Browse Items (263 total)

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Art happens slowly in Eugenia Raskopoulos’ installation: Footnotes. Certain letters appear and then fade away. Words are formed with stuttering gestures. Nothing is spoken. A language emerges from the spitting onto and the caressing of a surface.…

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The Disappearing is an interactive phone app that uses GPS technology to connect poetry to place. Over 200 poems linked to particular locations around Australia can be accessed via the phone app. What the poems have in common is that they all address…

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Artist StatementFoul Whisperings, Strange Matters brings Shakespeare's world renowned and extraordinarily influential play Macbeth into a virtual worlds environment. This is an appropriate, timely use of pop culture as an adaptive bridge between…

http://w0504.uws.edu.au/adeltaImages/Gibson/Bystander/Gibson_Bystander_image1.png
Artist StatementBystander is an immersive environment composed of photographs, sequences of short text, and musical patterns that all knit together to conjure haunting moods and stories for a large, darkened gallery space. The images, texts and sound…

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Artist StatementLife After Wartime is a suite of multimedia artworks by Kate Richards and Ross Gibson. Based on 3000 archival scene-of-crime images from Sydney and thousands of evocative texts by Gibson, each iteration within the suite uses various…

http://w0504.uws.edu.au/adeltaImages/Gibson/mrDawes/Gibson_mrDawes_image2.png
Artist StatementDevelopment stage of a multi-disciplinary performance work based on the notebooks of First Fleet marine / astronomer / surveyor William Dawes who recorded his encounters between 1788-1790 with the indigenous peoples of the Sydney…

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Tableau's premise is the city: Adelaide. As place, time, tense, sense. It's the 'about' of writing oneself autobiographically, through the physical stratas of city, and it's especially 'about' how to write that to/for someone, as audience/reader,…

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Artist StatementWhen ELIZA, the world's first chatbot, was born in the 1960s, users were startled at how much the psychotherapist in the program resembled a human. Since then, chatbots have become increasingly sophisticated; some predict that a…

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Artist StatementMillions of people are sharing their intimate secrets on social media. Every day, over 300 people across the globe will tweet 'don't leave me' to their significant others or try to reassure anxious loved ones by tweeting the words…

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Artist Statement On the Internet, a heart breaks every 4 seconds.1000 Broken Hearts was an installation presented at Oxford Act Factory in October 2013 as part of the City of Sydney's Art and About. It reconfigures the last thousand heartbreaks from…

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Enquire Within Upon Everybody, developed by technologist Andrew Burrell and writer Chris Rodley, is one of the most engaging of the works in The Portals (or perhaps that's because I've been lured too far into the Twittersphere over recent years).…

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It's often said that dialogue in fiction is determined by the conventions of the novel, rather than by the way that people actually speak. However, artist Andrew Burrell and writer Chris Rodley aim to change all that by creating the world's first…

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Welcome to Panopolis takes the form of an imaginary travellers/tourist online guide that outlines a series of predictable and cliched experiences in what influential anthropologist Marc Auge, has labelled 'the non-places of supermodernity': spaces…

http://w0504.uws.edu.au/adeltaImages/Rodley_Burrell/dontLeave/Rodley_Burrell_dontLeave_image1.png
Artist StatementDon't Leave Me, Baby is a digital poem created out of live social media data. Messages of emotional anguish and insecurity are sourced in real time from Twitter and matched with expressions of consolation and reassurance. Tears are…

http://w0504.uws.edu.au/adeltaImages/Seaman/exquisite/Seaman_exquisite_image1.png
33 brief image and musical scenes are each based on a sentence of ten words. These exquisite image and sound compositions are mechanically combined, but internally organized by a poetic logic. The fragmentary aspect of splinter as well as the…

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Artist StatementPassage Sets is a generative visual poem. It includes an interactive poem generator. The users of the system can position themselves in front of the screen and select words and/or phrases from four lists that become visual as they…

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Artist StatementThe work expands Seaman's set of exhibitions related to the Thoughtbody Environment and Neosentience [ongoing collaboration with Otto Rossler] and extends Yeong-woong Cheong's work in terms of computer graphics/video generative…

http://w0504.uws.edu.au/adeltaImages/Seaman/twoGen/Seaman_twoGen_image1.png
Artist StatementThe World Generator promotes a form of active looking/listening/interacting/understanding. Through interaction with this virtual world generator, text potentially qualifies differing emotive aspects of the current computer-based…

http://w0504.uws.edu.au/adeltaImages/Seaman/redDice/Seaman_redDice_image1.png
Red Dice / Des Chiffre (2000) was commissioned by the Canadian National Gallery and is now in their permanent collection. Seaman again worked with Chris Ziegler on the programming of the work. The work presents a text by the Poet Stephane Mallarme -…

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Artist StatementExchange Fields (2000), commissioned by the Vision Ruhr Exhibition in Dortmund Germany, incorporates the recorded dance and choreography of Regina van Berkel. The programmer Gideon May also became involved in this project. The central…

http://w0504.uws.edu.au/adeltaImages/Seaman/watchDetail/Seaman_watchDetail_image1.png
The first major interactive work was entitled The Watch Detail (1990). Video images, sound and text that addressed the subject of time were explored interactively. This work employed Macintosh Hypercard media, that was used to control an interactive…

http://w0504.uws.edu.au/adeltaImages/Seaman/arquitecture/Seaman_arquitecture_image1.png
The Architecture of Association is a large-scale, generative artwork that draws associative links between media elements to form an evolving visual collage. A distributed flow of image, video and poetic text is "intelligently" distributed over a…

http://w0504.uws.edu.au/adeltaImages/Seaman/engine/Seaman_engine_image1.png
The Engine of Engines is a generative sound and video installation that responds in real-time to network traffic in the local environment. In the Hong Kong debut (see video), sixteen self-contained nodes, each comprised of a screen, processing-unit,…

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Artist StatementThe Net.Art Browser is a means of conjoining information space with the museum space and hybridizing the interactivity of surfing the Internet with the museum tradition of wall mounted images. While painting, cinema and TV construe…