of power and its inevitable predisposition to oppression and warfare. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.jeffrey-shaw.net/html_main/frameset-current.php/html_main/show_work.php?record_id=68">Statement from author's website</a> Genre Computergraphic/video installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Shaw_pointsView2 Title A name given to the resource Points of View II - Babel Creator An entity primarily responsible for making the resource Shaw, Jeffrey Date A point or period of time associated with an event in the lifecycle of the resource 1983 Contributor An entity responsible for making contributions to the resource Abel, Larry [Software] Van Vark, Tat [Hardware] Jungbauer, Charly [Hardware] Language A language of the resource English Description An account of the resource Artist Statement Points of View II - Babel addressed issues relating to the Falklands War. It implemented functional and iconographic structures that were similar to Points of View I. Egyptian hieroglyphs were used to articulate both a visual and psychological architecture - a hierarchical edifice that set out to identify the essential pathology of power and its inevitable predisposition to oppression and warfare. <a href="http://www.jeffrey-shaw.net/html_main/frameset-current.php/html_main/show_work.php?record_id=68">Source of Artist Statement</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Installation Jeffrey Shaw Media Art https://adelta.westernsydney.edu.au/files/original/3afd878db436c4acd8d3a3dffde90d4d.png ba4889c7c82600b509556f144082b008 https://adelta.westernsydney.edu.au/files/original/20eeb3f24296847b4102123cfeafd344.png 458930c2155d403f307bcb9665af0482 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime QuickTime/Shockwave Flash/Java Genre Hypertext Work URL The URL of the original work, included as an HTML link. <a href="http://www.abc.net.au/arts/stuff-art/stuff-art99/stuff98/10.htm">http://www.abc.net.au/arts/stuff-art/stuff-art99/stuff98/10.htm</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://www.sounddesign.unimelb.edu.au/web/biogs/P000357b.htm">Excerpt from Australian Sound Design Project</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Smith_Wordstuffs Title A name given to the resource Wordstuffs: the city and the body Creator An entity primarily responsible for making the resource Smith, Hazel Dean, Roger White, Greg The AustraLYSIS Electroband Date A point or period of time associated with an event in the lifecycle of the resource 1998 Description An account of the resource This is an interactive hypermedia piece, designed for the web, and comprising text, sound, graphics and animation. Participants can create their own alternative pathways and combine the elements in many different ways. The work concerns the interface between the city and the body. It dislocates the concepts of a definable and locatable cityscape, and of a unified, gendered subject. It creates new assemblies and configurations of the body and the city. It thereby reconfigures them into a 'hyperscape', a postmodern site which is heterogeneous, global, and constantly changing, and which opens up new political and subjective spaces. <a href="http://www.sounddesign.unimelb.edu.au/web/biogs/P000357b.htm">Excerpt from Australian Sound Design Project</a> Language A language of the resource English Rights Information about rights held in and over the resource Copyright Hazel Smith and the austraLYSIS electroband. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Hazel Smith Hypertext https://adelta.westernsydney.edu.au/files/original/99eb9dec3d209d1e528d821b4a05ccf6.png aaa60510312df726ac25976b72a60b32 https://adelta.westernsydney.edu.au/files/original/be2b3954d3ac071ea6d2fad46c6537ac.png 6d9b17b8a650c7cd63983fb9c878212f ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime CD-ROM Genre Hypermedia/Performed text Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://www.sounddesign.unimelb.edu.au/web/biogs/P000358b.htm">Excerpt from the online database Australian Sound Design Project</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Smith_walkingFaultlines Title A name given to the resource Walking the Faultlines Creator An entity primarily responsible for making the resource Smith, Hazel Dean, Roger White, Greg The AustraLYSIS Electroband Date A point or period of time associated with an event in the lifecycle of the resource 1998 Description An account of the resource A work created for CD-ROMs interactive participation, and amongst the winners of a competitive submission to the International Computer Music Association, who released it in 2000, on their 'Cyberquilts' CD-ROM anthology. The work can also be presented in performance with performed text, and the interactive sound and text from the CD-ROMs displayed. The CD-ROMs comprises sound (best played after transfer to hard disc), and a text display, both driven interactively from a computer. Up to 3 sound fields (comprising both verbal and non-verbal sound) can coexist with the displayed text fields. <a href="http://www.sounddesign.unimelb.edu.au/web/biogs/P000358b.htm">Excerpt from the online database Australian Sound Design Project</a> Language A language of the resource English Rights Information about rights held in and over the resource Copyright Hazel Smith, Roger Dean and Greg White. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Hazel Smith Hypermedia Interactive CD-ROM Performed text https://adelta.westernsydney.edu.au/files/original/674bfcedc888f135aa8882b63002b186.png 14bcad0c35e15010d5616187a94bee24 https://adelta.westernsydney.edu.au/files/original/e9fb3858990659f42992835ef30407d0.png 0ca71462fba4a5ae106536882f9e8d9c https://adelta.westernsydney.edu.au/files/original/63ef825e06e7f9e4959a05cc27de1861.png 9cdfeb44c837c42b42f0cb6163752553 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime QuickTime Genre Hypertext Work URL The URL of the original work, included as an HTML link. <a href="http://www.asu.edu/pipercwcenter/how2journal/archive/online_archive/v1_5_2001/current/special-feature/intertqt/startqt.htm">http://www.asu.edu/pipercwcenter/how2journal/archive/online_archive/v1_5_2001/current/special-feature/intertqt/startqt.htm</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Smith_Intertwingling Title A name given to the resource Intertwingling Creator An entity primarily responsible for making the resource Smith, Hazel Dean, Roger White, Greg The AustraLYSIS Electroband Date A point or period of time associated with an event in the lifecycle of the resource 1999 Language A language of the resource English Rights Information about rights held in and over the resource Copyright Hazel Smith and the austraLYSIS electroband. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Hazel Smith Hypertext https://adelta.westernsydney.edu.au/files/original/359fd261bcf84d700cc596f368cdd270.png 14bcad0c35e15010d5616187a94bee24 https://adelta.westernsydney.edu.au/files/original/01575422951d8d4f6391f46c1a004ed8.png 0ca71462fba4a5ae106536882f9e8d9c https://adelta.westernsydney.edu.au/files/original/b44f48d9d3adbaa177db5f66bd3c7cb0.png 9cdfeb44c837c42b42f0cb6163752553 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.australysis.com/eggsite/theegg/eggfinalv2.html">http://www.australysis.com/eggsite/theegg/eggfinalv2.html</a> Artist Statement A statement about the work, as provided by the artist(s). The egg, the cart, the horse, the chicken was written by Hazel Smith (text) and Roger Dean (sound). The hypertext and animations, written in Flash by Hazel Smith, are designed for a split screen. The texts in both the upper and lower frame are grouped into short linear 'scenes' which form an overall 'movie'. But the sequence in the upper frame can be disrupted by clicking on hyperlinks (marked in capital letters), which allow the reader to jump to texts other than the ones which follow each other in sequence. Consequently the juxtaposition of the texts on the two different screens is also variable. The piece engages with the way in which linear systems are constantly disrupted by non-linearity. This is written into the piece at a formal level by the use of the hyperlinks, animation and split screen, which tend to disrupt normal reading processes. Thematically the piece also addresses the ways in which a simple cause and effect relationship rarely operates, even within scientific systems. At the same time the hypertextual network interconnects many different ideas including the cultural significance of illness, the process of writing, the commodification of women's bodies, and the atemporal nature of memory. <a href="http://www.australysis.com/eggsite/theegg/cart%20info.html">Statement in authors' website</a> Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.australysis.com/eggsite/theegg/cart%20info.html">Statement in authors' website</a> Genre Hypermedia Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Smith_eggCartHorse Title A name given to the resource The egg, the cart, the horse, the chicken Creator An entity primarily responsible for making the resource Smith, Hazel Dean, Roger Date A point or period of time associated with an event in the lifecycle of the resource 2004 Language A language of the resource English Description An account of the resource Artist Statement The egg, the cart, the horse, the chicken was written by Hazel Smith (text) and Roger Dean (sound). The hypertext and animations, written in Flash by Hazel Smith, are designed for a split screen. The texts in both the upper and lower frame are grouped into short linear 'scenes' which form an overall 'movie'. But the sequence in the upper frame can be disrupted by clicking on hyperlinks (marked in capital letters), which allow the reader to jump to texts other than the ones which follow each other in sequence. Consequently the juxtaposition of the texts on the two different screens is also variable. The piece engages with the way in which linear systems are constantly disrupted by non-linearity. This is written into the piece at a formal level by the use of the hyperlinks, animation and split screen, which tend to disrupt normal reading processes. Thematically the piece also addresses the ways in which a simple cause and effect relationship rarely operates, even within scientific systems. At the same time the hypertextual network interconnects many different ideas including the cultural significance of illness, the process of writing, the commodification of women's bodies, and the atemporal nature of memory. <a href="http://www.australysis.com/eggsite/theegg/cart%20info.html">Source of Artist Statement</a> Rights Information about rights held in and over the resource Copyright Hazel Smith and Roger Dean. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Hazel Smith https://adelta.westernsydney.edu.au/files/original/770fc5eefa8433fc7136891abbfcc5ab.png d4f351cf548f4253fbae4e3b8e0b34c7 https://adelta.westernsydney.edu.au/files/original/963e9ea896818dbf2cdb4a6d8ec8ff93.png efb6a7ff9418c0b37ceebf44bb297e00 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Work URL The URL of the original work, included as an HTML link. <a href="http://www.textjournal.com.au/oct04/smith2.mov">http://www.textjournal.com.au/oct04/smith2.mov</a> Artist Statement A statement about the work, as provided by the artist(s). The multimedia work, soundAFFECTs, employs the text of 'AFFECTions' as its base, but converts it into a piece which combines text as moving image and transforming sound. For the multimedia work Roger Dean programmed a performing interface using the real-time image processing program Jitter; he also programmed a performing interface in MAX/MSP to enable algorithmic generation of the sound. This multimedia work has been shown in performance on many occasions projected on a large screen with live music; the text and sound are processed in real time and each performance is different. <a href="http://scan.net.au/scan/journal/display.php?journal_id=89">Excerpt from the article "soundAFFECTs: transcoding, writing, new media, affect"</a> Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://scan.net.au/scan/journal/display.php?journal_id=89"> Excerpt from the article "soundAFFECTs: transcoding, writing, new media, affect"</a> Genre Performative text & audio Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Jitter/Multimedia Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Smith_SoundAFFECTs Title A name given to the resource SoundAFFECTs Creator An entity primarily responsible for making the resource Smith, Hazel Brewster, Anne Dean, Roger Date A point or period of time associated with an event in the lifecycle of the resource 2004 Language A language of the resource English Description An account of the resource Artist Statement The multimedia work, soundAFFECTs, employs the text of 'AFFECTions' as its base, but converts it into a piece which combines text as moving image and transforming sound. For the multimedia work Roger Dean programmed a performing interface using the real-time image processing program Jitter; he also programmed a performing interface in MAX/MSP to enable algorithmic generation of the sound. This multimedia work has been shown in performance on many occasions projected on a large screen with live music; the text and sound are processed in real time and each performance is different. <a href="http://scan.net.au/scan/journal/display.php?journal_id=89">Excerpt from the article "soundAFFECTs: transcoding, writing, new media, affect"</a> Rights Information about rights held in and over the resource Copyright Hazel Smith, Roger Dean and Anne Brewster. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Anne Brewster Hazel Smith Multimedia Performative text Roger Dean https://adelta.westernsydney.edu.au/files/original/a4e2c391336c075315691a2bb0a97390.png d9991f78750e3ed4db221a0bc8edb17d https://adelta.westernsydney.edu.au/files/original/b82130fadfc030c768109de8d2326d60.png 88fd88315bea8a240eeef2774323ef82 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime QuickTime Work URL The URL of the original work, included as an HTML link. <a href="http://www.asu.edu/pipercwcenter/how2journal/vol_3_no_2/new_media/smith_dean/smith_dean.html">http://www.asu.edu/pipercwcenter/how2journal/vol_3_no_2/new_media/smith_dean/smith_dean.html</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://www.asu.edu/pipercwcenter/how2journal/vol_3_no_2/new_media/smith_dean/smith_dean.html"> Excerpt from How2, electronic Journal for experimental women's poetry. Vol.3 no.2</a> Genre Performative text & audio Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Smith_timeMagician Title A name given to the resource Time the Magician Creator An entity primarily responsible for making the resource Smith, Hazel Dean, Roger White, Greg The AustraLYSIS Electroband Date A point or period of time associated with an event in the lifecycle of the resource 2005 Description An account of the resource Time, the magician is a collaboration by Hazel Smith and Roger Dean written in the real-time algorithmic image-processing program Jitter. The piece begins with a poem, written by Hazel, on the subject of time: influential on the writing of the poem was Elizabeth Grosz's The Nick of Time. <a href="http://www.asu.edu/pipercwcenter/how2journal/vol_3_no_2/new_media/smith_dean/smith_dean.html">Excerpt from How2, electronic Journal for experimental women's poetry. Vol.3 no.2</a> Language A language of the resource English Rights Information about rights held in and over the resource Copyright Hazel Smith and the austraLYSIS electroband. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. AustraLYSIS Electroband Greg White Hazel Smith Multimedia Performative text Roger Dean ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime QuickTime Work URL The URL of the original work, included as an HTML link. <a href="http://writing.upenn.edu/pennsound/x/Smith-Dean.php">http://writing.upenn.edu/pennsound/x/Smith-Dean.php</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://writing.upenn.edu/pennsound/x/Smith-Dean.php"> Excerpt from PennSound, Center For Programs In Contemporary Writing</a> Genre Performative text & audio Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Smith_midAir Title A name given to the resource Mid-Air Conversations Creator An entity primarily responsible for making the resource Smith, Hazel Dean, Roger White, Greg The AustraLYSIS Electroband Date A point or period of time associated with an event in the lifecycle of the resource 2006 Description An account of the resource A motile and spatial algorithmic speech piece, performed by Greg White and Roger Dean. The text by Hazel Smith which forms the basis of Mid-Air Conversations consists of seventeen short fragments. All the fragments are stylistically and thematically different from each of the others, and explore a variety of locations or historical situations, but there are some overlapping concerns. The piece points to a range of political conflicts but also to another space, one without a specific geographical or historical identity, where such problems might be overcome. To this end the piece includes its own language, constructed out of the words that compose the piece, raising the question: is this the language of that other space and if so how can we begin to adopt and understand it? <a href="http://writing.upenn.edu/pennsound/x/Smith-Dean.php">Excerpt from PennSound, Center For Programs In Contemporary Writing</a> Language A language of the resource English Rights Information about rights held in and over the resource Copyright Hazel Smith and the austraLYSIS electroband. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. AustraLYSIS Electroband Greg White Hazel Smith Multimedia Performative text Roger Dean https://adelta.westernsydney.edu.au/files/original/355b9deb69f0b4d77e3027691957a8d3.png d07225cb14605133adaf40d5261c62ea https://adelta.westernsydney.edu.au/files/original/c780255280ab839651e80ff04bba9be4.png 3b10a0f357d82f17c6ca7ce24f4bb251 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime QuickTime/Virtual reality modelling language Work URL The URL of the original work, included as an HTML link. <a href="http://soundsrite.uws.edu.au/soundsRiteContent/volume1/prstplay.html">http://soundsrite.uws.edu.au/soundsRiteContent/volume1/prstplay.html</a> Artist Statement A statement about the work, as provided by the artist(s). ProseThetic Memories is a collaborative, fictocritical and cross-genre text which combines prose, poetry, cultural theory and philosophy. It challenges traditional ideas about memory as a process of storage and subsequent retrieval. Instead memory is seen as a dynamic process, in which the present constantly transforms our impression of the past and vice versa. In this way the very division of time into discrete past and present components is called into question. Important to the genesis of the piece was Freud's notion of Nachtraglichkeit, "afterwardsness", the idea that what is continually rewrites what has been. The concept of prosthesis is also central to the piece because collaboration is itself a prosthetic process, involving the adoption of others' memories and preoccupations, and because memory is always collective as well as individual. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://soundsrite.uws.edu.au/soundsRiteContent/volume1/prsthinf.html">Statement from author's website</a> Genre Live coding/Performative multimedia work Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Smith_proseThetic Title A name given to the resource ProseThetic Memories Creator An entity primarily responsible for making the resource Smith, Hazel Brewster, Anne Dean, Roger Date A point or period of time associated with an event in the lifecycle of the resource 2001 Language A language of the resource English Description An account of the resource Artist Statement ProseThetic Memories is a collaborative, fictocritical and cross-genre text which combines prose, poetry, cultural theory and philosophy. It challenges traditional ideas about memory as a process of storage and subsequent retrieval. Instead memory is seen as a dynamic process, in which the present constantly transforms our impression of the past and vice versa. In this way the very division of time into discrete past and present components is called into question. Important to the genesis of the piece was Freud's notion of Nachtraglichkeit, "afterwardsness", the idea that what is continually rewrites what has been. The concept of prosthesis is also central to the piece because collaboration is itself a prosthetic process, involving the adoption of others' memories and preoccupations, and because memory is always collective as well as individual. <a href="http://soundsrite.uws.edu.au/soundsRiteContent/volume1/prsthinf.html">Source of Artist Statement</a> Rights Information about rights held in and over the resource Copyright Hazel Smith, Roger Dean and Anne Brewster. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Anne Brewster Hazel Smith Live coding video Multimedia work Roger Dean https://adelta.westernsydney.edu.au/files/original/480d8ad53ead2181051471601eea554d.png a54acbb16357c0f8282e2acd48bbcd8b https://adelta.westernsydney.edu.au/files/original/1dafb99c5f36884f0b07bd433671e6fc.png ce6ab7ccd286a3b68e6fab04e4b251a8 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Work URL The URL of the original work, included as an HTML link. <a href="http://www.drunkenboat.com/db12/06des/smith/instabilities.php">http://www.drunkenboat.com/db12/06des/smith/instabilities.php</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://www.drunkenboat.com/db12/06des/smith/statement.php">Excerpt from Drunken Boat, an online journal of art and literature. Issue No.12</a> Genre Live coding/performative multimedia work Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Smith_instabilities2 Title A name given to the resource Instabilities 2 Creator An entity primarily responsible for making the resource Smith, Hazel Dean, Roger Date A point or period of time associated with an event in the lifecycle of the resource 2009 Contributor An entity responsible for making contributions to the resource White, Greg Evans,Sandy Slater, Phil Description An account of the resource Instabilities 2 [...] subjects a discontinuous text to various kinds of processing. The screen is divided into three sections which counterpoint each other. The top section consists of a video made by Hazel Smith comprising twelve short texts. The middle section consists of the same material processed in the program Jitter by Roger Dean, and involves various forms of overlaying, erasing and stretching of the words. In a third section of the screen the same texts together with others which do not appear in the top movie are processed in real-time by Roger Dean by means of a Text Transformation Toolkit (TTT) written in Python. The processing substitutes words and letters so that new text emerges, together with a spoken realization of some parts of the text, new and old. The pre-written fragments circle around the idea of social, historical, and psychological instabilities, but during the processing new instabilities syntactical, semantic, and phonemic also arise. In addition, computer-synthesised voices add an aural dimension to textual change. <a href="http://www.drunkenboat.com/db12/06des/smith/statement.php">Excerpt from Drunken Boat, an online journal of art and literature. Issue No.12</a> Language A language of the resource English Rights Information about rights held in and over the resource Copyright Hazel Smith, Roger Dean, Greg White Sandy Evans and Phil Slater. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Generative text Hazel Smith Performative multimedia work Roger Dean Verbal interactivity project https://adelta.westernsydney.edu.au/files/original/2a899eeafe142a26aaf7defcccf57cc3.png 12d4809a60c5bba2ce416677835f3125 https://adelta.westernsydney.edu.au/files/original/fda4a219f18b3ca08c7b2c663276d3d1.png cb501b38cbaadae259e5e82e74ed8e40 https://adelta.westernsydney.edu.au/files/original/80f4ef838f004a69e2d4810a469900f7.png 95d75be963fad9b3468ab51bb0949eda ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime QuickTime Work URL The URL of the original work, included as an HTML link. <a href="http://scan.net.au/scan/gallery/works/smith_april10/smith.php">http://scan.net.au/scan/gallery/works/smith_april10/smith.php</a> Artist Statement A statement about the work, as provided by the artist(s). Clay conversations arose out of collaborative conversations I had with British ceramicist Joanna Still. After several meetings and exchanges, Joanna created some ceramics which evoked various forms of communication, for example a clay book, a calendar, and an abacus, but which also had an abstracted connection with the objects to which they refer. I wrote several short poems in response to Joanna's ceramics, conversations we had, and textual material she sent me (such as a newspaper cutting about Haitians eating clay plates because they could not afford food). My poetry also drew on experiences I had independently, which seemed to connect with the project, such as a visit I made to the Asian Art Museum in San Francisco. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://scan.net.au/scan/gallery/works/smith_april10/smith.php">Statement from author's website</a> Genre Video with audio performance Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Smith_Clay Title A name given to the resource Clay Conversations Creator An entity primarily responsible for making the resource Smith, Hazel Still, Joanna Dean, Roger Date A point or period of time associated with an event in the lifecycle of the resource 2010 Language A language of the resource English Description An account of the resource Artist Statement Clay conversations arose out of collaborative conversations I had with British ceramicist Joanna Still. After several meetings and exchanges, Joanna created some ceramics which evoked various forms of communication, for example a clay book, a calendar, and an abacus, but which also had an abstracted connection with the objects to which they refer. I wrote several short poems in response to Joanna's ceramics, conversations we had, and textual material she sent me (such as a newspaper cutting about Haitians eating clay plates because they could not afford food). My poetry also drew on experiences I had independently, which seemed to connect with the project, such as a visit I made to the Asian Art Museum in San Francisco. <a href="http://scan.net.au/scan/gallery/works/smith_april10/smith.php">Source of Artist Statement</a> Rights Information about rights held in and over the resource Copyright Hazel Smith, Joanna Still and Roger Dean. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Hazel Smith Joanna Still Roger Dean Video https://adelta.westernsydney.edu.au/files/original/f2b834a267e37f988a27c72f53f6bbd8.png 328c8c2235a372f2a34ed620d88377ef ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Media CD Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Smith_poet Title A name given to the resource Poet without Language Creator An entity primarily responsible for making the resource Smith, Hazel Dean, Roger White, Greg The AustraLYSIS Electroband Rights Information about rights held in and over the resource Copyright Hazel Smith and the austraLYSIS electroband. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. AustraLYSIS Electroband Greg White Hazel Smith Multimedia Roger Dean https://adelta.westernsydney.edu.au/files/original/4eae030e67671249e4cc6186efacdbfe.png 8fc55efcd615a46f7698ede7c7ef8b80 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime CD Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Smith_nuraghic Title A name given to the resource Nuraghic Echoes Creator An entity primarily responsible for making the resource Smith, Hazel Dean, Roger Rights Information about rights held in and over the resource Copyright Hazel Smith and Roger Dean. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Hazel Smith Multimedia Roger Dean https://adelta.westernsydney.edu.au/files/original/922a486d15c2dfb3300593a545da7824.png f16135c60f14030da783d0115d82d24d ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Media Book/CD Rom Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Smith_erotics Title A name given to the resource The Erotics of Geography Creator An entity primarily responsible for making the resource Smith, Hazel Contributor An entity responsible for making contributions to the resource Dean, Roger White, Greg Brewster, Anne Rights Information about rights held in and over the resource Copyright Hazel Smith, Roger Dean, Greg White and Anne Brewster. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Book Hazel Smith Multimedia https://adelta.westernsydney.edu.au/files/original/f9216330ede0b3d9a2e68b0bb31135e7.png 13d9bca09b9c6af3c9f9d6b9ac3727b2 https://adelta.westernsydney.edu.au/files/original/8b420c92a8852bf381e2437c4a7bb994.png 258dc785286a20aa3f079744fdea04df ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="https://vimeo.com/32688384">Will Luers' Vimeo account</a> Artist Statement A statement about the work, as provided by the artist(s). Film of Sound is a semiotic surface, a skin of image and text on the body of sound. Constructed out of collaborative, indeterminate and remix processes, layers and juxtapositions of disparate media hint at a narrative trajectory — a sleeping man, an evening in a hotel room, and a journey across vast and challenging spaces. But the incipient narrative constantly breaks down into disordered memories of violence and repression, undefined threats, splintered subjectivities, analog and digital glitches. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="https://vimeo.com/32688384">Will Luers' Vimeo account</a> Genre Collaborative multimedia video work Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Vimeo Work URL The URL of the original work, included as an HTML link. <a href="https://vimeo.com/32688384">https://vimeo.com/32688384</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Smith_film Title A name given to the resource Film of Sound Creator An entity primarily responsible for making the resource Smith, Hazel Dean, Roger Luers, Will Description An account of the resource Electronic art video and interactive works generally prioritize image over sound, this is also the case in commercial culture at large. For this work, we chose a different approach, in keeping with the central focus of the commissioning ensemble, austraLYSIS. That focus is sound : musical, spoken, electroacoustic and environmental. In Film of Sound sound was chosen to be the initiator, sometimes even driver, of the text and visual processes at work in the piece. Three collaborators were involved, respectively with focus on the video composition (Luers), the text composition (Smith) and the sonic composition (Dean). <a href="https://vimeo.com/32688384">Excerpt from artists' description</a> Artist Statement Film of Sound is a semiotic surface, a skin of image and text on the body of sound. Constructed out of collaborative, indeterminate and remix processes, layers and juxtapositions of disparate media hint at a narrative trajectory — a sleeping man, an evening in a hotel room, and a journey across vast and challenging spaces. But the incipient narrative constantly breaks down into disordered memories of violence and repression, undefined threats, splintered subjectivities, analog and digital glitches. <a href="https://vimeo.com/32688384">Source of Artist Statement</a> Rights Information about rights held in and over the resource Copyright Hazel Smith, Roger Dean and Will Luers. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Collaborative multimedia video work Hazel Smith Roger Dean Will Luers https://adelta.westernsydney.edu.au/files/original/2bfd4eff44b7f80031fa17356c2ff3e5.png 53ddd9066d99e313b2d178e07181040a https://adelta.westernsydney.edu.au/files/original/1396ead487c397bdc11a445c8b61f9db.png cc540be8b6c98d8e94d98ebee5c83d42 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Installation Work URL The URL of the original work, included as an HTML link. <a href="http://lx.sysx.org/?page_id=78">http://lx.sysx.org/?page_id=78</a> Artist Statement A statement about the work, as provided by the artist(s). A mixed media installation exploring the female body and alien conspiracy theories. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://lx.sysx.org/?page_id=78">Statement from author's website</a> Genre Multimedia installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Starrs_Cmielewski_internal Title A name given to the resource Internal Aliens Creator An entity primarily responsible for making the resource Starrs, Josephine Date A point or period of time associated with an event in the lifecycle of the resource 2000 Language A language of the resource English Description An account of the resource Artist Statement A mixed media installation exploring the female body and alien conspiracy theories. <a href="http://lx.sysx.org/?page_id=78">Source of Artist Statement</a> Rights Information about rights held in and over the resource Copyright Josephine Starrs. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Installation Josephine Starrs https://adelta.westernsydney.edu.au/files/original/28c0c4cc74b1ea2c1d76084ad5be3592.png 4e1dfed89e6cde1a049e0f211aa58442 https://adelta.westernsydney.edu.au/files/original/e1a888fb11ae33dac580dc4f60a1b518.png 57ae77a808375f5e4fd086d232829ddc https://adelta.westernsydney.edu.au/files/original/bb1b4164f82e24cf1ac42c9b1a052076.png 6e295aef9f893d297b7ff728f815be38 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Installation/Vimeo Artist Statement A statement about the work, as provided by the artist(s). Incompatible Elements is an ongoing project that evolved during an artist residency at Performance Space, Carriageworks. The media art installation explores ways of representing the relationship between nature and culture, embedding poetic texts into animated satellite images of landscapes in crisis due to the effects of climate change in the Asia/Pacific region. <a href="http://lx.sysx.org/?page_id=80">Statement from authors' website</a> Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://lx.sysx.org/?page_id=80">Statement from authors' website</a> Genre Video installation Work URL The URL of the original work, included as an HTML link. <a href="https://vimeo.com/18688743">https://vimeo.com/18688743</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Starrs_Cmielewski_incompatible Title A name given to the resource Incompatible Elements: Days Like This Creator An entity primarily responsible for making the resource Starrs, Josephine Cmielewski, Leon Date A point or period of time associated with an event in the lifecycle of the resource 2010-ongoing Contributor An entity responsible for making contributions to the resource Davies, Alex Language A language of the resource English Description An account of the resource Artist Statement Incompatible Elements is an ongoing project that evolved during an artist residency at Performance Space, Carriageworks. The media art installation explores ways of representing the relationship between nature and culture, embedding poetic texts into animated satellite images of landscapes in crisis due to the effects of climate change in the Asia/Pacific region. <a href="http://lx.sysx.org/?page_id=80">Source of Artist Statement</a> Rights Information about rights held in and over the resource Copyright Josephine Starrs and Leon Cmielewski. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Josephine Starrs Leon Cmielewski Video installation https://adelta.westernsydney.edu.au/files/original/a6b99de76a9bb60084958549dc948f98.png 66990fd6b64a47d709face992b5aa589 https://adelta.westernsydney.edu.au/files/original/ccb8a8f47817bb161bd3721e8b43a133.png 4921b43f938937044bc58d493f6fa927 https://adelta.westernsydney.edu.au/files/original/d1010dc9985394581a1c3c9ee57af291.png 2f062fe49f821db5370155d670c9126e ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Installation/Vimeo Work URL The URL of the original work, included as an HTML link. <a href="http://vimeo.com/70987911">http://vimeo.com/70987911</a> Artist Statement A statement about the work, as provided by the artist(s). This video by Josephine Starrs & Leon Cmielewski embeds the words 'a living body' into an image of the Coorong, South Australia. This is how Tom Trevorrow, a Ngarrindjeri elder and custodian described the Coorong wetlands. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://vimeo.com/70987911">Authors' statement from Vimeo</a> Genre Video installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Starrs_Cmielewski_livingBodies Title A name given to the resource Incompatible Elements: A Living Body Creator An entity primarily responsible for making the resource Starrs, Josephine Cmielewski, Leon Date A point or period of time associated with an event in the lifecycle of the resource 2010-ongoing Contributor An entity responsible for making contributions to the resource Davies, Alex Language A language of the resource English Description An account of the resource Artist Statement This video by Josephine Starrs & Leon Cmielewski embeds the words 'a living body' into an image of the Coorong, South Australia. This is how Tom Trevorrow, a Ngarrindjeri elder and custodian described the Coorong wetlands. <a href="http://vimeo.com/70987911">Source of Artist Statement (Vimeo)</a> Rights Information about rights held in and over the resource Copyright Josephine Starrs and Leon Cmielewski. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Josephine Starrs Leon Cmielewski Video installation https://adelta.westernsydney.edu.au/files/original/045d9521487c964be5f16e7d26232e0c.png aec925be55cca377fecccc0ffc6d16cd https://adelta.westernsydney.edu.au/files/original/478a9b3e58328ce8fe4534f9ba576ea0.png f8f823c488f060b61f559f2b22063eef https://adelta.westernsydney.edu.au/files/original/a21ef49bf61912bab27213e02b251a48.png 9904ce4ebc88bfa202fc370678ac1f60 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Installation Work URL The URL of the original work, included as an HTML link. <a href="http://lx.sysx.org/?page_id=81">http://lx.sysx.org/?page_id=81</a> Artist Statement A statement about the work, as provided by the artist(s). This project will use the Rivercat Ferry Service as a moving platform to deliver a location sensitive audio and visual exploration of the river, it's people and their many stories The Parramatta River is also a living narrative, with shoals of submerged stories flowing together in a shared history. The Rivercat Project will capture many of these stories and present them on a location aware smartphone or tablet as you travel along the river. You will also be able to add to the narrative flow yourself by sharing your experiences, memories and observations. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://lx.sysx.org/?page_id=81">Statement from authors' website</a> Genre Locative work/Generative poetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Starrs_Cmielewski_rivercat Title A name given to the resource Rivercat Project: Waterways Creator An entity primarily responsible for making the resource Starrs, Josephine Cmielewski, Leon Date A point or period of time associated with an event in the lifecycle of the resource 2011-2013* Language A language of the resource English Description An account of the resource Artist Statement This project will use the Rivercat Ferry Service as a moving platform to deliver a location sensitive audio and visual exploration of the river, it's people and their many stories The Parramatta River is also a living narrative, with shoals of submerged stories flowing together in a shared history. The Rivercat Project will capture many of these stories and present them on a location aware smartphone or tablet as you travel along the river. You will also be able to add to the narrative flow yourself by sharing your experiences, memories and observations. <a href="http://lx.sysx.org/?page_id=81">Source of Artist Statement</a> Rights Information about rights held in and over the resource Copyright Josephine Starrs and Leon Cmielewski. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Generative poetry Josephine Starrs Leon Cmielewski Locative work https://adelta.westernsydney.edu.au/files/original/3c7ed4c1266240069279c2e5539d369e.png d79fe2a082672aa0bfb1b677e2b3f746 https://adelta.westernsydney.edu.au/files/original/8dd0532e7d67810256b452adfa55c42c.png edee6cbdc98caecb1c7540623e9703d4 https://adelta.westernsydney.edu.au/files/original/ab135933afe7d70069265a3a4351debc.png b16f0e056180b14c5b6e6c4a424e8c79 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Work URL The URL of the original work, included as an HTML link. <a href="http://lx.sysx.org/?page_id=77">http://lx.sysx.org/?page_id=77</a> Artist Statement A statement about the work, as provided by the artist(s). A phone number is displayed on a large screen in a public space along with the instruction 'sms your family origins' Participants sms their own and their parents places of birth to this number and linked curved vectors are added to a public map that updates in real time as it receives texts. The map is not static, texts are displayed in real time, while the map zooms in to the countries of origin and animated vectors connect the locations. As more people participate the map grows to include accumulated vectors. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://lx.sysx.org/?page_id=77">Statement from authors' website</a> Genre Locative work Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Starrs_Cmielewski_smsOrigins Title A name given to the resource sms_origins Creator An entity primarily responsible for making the resource Starrs, Josephine Cmielewski, Leon Date A point or period of time associated with an event in the lifecycle of the resource 2010 Language A language of the resource English Description An account of the resource Artist Statement A phone number is displayed on a large screen in a public space along with the instruction 'sms your family origins' Participants sms their own and their parents places of birth to this number and linked curved vectors are added to a public map that updates in real time as it receives texts. The map is not static, texts are displayed in real time, while the map zooms in to the countries of origin and animated vectors connect the locations. As more people participate the map grows to include accumulated vectors. <a href="http://lx.sysx.org/?page_id=77">Source of Artist Statement</a> Rights Information about rights held in and over the resource Copyright Josephine Starrs and Leon Cmielewski. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Josephine Starrs Leon Cmielewski Locative work https://adelta.westernsydney.edu.au/files/original/cbc25b2f0731de14ce6b3b3b98bc9a07.png 07472dcb19476ce0af7efaeb59a90fb3 https://adelta.westernsydney.edu.au/files/original/20e2007101f61c89edad053df443dd6d.png f1d1d59ba757080e83d89e418f9e386b https://adelta.westernsydney.edu.au/files/original/632a25876338380ea206442006aac284.png e3653238fa6c7267119139d97305e7dd ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Installation/YouTube Work URL The URL of the original work, included as an HTML link. <a href="http://lx.sysx.org/?page_id=3">http://lx.sysx.org/?page_id=3</a> Artist Statement A statement about the work, as provided by the artist(s). The Seeker installation uses three large projections to explore migration, territorial boundaries, conflict commodities and human displacement. Seeker's interactive component enables participants to map their own personal family migration history. Making a contribution allows access to a visualisation of all accumulated maps. The most recent vectors are drawn first, followed gradually by the vectors of previous participants. An alternative animated visualisation can be accessed by the viewer where elegant curves represent the distance each generation has travelled. Another screen shows panning satellite imagery of cities overlaid with moving text of harvested news feeds. The text describes incidents where people have died attempting to seek refuge in another country. The third screen consists of animated curves representing population migration data, and the effect conflict resources such as tantalum, diamonds and oil have had on the displacement of people. The animations are overlaid onto vast empty landscape images from Africa, Australia and India. Over time the three screens begin a silent conversation with one another as the viewer makes connections between issues of personal migration, conflict resources and the way human displacement is represented in the global media. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://lx.sysx.org/?page_id=3">Statement from authors' website</a> Genre Multiscreen installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Starrs_Cmielewski_seeker Title A name given to the resource Seeker Creator An entity primarily responsible for making the resource Starrs, Josephine Cmielewski, Leon Date A point or period of time associated with an event in the lifecycle of the resource 2006 Language A language of the resource English Description An account of the resource Artist Statement The Seeker installation uses three large projections to explore migration, territorial boundaries, conflict commodities and human displacement. Seeker's interactive component enables participants to map their own personal family migration history. Making a contribution allows access to a visualisation of all accumulated maps. The most recent vectors are drawn first, followed gradually by the vectors of previous participants. An alternative animated visualisation can be accessed by the viewer where elegant curves represent the distance each generation has travelled. Another screen shows panning satellite imagery of cities overlaid with moving text of harvested news feeds. The text describes incidents where people have died attempting to seek refuge in another country. The third screen consists of animated curves representing population migration data, and the effect conflict resources such as tantalum, diamonds and oil have had on the displacement of people. The animations are overlaid onto vast empty landscape images from Africa, Australia and India. Over time the three screens begin a silent conversation with one another as the viewer makes connections between issues of personal migration, conflict resources and the way human displacement is represented in the global media. <a href="http://lx.sysx.org/?page_id=3">Source of Artist Statement</a> Rights Information about rights held in and over the resource Copyright Josephine Starrs and Leon Cmielewski. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Josephine Starrs Leon Cmielewski Multiscreen installation