Browse Items (10 total)

Artist StatementClay conversations arose out of collaborative conversations I had with British ceramicist Joanna Still. After several meetings and exchanges, Joanna created some ceramics which evoked various forms of communication, for example a clay…

Electronic art video and interactive works generally prioritize image over sound, this is also the case in commercial culture at large. For this work, we chose a different approach, in keeping with the central focus of the commissioning ensemble,…

Instabilities 2 [...] subjects a discontinuous text to various kinds of processing. The screen is divided into three sections which counterpoint each other. The top section consists of a video made by Hazel Smith comprising twelve short texts. The…

Artist StatementLong Time, No See? is a collaborative, online artwork that focuses Australian and global audiences upon our long-term futures. The project seeks to link the local and the everyday with the global and the distant future, generatively…

A motile and spatial algorithmic speech piece, performed by Greg White and Roger Dean. The text by Hazel Smith which forms the basis of Mid-Air Conversations consists of seventeen short fragments. All the fragments are stylistically and thematically…

Artist StatementProseThetic Memories is a collaborative, fictocritical and cross-genre text which combines prose, poetry, cultural theory and philosophy. It challenges traditional ideas about memory as a process of storage and subsequent retrieval.…

Artist StatementThe multimedia work, soundAFFECTs, employs the text of 'AFFECTions' as its base, but converts it into a piece which combines text as moving image and transforming sound. For the multimedia work Roger Dean programmed a performing…

Time, the magician is a collaboration by Hazel Smith and Roger Dean written in the real-time algorithmic image-processing program Jitter. The piece begins with a poem, written by Hazel, on the subject of time: influential on the writing of the poem…