1 25 263 https://adelta.westernsydney.edu.au/files/original/c76d0a835c25dba64b58f2740c7127f7.png c346a7b896df9b70add075ee02777c6a ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Media Video Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Vimeo Genre Video Work URL The URL of the original work, included as an HTML link. <a href="http://vimeo.com/13981906">http://vimeo.com/13981906</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Caines_math Title A name given to the resource Year on the road project: Mathematics Creator An entity primarily responsible for making the resource Caines, Chris Language A language of the resource English Rights Information about rights held in and over the resource Copyright Chris Caines. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Electronic writing Video Chris Caines Electronic writing Video https://adelta.westernsydney.edu.au/files/original/d90531aea95a33c480106d01ed0561dc.png bd1e9f3b33ddec82697733404cdc59e2 https://adelta.westernsydney.edu.au/files/original/3a05c0affa1c6b448cef1ac507f34987.png 679b030836210096f8247cc4f4aac3a9 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime HTML Genre Hypertext Multimedia Work URL The URL of the original work, included as an HTML link. <a href="http://ensemble.va.com.au/elective/writ_00.html">http://ensemble.va.com.au/elective/writ_00.html</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Hoskin_writing Title A name given to the resource Writing turns... Creator An entity primarily responsible for making the resource Hoskin, Teri Language A language of the resource English Subject The topic of the resource Hypertext Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Teri Hoskin https://adelta.westernsydney.edu.au/files/original/3afd878db436c4acd8d3a3dffde90d4d.png ba4889c7c82600b509556f144082b008 https://adelta.westernsydney.edu.au/files/original/20eeb3f24296847b4102123cfeafd344.png 458930c2155d403f307bcb9665af0482 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime QuickTime/Shockwave Flash/Java Genre Hypertext Work URL The URL of the original work, included as an HTML link. <a href="http://www.abc.net.au/arts/stuff-art/stuff-art99/stuff98/10.htm">http://www.abc.net.au/arts/stuff-art/stuff-art99/stuff98/10.htm</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://www.sounddesign.unimelb.edu.au/web/biogs/P000357b.htm">Excerpt from Australian Sound Design Project</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Smith_Wordstuffs Title A name given to the resource Wordstuffs: the city and the body Creator An entity primarily responsible for making the resource Smith, Hazel Dean, Roger White, Greg The AustraLYSIS Electroband Date A point or period of time associated with an event in the lifecycle of the resource 1998 Description An account of the resource This is an interactive hypermedia piece, designed for the web, and comprising text, sound, graphics and animation. Participants can create their own alternative pathways and combine the elements in many different ways. The work concerns the interface between the city and the body. It dislocates the concepts of a definable and locatable cityscape, and of a unified, gendered subject. It creates new assemblies and configurations of the body and the city. It thereby reconfigures them into a 'hyperscape', a postmodern site which is heterogeneous, global, and constantly changing, and which opens up new political and subjective spaces. <a href="http://www.sounddesign.unimelb.edu.au/web/biogs/P000357b.htm">Excerpt from Australian Sound Design Project</a> Language A language of the resource English Rights Information about rights held in and over the resource Copyright Hazel Smith and the austraLYSIS electroband. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Hazel Smith Hypertext https://adelta.westernsydney.edu.au/files/original/38ee2f3938cd6f13de4329fa144d238d.png db3cd4b612cef5a2108c5dd54b822ce3 https://adelta.westernsydney.edu.au/files/original/18a53a9c34c110e7a31b99b83927356c.png 5e26a8c6d0ee24baef27a31148946334 https://adelta.westernsydney.edu.au/files/original/34d8c865bbe0b0c39a9538347e8644b1.png a42b7c5208975b4614b1256b645406c1 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Genre Video installation Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Video / installation Work URL The URL of the original work, included as an HTML link. <a href="https://www.facebook.com/pages/Always-on-My-Mind-An-Australian-Korean-Collaborative-Art-Project/217986864922571?sk=timeline&ref=page_internal">https://www.facebook.com/pages/Always-on-My-Mind-An-Australian-Korean-Collaborative-Art-Project/217986864922571?sk=timeline&ref=page_internal</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Wize Creator An entity primarily responsible for making the resource Jenny Fraser Date A point or period of time associated with an event in the lifecycle of the resource 2011 Subject The topic of the resource Video installation Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Video installation https://adelta.westernsydney.edu.au/files/original/1851c4b85c33794a7761842d3c28a4b2.png d6219b527cec0b44118ebc802efbc950 https://adelta.westernsydney.edu.au/files/original/2007210f7ac98bed5d1cc44305c31833.png a8ea72ad881f90b9fc35f06081539e35 https://adelta.westernsydney.edu.au/files/original/797ef729dfcc35780e569c790429ac03.png a32bb472ec4c5f36e18dea4d8920c05c ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.secrettechnology.com/wittenoom/starthere.html">http://www.secrettechnology.com/wittenoom/starthere.html</a> Artist Statement A statement about the work, as provided by the artist(s). Digital poetry should surround the reader, to encompass them in the experience, to entice their hands and eyes to move with the language and explore the interface. It's critical for digital writers to see the interface, visuals, sounds, and movements as poetic/fiction elements. Multimedia and interface components are not just navigational holiday lights to pretty up the place, they add/change/expand the artwork. Within this work, I designed a responsive creatures as both fun to play and allow the reader to jump between texts, to read in their own ordering, to non-linearly explore the inherently non-linear nature of poetry. Layering is also of prime importance, as creating a sense of thematic and visual depth, embeds the poetry in a larger world, a more complex poetic. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://heliozoa.com/?p=21#more-21">Description from author's website</a> Genre Web based digital poetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Nelson_Wittenoom Title A name given to the resource Wittenoom: speculative shell and the cancerous breeze Creator An entity primarily responsible for making the resource Nelson, Jason Date A point or period of time associated with an event in the lifecycle of the resource 2009 Language A language of the resource English Rights Information about rights held in and over the resource Copyright Jason Nelson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Digital poetry Net art Description An account of the resource Artist Statement Digital poetry should surround the reader, to encompass them in the experience, to entice their hands and eyes to move with the language and explore the interface. It's critical for digital writers to see the interface, visuals, sounds, and movements as poetic/fiction elements. Multimedia and interface components are not just navigational holiday lights to pretty up the place, they add/change/expand the artwork. Within this work, I designed a responsive creatures as both fun to play and allow the reader to jump between texts, to read in their own ordering, to non-linearly explore the inherently non-linear nature of poetry. Layering is also of prime importance, as creating a sense of thematic and visual depth, embeds the poetry in a larger world, a more complex poetic. <a href="http://heliozoa.com/?p=21#more-21">Source of Artist Statement</a> Digital poetry Jason Nelson Net art https://adelta.westernsydney.edu.au/files/original/2de46dd79992554edb412e95b079a5cc.png 9a438f78b2e1ce4f39bdda597b1a88a6 https://adelta.westernsydney.edu.au/files/original/d56b5905b1a608408979a441411a6d09.png 47f69b7b076e53ec8fcad21c3e87f788 https://adelta.westernsydney.edu.au/files/original/6e44f08dbd75783b5f441515138fe600.png 7c2a0a56dc24feee39821a4f91b10d9f ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.secrettechnology.com/flanet/">http://www.secrettechnology.com/flanet/</a> Artist Statement A statement about the work, as provided by the artist(s). A interactive logoed world populated with 45 strange and fantastical stories of the societal/cultural failure of influential net portals, fast food giants, newspapers, airlines, manufacturers and other oddities. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.secrettechnology.com/flanet/">Description from author's website</a> Genre Web based digital poetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Nelson_failedPlanet Title A name given to the resource With love from a failed planet Creator An entity primarily responsible for making the resource Nelson, Jason Language A language of the resource English Rights Information about rights held in and over the resource Copyright Jason Nelson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Digital poetry Net art Description An account of the resource Artist Statement A interactive logoed world populated with 45 strange and fantastical stories of the societal/cultural failure of influential net portals, fast food giants, newspapers, airlines, manufacturers and other oddities. <a href="http://www.secrettechnology.com/flanet/">Source of Artist Statement</a> Digital poetry Jason Nelson Net art https://adelta.westernsydney.edu.au/files/original/8636e69e88f577e450bb68b65cea9f11.png f64f20997c4b6cc4100693a5064798ac ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Digital book Work URL The URL of the original work, included as an HTML link. <a href="http://24hb.pressbooks.com/">http://24hb.pressbooks.com/</a> Artist Statement A statement about the work, as provided by the artist(s). On 11 June 2012, if:book Australia challenged a team of writers and editors to collaborate, write, and publish a book in a single 24-hour period. At midday, the writers gathered at the State Library of Queensland and began working furiously. Their stories were written live on the day, with work in progress posted online to allow readers to watch the story unfold and to submit ideas, suggestions and contributions across media. As the stories were completed, a team of bleary-eyed editors took the text from manuscript to a book. <a href="http://24hb.pressbooks.com/front-matter/how-this-book-was-made/">Simon Groth, if:book Australia</a> Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://24hb.pressbooks.com/front-matter/how-this-book-was-made/">Simon Groth, if:book Australia</a> Genre Collaborative digital book Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Amsterdam_willow_pattern Title A name given to the resource Willow Pattern Creator An entity primarily responsible for making the resource Amsterdam, Steven Currier, Christopher Davidson, Rjurik Earls,Nick Groth, Simon Kneen, Krissy Lemon, Geoff Newton, P.M. Slatter, Angela Date A point or period of time associated with an event in the lifecycle of the resource 2012 Publisher An entity responsible for making the resource available if:book Australia Language A language of the resource English Subject The topic of the resource Collaborative writing Digital books Digital media Electronic writing Online Description An account of the resource Artist Statement On 11 June 2012, if:book Australia challenged a team of writers and editors to collaborate, write, and publish a book in a single 24-hour period. At midday, the writers gathered at the State Library of Queensland and began working furiously. Their stories were written live on the day, with work in progress posted online to allow readers to watch the story unfold and to submit ideas, suggestions and contributions across media. As the stories were completed, a team of bleary-eyed editors took the text from manuscript to a book. <a href="http://24hb.pressbooks.com/front-matter/how-this-book-was-made/">Simon Groth, if:book Australia</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Angela Slatter Christopher Currier Collaborative writing Digital books Digital media Electronic writing Geoff Lemon Krissy Kneen Nick Earls Online P. M. Newton Rjurik Davidson Simon Groth Steven Amsterdam https://adelta.westernsydney.edu.au/files/original/93bcc19a652ba3c6b30b3efa89768b66.png 30ab0fbc9a2dba228009008aaee9f528 https://adelta.westernsydney.edu.au/files/original/e8afc47e111f89aac9337fc10773413e.png f62e24039e2d11d0da16cf74d9f07d6a https://adelta.westernsydney.edu.au/files/original/4421c7ba2ef758ef5b95dbce24c1fb45.png 16e1e70d5a746ec86b0bd68d1e36e803 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.secrettechnology.com/ausco/compass3.html">http://www.secrettechnology.com/ausco/compass3.html</a> Artist Statement A statement about the work, as provided by the artist(s). This strange island continent and its ever dry centre and clusters of wooded sea tethered cities is compass confused. European colonizers are forever pointed north and west, pining for California culture or European roots, the indigenous population is pulled towards the centre, a home where cartographic directions and menus are irrelevant, and an economic engine and future reality that spins hard, thick arrows pointing east. The rest of the world sees this place, this strange residual of British Empire as down, forever down. Wide and Wildly Branded uses the compass as an interface, a rounded guide to poetic lines. The top and bottom, the north and south textual lines are at odds, contrasts abstract and relationship and directionally confused. The background video was shot while lost, hiking by a creek that turned into two creeks and then four, pathways alike and specific, threatening and alluring enough to entice wandering. Turn and play along a downward compass, the Antarctic, the Antarctic. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://heliozoa.com/?p=1#more-1">Description from author's website</a> Genre Web based digital poetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Nelson_wideWidly Title A name given to the resource Wide and Widly Branded Creator An entity primarily responsible for making the resource Nelson, Jason Date A point or period of time associated with an event in the lifecycle of the resource 2010 Language A language of the resource English Rights Information about rights held in and over the resource Copyright Jason Nelson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Digital poetry Net art Description An account of the resource Artist Statement This strange island continent and its ever dry centre and clusters of wooded sea tethered cities is compass confused. European colonizers are forever pointed north and west, pining for California culture or European roots, the indigenous population is pulled towards the centre, a home where cartographic directions and menus are irrelevant, and an economic engine and future reality that spins hard, thick arrows pointing east. The rest of the world sees this place, this strange residual of British Empire as down, forever down. Wide and Wildly Branded uses the compass as an interface, a rounded guide to poetic lines. The top and bottom, the north and south textual lines are at odds, contrasts abstract and relationship and directionally confused. The background video was shot while lost, hiking by a creek that turned into two creeks and then four, pathways alike and specific, threatening and alluring enough to entice wandering. Turn and play along a downward compass, the Antarctic, the Antarctic. <a href="http://heliozoa.com/?p=1#more-1">Source of Artist Statement</a> Digital poetry Jason Nelson Net art https://adelta.westernsydney.edu.au/files/original/8eb1d731e6ae9ab857937cbcb14b2cbb.png 0fa93692fd512b5f366481d932fb927c https://adelta.westernsydney.edu.au/files/original/5116443a2d4af1962be8e6e2bdcdf805.png de9764afd91771a77fa22e254d0819cd https://adelta.westernsydney.edu.au/files/original/53bb5a6efad1788d8ac78399a6f931b0.png 647eb242997d876619b4aa4190d2458e ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Twitter/Coding algorithim Work URL The URL of the original work, included as an HTML link. <a href="http://www.welcometopanopolis.com/#">http://www.welcometopanopolis.com/#</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. Gillian Fuller Artist Statement A statement about the work, as provided by the artist(s). Welcome to Panopolis explores the im/possibility of uniqueness in digitally networked environments - places where almost everything we want to say is always, already being said by someone else. It uses geographically disparate pieces of data to create a virtual space with distinctive emergent qualities where readers can examine and reflect on the un/predictable, un/reliable nature of online information. By filtering and re-combining social media content, Welcome to Panopolis incites new textual and narrative possibilities. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://miscellanea.com/artworks/welcome-to-panoplolis/">Description from author's website</a> Genre Networked new media installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Rodley_Burrell_panopolis Title A name given to the resource Welcome to Panopolis Creator An entity primarily responsible for making the resource Rodley, Chris Burrell, Andrew Date A point or period of time associated with an event in the lifecycle of the resource 2013 Description An account of the resource Welcome to Panopolis takes the form of an imaginary travellers/tourist online guide that outlines a series of predictable and cliched experiences in what influential anthropologist Marc Auge, has labelled 'the non-places of supermodernity': spaces exemplified by airports, tourist areas, subways and spaces of transit. The work also enacts the self-consciousness of tourist discourses as outlined by many theorists in mobility studies. The website is divided into chapters typical of travel guides Sightseeing, Dining Out, Health & Safety etc The text humorously outlines 'typical' experiences in a semiotically pre-packaged world. The canned experiences outlined in the textual guide is offset by the idiosyncratic and contextually unknowable feeds of social media texts that feed into the website via 'notes' appended to various pieces of text in the guide, creating a world both familiar and strange. Gillian Fuller Artist Statement Welcome to Panopolis explores the im/possibility of uniqueness in digitally networked environments - places where almost everything we want to say is always, already being said by someone else. It uses geographically disparate pieces of data to create a virtual space with distinctive emergent qualities where readers can examine and reflect on the un/predictable, un/reliable nature of online information. By filtering and re-combining social media content, Welcome to Panopolis incites new textual and narrative possibilities. <a href="http://miscellanea.com/artworks/welcome-to-panoplolis/">Source of Artist Statement</a> Language A language of the resource English Rights Information about rights held in and over the resource Copyright Chris Rodley and Andrew Burrell. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Algorithmic realtime data reinterpretation Andrew Burrell Chris Rodley New media https://adelta.westernsydney.edu.au/files/original/99eb9dec3d209d1e528d821b4a05ccf6.png aaa60510312df726ac25976b72a60b32 https://adelta.westernsydney.edu.au/files/original/be2b3954d3ac071ea6d2fad46c6537ac.png 6d9b17b8a650c7cd63983fb9c878212f ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime CD-ROM Genre Hypermedia/Performed text Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://www.sounddesign.unimelb.edu.au/web/biogs/P000358b.htm">Excerpt from the online database Australian Sound Design Project</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Smith_walkingFaultlines Title A name given to the resource Walking the Faultlines Creator An entity primarily responsible for making the resource Smith, Hazel Dean, Roger White, Greg The AustraLYSIS Electroband Date A point or period of time associated with an event in the lifecycle of the resource 1998 Description An account of the resource A work created for CD-ROMs interactive participation, and amongst the winners of a competitive submission to the International Computer Music Association, who released it in 2000, on their 'Cyberquilts' CD-ROM anthology. The work can also be presented in performance with performed text, and the interactive sound and text from the CD-ROMs displayed. The CD-ROMs comprises sound (best played after transfer to hard disc), and a text display, both driven interactively from a computer. Up to 3 sound fields (comprising both verbal and non-verbal sound) can coexist with the displayed text fields. <a href="http://www.sounddesign.unimelb.edu.au/web/biogs/P000358b.htm">Excerpt from the online database Australian Sound Design Project</a> Language A language of the resource English Rights Information about rights held in and over the resource Copyright Hazel Smith, Roger Dean and Greg White. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Hazel Smith Hypermedia Interactive CD-ROM Performed text https://adelta.westernsydney.edu.au/files/original/7fd4c635fa0e5cfb1582038b42217f42.png 07a5a3a529267a0b4ea58cb693e808eb https://adelta.westernsydney.edu.au/files/original/bc0bd1a63dc34e6a49bd2474f7bca940.png eb0de005f6898d37bdf151d0dfbdbb28 https://adelta.westernsydney.edu.au/files/original/b64972c0f57930d7369297641a3abc13.png e5cc8d3a991e6bad5d2379768ce17f40 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime QuickTime Work URL The URL of the original work, included as an HTML link. <a href="http://vogmae.net.au/vog/archive/2000/WednesdayBergen.html">http://vogmae.net.au/vog/archive/2000/WednesdayBergen.html</a> Artist Statement A statement about the work, as provided by the artist(s). This is the video that was used in the vogma manifesto post. This was the manifesto I wrote outlining what I thought videoblogging should be. I still subscribe to these ideas. The video was shoot on the bus from Oslo airport into the city, I played with the sound by taking a shorter duration of sound from the QuickTime clip and then stretching it in QuickTime Pro to match the image track. The film uses a QuickTime text track but it now renders the text very oddly so I have embedded this at twice its size, which actually looks better. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://vogmae.net.au">Description from author's website</a> Genre Web based audio visual sketch Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Miles_VogManifiesto Title A name given to the resource Vog a (BETA) videoblog: Wednesday Bergen Creator An entity primarily responsible for making the resource Miles, Adrian Date A point or period of time associated with an event in the lifecycle of the resource 2000 Language A language of the resource English Rights Information about rights held in and over the resource Copyright Adrian Miles. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Audio visual sketch Beta videoblog Digital video poetics Vog Description An account of the resource Artist Statement This is the video that was used in the vogma manifesto post. This was the manifesto I wrote outlining what I thought videoblogging should be. I still subscribe to these ideas. The video was shoot on the bus from Oslo airport into the city, I played with the sound by taking a shorter duration of sound from the QuickTime clip and then stretching it in QuickTime Pro to match the image track. The film uses a QuickTime text track but it now renders the text very oddly so I have embedded this at twice its size, which actually looks better. <a href="http://vogmae.net.au">Source of Artist Statement</a> Adrian Miles Audio visual sketch Beta videoblog Digital video poetics Vog https://adelta.westernsydney.edu.au/files/original/79b8656d79914249908843d61f71a932.png 0f28b7d64142b0de993efd8ea9dbecf4 https://adelta.westernsydney.edu.au/files/original/9d8ac6121ed4da02038720b5957ece6f.png 68090ad1d6590327ea4f0f12958d3b20 https://adelta.westernsydney.edu.au/files/original/9cdb1e346a1e70c6a25505d451551017.png 12788d599c41a9dc96d1b8890bef65ab ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime QuickTime Work URL The URL of the original work, included as an HTML link. <a href="http://vogmae.net.au/%20http://vogmae.net.au/vlog/">http://vogmae.net.au/ http://vogmae.net.au/vlog/</a> Artist Statement A statement about the work, as provided by the artist(s). This videoblog has existed in various locations since 2000 and is being consolidated here. The work is made by Adrian Miles and is experimental, which means it might not work for you. I have written extensively about video blogging and what I have called 'softvideo' and this site is a blog come portfolio of my softvideo practice. I have used several CMS's, including Movable Type and WordPress, and after experimenting with a new template (style) in WordPress decided it was just making everything too complicated. So I've returned to storing all the content in Tinderbox with good old fashioned export of static html and then just synchronising it via FTP to my host. Is this still a blog? I'm not sure. I am not offering comments, but I think comments get in the way of blogging. However, via this method I can't support trackback but if I pay attention to referrer information via something like Google Analytics then you can usually see who links here. However, this is only going to be video and I have an active blog (vlog 4.0) where I do my writing and more usual blogging. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://vogmae.net.au/vog/about.html">Description from artwork's website</a> Genre Web based audio visual sketch Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Miles_Vog Title A name given to the resource Vog a (BETA) videoblog: Compendium of works Creator An entity primarily responsible for making the resource Miles, Adrian Date A point or period of time associated with an event in the lifecycle of the resource 2000-ongoing Language A language of the resource English Rights Information about rights held in and over the resource Copyright Adrian Miles. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Audio visual sketch Beta videoblog Vog Description An account of the resource Artist Statement This videoblog has existed in various locations since 2000 and is being consolidated here. The work is made by Adrian Miles and is experimental, which means it might not work for you. I have written extensively about video blogging and what I have called 'softvideo' and this site is a blog come portfolio of my softvideo practice. I have used several CMS's, including Movable Type and WordPress, and after experimenting with a new template (style) in WordPress decided it was just making everything too complicated. So I've returned to storing all the content in Tinderbox with good old fashioned export of static html and then just synchronising it via FTP to my host. Is this still a blog? I'm not sure. I am not offering comments, but I think comments get in the way of blogging. However, via this method I can't support trackback but if I pay attention to referrer information via something like Google Analytics then you can usually see who links here. However, this is only going to be video and I have an active blog (vlog 4.0) where I do my writing and more usual blogging. <a href="http://vogmae.net.au/vog/about.html">Source of Artist Statement</a> Adrian Miles Audio visual sketch Beta videoblog Vog https://adelta.westernsydney.edu.au/files/original/1628a407beade927593f5ebcab6eca52.png 65f1c03c3b7b03c0773299ceb9fbd5af https://adelta.westernsydney.edu.au/files/original/199f47ffb77143277687c131fcf6cd4c.png 92baf19a262a22fda4c95cd3864b0e41 https://adelta.westernsydney.edu.au/files/original/3dd3d58a0c40e0d1b4aa4664674d4f80.png 047de22d8a4a8aa6eaafb6c95c86c2b7 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.secrettechnology.com/graphoem/graphoem.html">http://www.secrettechnology.com/graphoem/graphoem.html</a> Artist Statement A statement about the work, as provided by the artist(s). A strange hybrid work where writing is built directly from the videos and statistical graphs. These are imaginary worlds/possibilities, with the background pop culture videos evidence and inspiration. After mousing over the data points/dots the statistics and lines pop-up. Perhaps the most difficult aspect of creation was determining the percentages and numbers which drive the stories/poetry, and how do those statistics coax the narrative/poetry along into semi-coherent streams. And being a child of the late 70s and 80s I am fascinated by the glory days of absurd pop culture, the notion that a near storyless video game pixeled mouth can eventually have its own branded can of pasta. And then there is the Frankenstein clip. Just damn beautiful, even more so that its now a hundred years old. Maybe I should continue exploring other types of graph/statistical interfaces and methods for displaying/generating poetic/fictional texts. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://heliozoa.com/?p=63#more-63">Description from author's website</a> Genre Web based digital poetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Nelson_videoGraph Title A name given to the resource VideoGraph Fictions Creator An entity primarily responsible for making the resource Nelson, Jason Language A language of the resource English Rights Information about rights held in and over the resource Copyright Jason Nelson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Digital poetry Movement Net art Video Description An account of the resource Artist Statement A strange hybrid work where writing is built directly from the videos and statistical graphs. These are imaginary worlds/possibilities, with the background pop culture videos evidence and inspiration. After mousing over the data points/dots the statistics and lines pop-up. Perhaps the most difficult aspect of creation was determining the percentages and numbers which drive the stories/poetry, and how do those statistics coax the narrative/poetry along into semi-coherent streams. And being a child of the late 70s and 80s I am fascinated by the glory days of absurd pop culture, the notion that a near storyless video game pixeled mouth can eventually have its own branded can of pasta. And then there is the Frankenstein clip. Just damn beautiful, even more so that its now a hundred years old. <a href="http://heliozoa.com/?p=63#more-63">Source of Artist Statement</a> Digital poetry Jason Nelson Movement Net art Video https://adelta.westernsydney.edu.au/files/original/fb8176592e3d046312e1ed85e8791279.png 779a5b8f68bc29db1a4b376271bf0dcf https://adelta.westernsydney.edu.au/files/original/f611ed782e7f01a1656a861fd999c2f0.png 779a5b8f68bc29db1a4b376271bf0dcf ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.secrettechnology.com/">http://www.secrettechnology.com/</a> Artist Statement A statement about the work, as provided by the artist(s). Real-time weather rss feeds drive a series of visualizations. Artistically translates numbers into strange creatures. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.secrettechnology.com/">Description from author's website</a> Genre Web based digital poetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Nelson_weatherVisualizer Title A name given to the resource Vholoce: Weather Visualizer Creator An entity primarily responsible for making the resource Nelson, Jason Date A point or period of time associated with an event in the lifecycle of the resource 2007-8 Language A language of the resource English Rights Information about rights held in and over the resource Copyright Jason Nelson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Digital poetry Net art Description An account of the resource Artist Statement Real-time weather rss feeds drive a series of visualizations. Artistically translates numbers into strange creatures. <a href="http://www.secrettechnology.com/">Source of Artist Statement</a> Digital poetry Jason Nelson Net art https://adelta.westernsydney.edu.au/files/original/d7d5f2b47af82af40f89f5875e62c01f.png 82e9283036b33f7800d20371df2fefae https://adelta.westernsydney.edu.au/files/original/ae628c748ca751bec1478dc744fd3b15.png 6998f474b20166702ee53fcb9269ec0d https://adelta.westernsydney.edu.au/files/original/5cb4a1a18dd8fa6b4e97e816bd59551b.png 9a54151cd778c729b698c640129e60bf ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Work URL The URL of the original work, included as an HTML link. <a href="http://lx.sysx.org/?page_id=20">http://lx.sysx.org/?page_id=20</a> Artist Statement A statement about the work, as provided by the artist(s). User Unfriendly Interface, CD ROM/Installation on themes of conspiracy theories, male vs female concept of space, dating services, mens issues & personality testing.<a href="http://lx.sysx.org/?page_id=20"> Statement from authors' website</a> Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://lx.sysx.org/?page_id=20">Statement from authors' website</a> Genre Interactive video installation Publication Type The publication type is the means and channels by which a work is made public. CD-ROM/Installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Starrs_Cmielewski_userUnfriendly Title A name given to the resource User Unfriendly Interface Creator An entity primarily responsible for making the resource Starrs, Josephine Cmielewski, Leon Language A language of the resource English Description An account of the resource Artist Statement User Unfriendly Interface, CD ROM/Installation on themes of conspiracy theories, male vs female concept of space, dating services, mens issues and personality testing. <a href="http://lx.sysx.org/?page_id=20">Source of Artist Statement</a> Rights Information about rights held in and over the resource Copyright Josephine Starrs and Leon Cmielewski. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Installation Interactive CD-ROM Josephine Starrs Leon Cmielewski https://adelta.westernsydney.edu.au/files/original/4a3b982fdb3773770b3b1553c2ff23fa.png 6a9302df802604aa9692982aefc26ae4 https://adelta.westernsydney.edu.au/files/original/348da316e544653ba605e623002b9432.png 300454f8901841cf31b9cfe52ae84fb2 https://adelta.westernsydney.edu.au/files/original/994e4690a655bddfec7153df2916824e.png 1e868c6cbd8ddaf67d820a5ab94d2a36 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Genre Interactive multimedia installation Work URL The URL of the original work, included as an HTML link. <a href="http://urbancodemakers.net/blog/">http://urbancodemakers.net/blog/</a> Related Website 1 The URL of a related web page such as a YouTube clip or Vimeo, included as an HTML link. <a href="http://vimeo.com/46732022">http://vimeo.com/46732022</a> Artist Statement A statement about the work, as provided by the artist(s). The Urban Codemakers operated in Guildford Lane between August 2010 and February 2011. Their urban renewal project sought to rezone the city through play. It consists of three guilds, street signage, 100+ blog posts, four blogs, a street game, 768 IDEOTAGs, a public demonstration, a public information video in Federation square, a series of academic articles, and three urban planning proposals for the City of Melbourne. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://vimeo.com/46732022">Description from Vimeo</a> Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Installation / Vimeo Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Innocent_urban Title A name given to the resource Urban Codemakers: rezone the city through play Creator An entity primarily responsible for making the resource Innocent, Troy Date A point or period of time associated with an event in the lifecycle of the resource 2010-2011 Language A language of the resource English Subject The topic of the resource Installation Multimedia Participatory action Description An account of the resource Artist Statement The Urban Codemakers operated in Guildford Lane between August 2010 and February 2011. Their urban renewal project sought to rezone the city through play. It consists of three guilds, street signage, 100+ blog posts, four blogs, a street game, 768 IDEOTAGs, a public demonstration, a public information video in Federation square, a series of academic articles, and three urban planning proposals for the City of Melbourne. <a href="http://vimeo.com/46732022">Description from Vimeo</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Installation Multimedia Participatory action Troy Innocent https://adelta.westernsydney.edu.au/files/original/5fdfcdba9d03d96b2e6eea6b274ada13.png 225cee0156c5ac09779000e39d9555e6 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://eugeniaraskopoulos.com/wp-content/uploads/2015/08/voodoo-objects.pdf">Extract from essay Voodoo Objects: “Under My Skin” by Anne Finegan</a> Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Archival digital prints Work URL The URL of the original work, included as an HTML link. <a href="http://eugeniaraskopoulos.com/works/">http://eugeniaraskopoulos.com/works/</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Under my Skin Description An account of the resource Eugenia Raskopoulos’ latest installation straddles dark domestic and political territory. The messages range from blunt to subtle. A video camera looks through a car windscreen across which the word “refugees” is written against a clear blue sky, bordered by gum trees and full of hope. No matter how frenetic the pace of the windscreen wipers, the sullied text remains discernable withing the smear as a symbol of Australia’s unresolved refugee issues. Elsewhere crisp and formally framed large photographs dominate with a very odd set of objects, abject reminders which carry bodily memories of intense “inpain” is not a typo but a deliberate misspelling as if the state of being in “in pain” were an abstract noun describing a political condition. In an earlier body of work, Raskopoulos had subjected the word “democracy” to various political tests and pressures, undermining the cheapness of its currency as a buzzword for political gain. Text and visual metaphors - like the windscreen wiper’s attempt to “wipe away” political problems - have long informed Raskipoulos’ work. <a href="http://eugeniaraskopoulos.com/wp-content/uploads/2015/08/voodoo-objects.pdf">Extract from essay Voodoo Objects: “Under My Skin” by Anne Finegan</a> Creator An entity primarily responsible for making the resource Raskopoulos, Eugenia Date A point or period of time associated with an event in the lifecycle of the resource 2014 Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. https://adelta.westernsydney.edu.au/files/original/601913efd64db0d73b31677614bd9a0c.png 52b4248861524ed548ef8df2fd5078fb https://adelta.westernsydney.edu.au/files/original/aa2668d496e33e4e63b840a29489215a.png 3490ba194c2013ded0f15ac438707710 https://adelta.westernsydney.edu.au/files/original/92eba8725a9385b603c0bdafeb6f8822.png 9d42f5fd7ac41bbc09b242ba1368ebb6 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Flash Work URL The URL of the original work, included as an HTML link. <a href="http://www.secrettechnology.com/mouse/undirection.html">http://www.secrettechnology.com/mouse/undirection.html</a> Artist Statement A statement about the work, as provided by the artist(s). While net-art becomes increasingly more complex, more database and programming centered, this project shoots for simplicity. Utilizing the basic mouse-follower, Uncontrollable Semantics pulls together over fifty dramatically different sound, image and interactive environments, all through the simple mouse follower. While a simple innovation, this technique allows the user/player/reader to create their own experience, to feel the work come from the screen. Each environment offers four directions to four terms, four semantics, four named creatures. Explore and play and confuse yourself. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://heliozoa.com/?p=133#more-133">Description from author's website</a> Genre Web based digital poetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Nelson_uncontrollable Title A name given to the resource Uncontrollable semantics Creator An entity primarily responsible for making the resource Nelson, Jason Language A language of the resource English Rights Information about rights held in and over the resource Copyright Jason Nelson. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Description An account of the resource Artist Statement While net-art becomes increasingly more complex, more database and programming centered, this project shoots for simplicity. Utilizing the basic mouse-follower, Uncontrollable Semantics pulls together over fifty dramatically different sound, image and interactive environments, all through the simple mouse follower. While a simple innovation, this technique allows the user/player/reader to create their own experience, to feel the work come from the screen. Each environment offers four directions to four terms, four semantics, four named creatures. Explore and play and confuse yourself. <a href="http://heliozoa.com/?p=133#more-133">Source of Artist Statement</a> Digital poetry Jason Nelson Net art https://adelta.westernsydney.edu.au/files/original/6573c330e19036c7f6a185781aedfac2.png d4f5d01edd5cfd3fcd688ce268752ada https://adelta.westernsydney.edu.au/files/original/bc6f1fe12da0323f2561573ce0a99d5b.png 678ab2e0e2c79afe64e2c501f0b7c2b0 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Twitter Genre Real-time digital Poetry Work URL The URL of the original work, included as an HTML link. <a href="http://conference.conlang.org/lcc3/posters/Mez_Breeze-Twitterwurking.pdf">http://conference.conlang.org/lcc3/posters/Mez_Breeze-Twitterwurking.pdf</a> Artist Statement A statement about the work, as provided by the artist(s). _Twitterwurking_ comprised of sequential "tweets" posted via a microblogging platform called Twitter. The work itself was written in my mezangelle language - a type of merging of programming languages/code with poetic elements. The Twitterwurk sought to incorporate specific users into the narrative by typing the "@" symbol before their name. The users were then made aware of this focused reply and thus deliberately enfolded into the tweetstream/project. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://conference.conlang.org/lcc3/posters/Mez_Breeze-Twitterwurking.pdf">Description from a transcription of Twitterwurking, created in the New Media Scotland Twitter Recidency</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Breeze_twitter Title A name given to the resource Twitterwurking Creator An entity primarily responsible for making the resource Breeze, Mez Date A point or period of time associated with an event in the lifecycle of the resource 2008 Language A language of the resource English Rights Information about rights held in and over the resource Copyright Mez Breeze. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Live Performance Reality game Twitter Description An account of the resource Artist Statement _Twitterwurking_ comprised of sequential "tweets" posted via a microblogging platform called Twitter. The work itself was written in my mezangelle language - a type of merging of programming languages/code with poetic elements. The Twitterwurk sought to incorporate specific users into the narrative by typing the "@" symbol before their name. The users were then made aware of this focused reply and thus deliberately enfolded into the tweetstream/project. <a href="http://conference.conlang.org/lcc3/posters/Mez_Breeze-Twitterwurking.pdf">Description from a transcription of Twitterwurking, created in the New Media Scotland Twitter Residency</a> Live Mez Breeze Performance Reality game Twitter https://adelta.westernsydney.edu.au/files/original/b82c8272962bb2771e6ea8c881eff573.png 133296a523bdbc901c057b103e0d0900 https://adelta.westernsydney.edu.au/files/original/98ad5fbe57b98f5ff3e22b5617a0eac6.png 93648f41ac757a03cb7b31eaf944760b https://adelta.westernsydney.edu.au/files/original/393053a00b293c26977848d64d7c8038.png c36e0350ce71f9315495fb915099d8ea ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime HTML/JavaScript/Animated giffs/Java Applets Work URL The URL of the original work, included as an HTML link. <a href="http://www.subtle.net/tunnel/">http://www.subtle.net/tunnel/</a> Artist Statement A statement about the work, as provided by the artist(s). Tunnel is a site about pornography and online sexuality, the cyber affair, and the ensuing tension between the real cyber sexual experience and the real flesh sexual experience. Tunnel charts the incongruity and incompatibility when the digitally coded self crosses the terminal boundary, questioning early notions of fluid identity and sexuality on the net. The location of cyber relations is the personal intimate feminine private space of online where the boundaries that define personal safety do not seem necessary. Sexual and Emotional Intimacy are achieved in an astoundingly short amount of time - after all online encounters are merely a projection of the self into another who exists only at our fantasy beck and call, who will disappear when the computer is turned off. Or do they? What happens when the cyber lovers meet in flesh space? Will the sensory /data overload blow both their buffers? Statement from artist's notes. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. Artist's notes Genre Web based interactive poetry Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Rackham_Tunnel Title A name given to the resource Tunnel Creator An entity primarily responsible for making the resource Rackham, Melinda Date A point or period of time associated with an event in the lifecycle of the resource 1996 Description An account of the resource 'Tunnel' is an html site,using javascript, java applets and animated gifs and images that explored cybersexuality which in the early 1990s was an emerging area in both cyberculture and cyberart. It explored the intersection of female sex and technology in every day suburban cyberspace drawn from Usenet newsgroups and IRC sessions where living beings interacted sexually with others thru text on a monitor. The work is silent and displayed explicit sexual images and text drawn from actual experience in realtime. Its aesthetic was thus jerky due to slow speeds of dial up modems (usually14.4 Kbps). Created with very early Photoshop, DreamWeaver, and text editors, Tunnel was designed to be viewed in Netscape Navigator 3 on a 13 inch monitor in 1996. It was resized and java updated in 2005 and updated again to make compatible with modern browsers in 2014. Artist Statement Tunnel is a site about pornography and online sexuality, the cyber affair, and the ensuing tension between the real cyber sexual experience and the real flesh sexual experience. Tunnel charts the incongruity and incompatibility when the digitally coded self crosses the terminal boundary, questioning early notions of fluid identity and sexuality on the net. The location of cyber relations is the personal intimate feminine private space of online where the boundaries that define personal safety do not seem necessary. Sexual and Emotional Intimacy are achieved in an astoundingly short amount of time - after all online encounters are merely a projection of the self into another who exists only at our fantasy beck and call, who will disappear when the computer is turned off. Or do they? What happens when the cyber lovers meet in flesh space? Will the sensory /data overload blow both their buffers? Statement from artist's notes. Language A language of the resource English Rights Information about rights held in and over the resource Copyright Melinda Rackham. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Digital poetry Melinda Rackham https://adelta.westernsydney.edu.au/files/original/4d696ba602e423e4a49769e2feb2895c.png ff5be837e693f93be1eb514084b04f55 https://adelta.westernsydney.edu.au/files/original/2a332bc48d46e0ed9f646d5bd6801237.png 46bbba637a694438f61fb242709383c0 https://adelta.westernsydney.edu.au/files/original/8b4ffb83d719a7b67a31c203614c4708.png b5ada5992f6c4c19204e20e1488a4aa1 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime HTML Work URL The URL of the original work, included as an HTML link. <a href="http://www.sallypryor.com/tropicality.html">http://www.sallypryor.com/tropicality.html</a> Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. Fbitch Genre Web based interactive multimedia Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Pryor_Tropicality Title A name given to the resource Tropicality Creator An entity primarily responsible for making the resource Pryor,Sally Date A point or period of time associated with an event in the lifecycle of the resource 2012 Language A language of the resource English Rights Information about rights held in and over the resource Copyright Sally Pryor. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Animated web work Sally Pryor https://adelta.westernsydney.edu.au/files/original/b2dc5354519f107440d9b38fb3b95e81.png ef02194381190e3e59dcd42527ea4612 https://adelta.westernsydney.edu.au/files/original/9aa9a487776fe3f633385f80c1d2e5bf.png b23d389646f8beb898ef1cd0ddc21b86 https://adelta.westernsydney.edu.au/files/original/7fcdf6434bcb448c393ac1a1b11a1b65.png cf45c7c622032cb4f89ed68cd23af962 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime QuickTime/Second Life Genre 3D environment Work URL The URL of the original work, included as an HTML link. <a href="http://www.sarahwaterson.net/?p=144">http://www.sarahwaterson.net/?p=144</a> Artist Statement A statement about the work, as provided by the artist(s). Trope creatively intervenes in the ways that readers engage with literary texts and aims to expand writing networks and to further develop the virtual literary community. Trope features short fiction and poetry in selected exhibitions. Texts are repositioned in a spatialised visual format/s and audio designed for SL users to experience texts in a three dimensional world. <a href="http://www.sarahwaterson.net/?p=144">Sara Waterson.</a> Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://www.sarahwaterson.net/?p=144">Sara Waterson's website</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Waterson_trope Title A name given to the resource Trope Creator An entity primarily responsible for making the resource Waterson, Sara Davies, Cristyn Knox, Sara Date A point or period of time associated with an event in the lifecycle of the resource 2008/9 Contributor An entity responsible for making contributions to the resource Davies, Cristyn Knox, Elena Language A language of the resource English Description An account of the resource Artist Statement Trope creatively intervenes in the ways that readers engage with literary texts and aims to expand writing networks and to further develop the virtual literary community. Trope features short fiction and poetry in selected exhibitions. Texts are repositioned in a spatialised visual format/s and audio designed for SL users to experience texts in a three dimensional world. <a href="http://www.sarahwaterson.net/?p=144">Sara Waterson</a> Rights Information about rights held in and over the resource Copyright Sara Waterson, Sara Knox and Cristyn Davies. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource New media Real-time 3D art project Cristyn Davies New media Real-time 3D art project Sara Knox Sara Waterson https://adelta.westernsydney.edu.au/files/original/215d60fd67410daa10363d030263b178.png 5bc8ef0ed604d54c9dcf4a457864e25b https://adelta.westernsydney.edu.au/files/original/872dd1fe4a01fbce83c7b9062e18346a.png 2cf5aaa85c50edbffc92645bded64a3c ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Installation Work URL The URL of the original work, included as an HTML link. <a href="http://embodiedmedia.com/homeartworks/tree-of-fortune">http://embodiedmedia.com/homeartworks/tree-of-fortune</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. <a href="http://www.realtimearts.net/article/58/8987">Excerpt from RealTime, issue #58 Dec-Jan 2003 pg. 29</a> Artist Statement A statement about the work, as provided by the artist(s). Tree of Fortune was a major public artwork comprising of 130 LED scrolling text boxes distributed throughout a large tree. Each module displayed an individual scrolling message presented in red LED text, created in collaboration with Brisbane writer Linda Carolli. The work was commissioned for and presented in a prominent riverbank location at Christchurch's 2004 Biennial. It was accompanied by a high quality catalogue publication. The project sought to foster private reflection amongst its viewers around the context of contemporary ecological crises, whilst also calling upon the power of their imagining as a method for retaining positive and critical mindsets in the face of adversity. This was achieved through ostensibly presenting texts in the form of 'fortune cookie' style statements, but then configuring them to require a personal response. This sense of unravelling questions and answers was further cemented through the qualities of each scrolling text, which only revealed a small part of each phrase at any one time. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://embodiedmedia.com/homeartworks/tree-of-fortune">Description from artist's website</a> Genre Electronic text installation Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context ARmstrong_tree_fortune Title A name given to the resource Tree of Fortune Creator An entity primarily responsible for making the resource Armstrong, Keith Carroli, Linda Date A point or period of time associated with an event in the lifecycle of the resource 2003 Description An account of the resource Unbearable Lightness (tree of fortune) is a collaboration between Keith Armstrong and Linda Carroli recontextualising the Christmas tree. On the South Bank Cultural Forecourt, a fig tree is decorated with small glowing baubles which on closer inspection are digital 'text modules' each with their own message. <a href="http://www.realtimearts.net/article/58/8987">Excerpt from RealTime </a> Artist Statement Tree of Fortune was a major public artwork comprising of 130 LED scrolling text boxes distributed throughout a large tree. Each module displayed an individual scrolling message presented in red LED text, created in collaboration with Brisbane writer Linda Carolli. The work was commissioned for and presented in a prominent riverbank location at Christchurch's 2004 Biennial. It was accompanied by a high quality catalogue publication. The project sought to foster private reflection amongst its viewers around the context of contemporary ecological crises, whilst also calling upon the power of their imagining as a method for retaining positive and critical mindsets in the face of adversity. This was achieved through ostensibly presenting texts in the form of 'fortune cookie' style statements, but then configuring them to require a personal response. This sense of unravelling questions and answers was further cemented through the qualities of each scrolling text, which only revealed a small part of each phrase at any one time. <a href="http://embodiedmedia.com/homeartworks/tree-of-fortune">Source of Artist Statement</a> Language A language of the resource English Rights Information about rights held in and over the resource Copyright Keith Armstrong and Linda Carroli. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Subject The topic of the resource Electronic text Installation Public installation Electronic text Installation Linda Carroli Public installation https://adelta.westernsydney.edu.au/files/original/8de2941242da7a3b90450d87439a59ae.png 06e1e7168e516b9ccc02aff979321393 https://adelta.westernsydney.edu.au/files/original/dc74c16ac2d5cccaca98c3e53052a3bf.png 6514665e2c1e0d1c492aa8126afeb108 https://adelta.westernsydney.edu.au/files/original/90a57f752dac454a02e2af1a54591431.png 2410b1680c366421ab877c499ab3be02 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime HTML Genre Web based digital poetry / Hypertext Work URL The URL of the original work, included as an HTML link. <a href="http://www.overthere.com.au/travels/index.htm">http://www.overthere.com.au/travels/index.htm</a> Related Website 1 The URL of a related web page such as a YouTube clip or Vimeo, included as an HTML link. <a href="http://www.overthere.com.au/">http://www.overthere.com.au/</a> Source of Description The source of information included in the Description, included as an HTML link to the relevant URL where possible. Gillian Fuller Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Caney_travels Title A name given to the resource Travels Towards Creator An entity primarily responsible for making the resource Caney, Diane Date A point or period of time associated with an event in the lifecycle of the resource 1998 Contributor An entity responsible for making contributions to the resource Petterd, Robin Description An account of the resource A hypertext poem assembled of fragments of poetry, plays and other textual fragments of Rimbaud, Patrick White, Shakespeare, Virginia Wolff and original text by Caney. The work integrates visual elements in its interaction, such as animated, linked gifs and mouseovers creating an embodied engagement with text/screen. The work explores the interplay of multi-modality, intertextuality and the affordances of new media space/time in real time while dwelling upon themes of loss and grief. Gillian Fuller Language A language of the resource English Subject The topic of the resource Net poetry Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Diane Caney Net poetry https://adelta.westernsydney.edu.au/files/original/772eee34b12d6bf181840bd4cc76cd0f.png 21d3b3cfbc7f1864105af48475c6ae7d https://adelta.westernsydney.edu.au/files/original/2837123823cfbd5aa8af878f4b2de4dc.png ce0b24d901c42c0679f7589ccd225ade https://adelta.westernsydney.edu.au/files/original/182eed42fa7c6c44fbe7ae3c875c3412.png 6914733ee6a2742536a1e44e18093695 ADELTA Item Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA). Platform Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime Installation / Vimeo Genre Video Installation Work URL The URL of the original work, included as an HTML link. <a href="http://vimeo.com/45054742">http://vimeo.com/45054742</a> Artist Statement A statement about the work, as provided by the artist(s). Iconica is an artificial world made of language, populated by lifeforms whose bodies are made of media encoded with different systems of representation. The artificial life model that generates the appearance and behaviour of this world is based on an iconic language which may be combined using grammatical rules to create an endless number of possible meanings. Trans'forms is an abbreviation of the term 'transitional forms' from evolutionary theory. This term refers to the inbetween states that occur when one species evolves into another new species. The new lifeforms depicted above apply this concept to digital media, capturing transitional forms in visual languages as they evolve and adapt to electronic space. Source of Artist Statement The source of information included in the Artist Statement, included as an HTML link to the relevant URL where possible. <a href="http://vimeo.com/45054742">Description from Vimeo</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Identifier An unambiguous reference to the resource within a given context Innocent_transitional Title A name given to the resource Transitional Forms; new life from Iconica Creator An entity primarily responsible for making the resource Innocent, Troy Date A point or period of time associated with an event in the lifecycle of the resource 2002 Language A language of the resource English Subject The topic of the resource Dual channel video installation Description An account of the resource Artist Statement Iconica is an artificial world made of language, populated by lifeforms whose bodies are made of media encoded with different systems of representation. The artificial life model that generates the appearance and behaviour of this world is based on an iconic language which may be combined using grammatical rules to create an endless number of possible meanings. Trans'forms is an abbreviation of the term 'transitional forms' from evolutionary theory. This term refers to the inbetween states that occur when one species evolves into another new species. The new lifeforms depicted above apply this concept to digital media, capturing transitional forms in visual languages as they evolve and adapt to electronic space. <a href="http://vimeo.com/45054742">Description from Vimeo</a> Rights Information about rights held in and over the resource The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder. Dual channel video installation Troy Innocent