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                <text>Copyright Hazel Smith and the austraLYSIS electroband. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.</text>
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              <text>&lt;a href="http://writing.upenn.edu/pennsound/x/Smith-Dean.php"&gt;http://writing.upenn.edu/pennsound/x/Smith-Dean.php&lt;/a&gt;</text>
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              <text>&lt;a href="http://writing.upenn.edu/pennsound/x/Smith-Dean.php"&gt; Excerpt from PennSound, Center For Programs In Contemporary Writing&lt;/a&gt;</text>
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                <text>A motile and spatial algorithmic speech piece, performed by Greg White and Roger Dean. The text by Hazel Smith which forms the basis of Mid-Air Conversations consists of seventeen short fragments. All the fragments are stylistically and thematically different from each of the others, and explore a variety of locations or historical situations, but there are some overlapping concerns. The piece points to a range of political conflicts but also to another space, one without a specific geographical or historical identity, where such problems might be overcome. To this end the piece includes its own language, constructed out of the words that compose the piece, raising the question: is this the language of that other space and if so how can we begin to adopt and understand it?&lt;br /&gt;&lt;a href="http://writing.upenn.edu/pennsound/x/Smith-Dean.php"&gt;Excerpt from PennSound, Center For Programs In Contemporary Writing&lt;/a&gt;</text>
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                <text>Copyright Hazel Smith and the austraLYSIS electroband. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.</text>
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              <text>&lt;a href="http://www.asu.edu/pipercwcenter/how2journal/vol_3_no_2/new_media/smith_dean/smith_dean.html"&gt;http://www.asu.edu/pipercwcenter/how2journal/vol_3_no_2/new_media/smith_dean/smith_dean.html&lt;/a&gt;</text>
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              <text>&lt;a href="http://www.asu.edu/pipercwcenter/how2journal/vol_3_no_2/new_media/smith_dean/smith_dean.html"&gt; Excerpt from How2, electronic Journal for experimental women's poetry. Vol.3 no.2&lt;/a&gt;</text>
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                <text>Copyright Hazel Smith and the austraLYSIS electroband. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.</text>
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